Excerpt from Watermark by E. Catherine Tobler

I’m a historical romance gal, always have been, always will be, but that doesn’t mean I’m not going to sniff out a great romance nestled in a story of another genre. In this case, urban fantasy. E. Catherine Tobler has a history of beckoning me out of my comfort zone, and her latest, Watermark, the story of Pip, a kelpie sent to the world of humans, is no exception. Pip, in human form, finds there’s more to both human and fae than she first suspects, and there’s the small matter of Finn, a delicious, tattooed baker who is, like much in this entrancing novel, much more than he appears on the surface.
Watermark-Cover

Intrigued? Try this tasty sample..

Who was he to me? The question rested on my tongue. I did not ask it.

We traced our way through the woods as we had come, Finn holding my hand all the while. Fingers were not so curious to me as toes, but now I understood why. Our hooves left twin trails of prints through the long grasses, prints that were slowly erased in our wake. Wouldn’t a horse be captivated by toes? Wouldn’t a…

“Púca,” he said.

“Can you read my mind then?” The idea wasn’t nearly as unsettling as I expected it to be.

“I’ve a gift for that,” Finn said with care, “but you… You were always different for me, aye?”

He said “aye” the way the king had, slanted with an accent I didn’t recognize—yet it made me ache with familiarity. That was a sound from home. And the idea that I had always been different for him made me stop in my tracks.

“It’s like looking at a lake,” he said. “Most people, I see only what they wish me to, or my own reflection. Some let me below the surface.”

“And me?”

Finn gathered my hands into his. “Earth cups water, prevents it from spilling every which way. Water soaks into earth, letting life grow.”

My nose wrinkled again. This, like Berengaria and Conaire, was nearly too private. It was like looking at something I should not see, even if it involved me.

“Water freezes and earth quakes. Water can flood, smothering ground. Likewise ground can suck entire lakes away.”

Finn’s head tipped in a nod, mane shivering. “Aye, they do. Balance, as Conaire spoke of.”

“You said I was always different, Finn.” I stumbled over his name, knowing the way I knew my own pulse that it was not his true name. The queen and king had not even used that name for him, as if they also knew.

“Faeries do not dream,” he said, “but I think I am. I have a memory of a girl who was not a girl. She watched me through the woods. And I was me, but not me. I was a magical thing she wanted to catch.”

I clasped my hands together, but did not remove them from Finn’s hold. Unlike my own story of the lake and the young girl, I could see none of what he spoke of, but sensed something. A memory?

“She looked for a long while, but I could not tell you how long. She came to the woods every day, hopeful. In the beginning her hands were empty. Eventually, she came with treats. Sugar, cheese, apples.”

He fell silent, and I watched him. Could he see it all so clear within his mind? And then—
“I could show you.”

I only nodded once.

Finn’s hands closed hard around mine, and the wood around us vanished. I drew in a breath even while I had no lungs, no form. I was a small ball held together by Finn’s hands. Around us emerged another wood, not the wood of my lake; these woods were his, I understood. The trees were the color of melancholy, and he was the color of sunlight on snow.

He moved through the trees as a creature I could not name. Not a horse, something beyond a horse, something that glowed and beckoned and there. A girl, with hair as of night, and an apple, green like Yule boughs, and only when she learned to sit did he come.

“Did she catch you?” I whispered.

I watched as the unearthly beast bowed his head, lips claiming the apple, brushing the woman’s palm. My own palm knew that touch, wet velvet.

“Oh yes,” Finn said. “She did.”

~*~

Hungry for more? An interview with E. Catherine Tobler is on the way. In the meantime, explore some Fairy Places and find out how you can get a chance to win a copy of Watermark for your very own.

Throwback Thursday, Historical Romance Division: November of the Heart by LaVyrle Spencer

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Out of all of LaVyrle Spencer’s books, and I have loved all of them that I’ve read, all of the historicals, and even dipped my toes into one contemporary, Separate Beds, November of the Heart is the one that sticks with me the most. That’s saying a lot. I have to confess, in the interest of full disclosure, that I have had more than one friend (two, at my best recollection) yell at me via email, because they didn’t know this book was going to have so many feelings. That’s why I love it.

One friend even said the title was “too sad” for her, but again, the title sold me right away. I love November, the month of coziness and deliciousness and giving thanks and  world full of color and scent and the holidays only a glimmer away. Turn of the century Minnesota is not an overplowed field in the historical romance world, and the all important annual regatta means everything to both the wealthy father of heroine Lorna and Jens, a boatbuilder pressed into service as a waiter. Slipping plans for a prize winning boat into one’s employer’s dessert is a recipie for disaster, but it also opens the door for a grand and glorious love that defies class barriers.

Lorna and Jens are star crossed lovers, Lorna drawn to Jens and his boat, their connection -it goes beyond attraction- gets tried by class, by time, by life, but when Jens and Lorna finally say the hell with everything that keeps them apart, I want to take a victory lap and toss confetti.  If LaVyrle Spencer ever wants to come out of retirement, I am leaving the porch light on for  her. If not, what she’s left us with is still magnificient.

Throwback Thursday, Historical Romance Division

Wild Bells to the Wild Sky by Laurie McBain

Wild Bells to the Wild Sky by Laurie McBain

It’s that time again.  Wild Bells to the Wild Sky, by Laurie McBain, is one of those books. The all time favorites, the ones where I have only to hear the names of the hero and heroine -in this case, Lily Christian and Valentine Whitelaw, how perfect are those?- to immediately reimmerse myself in their romance and adventure. 

This book has huge servings of both. Set in the Elizabethan era, largely on a deserted island, Lily and her brother grow up wild and in seclusion. Lily, her mother, and a family friend are the sole survivors of a shipwreck, the sole inhabitants of the island…until mother and friend produce Lily’s brother, that is. Ahem. Then fever takes the parents, and Queen Elizabeth sends courtier Valentine Whitelaw in search of the missing party, and then things really get interesting. 

History, intrigue, romance, fabulous locations, a clever heroine and dashing hero, gorgeous descriptions, and one of my top five historical romance endings of all time make this book one I go back to time and again. 

Since we’re waxing nostalgic on Thursdays, here are a few recent things I’ve been up to: 

Guest Post at Savvy Authors: From a Certain Perspective, It’s All Fan Fiction: From Fan Fiction to Fantastic Fiction begins on September 1st, so I’m delighted to get to blabber about the useful tools we can find in the books, movies, tv and music we already love. Drop by and try a fun exercise to combine old favorites in new ways. 

Outlander “Sassenach” recap at Heroes and Heartbreakers: Cue incomprehensible squeeing, Jamie and Claire are now on the small screen, and I’ll be recapping each new episode as it airs. How cool is that, I get to watch Outlander and say I’m working. 

 1 Line Wednesday on Twitter, always a highlight of my week. 

 

What are you reading? 

Ten Questions With E. Catherine Tobler

 ecatherinetobler10 Questions With E. Catherine Tobler

 I first met E. Catherine Tobler in another life, or so it seems. We bonded,via paper letters, in a prior century, over a love of Star Trek: The Next Generation, Highlander, historical romance, and writing. Both at the time aspiring novelists, we encouraged, supported, and critiqued each other, and if we haven’t scared each other off by now, we probably aren’t going to, which is a good thing, because I love her work, especially today’s new release, Rings of Anubis, which Kirkus reviews dubs “deliciously fun.” 

Rings of Anubis combines several great tastes that taste great together: history, romance, intrigue, fantasy, adventure, steampunk, mythology, faith, addiction, recovery, a wounded hero and determined heroine with a past of her own. I am delighted and honored to have read this in manuscript form, and now the rest of the world gets to come along for the ride because this fantastic tale is now available in a bookstore near you. Pull up a comfy chair, pour your beverage of choice and let’s play a round of Ten Questions with the author who made this amazing tale possible. 

  • When did you first know you were a writer?

There was no moment on the mountaintop where sunlight broke rainbow-bright through clouds and I was spinning about, saying “Yeeees.” I can remember experimenting with short fiction for the first time in high school (though I wrote a novelette in middle school–“The Metal Zone,” which involved my bestie getting sucked into The Metal Zone, aka The Twilight Zone, where she met a hot guy, ha!)

But, in high school, I was behind in my history class, and got assigned a story for extra credit, which I dearly needed. I wrote a short story that completely freaked the teacher out and I appreciated that reaction to something I’d created. I sent one of my early attempts to Marion Zimmer Bradley’s Fantasy, and that entire process–printing the manuscript, mailing it, waiting for a reply–certainly had me feeling like something of a writer.

 

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  • How did Rings of Anubis first come to be?

In the beginning, it started as a highly misguided distant future piece, wherein Eleanor and Virgil traveled from a Blade Runner-like world to ancient Egypt. Balancing the distant future with the distant past ended up being something I was not a) skilled at or b) just not ready for. I examined the parts I really loved and wanted to keep and then looked at how I could make them work; turns out, the late 19th century was a perfect fit, given technologies I wanted to play with, archaeological discoveries that had and had not happened, and well, airships. I wanted things that fly.

  • What are the best and worst pieces of writing advice you’ve ever heard?

For me, “write every day” was disastrous advice. It’s not how my creative brain is wired; I have a brain that fills itself up, explodes on the page, and then needs refilling before it’s ready to explode again. Writing just doesn’t happen every day if I’m refilling–through research, brainstorming, artwork. Once I stopped trying to hit X pages or words a day, I was a much happier and productive writer.

I think the best advice is still out there and will contain the phrase “eat gelato.”

  • Why are romance and speculative fiction two great tastes that taste great together?

Who doesn’t love a mash up? It’s fun to take two seemingly unrelated things and press them together until you have something entirely new.

  • How would you define steampunk to someone who has never heard of the term?

Is there such a person left in the world? (There’s a story in that.) We should meet and have a fantastic tea! Simply put, steampunk is a genre within SFF that features steam-powered machinery. Think H.G. Wells, Mary Shelley, Jules Verne. Wild, Wild West, Metropolis.

  • Let’s talk about Virgil and Eleanor for a moment, a couple that is very dear to me. What makes them perfect for each other, and what’s the biggest obstacle standing in their way?

I’d say Eleanor and Virgil are very much not perfect for each other. They’re both stubborn and independent and selfish. They discover they’re each the means to an end–but also something more in the long run; Eleanor is exploring something her father has asked her to leave behind while Virgil is trying to unravel the puzzle of his late wife. I’d say the biggest obstacle is the pyramids at Giza (one of which they get to climb), but it’s probably Anubis, who embodies the unknown, trust, and the need to be exactly who (or what) they are.

  • Then there’s Cleo and Auberon. Will we be seeing more of this fascinating secondary couple’s love story?

As you know, Bob, I have written another book set in this universe, which involves Cleo and Auberon. It goes into Cleo’s history, she of the mechanical arms, and pushes Eleanor and Virgil against some boundaries they first discovered in Rings of Anubis. Like RoA, the book moves in a couple of different directions at once, and this time includes a correspondence between Cleo and Auberon, helping to tell the past and future of their relationship.

  • Though Rings of Anubis is your first published novel, (or novels, for those who read the e-release as Gold & Glass and Silver & Steam) you’ve also written short stories and novellas, and been nominated for a Sturgeon Award. What are some similarities and differences in writing short and long fiction?

Obviously a bigger canvas gives you more space to expand characters and plots; sometimes you want that, sometimes you don’t, so learning how to tell how much room your story wants is an important trick in any writer’s bag. I’ve seen countless stories in Shimmer submissions where a writer tries to pack a novel into a two-thousand word short. Some stories need to breathe; others like being tied up like a guest star in Fifty Shades.

  • What is the most important thing you’ve learned about your own writing from editing Shimmer magazine?

 

Whatever story you’re telling, it starts on page one. No matter how long the work, a good deal of the overall story is right on page one. Page one needs to pull your reader in, needs to anchor them in the adventure you’re about to take them on. Start at the beginning, don’t introduce your people or conflict on page thirty (or page three for a shorter work).

  • Finally, what can readers look forward to next? Is that some faery sparkle I see in the distance?

September will indeed bring Watermark from Masque Books, a story set in the fictional Colorado town Peak. We meet young fairy Pip, who has been expelled from her homeland for Reasons She Can’t Quite Remember. (Funny, me writing an amnesia story, as it’s a trope I don’t tend to enjoy!)

Short fiction on the horizon includes my first story in Lightspeed Magazine, “A Box, a Pocket, a Spaceman.” A novella set in my traveling circus universe will be out next summer…but I’m not sure if I can say where yet! Suspense!

Thanks, E, and do drop in again in September to talk Watermark. Fans of inventive urban fantasy with romance, baked goods, and a touch of faery magic won’t want to miss this one. How about you, dear readers? Do you like a thread of fantasy mixed with your romance? What’s your favorite flavor? 

Throwback Thursday: Historical Romance Edition

Inspired by Zeee at Buried Under Romance, my historical romance offering for Throwback Thursday: Lovesong by Valerie Sherwood

The year was 1985. The place was Montpelier, Vermont. The book was Lovesong by Valerie Sherwood, and my friend, Karen, had chased me across campus to physically put the book in my hand. When I asked her why she’d gone to all that trouble when we lived in the same dorm and she could have waited for me to come down the hall, she replied she wanted to be the one to give it to me, as it was going to be my new favorite book.

She was right. After many years and many books, the story of Carolina Lightfoot, the Tidewater planter’s daughter who became the fabled Silver Wench of the seas, and the dashing privateer, Kells, aka Rye Evistock, still remains a strong favorite. There were two more books, Windsong and Nightsong, about Carolina and Kells, and through this book, I found one of my all time favorite authors in Valerie Sherwood, aka Jeanne Hines, aka Rosamund Royal, and fell head over heels in love with the seventeenth century as well as the illustrations of cover artist Elaine Duillo. 

So, Karen, wherever you are, thanks. It was worth the chase. Seriously.