Layer Cake and NaNo Pondering

There is no actual cake in this post; I’m rambling about NaNo again, but my birthday is Friday, so there will likely be cake to share then. In the meantime, have a picture of Skye.

Skye has the right attitude.

Skye has the right attitude.

NaNo start date looms ever closer, and I still don’t know if I’m signing. up for the official ride. Part of me wants to, because that’s what one does this time of year, I will be writing (and blabbering about it here) no matter what, so what’s the harm?

The big bugaboo for me is word count. If I focus on that, I get the aforementioned mental muscle cramp, I hate the story, I hate writing, I have to count every single word? Can’t I tell the story? That’s what I came here for in the first place, so why is NaNo trying to distract me with math? Did I mention I failed the really really easy math course in college twice? I love the idea of plowing through to The End; in fact, that’s one of the things I’m working on in my own personal writing renaissance, but there’s one problem with this. I’ve discovered I write most naturally in layers. Did I always work like that? (Long time crit partners, feel free to weigh in  here.) I couldn’t say, but it’s what I’m doing now. Get the bones down, quick and dirty, and then go over it again with a few more passes. Organs. Cartilege. Connective tissue. Muscle, skin and hair. Clothes, makeup, a few accessories, and good to go. How do I fit all of that into a daily word count when it’s as likely words are going to be subtracted as well as added, moved around, turned inside out…did I mention that college math class?

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This is an accurate representation of my first-first drafts, and no, I am not opening those notebooks here. Lots of longhand, lots of bullet points and boxes with swirly corners drawn around them because that’s how my mind works. Different colors of inks and highlighters, sticky notes everywhere. Small Moleskine lives in my purse, in a comfy pouch with all the pens and highlighters and smaller pad of sticky notes. Spiral notebooks (current project, one of the two of which I am working on, at different stages; if I do sign on for  NaNo, I may split my time, automatically putting me in the rebel camp. I am probably going to work on both, NaNo or no NaNo anyway) are both for the same project. The one with the flowery (weedy?) cover is already full, white on black lettering about one third of the way there. Yellow legal pad is one of many culled from my dad’s house (vintage!) and somehow in all of that, the story comes together. Plus bouncing things off a critique partner (only the one for this particular story at the moment.) Don’t ask me how I do that; I just do it, and maybe that’s the best way for me at present.

I love writing again, I can blabber to my CP to my heart’s content without having too many voices get in my head and drown out not only the voices of my characters but my own as well (a big factor in the derailment of the last few years, I am sure) and still keep shoulder to wheel and nose to grindstone and get that story told. I know these people. I know their world. I know why they need to be together and I know why it’s darned freaking hard for them to get over what’s standing in their way so they can do that. The story is getting told, and isn’t that the whole point of NaNo in the first place? If I have to pick between words and story, I am going to pick story. Maybe I’m already fulfilling the spirit of NaNo if not the letter of the law? :shrug:

Skull socks make everything better.

Skull socks make everything better.


To NaNo or Not to NaNo and Happy Albanyversary to Me

 One of the questions that is probably troubling you at the moment is this: How do I know whether I’m a writer? And the question can only be answered with another question: Well, do you write? If you don’t, you’re not. If you do, you are. There’s nothing else to it.
–Nick Hornby

This is one of my all time favorite quotes, but one of my all time favorite writers, and, this time of year, it’s especially apt. We’re ten days out from the start of National Novel Writing Month, and I am not signed up for it yet. I don’t know if I will be, and I may not know until the starting pistol has indeed been fired. This is not entirely a bad thing.

I love the support in NaNoWriMo, love my local group, have met friends through last year’s journey…but the book? Well, I wrote it. Did I make 50K? I don’t think so, but the truth is, I don’t remember or feel like going back to check. The whole thing felt and feels as appetizing as a snack of wet cardboard, so that’s a sure sign that something about that whole particular endeavor was not right for me.

This year, I want to have a different emphasis. Not so much focus on word counts, but on what counts. For me, that’s telling the story, and listening to the story so that I can tell it. Does that always conform to hitting a certain amount of words on a particular day? No. Does that mean the story moves forward? Yes. Are those always the same thing? Not always.

I did Camp NaNo this year, and won that. Had fun doing it, too, and I suspect being able to set my own word count goal helped somewhat. Confession: I am not a word counter. I can tend to obsess if I do keep that in mind, and end up in a fetal position under the dining room table, clutching a stuffed fish (plush) and muttering something about Zwieback. It’s not a fun place to be. In the end, I suspect I will do what is best for me at the time I need to make the decision. In either event, I will be posting and documenting here, because pretty much anything is more fun for me if I can blabber about it.

Washington Park sunset

Washington Park sunset

Two years ago today, my family packed up our entire lives and departed the old country for the brave new world of Albany, NY. My only regret was not being able to convince all our beloved CT and MA friends to move with us (or for that matter, FL, CO, MI, etc; if I could ever have everybody I love in one huge room, that would be paradise.) I cannot say how good it feels to be home. I want my writing and the books that come from it to be home as well. Same with this blog.

It’s all a process. It’s also a journey. Some twists, some turns, some whoa-what-is-thats, but I have to trust that it’s going to take me where I need to be.

Typing With Wet Claws: Skye’s introduction

Skye O'Malley, the kitty, not the book.

Skye O’Malley, the kitty, not the book.

Hello. I am Skye O’Malley, the kitty, not the book. My friend, Bailey, helps out his mom, Sue Ann Porter,  with her blog, so he thinks that I should do the same thing. My mama does not write books or have a blog (she plays with strings that turn into sweaters and things,) but my Anty Anna does, so I will help her.

Most days, my mama and Uncle (Anty calls him Real Life Romance Hero) are out hunting, so Anty hunts from home. Usually, she’s on her glowy box, which looks like this picture below now, because she killed the first keyboard and then had to get a second one. That second one sits on top of the first, and sometimes tries to type things on that first keyboard on its own. I do not think she wants it to do that, but her characters do not always behave themselves either. Writers must be used to disobedience.

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In case you want to know what it looks like where I work (I am a professional mews) this is what Anty sees when she looks away from her glowy box.

Workstation of the mews

Workstation of the mews

Anty says not all of those notebooks are there all of the time, and they really are not. She does use a lot of paper, though. If I am a really good kitty, I get to play with some of it. I like to stay close in case Anty needs some inspiration, or wants to pet a kitty with her foot. In case she wants to feed a kitty, I am one, so it’s only considerate that I stay close by so she doesn’t have to go far. I like to think of myself as a very considerate kitty, so when Anty is home, I make sure to stay as close to her as possible. Unless it rains or I  hear the cat zamboni (the people call it a street sweeper, but I know better) – then I am under Anty and Uncle’s bed.

Typing with wet nails, really...

In case you are wondering if Anty really does type some of these entries with wet nails, she really does. Her trick is to use only the pads of the fingers and not the actual nails. She says she learned that in high school and it still works. I love the smell of nail polish, so if she really is typing with wet nails, I am sure to be extra super close. I am calling my posts Typing With Wet Claws, but if my claws are wet, it is because I licked them. I am a very clean kitty.

Is that good for our first time together? Bailey said that first impressions are important.Hopefully, my posts will help Anty. She says if she sells a lot of books, I can get more toys. My favorite toys are Post-It notes that Anty is done using. I don’t think she is being entirely selfless by promising to buy more Post-Its, but it is worth a try.

Until next time,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Every Keyboard Tells a Story

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That’s the keyboard on my actual laptop right there.  Note the missing H key, multiple keys where the markings were rubbed off, fingernail marks carved into the key that used to say “N.” We won’t discuss things periodically cleaned out from in between the actual keys, or things spilled on them and hastily wiped away, usually accompanied by fervent prayer.

This keyboard (and the laptop it’s attached to) has seen three different states, two different homes, been my companion through three distinct phases of my life (before, during and after the bottom dropped out of my world and I went from writer to caregiver to last family member standing to writer once again.) It’s been dropped, fallen from improvised “desks” made from overturned wastebaskets, balanced on knees sweating in summer heat or swaddled in hand-knit afghans (or my special snoflake fleece blankey nobody else is allowed to touch) and seen a plethora of libraries and coffee shops.

It’s seen the starts of novels, completion of a few, fiery deaths of others, while still others slipped into quiet comas. Some of those will come back, some will sail off into the sunset without me, and I am okay with all of that.  Yet more stories are still to come, and I am looking forward to meeting them all. How many more get to be on this particular keyboard or laptop, I’m not sure, but I’m looking forward to the adventure.

There have been games played on this computer; three different iterations of The Sims franchise, four if we count the Sims 4 demo, and a couple of forays into Second Life. Movies watched, countless YouTube videos, episodes of favorite TV shows, pictures composed and edited. New friends met, final farewells said, willingly or not, when certain chapters closed. New hellos yet to say to what’s still ahead of me.

It’s been a wild ride these last few years, and, in a way, it’s fitting to see the machine that saw me through that much coming to the end of its own journey. Not there yet, but the time is coming, and I’m okay with that.  New adventures are ahead.

One of which is blogging. I’ve had this blog for a while, in various incarnations, but I’m still getting the hang of it. While I do blog elsewhere, it’s easier to write about an external topic. Writing about me, about my own writing, that’s a whole different story, pun intended, but I’m here, and I have a brand new keyboard, so we’re good to go, this old friend and me.

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The Story of H

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I think I’m holding up fairly well, all things considered. The saga of my Not a Cance in Ell adventure is now complete. Parts one and two are here and here. Over the weekend, after slicing my finger on the prongs of the now long-absent H key, the whole key stopped working. First, it took four or five pounds to get one H, which could as easily be a whole line of them: hhhhhhhhhhhhhhhhhhh. Which then needed to be backspaced or deleted, which was annoying because I would want them later. As I’ve said before, H is a very important letter.

There’s personal pronouns: she, he, him, her, them, their, all in heavy demand when writing stories about relaitonships (another H) word. Home, heaven, hell, hurt, help, hover, and several hundred more. Though I do my best composition in longhand, smushing the handwritten pages up to the screen doesn’t work. I worked out time share with both hubby and housemate (more H words) on their computers, did some work on the old desktop and started pricing towers. For personal emails to friends, I substituted an * when I needed an H, so thanks to all who put up with me during those days. I don’t know why it took me a couple of days to figure out I could get an external keyboard, but one quick trip to Staples and then I’m back in business.

Putting a regular keyboard on top of my laptop keyboard took some getting used to at first, but now, apart from portability, it feels very natural. I like the click of brand new keys, no prongs to pierce my fingertips, no crumbs (as of yet) to get in the way. Nothing sticks, and I can keep on going without having to pause to  insert an asterisk. Small things make a big difference, and losing the use of a single key brings that to light in a very big way.

Having a new keyboard is also exciting because it makes me look forward to starting over with a new computer. A recent discussion with a writer friend about clearing the decks resonated. When I set up a guest account on my housemate’s computer, it was a fresh start, literally no old files under my name to clutter the current work, no pictures, however lovely or inspirational, to distract me from my work. All I could do, with a limited amount of time I could use that machine, was set up the bare minimum and get to telling the story. Which, after all, is the point of this entire endeavor. Tell stories, because that’s what I love to do best.

The last few years have been challenging, and in many ways, I’m not the same person I was when this much-loved laptop was shiny and new. There have been many goodbyes, many hellos, a change in geographical region that was, at once, taking a leap and coming home. So, it makes sense that new stories would come, and the thought of telling those new stories on a new machine, unencumbered with the past, excites me in a way I hadn’t expected. I do have to thank that dearly departed H for helping to bring me to that point. The key itself now sits in a place of honor on the desk I coveted since childhood, a reminder of the past to make a bridge to what is yet to come.

The adventure is only beginning.

Five Quick Questions With E. Catherine Tobler

I said I wasn’t done with E. Catherine Tobler‘s Watermark, and the madness continues as E. joins us for a quick chat about her latest release and more…
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1) How did Watermark come to be?

I wanted to set a story somewhat local to me and loved the idea of the Rocky Mountains. What could I do in a small mountain town, I wondered. I began to look at my favorite mountain towns, and then came across mountain lakes, of which Colorado has many. They’re all so beautiful on the surface, but what might lurk beneath? This turned my mind to Loch Ness, and thus to water monsters. This led me to kelpies, and that’s when Pip was discovered. But why would a kelpie be in a Colorado mountain lake? This was the mystery to solve.

2) Pip and Finn’s story will leave readers hungry for more…and flat out hungry. What role does food play in this story?

Food plays an important role in Watermark. There is a long-standing legend that bread is protection against fairies, but I twisted that a little in this book, saying that bread is actually what helps anchor fairies in the human world. Naturally, this meant that one of our fae needed to be a baker! Food also plays a part in rituals for our fairies, as they can entice their own kind with it. There is also the notion that if a human eats fairy food, they’ll be trapped in the fairy world, losing their interest in anything but that world. Food is both attractive and repellent over the course of the book, as fairies themselves are.


3) How would you describe urban fantasy to those who have yet to dip their toes in the water of this genre?

Urban fantasy is often defined by the “urban” part, in that it takes place in a city, and that city becomes as much a character as the walking and talking characters are. I wanted my cities to be worlds, the human world and the fairy world, both at odds with each other, but each containing something the other needed. My actual city is fictional; Peak, Colorado was, however, absolutely based on Estes Park, Colorado, that beautiful small mountain town that exists quite well outside tourist seasons, and probably has an entirely secret life no one knows about.

4) Appearances aren’t everything, and in this story, there’s a lot beneath most every surface. What one tip would you give writers interested in going deeper with their characters?

To definitely remember that surface largely doesn’t matter. Certainly our first impressions of characters will be tied to what we see, but that doesn’t have to be physical appearance. “She was beautiful” are the three words I am most tired of seeing when a writer launches into a description of their female characters. You can show that beauty in another way; what is beautiful about her beyond her looks, too. “Her fingers were as a tangle of yarn over the markings when she studied star charts.” That’s beauty without saying it’s beauty.

5) What’s next?

All the things! This fall, I am starting a new book, because apparently that’s what I do in the fall (just about the time of Nanowrimo, hmm). I have new stories out, too: readers can find “Pithing Needle” in the October issue of Clarkesworld, and “Honey in the Lion” in Betwix #5 . And I’m still dreaming all the Egypt dreams, too.

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Want a chance at winning a copy of your very own? There’s still time.

Excerpt from Watermark by E. Catherine Tobler

I’m a historical romance gal, always have been, always will be, but that doesn’t mean I’m not going to sniff out a great romance nestled in a story of another genre. In this case, urban fantasy. E. Catherine Tobler has a history of beckoning me out of my comfort zone, and her latest, Watermark, the story of Pip, a kelpie sent to the world of humans, is no exception. Pip, in human form, finds there’s more to both human and fae than she first suspects, and there’s the small matter of Finn, a delicious, tattooed baker who is, like much in this entrancing novel, much more than he appears on the surface.
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Intrigued? Try this tasty sample..

Who was he to me? The question rested on my tongue. I did not ask it.

We traced our way through the woods as we had come, Finn holding my hand all the while. Fingers were not so curious to me as toes, but now I understood why. Our hooves left twin trails of prints through the long grasses, prints that were slowly erased in our wake. Wouldn’t a horse be captivated by toes? Wouldn’t a…

“Púca,” he said.

“Can you read my mind then?” The idea wasn’t nearly as unsettling as I expected it to be.

“I’ve a gift for that,” Finn said with care, “but you… You were always different for me, aye?”

He said “aye” the way the king had, slanted with an accent I didn’t recognize—yet it made me ache with familiarity. That was a sound from home. And the idea that I had always been different for him made me stop in my tracks.

“It’s like looking at a lake,” he said. “Most people, I see only what they wish me to, or my own reflection. Some let me below the surface.”

“And me?”

Finn gathered my hands into his. “Earth cups water, prevents it from spilling every which way. Water soaks into earth, letting life grow.”

My nose wrinkled again. This, like Berengaria and Conaire, was nearly too private. It was like looking at something I should not see, even if it involved me.

“Water freezes and earth quakes. Water can flood, smothering ground. Likewise ground can suck entire lakes away.”

Finn’s head tipped in a nod, mane shivering. “Aye, they do. Balance, as Conaire spoke of.”

“You said I was always different, Finn.” I stumbled over his name, knowing the way I knew my own pulse that it was not his true name. The queen and king had not even used that name for him, as if they also knew.

“Faeries do not dream,” he said, “but I think I am. I have a memory of a girl who was not a girl. She watched me through the woods. And I was me, but not me. I was a magical thing she wanted to catch.”

I clasped my hands together, but did not remove them from Finn’s hold. Unlike my own story of the lake and the young girl, I could see none of what he spoke of, but sensed something. A memory?

“She looked for a long while, but I could not tell you how long. She came to the woods every day, hopeful. In the beginning her hands were empty. Eventually, she came with treats. Sugar, cheese, apples.”

He fell silent, and I watched him. Could he see it all so clear within his mind? And then—
“I could show you.”

I only nodded once.

Finn’s hands closed hard around mine, and the wood around us vanished. I drew in a breath even while I had no lungs, no form. I was a small ball held together by Finn’s hands. Around us emerged another wood, not the wood of my lake; these woods were his, I understood. The trees were the color of melancholy, and he was the color of sunlight on snow.

He moved through the trees as a creature I could not name. Not a horse, something beyond a horse, something that glowed and beckoned and there. A girl, with hair as of night, and an apple, green like Yule boughs, and only when she learned to sit did he come.

“Did she catch you?” I whispered.

I watched as the unearthly beast bowed his head, lips claiming the apple, brushing the woman’s palm. My own palm knew that touch, wet velvet.

“Oh yes,” Finn said. “She did.”

~*~

Hungry for more? An interview with E. Catherine Tobler is on the way. In the meantime, explore some Fairy Places and find out how you can get a chance to win a copy of Watermark for your very own.

From Fan Fiction to Fantastic Fiction

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It’s now officially September, and once again, time for From Fan Fiction to Fantastic Fiction over at Savvy Authors. I’ve always loved back to school season, even when I’ve been out of school for quite some time. Discounted school/office supplies (notebooks, notebooks, notebooks) are always welcome, but if I’m teaching my favorite online workshop, it’s even more appropriate. Even though it’s only the first of the month, and temperatures here in Upstate NY are going to be flirting with 90 for the next few days, I cannot tell my brain it is not yet fall, my most productive season, so when the chance to teach aligns with Back to School, I’m a happy camper…er, teacher.

It’s kind of funny calling myself a teacher. In another life, I did study early childhood education in college, but the most important thing I learned from those studies was that I didn’t want to pursue that profession. Nope, writing was going to be it for me, and really, I should have seen the signs. The way I couldn’t wait to run home from class and bang out a few pages of an “epic” historical romance novel on my electric typewriter. Dating myself here, I know, but that was state of the art back when the dinosaurs roamed. Diana R, wherever you are, I will always remember standing in the grocery store parking lot in Montpelier, VT, and feeling warmed down to my frozen toes when you told me how badly you wanted to visit the fictional European country in said manuscript (which now resides in a storage unit, where it cannot hurt anybody.)

That first novel was written before I even knew what fan fiction was, but in retrospect, the influences were clear to see. The story structure came from a favorite author whose epic historicals still hit the bestseller lists today. The hero was inspired, physically, by an actor on a show I wouldn’t miss for love or money, and the heroine had her start as a character I thought would be an interesting match for his character. Everybody got transported into a very vague version (alliteration intentional) of Tudor England (and fictional European country) and I threw absolutely everything I loved onto those pages. Angst, pathos, intrigue, star crossed lovers, and a love that would not bow, no matter what life threw at it.

Not much has changed in that last aspect, because writing those early stories, both fannish and not, taught me a lot about what elements go into a story that is mine, not anybody else’s. Tropes, types, and techniques are all useful tools, but the heart of the story comes from the writer’s loves. People, places, things, scents, sights, sounds, music, favorite books, movies, TV, even the whole shipping culture is a natural breeding ground for great romance stories. Sharing this journey with others always fills me with an extra dose of enthusiasm to put ink on paper and tell another tale.

Seats are still available, so hop on over to Savvy Authors and settle in; I’d love to see you there.

http://ce.savvyauthors.com/index.cfm?fuseaction=Calendar.eventDetail&eventId=1938

Throwback Thursday, Historical Romance Division: November of the Heart by LaVyrle Spencer

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Out of all of LaVyrle Spencer’s books, and I have loved all of them that I’ve read, all of the historicals, and even dipped my toes into one contemporary, Separate Beds, November of the Heart is the one that sticks with me the most. That’s saying a lot. I have to confess, in the interest of full disclosure, that I have had more than one friend (two, at my best recollection) yell at me via email, because they didn’t know this book was going to have so many feelings. That’s why I love it.

One friend even said the title was “too sad” for her, but again, the title sold me right away. I love November, the month of coziness and deliciousness and giving thanks and  world full of color and scent and the holidays only a glimmer away. Turn of the century Minnesota is not an overplowed field in the historical romance world, and the all important annual regatta means everything to both the wealthy father of heroine Lorna and Jens, a boatbuilder pressed into service as a waiter. Slipping plans for a prize winning boat into one’s employer’s dessert is a recipie for disaster, but it also opens the door for a grand and glorious love that defies class barriers.

Lorna and Jens are star crossed lovers, Lorna drawn to Jens and his boat, their connection -it goes beyond attraction- gets tried by class, by time, by life, but when Jens and Lorna finally say the hell with everything that keeps them apart, I want to take a victory lap and toss confetti.  If LaVyrle Spencer ever wants to come out of retirement, I am leaving the porch light on for  her. If not, what she’s left us with is still magnificient.