Welp, it’s June. Safe and happy Pride to all who celebrate. The start of a new month is as good a time as any to hop back on the blogging horse. Storm will be back on the weekend. Today, you’re with me. That’s good timing, because I am feeling more myself today than I have lately. One big sign of that is that I am listening to music again. Since it’s been a long time, that means I get loads of new music to discover. Reading is coming back as well, and, no surprise, vintage historical romance and gothics are indeed my way back to reading.
As thrilled as I am to find one of my top three historical romance, and one of my top two gothic romance authors in KU (and paperback, for those so inclined) I do have to give preference to the original cover:
This book is The Stuff when it comes to finding an Anna-worthy read. The setting is 1720 New England (I don’t think the colony is specified, so insert your favorite.) Our heroine, Adria, is not fitting in with her adoptive Puritan community. For people who spend that much time in church, they might try reading their Bible, because I don’t think they have. Adria gets in big trouble, right off the bat, and her only way out is the choice arguably worse than death — the big scary house on the cliff, Wyndspelle. There’s a job for her there, caring for an ailing woman…and that’s all Adria knows. Adria is a quick study, though, and she can tell that creepy and unknown is better than certain death, so off she goes.
I have read this book, and the whole trilogy before, and I have never read a Vandergriff I haven’t loved. It’s been a while, though, so I expect a few jump scares along the way. I have one of her other reissues, Sisters of Sorrow, a standalone gothic, preordered for the end of the month. I am pretty sure I have a paperback copy of that one in my keepers box, which is regrettably in storage. I am definitely going to need my special books around me as I embark on this new chapter of life. Real Life Romance Hero’s half-anniversary of his passing is this month.
There is also art journaling, which is a load-bearing wall in keeping me together. Some days, it’s all words. Sometimes, like above, it’s no words and an assortment of images culled from any number of sources. Right now, I am focused on using what I have more than acquiring new things. I will repurchase things that I use to completion or have passed their usefulness, but I got all of these things because I wanted to use them, so I will. Discovering things I had forgotten about or neglected feels very on brand for life in general right now, and I am very sure that some of this will spill over to fiction writing.
Right now, thanks to the critique group found through an RWA program, I need to have thirty pages of new fiction by the end of the month. That felt like a lot at first, until, surprise, I hauled out a notebook and started to break things down. If I write five days a week for the next three weeks (the last one is a cushion) that is only three blocks of ten pages. That means two pages per day, or 500 words, if you prefer. I do have a tracker in my regular calendar, so I will report on how that does when I hit my goal. Melva and I are not only proofing the Chasing Prince Charming reissue, and diving into the final-final pass of Queen of Hearts, but have been tossing about some what-ifs for a new standalone, based off a long-ago writing prompt.
That’s going to be it for today, as I need to get my pages in, so talk amongst yourselves, or better yet, say hi in the comments. What’s a vintage author you think more people should be reading?




























