Author: annabowling

Forging Ahead, Reinvention and Learning to Dig

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We never end up with the book we began writing. Characters twist it and turn it until they get the life that is perfect for them. A good writer won’t waste their time arguing with the characters they create…It is almost always a waste of time and people tend to stare when you do!

– C.K. Webb

 

I’ve noticed, lately, that I often get to the keyboard and find I’m not doing what I intended to do. Like with this blog, today. I’d intended to write this entry (well, not this entry, obviously, because today hadn’t happened yet yesterday) on the regularly scheduled Wednesday, because routine and discipline and all the rest of that good serious writer stuff. I did not write yesterday’s entry because I’d gone two and a half nights with no sleep, and my brain and body were so depleted that I couldn’t focus.  (Apart from Pinterest, but we’re talking writing here.)

Originally I’d planned to make this a video entry, but A) forgot about that until I’d already set up for the afternoon at the coffee shop (video entries are best not made in public) and B) my hair and I could not reach an agreement about what we were doing that particular day, apart from a five minute span around breakfast time. I’d planned to still make this a video entry today, but nobody wants to see me with wet hair (trying my best not to touch it while it air dries with product in, because beachy waves, dagnabit, or at least that’s the theory we are testing today.)

There’s a reason I frequently trot out K.A. Mitchell’s advice to A) open the file, and B) change your seat. That’s because they work. So, when I sat in front of the screen this morning, my brain a muddle, that became a signal that it’s time to mix things up. When I retired the previous version of Typing With Wet Nails and started this new one, I’d come to a point where I couldn’t do the old blog any longer. Finding a new clip for Happy Dance Friday became a chore, and Saturday at the Movies, instead of being fun, made my head hurt. So, it had to stop. Clean sweep.

After clean sweep comes more layers. I’d been to a wonderful workshop by Jeanette Grey on making websites with WordPress, and figured it couldn’t hurt. What to put in it? What’s really in my heart and head. That was, and is, talking about the whole writing experience. I love seeing other writers showing off covers and talking about new releases and awards and reviews, and, trust me, I will be one of them in good time, but then there’s the other side of the matter.

There are all those notebooks I have, months of them, filled with venting about how hard writing had become, how arduous it was to get words on the page, how I despaired of ever fitting into the market, how, maybe, I missed my chance and was doomed to spend the rest of my life (a pretty darned long time, I would hope) as someone who could have been a writer. The voice of an acquaintance at a mutual friend’s book launch haunted me. “I knew the author when I used to write,” she said to another guest, and laughed. I didn’t laugh. I shuddered,

Used to write. I can’t think of more horrifying words. (Okay, genocide, fascism, polyester; but stick with me here.) I can’t not-write, and so the writing is worth the struggles. One of my favorite quotes is a Japanese proverb that says “fall down five times, get up six.” That resonates with me, and resonates deeply. In the last couple of days, two writers of my acquaintance have posted about their own difficulties in keeping motivated. I want to let that marinate before I expound (besides this, that is) because I think this is a fairly common malady.

There are a million reasons to quit, but all of them together don’t overpower the one reason to keep at it. I have to write, the same as I have to breathe. There is no off switch for this relentless pull into the story world. That, for me, my natural habitat is historical romance, that, too is organic. The market will change. My need to tell my stories won’t. Logic alone says keep going, and so I do. Muscles grow stronger with exercise, so I keep at it. Fingers on keys, pen on paper, show up, open the file (or notebook.)

When that’s not enough, time to change my seat, change direction. Change my wallpaper. Play different music. Put some goop in my hair. Browse the library stacks. Trust that what I need to go forward is out there, and, if I look for it, remain open to it, things will click. Sometimes that takes a while, and sometimes, it happens in an instant.

With fiction, I’ve come back around to something, I used to do when I’d only first started. Let the characters lead. I’d wanted Hero, for example, in Her Last First Kiss, to be blond and a musician. When he actually showed up, he had red hair and wanted to play with my pens. I tried wooing him back in line by playing the music that was supposed to be his passion; he responded by picking up one of my fountain pens and doodling. Okay, fine. Heroine was supposed to play the pianoforte to relieve stress. Nope. She likes guns.

This brings to mind certain questions- when did all that start? Why that interest? What are you doing with my pens, Hero? These things generally take me away from what I’d intended, but usually to a better place, and I am okay with that.

The good thing about characters being stubborn like this, when they tell me I’ve got it wrong, means that they are real and alive within their world and they are going to  help me tell their story, rather than making me do all the work completely by myself.  I like to think we make a pretty good team.

 

Monday Morning Brain Dump, With Notebooks

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Urgh. Monday morning again. I have shown up at the keyboard, which is an achievement when I’m coming off another night of no sleep. I hate insomnia. Brain races a million miles an hour, but will it focus on something useful, like the WIP? Nope. Not a chance on that one. Late night Pinterest pinning sprees are about as close as I get on that front.

Most recently, I started my Pen and Paper board, which is here. Not enough caffeine in the world to figure out why my computer says I can’t share the screencap I took of my own Pinterest page with myself, so click on the link to see all the pretties. Pens and notebooks, that’s it.

Since I’ve become more serious about my interest in notebooks, I’ve been doing more research, and my wish list is growing. Moleskines are still my workhorse, supplemented by Picadilly and Markings -I really need to do a comparison post/video on those soon- but I have found I’m not as immune as I used to be for the other brands out there.

The newest “must try this or a part of myself will forever mourn” item is this. Leuchtturm 1917 A5 Medium hardcover notebook in berry, with lined pages. Need. I love that the pages come pre-numbered. I love the color, which goes perfectly with my laptop. I honestly can’t tell if the pages are white or ivory. I strongly prefer ivory, but if this paper takes fountain pen ink as well as I’ve heard it does, I am willing to make an exception. I also have a strong thirst for a large Moleskine Volant, a format I hated in the 3×5 size, love in the mini, and now want to revisit in my preferred size, 5×8. Gray is first choice for color, purple second, though there are new colors that look interesting, too.  The books may have to go into a leather cover, because the plastic feel of the books themselves feels off to me, but perforated pages all the way through? I have to give that a try. Maybe blank pages, rather than lined, but lined might be all right also.

There are actually a lot of notebooks I haven’t tried yet, and the whole fountain pen world? Only dipping my toes into that. Which reminds me, I’ve never even held a dip pen, but the mere thought of that makes me feel closer already to the eighteenth century people currently taking up space in my head. Hero and his letterbox and his sketches, (I seriously cannot draw worth beans, and I’d originally wanted him to be a violinist – I also cannot play the violin- but nope, he went right for pen and ink, so here we are) and Heroine and her ledgers (that, I can get. Keeping track of stuff is important) and my natural affinity for longhand make this an appropriate pastime.

Certain notebooks work for certain things, I’ve found since I’ve become serious about the habit, and no, any old notebook won’t do. There was a time when I thought that was the case, and I was wasting time and money and mental energy by using pretty paper (or making plain paper pretty) but I’ve found that’s not the case. It’s a natural and needed part of my process. Using notebooks has taught me a lot about the way I write fiction. Slap something on the page, anything, and get it moving. If I don’t like what’s down there, I can change it. I can rip it out. I can tape it together. I can cover it. I do not have to be perfect on the first try, which is a misunderstanding I’d been laboring under for longer than I care to admit, even here.

It’s okay to say, “this isn’t working. I’m going to try something else.” The thoughts, feelings, images, words, stories, all of the above, that I want for project X may not come at all on lined paper, but move to dot grid and work in boxes rather than paragraphs and :angels sing: there we go. Pen and paper matter. An old Japanese proverb says that a poor workman blames his tools, and there is some truth to that, but finding the right tool can make the job all that much easier.

 

 

 

 

 

Typing With Wet Claws: Scribbling Furiously Edition

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Hello, all. Skye here, for another Feline Friday. I am pawing it once again in regard to topic, because Anty is hard at work on Her Last First Kiss. Now that she knows she has an assignment to turn in to Miss N on Tuesday, she is not about to let anything stop her. This can be both a good and a bad thing.

The good thing is that a writing Anty is a happy Anty. She knows where this book is going, and she has the new opening roughed out, so it is now time to smooth that out and show it to an actual other writer human, in person. A writing Anty with a deadline is also a very focused Anty. When Anty does not have a tight focus, she will try and write in the living room, because that is where the glowy box is when she gets up in the morning. The problem there is that the rest of the family has access to the living room, because it is for everybody, not only for Anty, and they want to use the room, too. Since Anty is focused, she is doing more of her at-home work in the office.

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The view from Anty’s seat

 

That room still needs a lot of work. You can probably see the big glowy box screen behind the pink glowy box. That screen goes with a glowy box that stays on the desk (well, next to it) but is too old to run the Internet or, more importantly, Sims. Anty is figuring out how to get a better big glowy box in there, but for now, Anty brings the pink glowy box into the office in the morning, makes a list of what she has to get done, and then she will come out when it is lunchtime. Specifically my lunchtime.  Until then, she can put all her attention on the book, stick those pink things in her ears, so only she can hear her music, and get to work. What comes out of Anty’s head at first is very rough, and needs several passes before she can show it to anybody. With this scene, she grumbles a lot about too much happening inside Heroine’s head. Even I think she is going to have to fix that, and I am a kitty, so I can only imagine what other humans would have to say.

Besides the first scene, the other thing Anty has to do is make a list of all the characters in her book. When they make their first appearance in a scene, Anty has to write their name down on a separate paper (probably in a notebook, or copy it to a notebook from the scratch paper) and then write who they are and what their relationship is to the other characters. She can also put anything else she wants about the characters in that description, but that brings her to a place where she does not want to go.

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I do not think I like overthinking.

 

I am talking about overthinking. Anty is really, really, really good at overthinking. She can think about one thing so much that she gets paralyzed in her thoughts and cannot go any farther on that topic. That has meant some miscarried stories in the past. She does not want to go that way with this book, so she is trying new things to make sure that does not happen again.

One of those things is writing her first-first pages in present tense. For example:

Skye sleeps in the sunbeam.

Rather than:

Skye slept in the sunbeam.

That way, for Anty, the story is something that is happening now, and she can alter it as she goes, rather than something that has already happened, and is set in stone. She did not know she was thinking that way until she talked with some other writer friends, and started reading books for almost-grown humans. Those are sometimes written in present tense, and it is a good way for her to get her brain working and moving forward. It lets her take in more of the scene that is in the movie in her head if it is happening “now,” so it is like noticing rather than remembering.

Once she has that on the page, then she can go back and revise what she has already written. She can put the present tense into past, and see if she can get things out of characters’ heads and into action or dialogue. That part can make her edge over to the crabby side, but it is all for a good cause. She will be better once she has the revisions made and can get some feedback.

Anty needs the computer back, because it is story time, so that is about it for this week. Until next time, I remain very truly yours,

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Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Talking With Wet Nails

annabowling 1 Comment

New title for video blog posts today . These will now be under the heading, “Talking With Wet Nails,” because it’s catchy, and that’s my best attempt for a title today. Still need to come up with an appropriate graphic, but that’s a problem for Future Anna.

Note that I am not actually doing my nails in this post, because that would be awkward, messy and probably boring. I did, however, stumble into the captions function, so we’ll see how that goes.

I’m hoping to make this a more frequent feature here, as part of my effort to stop being as quiet as I have been lately. This also means I only have to write-write one blog per week, as Skye still has Fridays. Innovative and labor saving. I like that.

 

 

TLDW (too long, didn’t watch) :

Autopilot

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“No story is a straight line. The geometry of a human life is too imperfect and complex, too distorted by the laughter of time and the bewildering intricacies of fate to admit the straight line into its system of laws.”
 –Pat Conroy

This isn’t the blog post I’d intended to write, or when I intended to write it. This should, theoretically, have been Monday’s post, but Monday was a holiday, and, since I’ve been dealing with a bout of insomnia, I’m on the punchy side of things. This will pass in time, but, in the meantime, there comes that moment. Sun comes up after a long, sleepless night, and I’m faced with the mixed emotions of a) looks like I made it through the night, and b) now I have to function like a normal human, only on no sleep. The best way I’ve found, when my brain won’t track with what I want it to do, is to go on autopilot. Do what I would normally do if I only had a brain. Cue the Tin Man from The Wizard of Oz. Or was that the scarecrow? Honestly, after the last couple of nights, I have no idea.

Enthusiasm carried me through my breakfast meeting with N, my local writer friend, where we hashed out our plan to keep ourselves and each other on track with our current projects. Slightly less enthusiasm and a second cup of tepid tea (Dear Panera Manager: water that was hot at 5:45 AM is no longer hot at 11AM. Is it that hard to pay attention to the water carafe while checking on the coffee urns?) got me to the library with Housemate, and my first crack at this post, which ended up  mostly as an explanation of what it’s like to be up all night. I stayed with it, in hopes that I would bore myself to sleep. No such luck. Lunch helped some, and there were a couple of minutes of slightly lower than usual eyelids, but then I hit the “need to do something or the whole day is gone” stage.

Cue autopilot. As I’d said to N earlier today, my brain knows that, when I take a picture of my workspace, and post it to my Instagram, then I’m committed. Accountability works for me. I can find loopholes if I’m only accountable to myself, but tell somebody else? Have to do it, then. So, though a bit later than usual, and with absolutely no idea what to write, here I am. I have no idea why the computer refuses to post the picture of my actual current workspace, but this morning’s picture will do. Okay, it says, here we are, in front of the keyboard, the whole Internet knows we’re writing, so off we go. Not that it’s always going to be my best work, but at least I’m in the neighborhood. Much better than getting to the end of the day and then kicking myself through the entire sleepless night that I didn’t get anything done.

Speaking of those sleepless nights, I’ve been thinking of going nocturnal until the insomnia passes. Steer into the skid, as it were. I don’t like not sleeping, and trying to make the sleep I’ve missed during the day is dicey, apart from the odd nap, (which is usually very odd indeed) but if I’m going to be awake all night, can’t I at least get something productive out of it? That doesn’t seem like too much to ask, but we are talking about the creative process here. It’s not always going to make sense.

Maybe that’s part of the whole deal. Maybe these sleepless nights, moving from bed to recliner to kitchen stool, to fuzzy blankey on the floor in front of the heater (Skye’s favorite place for me to hunker, I’m sure, as she is my fuzzy shadow on these midnight wanderings) is time when my story brain is working things out without cluing the rest of my brain (heh. Rest. I see what I did there. Unintentional, but it can stay.) in on the process. I wouldn’t rule that out, and Hero and Heroine are very much welcome to come keep me company when the sandman won’t.

Barring that, well, I have that nice tall stack of library books. We’ll see how it goes.

 

 

Typing With Wet Claws: Story Brain Edition

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Hello, all. Skye here, for another Feline Friday. Anty did not tell me what to write about today, so I am going to have to wing it, or, in my case, paw it. I do not have any wings, because I am a kitty; only paws. I use them for walking.  Only birdies have wings. Also bats, and some insects. Maybe also Pegasus (I do not know the plural form of that word, but it is a horsey with wings. I am not sure if they are real or fictional, but I do not want to find out by meeting one. They sound scary.)  I think Anty letting me say whatever I want today shows a great deal of trust. I will try to show her she did the right thing.

Most of this week can be divided into domestic tornado management and writing. Anty also found time to get to the library, along with Mama, and bring home a bunch of books. Eight of them, which is a lot, even though Anty says it is a reasonable amount. These are the books:

Anty picked them all. Mama did not find any books she especially wanted to read, but she wants to read some of the books Anty picked, when Anty is done reading them. So far, Anty is close to mostly through one. One. Anty needs more reading time. I would suggest that Anty try using some of the awake-in-the-middle-of-the-night time for reading, but the last time I did that, she looked at me like this:

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That is not something I want to go through again, so that was the last time I will make that suggestion. Anty is doing laundry at least once tomorrow, so that is two hours of potential reading time right there. If it does not turn into writing time, that is. Which it might.  One important thing to know if you have a writer in your life is that pretty much any time can turn into writing time. That comes with the territory, and does not only happen when they are in front of a computer or have a notebook at hand (although Anty usually does have at least one notebook within reach.) Many writers, including my Anty, do not have an off switch. Sometimes, it would be useful if they did, but they do not. At least mine does not.

We do not have any pictures of the Anty Has Story Brain look, and that is probably a good thing. Mama and Uncle and I have learned to recognize it, though, and I think some of the humans who work at the coffee house. Twice, this week, Anty has had a coffee house human remind her that her tea is right in front of her and she can sit down now.  Some of them know it because they are writers, too, and give the gentle prompt as a matter of professional courtesy. The best way I can describe that look is sort of blank, staring off into some place that is not there.  Maybe I should say it is something non-writers cannot see, because merely because something happens inside a writer’s mind does not mean it is not real. Making things in their heads become real is a big part of writers’ jobs, so it is no surprise that it happens when it happens. Sometimes, often in the car, Mama will notice Anty is too quiet, and ask “are you writing?” Almost always, Anty says that she is. Once, Mama asked, “How are Hero and Heroine?” Anty laughed, because that was where her story brain had gone.

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a very small portion of story brain

 

Anty says that, at least for her, story brain is a sign that she is on the right track, and the characters are doing their parts. It is like a movie in her head that plays itself and she has to get it all down. Maybe it is somewhat like recapping TV shows, except that there is no remote to pause things and she has to do it all in her head. I think the inside of Anty’s head is probably very messy, filled with pictures and sounds and bits of movies and snippets of songs, remembered smells and parts of ideas that started out as something else, but took on their own form after they swam around with all the other stuff for a while. I can imagine it is very easy to get lost in there at times, and that is why it takes Anty a little while to come back from it when she has to do things like go to the grocery store or figure out where Uncle’s sweater went.

Story brain is a lot better than lack-of-story-brain. Anty wrestled with that for a long while, and it was not pretty.  I am not sure that story brain is that much prettier, as her office looks like a tornado hit it. More books are coming out of boxes and going into her bookshelves, moving around so books she wants easiest access to, like the library haul, above, are the ones she can get to fastest, and books she never ever looks at can get ready to go to new homes. Right now, she needs books that will help  keep her moving forward in telling Hero and Heroine’s story, and those that don’t, need to go away. She says I can share pictures when she gets things neat again, but not right now.

Right now, Anty needs the computer back so that she can write more about Hero and Heroine, so that is about it for this week. Until next time, I remain very truly yours,

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Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Midweek Rambles and New Book, Take Two

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I dwell on love stories, on characters who struggle hard to become the best people they can be, who defy the odds to grab the brass ring of honor, and earn their way to a committed, healthy, loving relationship.

–Grace Burrowes

This isn’t the blog post I set out to write. I thought it was going to be, as my now-weekly Tuesday morning meeting with local writer friend, whom we shall call N for now, lit a spark, and when she asked if I knew what I wanted my writing focus to be this year, I didn’t even have to think about it. Her Last First Kiss, duh. I haven’t loved a story like this in a long time, and haven’t felt confidence in my own writing in longer than that. I was going to write about focus and purpose, and then I put fingers on keyboard and it all fizzled.

My first instinct was to apply a favorite bit of writing advice, and change my seat. In this case, that meant switching from words to images and photographing the notebooks and legal  pad I am currently using to work on this project. There were several pictures taken before the one I used, and no, you cannot see them. You cannot see the picture of my office desk that was fine, except for the jarring addition of two legs covered in light wash denim, because my computer tells me I don’t have permission to alter the picture I took with my own phone and emailed to my own account, so that I could crop it, but whatever, I will survive. You cannot see the beautifully arranged and edited shot of open notebook pages, which I really like, because that has text I’m not ready to share yet, and I am not opening my old laptop and doing the do-si-do of transferring the picture to jump drive, waiting for the old laptop to boot, blurring the text in Photoshop Elements, transferring that to jump drive and then uploading that. If I go through all that trouble to boot that machine, forget it, I’m playing Sims.

I am giving that serious thought right now, because I set aside all the resources I’d need to get the work I intended to do at the coffee house this afternoon done, and then left one hundred percent of them at home. D’oh. Including phone, for obligatory workspace picture. Double d’oh. Is it Friday yet? No? Phooey. I want Friday. I want Friday and a pizza and a bag of gummi bears as big as my head (the bag, that is, filled with regular size gummi bears, not one giant gummi, even if it is skull shaped.) A bottomless cup of Lapsang Souchong wouldn’t hurt, either. In short, I’m tired and grumpy. Best thing I can do at this point is to craw inside a good book and trust that I will un-grump in time. (Though the pizza really would help.)

I’m not sure how much I want to talk about Her Last First Kiss at this stage of the game. I’m not sure I’m ready to even “speak” my hero and heroine’s names here. That’s new for me. I’m a talker, and there is no surer way to kill a story than to not tell anybody anything. Not sure where the reticence is coming from here. Maybe they need placeholder names so that I can talk about them without talking about them. I may need to clear that with them first.

Both my hero and heroine have trust issues, and, as I often find true in my stories, there are a lot of identity issues for these two. Hero (will he let me call him Hero? He certainly doesn’t think he is one. He’s never done one heroic thing in his life. Really more the opposite. Not cowardly, exactly. He’s not afraid, in the usual sense of the word, but he does acknowledge that there isn’t a good reason for him to exist. He doesn’t matter. He’d like to matter. He’d like to belong.) and Heroine (Pfft. Heroine. Look at the romance writer, throwing around those fanciful terms. She’d think I would know by now, after the time I’ve already spent with her, that there aren’t any such things as heroes, of either gender. Heroes believe in things. Heroes have causes. All right, she has a cause, but it’s a moral obligation, not an ideal. There’s a difference.  She’s protecting her own. She doesn’t have any ideals. She wouldn’t know what to do with them if she did.)  collide in their first meeting, and the fallout is messy. It gets messier.

Hero and Heroine have, so  far, dragged me places I never thought I was going to go. The new opening, the one I raced home from my from last week’s meeting with N to furiously scribble with pink fountain pen, very firmly pulled one of my own personal triggers. Not the place I had planned to start a love story, but that is where the story starts. If this book has begun the way it means to go on, I am fastening my seatbelt. It’s going to be a bumpy ride. Which reminds me, I have a carriage accident scene to write.

Backing Up and Moving Ahead

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“You do what you can for as long as you can, and when you finally can’t, you do the next best thing. You back up but you don’t give up.”
–Chuck Yeager

 

Another Monday, another blog entry. Not feeling it today, but discipline and practice are both important, and I find that putting order to chaos satisfies me, so here I am. Morning spent doing housework with help of Housemate. This often consists of her sitting there and letting me chatter at her, as it was today, with me sitting cross-legged on the floor, the box fan in front of me, as I took apart the covers both front and back and cleaned that sucker with grapefruit-scented all purpose cleaner and paper towels. Odds are we aren’t going to be needing that fan for a while, as furnace keeps us toasty warm, and it is January, after all. So, into the newly reorganized closet for our biggest fan. I promise I only do this to mechanical fans, not readers. No reverse Misery-ing here, and, besides, readers are good to have around during all seasons.

The great Christmas ornament harvest of 2016 went well this morning. Good crop, and we hope for an even better return next year. As much as I love the whole process of decorating for Christmas, and will inspect the placement of garland and ornaments (the fact that we use a pre-lit tree is probably best for all involved, lest I get nitpicky about light placement as well; I have in the past.) taking things down is a much quicker and more ruthless process. Down come the lights, coiled, tied, boxed. I pluck ornaments from the tree like ripened fruit, in a matter of seconds. It’s all over in a handful of minutes. This year’s crop is planted in the storage boxes, labeled, and can now germinate for next year. Maybe next year will be the year I finally go for a second tree, which would have black and white ornaments only. Supplemental tree, not replacing the traditional one; I have to have my tradition.

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When I’m at a loss for what to blog about, my guiding phrases of “clean sweep” and “more layers” push me in the right direction. Taking down the Christmas décor and making better use of the closet space fits both of those criteria, as does yesterday’s library trip. Yesterday was a tough day, tired, emotionally drained and frazzled at the same time, and I strode through the library doors with one specific purpose in mind. I was going to grab an armful of romance novels.

I’ve written, recently, about how it’s been difficult for me to read a lot of more newly produced work (part of this, I am certain, is due to my reluctance to jump into the middle of a series of linked books; have to start at the beginning, for me, and there are a lot of series.) This time, I knew what I needed; romance. Historical romance. That’s my reading and my writing home. No matter what happens between Once Upon a Time and Happily Ever After, I know I am going to get that Happily Ever After, so pretty much anything is fair game in between those points. I did end up plucking a current release from the shelves, Cold-Hearted Rake, by Lisa Kleypas, which I started reading as soon as I got home.

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That’s the whole haul, for those who were curious. I’d gone with a vague hope I might find one of the Russian-related historicals on my list (and did, with Forever in Your Embrace) and fingers crossed for a Georgian (but not Regency) setting (When You Wish Upon a Duke delivers on that front) but, apart from that, nothing more specific than wanting a good grounding in my favorite genre. Carla Kelly always delivers on the emotional impact, so that was enough to put the book in my hand, and it had been a while since I’d read a good time travel, so The Last Cavalier fit that bill. If I could hit the snooze button on the calendar so I could snuggle beneath my fuzzy duck blankey and read them all, with endless cups of tea at hand, I think, at this point, I would.

Life, unfortunately, doesn’t work that way, but I can make sure I get some pages read every day, the same way I make time for my morning pages and have to at least touch one of the current fiction projects every day. As K.A. Mitchell, whose wonderful workshop on character relations this past Saturday gave me even more layers to slather on Her Last First Kiss, has said, open the file and change your seat. I have to open the file, or open the notebook. When I do, well, it’s right there. I have a pen in my hand, or the keyboard is right there, too (usually both, in most cases; that’s how my brain works best) and who would it hurt if I took a poke or two at things, hm?

Thanks to a talk with a new writing friend, who listened to me whinge about how hard it’s been to find where I should (note that should, there) including roundabout analogies and a diagram drawn on a napkin with rollerball ink, I am getting the chance to do both the clean sweep and more layers things at one with Her Last First Kiss. What, she asked, was the moment that changed my heroine’s life forever? What permanently took her off the path she always thought she was going to walk in life? Huh. Well. Had to think about that one, and then the answer came out all on its own. When her father left.

Sure, she was seven then, and I didn’t want to start that far back, but darned if the whole scene didn’t play itself out on my walk back home from that meeting. I sat down at my secretary desk, with notebook and fountain pen, and out flowed the whole thing. I didn’t have to yank any teeth. Didn’t have to force anything. Huh. I…remember how to do that. Don’t write a book. Tell the story. Remember back when I didn’t know all the rules, but blithely wrote down the movie in my head? Yeah, that.

Clean sweep. More layers. Easy enough when I don’t think about it.

 

Typing With Wet Claws: New, Old, Hot and Cold Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday. It is also Frozen Friday. Our furnace is down (oddly enough, it has nothing to do with fur, although “fur” is right there in the name. Talk about misleading.) and the Heater Human is down in the basement now, working on it. This has been going on for a couple of days (do not worry, he goes home and hunts for parts and things and does other jobs and then comes back; he is not a prisoner.) and we are all ready to be warm again. Although I have a built in fur coat (maybe it is called a “furnace” because it is for humans, who do not have fur, and therefore need an external source of heat?) the humans do not, so they are wearing layers of clothing, wrapping themselves in blankets and drinking lots of tea.

Normally, lots of tea makes Anty happy, and it still does, but it is better when it is a choice and not a necessity. Anty is used to having cold times once in a while; we do live in New York, after all, and Anty has lived in the northeast most of her life. Uncle is from California, so this is a little different for him. I think he will be happiest of all when it is warm again. Heater Human says that if he cannot fix things on this try, he will get another Heater Human to come and  help. Things will be back to normal soon, which is a good thing. While Heater Human is still on the job, he has to ring the doorbell when he wants in. The doorbell is loud, and I hide under the bed when I hear it, in case it is the catpocalypse. (That is like the apocalypse, but aimed specifically at cats. So far, I have avoided it.)

Snuggled under blankets, with a cup of tea, is a comfortable state for writers, especially those, like Anty, who write about times long ago. To them, this would be normal. Cold weather means extra layers of clothing, gathering around the fire (I am sure that kitties made certain to get the prime spots in front of the big fireplaces when there was such gathering to do) and telling stories, making music or playing games. Also art. Anty has found that waiting for Heater Human to report his progress is a good time to take care of tasks she can do with frequent interruptions (writing is not one of those) and not much brain power.

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One of those things is going through some art supplies she inherited from her papa and seeing what can still be used. These tubes are a kind of paint called gouash. They are older than me. A lot older. They should be a very thick liquid, but they are solid. Anty did some research and found out that gouache is a special kind of paint that stays alive even when it is hard, so she had to find out if that was true.

It took some boiling water and some patience, but most of the paint can still be used if she adds some water to it. Now, the challenge is how to get it out of the tubes. Maybe the humans at the art store can help her with that. Getting these paints to work mean that Anty has another thing she can use in her art. The orange page below is painted with gouache, and is now ready to have other things up on top of that.

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Anty is also trying out some pencils, both colored and the regular kind, that were in the same box with the paints and her fountain pen. She thinks of these things as buried treasures. They might have been created a long time ago, but she can use those older things to make new things, from her own imagination now. It is the same way with writing. Sometimes, an idea or a character that did not work at one time, but also did not go away, can come to life at a later date. Sometimes, they can be even better when rediscovered than they were when they were first put away.

Now I have a confession to make. I stopped a lot during the writing of this blog, to investigate the heater below the window seat. It smelled interesting. Very interesting. That is because Heater Human really is a super hero, and made the furnace work again. It is also something older that worked when something new was added to it, which fits with this week’s theme nicely. I could not have planned that better. Now we are toasty again, but I think Anty will still consume the same amount of tea.

That is about it for this week, so, until next time, I remain very truly yours,

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Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

A Handful of Dreams and a Blogful of Opinions

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I’ve been reading a lot of older historical romances lately, mainly those first published in the 1990s. Many of these are standalone stories, in the truest sense of the word, not parts of any series, so anything can happen, to anybody, apart from the HEA we are guaranteed by the end of the book. The  hero’s charismatic best friend isn’t exempt from villain status, because no, we aren’t going to need him to be the hero of book two or there, because there is none. One hero, one heroine, one HEA, off into the sunset, done and done. That’s how my story brain naturally works, anyway, and I’d been craving the big, thick doorstoppers I used to devour (and still can, because keeper shelves and UBSs and e-books, yay publishing revolution) so I dove into this subgenre once more, with overwhelmingly positive results.

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One of my best (but not surprising) re-finds was Barbara Hazard. I’d re-devoured her Georgian historical, Call Back the Dream, and wanted to dive into the sequel (I know, I know, I was talking about standalones only a minute ago, but bear with me; this is going somewhere) immediately afterward. I thought I’d packed that in the same box with the original, but then it would have been in the same bookcase. It wasn’t. Instead, there was A Handful of Dreams, also excellent, and completely unrelated.

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I didn’t remember too much about A Handful of Dreams, though I’d first read it when it was fairly new. I remembered the scene where child Sally catches a coin tossed to her by a British soldier on horseback, but didn’t remember if that soldier would turn out to be the hero or not. As I read on, I still wasn’t sure. I did remember, very clearly, the fictional Sally’s abusive first marriage, her return to her family of origin, and her placement as the companion of the daughter of a different soldier.

Let’s say that Sally and her employer’s daughter had different expectations of the relationship and leave it at that. I’m not sure if that might have been explored differently,  had the book been written today, and that’s something I will likely think about for some time. Sally’s employer decides it’s time for Sally to move on, and her situation, as it were, becomes a commodity.

A friend of the family, Harry, Lord Darlington, purchases the care of Sally, and his treatment of her didn’t -on either read- strike me as particularly heroic. He’s a cold father to his children from other relationships, including two marriages, even when Sally expresses her desire for the children to be part of the family. As a work of historical fiction, this works fine, and that’s how I read it this time around. There’s a friend of Harry’s, who also takes a liking to Sally, and there was a good portion of the book where I was thinking maybe I’d misremembered and he was the true hero.

Not going to give away spoilers, because there are two sorts of readers involved here; the ones that are going to track this book down o they can read it themselves, and those who will not, because old book, who cares, or they don’t read romance anyway. Either way, I finished this reread a couple of days ago, and, as much as I’d like to read another romance, my brain is stuck here. Lots of thinking.

Were I to publish this book today, I would class it as historical fiction rather than romance. Sally does find love, and that love is reciprocated. There’s even an acceptable heroic grovel on the part of the gentleman who fills that role, but, in the end, this is really her story and not theirs. I am okay with that. Romantic elements, yes, but this book is about Sally’s life, her struggle to find her place in the world, and the effect the cards she was dealt do have on what she can do.

Sally starts out Irish and poor, in the early nineteenth century. She’s also beautiful, exceptionally so, and that gets her noticed, not always for the right reasons. This is one of my favorite types of characters, where that beauty has its perils as well as its perks. There are those who don’t look below the surface, those who assume a certain set of facial features means a certain personality or mindset, when that couldn’t be farther from the case. Sally’s options are limited. She’s not educated, she doesn’t have a lot of power, but she is smart and she is strong, and she is a woman of her time. That’s important.

Some aspects felt  a little too neat to me, others a bit rushed, and. for a historical romance, there isn’t a lot of emphasis on the relationship that should be the center of the story. I’m not sure I would have chosen the same hero, were this my story to write, but it wasn’t. I’d love to talk to the author, but without contact information, that’s not likely, so some of these things are going to muddle around in my own mind for a while. Maybe some elements will transfer and transform in my own work, but for now, I’m still thinking