Books

Missed (Fictional) Connections

annabowling Leave a comment

I am a planner. I need to know where I am going, and how to get there, or I will spend an inordinate amount of time circling the metaphorical roundabout, looking for the on-ramp, until I run out of gas and abandon the car entirely and head off on foot. From there, I will probably wander the moors, my lantern held aloft in the whipping wind. In the distance, a wolf howls. In short, this never leads to anything good.

Especially not in the whole area of a sustainable writing career. Which means time to plan. Conventional wisdom, right now, at least as it applies to historical romance, is that the best chances of success (as in financial/sales/building reader loyalty) are with connected books; at least three books in the same story world, preferably five. The most marketable setting right now seems to be Regency England (not my cup of tea) followed by Victorian England (same; I suspect I was born without the nineteenth century gene) and :drumroll please: Georgian England. Georgian England, I can do.  Since I’ve already set my focus, for the time being, on eighteenth century romance, this gives me a place to start, and a foundation on which I can build.

My natural bent, and still my preference, after all these years, is still my first love, the standalone romance. One pair of lovers, one story, one HEA, wave them off into the sunset and then on to something else entirely. Basically, “Well, medieval France was nice :dust palms: I’m thinking…:drums fingers: Gilded Age New York next, and maybe pirates after that. Who’s with me?” That last bit might be best read in David Tennant’s Tenth Doctor voice. Go back and read it in that voice if you’d like. I’ll wait.

I also have a strong preference for selling books over not selling books, so this means it is an opportunity to learn new skills. Last night, I sat in my uncharacteristically quiet office, the window open, no music playing, only the sound of the rain on the street outside, and looked over some options. While I browsed blog archives by other, more successful, historical romance writers, I also poked around my private Pinterest boards regarding projects currently on the back burner. I opened the board I’d kept for my Regency crash-and-burn, and de-Regencied the whole thing in one go. Wiped out every single pin that pegged this story as taking place in that particular era, no exceptions, and, immediately, I felt…relief. Now, what about reimagining this story as a Georgian? Possibilities there. I think it could work. I’d have to move some things around, but the hero and heroine wouldn’t have too drastic changes, and their love story stays the same.

Which got me to thinking about other orphaned manuscripts, set aside at various stages. Would it be possible to take the most viable of those orphans and stick them in the same story world? Now that I’ve accidentally found out how to include pictures in Scapple, I can throw my various people on the same page, along with a bunch of things that inspire me in a more general sense, and start making connections.

This is new for me. Melva Michaelean and I have planned out two more books in the same world as Chasing Prints Charming, but this is the first time I’ll have taken on something like this on my own. It’s an adjustment, and a challenge. Can I make things work together? How are the characters going to fit together, when they’ve been in their own corners up until now? The only answer I have at present is that I will soon find out, and that I will likely surprise myself on more than one level. Thinking in terms of “and,” not “or” is a big help here. I can still write my standalone stories, and I am fully aware that those may be a tougher sell, or present a smaller return than linked books. I am fine with that. It’s a good balance.

The next step here is creating that world. Part of me thinks this could be fun and the other part already has a headache.  To bring this back full circle, I am a planner. I want to know what I’m doing while I figure out what I’m doing, and, at the same time, I want some of the connections to make themselves. That’s probably part of the whole flinging everybody on the same electronic whiteboard process. I already know I’m going to have more than one artistically inclined character, and probably more than one of the gents will wear or have worn regimentals at one time, but those are places where connections can start to form. Where they go from there, remains to be seen.

Last night, while poking around my desk, I found the bunch of index cards, pictured above, with chapter headings written on the top line of each card. I have no idea what project these were meant for, but rather fortuitous that they surfaced when they did. Maybe it’s a sign. What do you think?

AnnaSelfieComment

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Thank you for your response. ✨

Typing With Wet Claws: Hangover Cure Edition

annabowling Leave a comment

Hello, all. Skye here, for another Feline Friday. This has been an interesting week around here, but more on that later. Anty finds it ironic that her picture of me this week is of me asleep, since Anty did not get a lot of sleep herself, but not to worry. I can more than make up for the sleep she does not get.

Before we get to anything else,  I have to talk about what Anty has done on the interwebs this week. As usual, she was at Buried Under Romance on Saturday, though she forgot to send out word that she was there. It was that kind of weekend. Oops. Anyway, this week, she talks about libraries. That post is here and its link on the main page looks like this:

BURlibrarybaby

Even though Anty did not get a lot of sleep this week, she used some of that not-sleeping time to get some reading done (finally.) She read so many books, in fact, that I had to put them all in one picture. Links to Anty’s reviews of the books she read this week are below. Click on the link to read the review, or check on her Goodreads reading challenge progress here. So far, she has read twenty-four out of ninety books, and is only four books behind. Keep going, Anty. I believe in you. These are the books she read:

All together, they look like this:

GR4reviews

Not too shabby there, Anty. If we break that down, that is two YA books, one nonfiction, and one historical romance. After Anty read Fair Day, and Another Step Begun, she wanted to read a medieval romance that was based on medieval legend, and she pretty much did, with Agnes Moor’s Wild Night. A tournament like the one in the story actually happened. Anty was very happy to find that out in the author’s note, even though it is fact instead of legend. Anty says that is close enough. The author is Miss Alyssa, whose workshop Anty did not get to see. Anty is still salty about that, but she does have another of Miss Alyssa’s books on her TBR shelf, so that helps a little bit. She is still looking for some (preferably older) medieval with that ballad/legend feel, so if you know of any (or have written some) let me know in the comments, and I will tell her.

This has been a very interesting week around here. Normally, Anty on a double book hangover would be enough to deal with, but Uncle has another new job. He is very happy about that, which makes Anty happy, even if she still could use another nap or ten. This week, Anty stayed up very late on Monday night so that she could have Her Last First Kiss pages ready for Miss N on Tuesday. This particular time, that meant writing parts of two different scenes.

When Anty started the second scene, she had a feeling things weren’t exactly right, but she wanted to get the right amount of pages written, so she kept on going. By the time she got to a stopping point, she was very sure she had written the wrong scene. She did not mean that the scene did not belong in the story, but that it needed a scene that came before another scene (or between some other scenes) because this one felt like shoving a ten pound cat into a two pound bag.  Miss N agreed, which meant Anty’s next job was to go home and figure out what that scene needed to be.

Not too long ago, this would have made Anty very anxious, and think that maybe she is  a bad writer, because a real writer, or a good one, would not have made that kind of mistake. That is not how she feels now. Now, she knows that is a part of the process, and it is okay to go back and fix things. Second drafts, like first drafts, do not have to be perfect; they only have to be written. As soon as she and Miss N started talking about what could happen in the missing scene, Anty got excited about writing that one. Having that scene will make this current one, in its new form, much easier, because it will have room to breathe. It will also mean Anty has some moving around of things in both Scrivener and Google Docs (she is not sure yet which one is easier to use at this stage of the game, so she often writes in one and then copies to the other) but, that, too, is part of the process. That is how she can keep moving forward.

That is about it for this week. Until next time, I remain very truly yours,

skyebanner01

skyebye

 

(Not the) Sweetest Hangover

annabowling 1 Comment

So, it’s Monday. I have a book hangover. My tea went from too-hot-to-drink, to so-cold-I-am-personally-affronted in the time it took me to perform the most basic of morning tasks. Weekend plans did not work out as planned, but there are no snooze buttons on Monday, so I’m here. Proper undergarments under sleep shirt and leggings mean that I am technically dressed. Concealer, lip gloss, and clear mascara/brow gel mean that I am technically wearing makeup. Hair is reasonably presentable, and there will be fragrance, because my brain knows that is the last thing I do before I am prepared to adult for the day. Which, in my case, means writing.

The book hangover comes from this bad boy (er, girl; this book is definitely a girl) I Will Go Barefoot All Summer For You:

BarefootAllSummerCover

My heart hurts because of this book.  That’s what the good ones do. They change us. They take us to a place we’ve never been, and they take us back to places in our lives we’ve been through before.  I think I went through first heartbreak again by reading this book.  Oh, Jessie, Jessie, Jessie, Jessie, sweetie, honey, sugar pie, baby girl. You’ll be okay one day. Someday, Toby Bright will be only a boy. You might not even remember his last name, once some time has gone by, and you’ll know, older and wiser, that he wasn’t all that great to begin with, but, right now, we’re both dying a little.

Right now, we’re both wondering if things wouldn’t have been different if you hadn’t put on the (expletive deleted) shoes, because, when you’re that young, and that deep in calf love (old timey word that means infatuation; it has nothing to do with calves. If you were infatuated with an actual calf, that would be an entirely different sort of book, and I would be writing you an entirely different sort of letter -yes, fine, I am writing a letter to a fictional character; let’s go with that- right now) that’s how things work. You wanted to prove the depth of your love, and that would earn the happily ever after, right then and right there. You almost made it through the whole summer, and I’m proud of you for that, even if the reasoning behind it was, well, adolescent, but so are you.

Not now, though. Your book was written in the early 1970s, set in the 1950s, so if you were born in the 1940s, and it’s 2017 now, well, I’m not going to do the math. I hope you’re happy, though. I hope you found someone, farther down the road, and I hope you were able to keep your aunt’s house and raise your family (or cats; cats would be cool, too. Maybe both.) there. I hope you wrote your books there, or anywhere, really, and I hope your cousin, Rose, knows that playing Robin Hood and other games in the woods with you was actually her walking around inside the very earliest drafts of your stories. I’d like to read some of them. I’d like to see how those seeds sown by your barefoot summer and fantasies of Toby Bright (I’m not all that concerned about where or how he is, if you’re wondering. He turned out to be only a boy, after all, for me.) germinated and changed and grew and blossomed in your own work, later on, with some time and some distance.

As I’m writing this, I am doing a little math. You were born in the 1940s, around Virginia. I was born in the 1960s, in Virginia, and you write, (or will write) and I write, so, y’know…well, apart from the whole you being fictional thing. Some books, we don’t read as much as we recognize, and I recognized this one. Yes. This.

If anyone had asked me, before this copy showed up in my mailbox, if I’d read this book already, I would have said no, but then I got to the part about the bus station and the Mars bar, and I had been there before. Yes, I have been in bus stations (and no, I have not eaten any Mars bars, because I have a tree nut allergy and I would stop breathing) but that wasn’t the thing. The thing was how you drew the line of maturity as being able to keep candy without eating it right away, and that Mars bar sat in your purse for a respectably grownup amount of time (well, the second one did, anyway) and that’s when I knew this was the second time I’d met you.

I’d been a teenager the first time, a little younger than you were in this book, I think, and I had not had my heart broken for the first time yet. I have no idea why it was the bus station scene that made itself part of me, but it roared into my consciousness the first time I took a bus from VT to MA, as a college freshman, and stood in front of a row of vending machines. (I did not get anything chocolate, in case you’re wondering. I don’t even like chocolate that much.) Were I to guess, now, what scene would stick with me most, it would maybe be that first kiss with Toby Bright (I am always going to think of him with first and last names. That’s not changing.) and the way riding home felt like flying, because new feelings bore you along and the door to a whole other part of life had been flung wide open and off its hinges, never to go back again.

I don’t know when it was you found your real happily ever after, and if it was with someone worthy of you, or on your own, but re-reading this book was like that for me, that door-off-the-hinges feeling, so maybe I’m going to stay here for a while. Go barefoot all summer for this book, or at least the next couple of days, because, as soon as Fair Day, And Another Step Begun, shows up in my mailbox, I am screeching on the brakes to whatever else I am doing and diving into that. In case all the characters one writer creates, even if the books do not intersect, all live in the same place (probably the writers’ head; that’s how it works with me) say hi to Ellen for me.

Reconnections

annabowling Leave a comment

It’s Monday. The conference is over. Easter is past. There are buds on the trees, and a good chance that I may witness some sweet sweet waterfowl loving on my walk through the park tomorrow, en route to or returning from my critique session with N.  My back no longer hurts, and the weather, at least for today, is not trying to kill me. Sometime this week, or possibly next, Landlord will install our new stove and refrigerator. Melva and I have two requests to see partials of Chasing Prints Charming, and are ready for prewriting on Drama King. Today, after this blog entry (presuming we do not get surprise appliance installation) I go back to work on Her Last First Kiss. There are some Heroes and Heartbreakers posts waiting as patiently as they can in my brain,  and, with the scent of soon-coming season finales in the air, there will be more to join them soon.  It’s definitely spring, and definitely time to make sure I have a solid plan on how to get all of this done.

The fact that this new week means I am now ten books behind in my Goodreads challenge does not sit well with me, nor does the fact that I realized, well into the weekend, why I’ve had such a hard time making my way through a historical Christmas anthology, which I’d picked up specifically to take a chunk out of that reading debt. I love Christmas anthologies, and, usually, I can suck those down like ice-cold tea on a hot summer day. (Seriously, I can read Christmas stories any time of year, so writing one would be an interesting new experience, but that’s a someday project, not for today.) This time? Not so much. What started out fun turned into a slog, and I didn’t know why.

 

Annaselfiewhatamidoing.jpg

Portrait of the blogger as a confused reader.

 

It wasn’t because the writing was bad, because it wasn’t. I liked what I was reading, found at least one new to me author whose work I would like to explore further, and bounced in my seat several times, because a new book by one of the authors I already follow is only a few months away. After a weekend where I carved out time to reconnect with my art journal stuff (and found, in the process, that some of my most-loved resources had expired of old age while I was away; there’s probably a whole other blog in that, so I’ll save that for later) and a heart to heart with a writer friend, over an entirely unrelated topic, the answer came to me. Nineteenth century overload. My last read, Judith Ivory’s Untie My Heart, was Victorian. The anthology is (I have one story left to read before I can call it read) all Regency. The book I’d read before that? Regency. Before that? Edwardian. Okay, that’s slightly over the line into the twentieth century, but still, I’m seeing a pattern, so, when I move this anthology into the “read” category, I need to read something else.

Maybe I’ll read a YA next, to cleanse my palate, but, after that, I need to follow my heart, preferably to the eighteenth century, as that’s where Hero and Heroine live, and the commute would be short. Right about now, I could use a short commute. The good thing about going to a conference is that I return all pumped full of I Can Do This. The scary thing about coming back from a conference is that I need to turn that I Can Do This into I Am Doing This. That can be a daunting prospect, because this is the part that nobody else can do for me. When Melva and I work on our joint projects, the work divides itself according to who’s better at what; for us, that works. When I’m working on a solo manuscript, then it’s all me.

I am the way Hero and Heroine get out of my head and onto the page. N is my first reader for Her Last First Kiss, the first chance I get to know if I have put the right words in the right order so that other people can watch the movie that’s playing in my head. To make sure I have what I need to do that, I need to make sure my creative well is filled. Which is where things like playing with paint and ink and paper come into play; I can’t write an artist Hero if I’m not making art myself. Which is one of the reasons I’ve been peeping this undated art journal planner, ever since I saw an ad for it in my favorite art magazine. I do have a planner already, and I use it and I love it, but I want to play with this one, so it may yet happen.

top2historicalromances

my two favorite historical romance novels

In the meantime, there is work and there is well-filling. Last week, I asked Facebook readers/writers who love historical romance to tell me what books made them fall in love with the genre. Some of the titles given were books I have known and read and loved, myself, and some were new adventures yet to be read. All of the answers were filled with what I was looking for when I asked that question. The connection, the spark, the recognition of “yes, that’s mine,” the seed that burrows deep into the soil of the writerbrain (or readerbrain, for that matter,) sprouts and blooms and explodes all over like cherry blossom season on steroids. That stuff goes a long way.

Typing With Wet Claws: Back to Business Edition

annabowling Leave a comment

Hello, all. Skye here, for another Feline Friday. It is now one week after the start of NECRWA 2017, conference hangover mostly worn off,  but inspiration still in full force. That is how it works with Anty and conferences. Her back is feeling better, which means that she can bend more easily, to feed and pet me, and also sit in her office chair without pain. These are all good things, because going to conferences and being with other people who love to do what she loves to do gives Anty a big burst of wanting to do writing stuff. It has not yet inspired her to get rid of the office carpet, but I think that a workshop on how to make a writer’s office pet-friendly would be an interesting topic for next year’s conference. In the meantime, I have found a way to curl up on the small sliver of hardwood so that only my fuzzy parts are on the (ugh) carpet, and my feet are on the hardwood. That is an okay way to be in Anty’s office with her, but I still want the carpet gone. We will work on that one.

Before I am allowed to talk about anything else, I need to talk about where you can read Anty’s writing on the interwebs this week, apart from here. First, as always, she was at Buried Under Romance this past Saturday, and will be there again tomorrow. Her most recent post asks readers to share what they think makes for a good series. That post can be found here, and its link on the main page looks like this:

grgoodseries

 

This week, Anty actually finished reading a book. That is progress. Her review of Untie My Heart, by Judith Ivory is here, and it looks like this:

 

GRuntiemyheart

There are sheep and horses in this book, but no cats.

In case you were wondering, finishing that book means that Anty is now only nine books behind in her Goodreads challenge. Still single digits, so go, Anty. If you are interested in following her challenge, it is here, and it currently looks like this:

GRreadingchallenge041417

We will see how she does in the coming week. Since she will spend part of today planning for next week, I hope she will put some reading time in there, so that she does not get to the end of the day and then find that she is too tired. That happens far too often for her liking, but I have my treat by then, so it does not affect me very much.

Thank you to those who asked if there was a Feline Friday last week. There was, but I made a mistake. I meant to schedule the post to go up on its regular Friday time, but it is very difficult to hit the schedule button on WordPress, when one has paws (special paws, at that) instead of hands, and I posted it on Thursday, by accident. If you did not see it, that is probably why, and I am very sorry. That post is here, and my picture on that post looks like this:

 

SkyeOMalleyCat040717

Me, from last week.

Okay, I think that is everything about that.  Time to move on to the meat of the post, which I hope is tuna. I really like tuna. Beef is also good, and I can appreciate turkey in gravy, but I do not get food with gravy very often. I do not think that is the kind of “meat” Anty means, which disappoints me. Did I mention that I really like tuna?

Now that Anty is back from the conference, she has some new perspective on writing and writing related things. First, she and Anty Melva need to get their material together for the two requests to see more of Chasing Prints Charming. When an editor or agent wants to see part (or all) of a manuscript at a pitch session, it is smart for the writer (or writers) to get that out as soon as possible, so that the editor or agent remembers who they are and what they liked about the book, because they will have seen many more writers and many  more books between the time they heard the pitch and the time they get that material. So, Anty and Anty Melva want to get a move on with that.

The other big thing for Anty is reconnecting with Her Last First Kiss. Since she and Anty Melva spent a lot of the conference talking about Chasing Prints Charming, and getting ready for the next book, which they will call Drama King, Anty needs to get her mind back in the eighteenth century so that she can get Hero and Heroine’s story all the way through the second draft. Right now, she is still working out how she is going to manage that balancing act. I do not think it can be easy to be a writer and a half (because Anty Melva is the other half of that partnership) but I am sure that Anty will find a way. Maybe reading more historical romance will help. I think that it might. I will do my duty as a mews and sit very, very close to Anty while she does, for extra inspiration.

That is about it for this week. Until next time, I remain very truly yours,

skyebanner01skyebye

 

 

 

 

 

Fair Day, and Another Blog Begun

annabowling Leave a comment

Right now, I have a deep, burning, urgent need to read Fair Day and Another Step Begun, and I Would Go Barefoot All Summer For You, two long-out-of-print YA novels by Katie Letcher Lyle. This is not want. This is need, like these books are a part of my writer self that I did not know were missing, until something, likely falling down a YA rabbit hole on Goodreads, jogged my memory. I’d read Fair Day when I was in junior high, and fell wildly in love with the exquisite use of language, how a story set in then-contemporary 1970s America could have the feel of a time and place long ago and faraway. I did not read Barefoot, and I think I may, at the time, have scoffed at the title, but that only means I was not ready for that book then. I am, now.

Both books have their roots in medieval ballads, Fair Day a direct contemporary (for 1970s) retelling of the centuries-old ballad, Child Waters. I don’t know how these books came back to my attention, but, right now, it hurts that I don’t have them, which is a clear signal that there is something in them that I need. Neither book is in the library system, though two nonfiction books on plants by the same author are. Not quite the same, so the search continues. Ebay or Amazon it is, unless I strike gold at the local UBS, which is probably a longshot, but still going to try.

My memories of Fair Day are hazy, but I remember, while reading that book in the second floor study hall (if I remember physically where I was at the time I read something, it’s a sure sign it has become part of my idea soup) how it felt both modern and ancient at the same time, in a sort of world set apart. I love that kind of thing. Give me a pop singer backed by a symphony orchestra, or modern music played as though it were from centuries before, and I am going to play it until somebody’s ears bleed. This is one reason why my family knows that it is a good idea to keep me well supplied with backup earbuds at all times. There is no such thing as playing a song on repeat too many times if it has something to say to my storybrain.

It’s the same with books. If there is something about a book that gives me that “Yes. That.” feeling, then I have to have it, hold it, touch it, smell it, stare at the covers, flip through the pages, until it becomes a part of me. Once it’s in, it doesn’t come out. Well, it does, as something from it will find its way into a story or character or idea, and it will be reproduced, but the original inspiration stays put, ready for me to draw from it again, as needed, in near or far future.

GRfairday

Why this/these book(s) now? I don’t know, but I have learned not to question it. Sure, the cover does have a vague sort of historical romancey feel, if one looks in the right light. I don’t remember if Ellen and her child’s father end up together, and I don’t want to know until I (re)read, so I don’t know if this a romance. I don’t want to know. The heroine in the foreground, the man on horseback in the distance, the dirt road between them, her long, loose hair, her oversized coat, the bare trees reaching to the cloudy sky, the lyrical title, the memory of how the school library was often my sanctuary when life got rough. I remember the bite of cold air on my skin. I remember falling down and getting  up and going onward, onward, onward, left foot, right foot, left foot, right foot.

I did not read Barefoot, but, when I read “Toby Bright is coming,” said Aunt Rose, my storybrain quickened. Yes. That. Shut up and take my money. I need this book. Don’t need to know another thing about it, and, in fact, don’t want to know. Given that the heroine is thirteen, I don’t think this is a romance. I think it’s what those old-timey people in centuries past would call “calf love,” and I am fine with that.

Maybe I’m entering the magpie stage for whatever comes next, acquiring bricks for a house I have yet to design, much less build. As of this week, I am six chapters and change into the second draft of Her Last First Kiss, and there’s a new Melva chapter from the Beach Ball sitting in my in-box, which means I need to send her one back. There needs to be a What Next putting itself together on the back burner, because I am going to come to The End on both of these projects, and I do not want to blink into the abyss.

So, yes, medieval ballads. Check. Soak in the exquisite marriage of language and emotion until I am drunk on it. Check. Emotional afterglow that is still with me I’m not going to say how many decades later. Yes. This. This is what I want to take in. This is what I want to put out. Titles that feel like music. Lyrical prose. Characters who let me feel each beat of their heart as though it were my own. I want to read that. I want to write that.

For now, I can stare at the covers and pick apart the design elements, maybe mess around with paint and ink on paper of my own, to see what comes about, either to come up with something similar, or figure out how the original artist did it. Note what music feels the rightest while I do, and see what imaginary friends poke through the fog in the process. The journey of a thousand miles, they say, begins with a single step. Maybe this is one of those. Only one way to find out.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Typing With Wet Claws: Conference is Coming Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday.  This week, you get a greatest hits picture of me, because  Anty’s mail server loves the picture she took of me this morning so much that it does not want to send it to her desktop and wants to keep it all to itself. We are now in the second month of 2017, which is probably my birthday month. When Anty and Mama found me at the shelter, the vet said I was about ten months old, which means, since that was December, I must have been born in February. Maybe I am even a Valentine baby. Anty thinks that would be fitting, and, since part of her job as a writer of historical romance, is figuring out what could have happened in the past, we are going to go with that. More on that later, because, first, I have to talk about Anty’s writing and where you can find it.

First, as always, Anty has her Saturday Discussion post on Buried Under Romance. This week, she talked about books that become movies, in reality, or in readers’ minds. That post is here, and it looks like this:

 

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maybe Anty should put the funny pictures at the top of the post?

The next two links are kind of sneaky, because they are not whole posts, but posts where Anty helped at Heroes and Heartbreakers. First, like every month, Anty got to say what her favorite book of the month is, and, this month, it was a book she already wrote about on that site, which she liked very much. That post has recommendations from other H&H bloggers, too, so it is possible, in theory, to get a whole TBR list from one post alone. That post is here, and it looks like this:

hanhbestreads

The other link is really the sneaky one, as Anty did not write the quiz, (Anty loves taking this kind of quiz) one of the potential results comes from a post she wrote, about a hero she liked very, very much. So, though Anty is not in that post, one of her favorite characters is, so she thought I might like to include it in my post anyway. She was right. That post is here, and it looks like this:

 

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Now that it is February, that means April is only a little bit away, and that means it is almost time for the NECRWA conference. Anty loves going to that conference every year. Sometimes, people tell her how much they like my blog. My blog. Let us spend a moment on that, if we may. As Anty once said, when a fellow writer asked her how she comes up with new ideas for her blog every week, the key is to get a cat to write one third of the blog posts. I do not know if that will be part of her “Blogging Isn’t Dead” workshop, which she will be co-presenting with Corinna Lawson and Rhonda Lane, but I would not be surprised if the topic came up at some point.

The approach of conference time means that Anty has some work to do, not only to get together with Miss Corinna and Miss Rhonda, to talk about what they are going to say (and who is going to say what, specifically) or connect with people she definitely wants to talk to that weekend (Anty is an extrovert, so basically everybody) or what she is going to wear, but really important stuff. I know what you are thinking, and we can cross the most important item off that list right now. Uncle will feed and play with me while Anty is away. Conference weekend means Uncle and Skye weekend, so it is a holiday for me, too.

The really important thing Anty wants to focus on this year is her own books. Since she has a first draft done of Her Last First Kiss, and she and Anty Melva are working steadily toward the end of the first draft of the Beach Ball, it is time once again for Anty to look at pitch sessions, and what she is going to say to any agents or editors she might meet at any part of the conference. Anty has never gone to a conference with a book and a half in the hopper (book and two halves, if she wants to count her post-apocalyptic medieval, which really only needs half a revision to be ready for indie or traditional publishing. Probably indie, though, because it is post-apocalyptic medieval, and those aren’t exactly thick on the ground these days. Or any days. Anty still loves the story, though.)

It’s been a while since Anty has had a pitch session, and, as much as she loves them (Anty thinks eight minutes of a publishing professional’s undivided attention is right up there with amusement parks, romance-only bookstores, and bottomless cups of Lapsang Souchong tea; let’s be real, if there were an amusement park that had a romance-only bookstore in it and served bottomless cups of Lapsang Souchong tea, we might  never see Anty again.) getting ready for them is the nervous part. Anty has been in sessions where the other person has said “I love your sample, send me the whole thing” right away, and she has been in sessions where the other person has said “I don’t like stories that have Element X in them,” when Anty’s whole story is about Element X. Most sessions fall somewhere in the middle. Anty said I am not allowed to talk about the pitch session she had when she had been awake for three days straight, because that is when she gets into really punchy territory. That can be entertaining at home, not so much in a pitch session.

Since I am running out of room here, I will cut to the chase (please do not chase me; that would be scary) : it is time to hunker down and get stuff as ready as it can be, because one never knows when the other person might want the whole book, right now. It’s a magical time of year. Editors and agents go to these conferences for the specific reason of finding new writers and new books. They want to hear about what writers have to show them (but not in the people litterbox, please) so knowing what a writer wants to say about their books in advance is usually a good idea. This involves planning, and Anty loves planning, so I think she will be okay.

That is about it for this week, so, until next time, I remain very truly yours,

skyebye

 

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

 

 

 

 

Eighteenth Century Love

annabowling 2 Comments

There’s the way we think things are going to go, and then there’s the way they actually do. This is true both in writing and in life, and, when it comes to the writing life, it may be doubly true. Way back when, in another life, I was a dewy-eyed twenty-three-year old, opening her very first response from a publisher, I thought the response was going to be “oh my, what a wonderful book; can we please, please, please publish it? Here’s lots of money, send us another.” It was not. What I got was a professionally worded version of “you’ve got something, kiddo, but literally nothing happens in the pages you sent us. Please send us something else. Also, learn how to plot.” The “literally nothing happens” part hit me pretty hard, and I totally missed the “please send us something else” part.

Well, for a while, that is. The “learn how to plot” part happened through writing a lot of fan fiction, membership in RWA, and reading enough historical romance novels to build a small house, if stacked correctly. I pored over every issue of Romantic Times magazine as soon as I had it in hand, scrutinized which new releases caught my eye, and why; plot, character type, character names, author’s voice, and, the first thing I screened for every time I hit the historical romance section: setting.

Let’s go back to that dewy-eyed twenty-three-year-old for a minute. She was absolutely sure she was going to write oodles of books in her very favorite setting, Tudor England, because her all time favorite historical romance was (and, :cough: a few years down the road :cough: still is Skye O’Malley, (the book, not the kitty) by Bertrice Small. Second place is still held by Lovesong (and its two direct sequels, same hero and same heroine) by Valerie Sherwood.

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my two favorite historical romance novels:

Neither of these books has an eighteenth century setting. Skye O’Malley is set in Elizabethan era Ireland, England, Algiers and the high seas. Lovesong is set in seventeenth-century Virginia, England, the high seas (see a pattern here?) and the Caribbean. So far, I have written one kind of sort of high seas story, Queen of the Ocean, set in sixteenth-century Cornwall, but it’s more of an on-the-shore story, as my heroine comes from a family of wreckers, and she and her hero don’t  hit the high seas together until the very end. I dipped my toes into the seventeenth century waters with Orphans in the Storm, set at the end of the English Civil War. My very first book, My Outcast Heart, does have an eighteenth century setting, but it’s set on a small farm in Bedford, NY, a far cry from the glitter of the Georgian Court.

Her Last First Kiss gets closer, as it’s at least set (well, mostly) in London. I do a terrible job of staying in one place, setting-wise. In my heart of hearts, I am still a historical nomad, and fully plan to use a variety of settings (I must apologize to the Regency era for attempting to write in it, though. That did not go well for either of us.) but, lately, when I need to come up with a historical idea, my brain goes directly to Century Eighteen. In retrospect, I should have seen it coming, having spent my first ten years in a town steeped in colonial history, which had actually been burned to the ground by the British army during the war; yeah, think that imprinted on me pretty well.

I was an impressionable wee princess at the time of the Bicentennial, and eighteenth-century stuff was everywhere.  My eyes naturally went to a certain look when I watched movies set in “the olden days” – lace and heels on everybody, including the dudes, ornamentation everywhere, powdered wigs (hey, they were hot stuff back in the day) and grand houses. When I was a teen and participated in a young artists’ program at Wesleyan one summer, we had a poetry workshop that had some eighteenth century poetry in the curriculum, and I, to this day, remember walking from dorm to the building where we young writers would meet every weekday, floating on the music of those old-timey words. Yes. That was right. That was how the voices in my head naturally spoke. Doesn’t matter what side of the pond they might be.

Fast forward to now, when Melva and I first started batting around what would eventually become the Beach Ball. It’s a contemporary story, set in the world of historical romance. When we got to the point where we had to pick a historical setting for the book within the book, I had absolutely no hesitation suggesting the eighteenth century. That came as naturally as breathing, and so there it was.

Thinking ahead to what’s next, as I’m working on draft two of HLFK and Melva and I keep bringing the Beach Ball to its conclusion, my brain is pretty darned comfortable in the eighteenth century for the time being. I am okay with that. Why does this period feel like home for now? That’s a good question. I don’t know that there’s any one right answer. I’m hoping that the Hamilton effect will ripple into historical romance, and hang out there for at least a little while (though I haven’t written American Revolution yet, and the one time I tried, I had tried to force certain aspects, and it fizzled, taking part of my spirit down with it.)

In the end, I’m going to go with “it feels right,” and leave it at that. If that’s where the stories are, that’s where the stories are. At least we’ll know where to find each other.

 

Typing With Wet Claws: Thinking About Things Edition

annabowling 1 Comment

Hello, all. Skye here, for another Feline Friday. Anty has been very busy this week, doing a lot of writing, which is a very good thing. I rewarded her efforts by sitting still for my picture, even if I would not look up at her. I had my reasons. This morning, a realtor human came by with an inspector human, to look at some things about the apartment that do not concern me. Anty put me in my and Mama’s room while the strange humans were here. I do not like it when strange humans come into the house, but if that is what has to happen for a while, I will find a way to deal. Probably from under one of the beds.

Since the deal is that I have to talk about Anty’s writing before I can talk about anything else, I will get right to that. First of all, Anty had her usual post at Buried Under Romance this week. Anty apologizes for not including a picture, like she usually does. This was a very full week, and some things slipped her mind. That was one of them. This week, she talked about new reads for the new year. That post is here, and it looks like this:

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Anty already said, last week, how much she liked her first story by  Piper Huguley, and that she wanted to read more books by Miss Piper. That is exactly what Anty did, this week, when she read another book of Miss Piper’s, The Lawyer’s Luck, and she liked that one very, very much. Her review for that is here, and it looks like this:

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I do not know how Goodreads decides who it should ask Anty to whom she wants to recommend a book, but it asked Anty if she wanted to let Miss Piper know about this book, too. I may not know a lot about the publishing business, being a kitty and all, but I think that if the person’s name is on the book cover, they probably know that the book exists. I would also hope that they know the book is good. Anty liked this book so much, as a matter of fact, that she wrote a post on it for Heroes and Heartbreakers. It is not live yet, so I cannot give you a link to it or picture of it. I also cannot give a link or picture of the other post Anty wrote for Heroes and Heartbreakers this week, because it is not live yet, either. I will be sure to let all of Anty’s readers know when they are live. The posts, I mean. I assume all of Anty’s readers are alive, too, although Anty does like zombies, so I guess that would be okay, too. Maybe vampires. She talked about some books that have vampires in them in the other post, but that post is not about vampires. There only  happen to be some vampires in part of it. Explaining these kinds of things can be difficult for a kitty, so I will let you figure it out when the posts (and hopefully you) are live and read it for yourselves.

Most of the work Anty has been doing this week is on her books. By that, I mean the ones she is writing, not the ones she is reading (though if any humans reading this can help Anty figure out the whole ascm file thing, she would be reading even more than she already is.) For part of most of the days this week, she worked on Her Last First Kiss, and then, for another part, the Beach Ball, which she writes with Anty Melva.

That is a lot of writing. It is also a lot of researching. For Her Last First Kiss, which takes place in 1784 England, Anty sometimes has to stop and check to see if what she wants to do is all right for that time and place. There is one part in one chapter, where Hero thinks a really bad word, several times (he is a grownup,. but really, really scared, and really, really mad. That is not an excuse, but an explanation.) Anty was not sure if the bad word was the right bad word. She had to consult with some writer friends who might be able to help her figure this out. Thankfully, Miss Vicki knows this story very, very well (she has known about it since Anty was babbling random things about “the new historical,” that is how long) so she knows what Hero would probably say, and was able to offer some suggestions. This resulted in using more old-timey bad words. I am thinking this is probably not a book for gentle readers. Maybe another one will be.

Anty has also been thinking about what comes next. After she is done with Her Last First Kiss, and she and Anty Melva are done with the Beach Ball, she would like to know what she will be writing after that. One of those is already settled. Anty and Anty Melva already know that they will write two more books related to the Beach Ball. I do not know what they will call those until they get names for them. She still has some thinking to do about the next historical project, though.

In the historical romance genre, linked books dominate the market right now, but Anty naturally thinks in standalone books. That means stories that are complete in themselves, that do not continue to other related stories. Anty is not going to stop writing those, because those are what she loves the very best, but she also knows that the “commercial” part of “commercial fiction” means that market trends do come into account. That also means that Anty now gets to figure out what sort of linked books would work best for the sorts of stories she likes to tell. She has a couple of ideas on that front, and will keep thinking -and writing- about those, but she also is very firm about telling herself “this book, now,” so that she does not get distracted. She is pretty sure she will have what she needs, when she needs it.

That is about it for this week. Until next time, I remain very truly yours,

skyebye

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

Typing With Wet Claws: This Is the New Year Edition

annabowling 1 Comment

Hello, all. Skye here, for another Feline Friday. I did not want my picture taken today, so I tried to hide under my mama’s bed, but Anty was too smart for me and caught me before I could. That is why I look grumpy in this picture.  My revenge, though, besides looking grumpy, was that the lighting was very very dim, so Anty had to use all of her photo editing skills (she does not have a lot of them yet, but enough to be dangerous) to make sure the photo showed an actual kitty, and not only the black square that showed in the preview on her phone. Then she had to send the photo from her phone to the computer, which took some time. By the time it arrived, I was in the living room, sitting very nicely in a sunbeam in the middle of the floor. I believe this means I have successfully catted today, and deserve treats for my trouble.

Speaking of trouble, there is more of that, but I am not allowed to talk about it until I have talked about what Anty has written so far this week. So be it. Anty started off the new year (actually, ended the old one, because her posts on this site run on Saturdays, and this Saturday was New Year’s Eve, so not the new year yet) at Buried Under Romance by talking about reading resolutions. My resolution is to make Anty get rid of the carpet in her office, so that I can come inside and sit right next to her while she is writing or reading. Humans, especially those who do not live in our apartment, probably have different ones. That post is here, and it looks like this:

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Anty also put a review on Goodreads, for the historical romance anthology, Christmas in America. That review is here, and it looks like this:

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This book had some surprises for Anty, besides finding new authors whose other works she would like to read. One of those surprises was a funny one. After Anty wrote her review, Goodreads asked her if she would like to recommend the book to any of her friends. Since Anty liked the book very much, she did want to recommend it, and the site made some suggestions. Here is one of them:

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Anty thought that was funny, because Miss Piper wrote part of that book, so I think it is safe to say she already knows about it. (Anty checked; Miss Piper does.) I did not have permission from the other readers to post their names, so I blacked those out. I hope that is okay. Anty is now reading another book of Miss Piper’s, The Lawyer’s Luck, because she liked the story anthology so much, that she had to check and see where the stories in that world started. Anty already has a lot of books on her to be read list, but she does not mind adding more. Reading really, really good books is one way for writers to keep their wells filled and stay excited about the genre in which they write.

So far this year, Anty has been doing well on the writing front. She is using her planner to keep to a schedule. If she sees the tasks she has for the day, and for the week, written down, she is more likely to make sure that she accomplishes them. That is very helpful when life gets changey. It is getting changey over here because the building where our apartment is will be changing owners soon. That means that, because Anty works from home, she is there during the day, and can let in the realtor humans and their clients. It also means that I do a lot of hiding under the beds, because I do not like strangers coming into my home. I kind of know Landlady, though (the human who owns the building now) and, sometimes, I will come out if she is there. She tells me I am a good kitty. I think Landlady is very observant.

One other thing Anty is doing to keep her creative well filled is to listen to a lot of musical theatre, because musical theater songs tell stories. When she finds a composer/lyricist she especially likes, then she tracks down as much of their work as she can find and watches different performances of it. Her most recent find is Drew Gasparini, who wrote a song, “Disaster,” that Anty has been listening to, a lot. I mean so much that I think I know all the words to it. She recently found a video where Mr. Gasparini gives some advice to songwriters, and Anty thinks it applies to other kinds of writers, too. She was going to put a quote in her blog, but did not know where to cut it, so she asked if I could show everybody the whole thing. If there are gentle readers, or human kittens in the room, the actual song has some language that is only for grownups, but the talking, which comes first, does not.

Sometimes, it can be scary for a writer to throw everything on the page and let it bleed, but it can also be tiring to hold back. It is an interesting process to learn how to push past that scariness, but if that is what the story demands, then that is what Anty wants to do. That is what Anty wants to put into her stories. Critique partners can help keep Anty on track with that. At least that is the plan. Tomorrow, Anty will talk with Miss Eryka, to focus on some ways she can make sure that is exactly what she does.

The stranger humans came while I was in the middle of writing this entry, so I hid under Anty and Uncle’s bed. Anty had to lure me out with treat, which was not really extra, because it was my treat time anyway. I am not sure if this means I need yet more treat to make up for that. Anyway, that is about it for this week. Until next time, I remain very truly yours,

skyebye
Skye O’Malley Hart-Bowling
(the kitty, not the book)