historical romance

My Planner Speaks Dutch Now

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My planner speaks Dutch now. Days of the week? All in Dutch. Months? Yep, those will be in Dutch for the remainder of the year, as well.  There are a few reasons for this. One is that I’m picking up some of the language anyway, from a friend who is, herself, Dutch. Another is that I’ve had a storyline bopping around in my head for a couple of decades now, with a Dutch hero. If it hasn’t gone away by now, it’s not going to, so my best bet is to steer into that particular skid (at the appropriate time; right now, Her Last First Kiss  is my historical baby.) Another reason is that translating names of the days and months from Dutch, into English, is one more thinky thing for my brain to do every day. Call it mental exercise.  The more I make my brain work, the better it works. The other reason, though? That one tracks with romance appreciation month. It’s the heroes.

Couple things first. This is not the deskscape I took to go along with today’s blog post. That one had a finished page, with a grayscale-plus-one-color color scheme, all numbers neatly stenciled, etc, everything in place.  I composed the shot, tried out a new photo editor, because I’m still finding the ideal tool for that, and checked my Google Photos app on my phone. Yep, picture is there. Great. Check Google Photos on my desktop, and nope. Already done some juggling with my schedule today, so time to get creative. Nab a shot I took to share with a group on Facebook, edit that puppy, and on we go. So, that’s where this comes from, and, even though it’s not what I had planned, it’s good enough.

So, back to those romance heroes. I’m not talking about the oh-isn’t-he-handsome angle on this one, though yes, some of these fictional gents are rather easy on the eyes.  Romance heroes, like romance heroines, come in many different flavors, shapes, sizes, hues, fitness levels, etc. For me, the main pull of the romance genre is the heroines – strong women who don’t let life knock them down, or, if it does, they don’t stay down for long- if there weren’t heroes in these books, then I’d be talking about the power of women’s fiction rather than romance. There is also female/female romance, with which I am not as familiar, so I will leave that to those better versed.

Today, it’s all about the boys. Men, really. Apart from YA romances, of which there are some wonderful examples,  the heroes in romance are men. They can be younger men or older men, richer men or poorer men, fit as a professional athlete, or live with a physical challenge (or both) or anywhere along the spectrum on any of the above and more, but it’s not the physicality of the gents that matters in romance fiction. It’s the heart. Romance heroes do not complete the heroine. Let’s get that out of the way. At least in my books, they don’t. They complement the heroines. Compliment them, yes, because, at least by the end of the book, they have learned how to communicate with the women they love (and hopefully the rest of the people around them, no matter how taciturn they may appear on the first page) and are able to articulate what they admire about their ladyloves, (or the other gent, in m/m romance) but complement them, as in they fit well together. Together, they become greater than the sum of their parts.

Often, the hero is the one who sees a part of the heroine others have overlooked, and, once he’s seen it, he can’t unsee it, no matter how hard he tries. The handsome hero who looks at a supposedly “plain” heroine and doesn’t see the mouse everybody else claims the heroine is, but rather can’t believe nobody else is bowled over by the way she lights the whole world when she smiles, for example, is a popular example of that. Maybe it’s the way the heroine is whip-smart and could teach him a thing or two about math or ancient history, when her family is sure all she has to recommend her is a pretty face or ample bosom. Maybe it’s something else, but that moment when, for whatever reason, the heroine gets stuck under the hero’s skin is one of my favorites, both to read and to write.  He might think he has life all figured out, or have no idea what he’s doing, but once she’s entered his world, nothing is ever going to be the same, and he is more adrift than he’s ever been in his life, because this woman has shaken his foundation.

As with heroines, the heroes have their own arcs. Hero wants something at the beginning of the book, that he either gets, or accepts that he will never get, at the end, and it’s that journey that fascinates me. For both of them, really, both individually and together, but I have an advantage when it comes to the heroines. I am a woman, so I know what it’s like to be a woman, have a woman’s body and woman’s emotions. While I do  have a Hero Consultant in Real Life Romance Hero, he’s only been on this earth the same amount of time as I have, so when I want to dive deeper into how an eighteenth century hero might react to certain situations, I have some research to do.

That’s where the heroes who have gone before come into play. I’ve been reading romance, mostly historical, since I was eleven years old. If we count fairy tales with romantic elements, then for a lot longer than that. Suffice it to say I’ve read a lot of heroes in that time, and each one of them has left his mark on the heroes I write. I like to picture a bunch of them gathered around a table in some old timey tavern, lit by lantern light, trading war stories about the horrible things their authors, myself included, have made them do, and admitting that the reward, the love and support of their heroines, made it all worth the trip. I also imagine them welcoming new heroes, offering advice to the young upstarts. Remembering when they, too, were first drafts, and how much things have changed since then.

Um, Anna, the Dutch thing? Yeah, got away from that a little, but it was a romance novel, Bold, Breathless Love, by Valerie Sherwood, that made me fall in love with all things Dutch. Ruprecht Van Ryker, you are forever my book boyfriend. Some guys make that kind of impression.

Pirate Queens and Clan Chiefs

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When I think about the power of romance, the first thing that comes to mind is the bathroom at my dad’s house, when I was a teen and young adult. Those were not easy years, but I knew that, no matter what else was going on, I had an ace in the hole, namely the romance novels I hid in the cabinet under the sink. Only one at a time, and, to the best of my recollection, I only read those books in that bathroom. Usually with the seat of the porcelain throne closed, or seated on the edge of the tub. I read The Spanish Rose, by Shirlee Busbee, and The Outlaw Hearts, by Rebecca Brandewyne. I know there were others, but I remember those two in particular, because they were the first books to live under that sink, and, when I needed a good place to go, there they were, ready to take me back in time and into vibrantly told stories.

Obviously, I did not stay in that bathroom, or that house, forever, and, since there is only so much time one can spend in a bathroom without arousing suspicion, I had to read those books in short, fervent bursts, before stashing them back behind cans of scrubbing bubbles and other accoutrements of bathroom sanitation. I didn’t always want to unlock the door and come out, but, when I did, I carried with me the inspiration of the heroines of the books I loved, their determination to never bow to the obstacles life threw their way, but keep pressing on, knowing the reward would be there, on the other side of their troubles.

My favorite heroines, then and now, are the ones who have been through some stuff. You know the kind. Sold to a first husband literally old enough to be their grandfather, because that was a good step into society for the family. The kinds of heroines who find themselves stranded on the road west with a fully stocked wagon, but no horses, and figure they better get on with getting those horses, even if they do have to take the dude who comes with them. Pirate queens and clan chiefs. Countesses in their own rights. Plucky actresses who work what their mamas gave them, now that the new king is letting women on the stage. Bondservants or enslaved women who may be going through hell, but, hang the consequences, they keep on going. Highwaywomen and pickpockets, grande dames and gamines, even a princess or two. Not the Disney kind, who gets dressed with the help of small woodland creatures, but the badass kind, who woman up and do what has to be done, to take care of those who depend on them.

The princesses I liked, back to when I was but a wee little princess myself, were not the ones who waited in a tower for somebody to get them out (though I did and do like Rapunzel; no matter what else, the gal has a-ma-zing hair.) but take a look at the battle before them and either strap on a sword and ride out with their soldiers, or get themselves up to that high tower and direct the pouring of pitch on the invading forces. I vividly remember reading one Catherine Coulter medieval where the heroine broke a siege on her castle by having her men bring the one sow the castle had left, all the way up to the tower, where the wind could carry her scent to the enemy troops, who had brought a bunch of male boars with them. Said sow was in season, and her scent proved, hmm, shall we say irresistible, to the boy boars. I have never, personally, been in a military encampment suddenly besieged with hormone-crazed creatures with large, curving tusks, but, from that description, I know it’s an experience I don’t want in real life. In romance novels, though? Heck yeah. Bring it on.

Those were the heroines I hung out with in that long-ago bathroom, and, I hope, the ones who hang out with me now in my office, as I write their stories. If they find their way underneath someone else’s bathroom sink one day (apart from propping up a wonky support, but hey, I’ll take that, too. Still counts.) then I will consider the job well done.

I don’t consider reading, especially romance, an escape. I consider it respite. I consider it restoration, renewal, fuel and fortification. I consider it food in my belly and shoes on my feet. In romance novels, things are going to get bad. Of course they are. Fiction eats conflict for breakfast, because that’s the big question; how are the characters going to get out of this predicament? Nevertheless, our heroines persist, and so do the heroes who love them. In romance, the woman always wins, and her beloved wins, too, as does the writer, even if the process of getting the two lovers from once upon a time to happily ever after does sometimes (okay, a lot of times) feel like herding cats. There’s nothing like typing The End, and sitting back in the chair with a satisfied sigh, because it’s HEA for those two now, and, soon, for the reader.

As for the writer, well, it’s different there. The writer may take a break, may devour a whole stack of other writers’ work, but, soon enough, the voices will start again, other invitations to other adventures, other heroines who don’t take no for an answer, and on it goes, once again.

 

 

Typing With Wet Claws: Uncle’s Birthday Week Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday. I am wearing a sparkly crown today (it is really one of Anty’s bracelets, and it had an accident a little while after this picture was taken (it was not my fault, as Anty and her bracelet were not at home when it happened, but I still count it as payback) because this is a special week. It is Uncle’s birthday week. I do not like having things on my head, but if it is for Uncle, I can do it. I love him and he is my favorite. That is partly because he does not put things on my head, but mostly because he is Uncle.

Even though it is a very special week, Anty is a stickler for the rule that I have to talk about her writing first before I can talk about…well, her writing. This week, as always, she is at Buried Under Romance. This time, she talks about the need for and merits of book therapy. You can find that post here, and it looks like this:

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While I do not think Anty mentioned cats in her post, by the image, it looks like a most delicious read. Drop by and see for yourself.

Now it is time to talk about Anty’s activity on Goodreads. As of today, she is on track for the second week in a row. Her Goodreads challenge, this week, looks like this:

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Looking good, Anty. Keep at it. You got this. The books Anty read this week were:

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Anty got The Reason You’re Alive without even seeing anything other than Mr. Matthew’s name on the front. That should tell you how much Anty likes his books. She also likes Miss Anita’s books so much that she got Comanche Rose along with Comanche Moon, which comes before it, without even knowing anything about the stories. Anty likes to take that kind of risk with her favorite authors. She knows they will deliver, and she hopes to do the same in the books she writes, as well.

This week, Anty also has a post at Heroes and Heartbreakers. Big surprise, it is about historical romance novels. In this particular case, romance novels set in the Victorian era. Several of Anty’s friends asked Anty for recommendations on some good romances set in this era, and she thought other people might like to know which ones Anty likes best, too. There are a lot of other good ones, but Anty wanted to focus on titles that are newer. If you would like more recommendations, of older books in this setting, or books in a different setting,  please leave a note in the comments section and Anty will be right on it. That post is here, and it looks like this:

 

HeroesAndHeartbreakersVictorians

Normally, this is where Anty would put her video blog, but it has been a crazy week here, with lots of domestic tornadoes, so she did not get time to make one. That is okay, though. She can make another one later in the week, and it gives me more time to talk to you here. I would say we all win on that account. Anty’s trackers are more interesting to Anty than to anybody else, but they do seem to do a better job of keeping her on track of things than the previous system (which was really not much of one at all) so I guess it is a good thing. Playing with markers and paper makes her happy, and it makes me happy, because I can sit near her and stare at her while she does it.

Most of the time, I like to hang out with Anty while she writes. She usually has music on while she is writing, and I like it when she plays the soft music. I also like 80s tunes, which she plays while working on Chasing Prince Charming. I do not like loud music, though. I will run away if she plays loud music. Even when she does not play any music, I like to listen to the sounds she makes while she makes the keyboard go clickety clack, or when she scratches her pen against paper. When she is working with pen and paper, she will sometimes tear out paper and wad it into a ball and throw it at me. I used to play with those paper balls, but I figured out they are not actually alive. Where is the challenge in that? Not much, if you ask me. I am asking for a toy that moves for Christmas. A toy that moves all the time, I mean, not one that only moves on Christmas. That would not be much more fun than paper balls that do not move at all.

But I digress. This whole no video blog thing is throwing me off. Hopefully, Anty will be more on the ball next week. What I meant to say was that usually, I like to hang out with Anty when she writes, because she is very interesting. That all goes out the window when Uncle comes home or gets up in the morning. He is my favorite, so I will pick him every time. Here is a picture of me, right after I heard Uncle’s wake up cough come from the bedroom one morning:

SkyeOMalleyCatlooksforuncle

He’s coming out annnnny minute now.

 

I have even been known to walk away from Anty or Mama petting me if I hear Uncle is on his way. He is my favorite, so I am very excited to celebrate his birthday this week. Anty and Mama are getting him presents and cake, but I think he will like the floofs I leave for him, too. He is very lucky his birthday comes at the same time as my shed.

That is about it for this week, so, until next time, I remain very truly yours,

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Until next week…

Marrow and Bone

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When I was but a wee little princess, my father built me two bookcases. My parents filled them, first with picture books, and friends and family members added to the collection as I grew. I remember sobbing inconsolably when I pieced together that Morte de Arthur meant that King Arthur was actually dying and not living happily ever after with Queen Guinevere. The whole Lancelot thing went over my head at that tender age, and I still have mixed feelings about the whole triangle. Maybe I’ll explore a similar dynamic in some future novel of my own, someday. I did not take the fall of Camelot well, either, despite my father’s attempts to explain how noble and tragic it all was.

Fast forward a few decades, and those very same bookcases now live in my office, and they are stuffed with romance novels. The top case (one stacks on the other) holds my Bertrice Small collection, while the other holds various keepers, and books on writing, some of them (my favorites) specifically on the writing of romance. I have two copies of How to Write a Romance and Get it Published, by Kathryn Falk, the brains behind RT Book Reviews, and they are both tattered. Granted, a lot of the information is obsolete now, with the e-publishing revolution, the advent of independent publishing, and whole subgenres have come and gone since the first edition first hit the stands, but I still treasure those books, and still refer to them, because the most important part of each entry has no expiration date.

The inspiration I get from reading the words of those who have gone before, some of whom are now retired, some now gone to the great library in the sky, some of whom are still with us now, still bringing their A game, book after book, is new every time I dip into that particular well. It’s there, too, when I dive into the books that gave me my love of historical romance; big, epic stories of love that could conquer impossible odds – and always, always did. Always will, as a matter of fact. That’s not a cliché. That’s the foundation of the genre. No matter what else happens, or doesn’t happen, by the end, our two lovers will be together, and happy about it.

That’s the skeleton of the genre. With that in place, we can hang anything on that framework. Once I took my first step into the genre proper, I read love stories that took place in medieval times, the Gilded Age, and everything in between. Heroes and heroines were titled nobility, gentry, dirt-poor, outcasts and pirates, bondservants and performers, and a thousand other variations. Through the pages of books, found in used bookstores, flea markets, libraries, and the then-king of chain bookstores, Waldenbooks, I fell in love a million times over. I knew, not hoped, knew that I had to tell stories of my own, in that same vein.

I can’t say it was a choice. More like I came pre-programmed for romance fiction. I don’t know if my biological mother read romance, but I wouldn’t be surprised if she did. My real mother did, mostly from paper sacks filled with big, thick, glossy historical romances that came with my Aunt Lucy, every time she visited. My job was to take the bag of books to the laundry room, de-bag them, and put them where Mom wanted. I wasn’t allowed to read them, a rule I did not, at the time, think to question, apart from stealing the Small titles, which did not come from Aunt Lucy, but I did study each cover, read the back blurbs, breathe them deep into the very marrow of my bones. Yes. This.

I assigned my own characters to the people on the covers, made up my own stories to go along with them. It didn’t occur to me to write those down, not then, but I would turn them over in my head for days or weeks, paint pictures in my mind, and feel the stories as vibrantly as I did what is generally called real life. When real life got stinky, I went to that story place more, not as an escape -I always had to come back, after all- but as a respite, a place to go and remind myself that things get better after they get worse. That’s what the heroines in the books, both real and imaginary always did. They kept going. They fell down, they got back up. They fell down again, got back up again, and became all the stronger for it. In the end, they got all they ever wanted, and more. They got a hero who loved them exactly the way they were, who always had their backs and knew they could count on the same thing in return. Sometimes, back then, if there was a connected book, it could be the child of the first couple, all grown up, and ready for their own adventure. I loved that kind of thing. Still do. Who knows? Maybe I’ll write one of those, myself, too. If there’s one thing romance fiction teaches us is that, with love, all things are possible.

When I look a little ways down the road, and think about what to write next, after the current WIPs are out in the world, I’m not worried. I have the core of my stories already in my marrow and bones; two imperfect people will find their broken edges fit into a cohesive whole, and the love they share means that nothing life throws at them even stands a chance. I think that’s a pretty good place to start.

Air in My Lungs and Blood in My Veins

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So, apparently, August is Romance Appreciation Month. I did not know that was a thing. I probably should, because I write romance, and I write about romance, and, when I’m not doing any of those things, I am probably reading romance, but, until now, that has not penetrated my brain. I do follow Read a Romance Month, and eagerly looked forward to the onslaught of essays sharing the love of my favorite genre in all its forms, but it wasn’t until today, when, coincidentally, I needed a blog topic, so good timing.

That book in today’s deskscape is the actual copy of The Kadin, by Bertrice Small, that I stole from my mother’s nightstand and sneak-read under the brass bed in the guest bedroom. Only a few pages into that book, at the tender age of eleven, I knew I had found what I wanted to read and write for the rest of my life. By the time my mother found her book missing and followed the flashlight beam, I knew squat doodle about the romance genre. I could kick myself now, for not picking up those early copies of a magazine then called Romantic Times, which, soon after, alternated with Rave Reviews, which covered all genres, with a smaller romance section than Romantic Times. but, then again, I was young, my allowance may not have covered the expense, and my parents probably would have had something to say on the matter. Also the whole not knowing romance novels were really a thing, thing,. but I digress. I stole the next Small book from that same nightstand (by now, my mom was on to my larcenous ways) and, by the time Adora came out, I received my own copy as a gift, because everybody involved knew I was going to read it anyway.

It wasn’t until I attended a summer program for young creative people, at Wesleyan University, that I purchashed my first non-Small historical romance. By this time, I knew that romance was indeed a thing, and had a handle on some of the differences. All Harlequin books were romance novels, but not all romance novels were Harlequins, and jokes about not letting Harlequin get me did not sit well, even if they were meant to amuse. Hmm, let’s see, published by one of the biggest publishers on the planet, in the most popular genre of all genre fiction? Yeah, I can see what a horrible fate that would be. At the time, Harlequin meant exclusively contemporary category (how times have changed) so the odds weren’t high that I would have what they wanted, but none of that did anything to quell the absolute assurance that writing historical romance was what I wanted to do with the rest of my life.

Did I know what period? Eh, not really. The historical I started writing at seventeen could best be described as nebulous Tudoresque, and, when I first put fingers to typewriter keys, I wasn’t sure what era I wanted to write, so I remained purposely vague as to the actual setting, a remote estate far, far, far away from anything. The pages from that book now reside in a storage unit where they can’t hurt anybody, and, as I work on the second draft of Her Last First Kiss, I have not only a calendar covering the dates of the story, but researched the phase of the moon for the night when Ruby and her Hero have their titular first kiss, because I needed to know exactly how much of him she’d be able to see (spoiler: not much.) Between the minute my mom busted me under the guest room bed and this morning, when my Kindle saw me through wash and dry cycles at the laundromat, I have read a lot of romance novels. No, I am not going to try to count them.

I have had four of my own published and hope to add to that number in the very near future. When I first knew I wanted to be a writer (or was a writer, depending on how one measures these things) I thought that mystery and hard science fiction were the only options, but I couldn’t connect with either, no matter how hard I tried. Romance, though? That was, and is, air in my lungs and blood in my veins. I am sure there are mystery writers who feel the same way about their genre, and I know there are SF writers who feel the same about theirs. Truly, I hope every writer finds their home and lives in it.

For me, that is romance. One dearly beloved aunt always expected I would grow out of my desire to write romance, which I announced proudly in my early teens. If that hasn’t happened yet, I don’t think it’s going to, and I wouldn’t have it any other way. Taking two characters, each with their own wounds, baggage, and inner demons, through the trials of life, until they can make a life together, and, together, taking on all comers – that’s my catnip. That’s my jam. That’s air in my lungs and blood in my veins. I can’t not write romance, and believe me, I’ve tried. I tried when I thought my options were limited. I tried when people in my life had strong opinions in other directions. I tried when I thought I couldn’t write, or shouldn’t write, or had lost the right to write, and failed miserably in all such attempts, because the power of love, and the power of romance fiction, really is that strong.

I love that there is a romance appreciation month, because it celebrates the awesome power of romance for the reader and writer alike, and because it gives me a focus for my blog entries over the next few weeks. Stay tuned.

 

Why the Heck Not?

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Do not ask me how I found myself, yesterday, editing a long-shelved manuscript, but I did. Do not ask me what it was that prompted me to check the submissions requirements for an e-book publisher I have worked with before, but, again, I did. Do not ask me how my brain said, “Anna, you could totally send that there. Go open the file, poke it with a stick, and send it off.” I do not have an answer for that, either, but, for the time it took for me to make adjustments I’d known I had to make, for years, my brain was entirely focused on the work, not the domestic tornadoes that have whipped through the week so far, not the hot, sticky weather, not the feeling that I should be oh so much farther along this writing road by now, not anything that was not John and Aline and their road trip from Aline’s plague-ravaged fishing village to a city that may or may not exist (she thinks it does, he isn’t so sure) and it was…nice. No stress, only story. Only fun.

This is the story, originally titled Draperwood, then Ravenwood, now A Heart Most Errant (I seem to be going through a lot of titles these days, and I am okay with that.) I wrote during a time of huge life upheaval, and the story that made me cry actual tears when I reached The End, because I had spent so much time with John and Aline, that I wasn’t ready to say goodbye, but the story was done. They reached their destination, though it wasn’t what either of them had expected, and they were happy. They were both home at last. Me, at the time, not so much, because that was one journey that wasn’t yet over in real life, but them? They were going to be fine.

They still are. That’s one good thing about checking in on characters one has waved off into the sunset some time ago. Even though I honestly have no idea what prompted me to dust this story off, or set a deadline for taking a chance on submission, after some really good rejections and a resting period, when I did open the file, it felt right. There they were, as happy to see me as I was to see them. Maybe they sorted out a few things while I was busy in other centuries, but if that works, hey, I can deal with that.

I first wrote John and Aline’s story when I saw an issue of RT Book Reviews magazine that featured separate articles on both medieval romance and post-apocalyptic romance. I like both of those things. Could they be two great tastes that tasted great together? Even in the whirl of grief, caregiving and other concurrent adventures, I couldn’t wait to find out, so I didn’t. To the people of fourteenth century England, having the Black Plague sweep through multiple times in only a couple of decades had to seem like the end of the world. The unbelievably high body count wouldn’t be the only casualty of the plague, but buildings burned to eliminate contagion, businesses and professions knocked to their knees due to the loss of people who could do those jobs, and travelers or expats, like knight errant John, who returned from their travels to find there was literally nothing left and nowhere to go.

I have always been drawn to stories about survivors, those who lose everything and yet keep on going, so John and Aline’s story is very close to my heart. Maybe the only answer to why toss a third ball into the mix when I am already juggling two other books and it’s domestic tornado season is that it is time. What do I have to lose? As my Aunt S used to tell me, “the worst they can say is no, and then you’ll be exactly where you were before you asked.” So, that’s what I’m doing. I don’t think I need to know precisely why.

Is this story perfect? No. Will it ever be? Again, no. Is it right, though? Yes. Is it true, though? Again, yes. Not true as in there are historical records to prove that people with my characters’ names actually existed and this is what happened to them, because no, there is not; they were born in my head. What I put on the page, though, is an accurate representation of the story they told me, so I’m okay with that. Sometimes “good enough” is enough of a goal. If this publisher says no, there are others, and if they all say no, well, I’ve been curious about the indie process for a while now.

What I do know is that it’s time. Sure, “post-apocalyptic medieval” isn’t a term one hears every day, but everything we know now was once done for the first time. Though I don’t normally think in series, there is one not-a-monk who has been giving me a sly glance from beneath his hood as I edit the sections where he appears, and, if he has a story to tell, I am here to listen.

Not At Nationals (Again)

annabowling 2 Comments

Some days, a writer needs a cat on her desktop. Since my actual cat, Skye, is a floor girl, I will have to make do with having her as my desktop image. It’s that time of year again, meaning that it is time for Romance Writers of America’s annual national conference, and, once again, I am not there. Conferences are like Christmas for the extroverted writer, and the RWA national conference is the great grandmamma of them all for us romancey types, so yes, part of me is going to grumble when I see pictures of friends at the conference, dropping tidbits about workshops and networking and parties and mountains of giveaway swag.  This doesn’t even take into account the issue of conference outfits and/or shoes, or the magic that happens when one winds up at a dinner table with a bunch of complete strangers, not knowing that they are in the presence of soon to be lifelong friends. Last Call Girls, I am looking at you.

So yeah, part of me is peeved. Maybe next year. Whole year to plan/save, and who knows, I might have something new to flog in 2018 (how did next year get to be 2018 already? :sobs softly:) and I’m doing what I can to move in that direction, so no use dwelling on what I’m not experiencing. Right now, I’m working on two books that I absolutely love, I am getting my ducks in order to have some fun new posts on Heroes and Heartbreakers in the near future, and I’m finding new ways to plan and organize so that I don’t fall into the trap of chaos and paralysis that comes from not knowing what to do next. I really, really, really do not like not knowing what to do next, hence all the focus on planning lately. I assume that, at some point, I will taper off, but for now, you get things like random pictures of my daily carry.

 

DailyCarry071917

Packed to stay home. Yes, this was taken at the laundromat.

 

If  RWA attendees can post pictures of their week, I can post pictures of mine. Above is my daily carry. From the top, the gray thing is my current favorite bag, because it goes with literally everything. Top hot pink thing is my makeup case. Purple thing is my Kindle. Next row, blush pink still-not-calling-it-a-bullet-journal-because-I-am-stubborn notebook, black pouch full of ballpoints, even though I am pretty much over ballpoints (but they still have ink in them; I cannot waste ink,) black wallet (needs more green things in it, hence motivation to write more) and hot pink bag that actually came with my tablet (not pictured, as it lives in my nightstand) but does not fit my tablet, so it holds my phone when I take said item on the road.

This is an extremely stripped down version of what I used to carry, and I am surprised how much I like it. I once won a “mom purse” contest (it broke out spontaneously on a ferry headed for Long Island, when a bunch of romance writers got antsy) over a mother of five and two grandmothers. I will allow you to imagine the criteria for yourself, but suffice it to say that this is a big change. Will it stick? I hope so, because I like having everything I need, close at hand, easily portable, and not all jumbled together.

Is it an indicator of how the writing life is going? Again, I hope so. The flip side of hating not knowing what I’m doing is…knowing what I’m doing. Organization and planning helps a lot with that, as does talking with writer friends who get me and get the stories I tell, at whatever phase of the journey. Having pretty stuff means I’ll want to look at it more, and, as N and I have discussed at length, there is a connection she and I both get when we turn off the computer and hunker down away from electronics, with pen and paper, and our story people get chatty. I’d be lying if I said that I didn’t still feel like I’m fumbling around in the woods, with a bucket on my head and oven mitts on my hands (not feeling the rotten logs on my feet, so I’ve got that going for me) at times, but those times are fewer and farther between. I’m going to call that a good thing.

While I am going to miss the workshops presented at Nationals, it’s the people that would have me most excited. In person time with social media contacts would be fun, and getting to actually meet writers whose work I have admired for, in some cases, decades, would be amazing, but, if I were in attendance this year, I would have one goal that would outrank the others. Since I have never been to Nationals, I have no idea if it is socially acceptable to station oneself in the lobby, holding a large poster board with “Historical Romance BFF/Critique/Brainstorm Partner Wanted: Apply Below,” but I am pretty sure that, with number and variety of people who go to these sorts of things, I would probably get a few takers. Or one. I would take one.  A gal can feel a little unicorn-y from time to time, with this sort of thing, but it’s only a matter of looking, when romance writers congregate in large numbers, before one finds other with the same favorite flavor, no matter what that flavor may be.

So, this year, I’m not there. Too soon to call it on next year, or beyond, but what I can do is keep on eye on social media for vicarious conference hits, and the other eye on my own paper, as I move my current WIPs toward the finish line of their respective drafts. Potential historical romance buddies, you know where to find me; I’ll be here all week.

TheWriterIsOut

Typing With Wet Claws: Refining Focus Edition

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Hello, all. Skye here, for another Feline Friday. There is big news this week, and it is about me. I will get right to it, because it is important. I am in shed. That means I am getting rid of my summer coat, so my winter coat can come in. Fair warning for those readers who are new to this blog: I will get super fuzzy in the winter. I am already super fuzzy all the time, because I am a Maine Coon mix, but, in winter, I get even fuzzier.  Anty has to bribe me with food to let her brush me, because I am a very sensitive kitty, so brushing is not always my favorite thing, but I like food more than I dislike brushing. Anty is smart. She says it is so that I will not eat the fur I shed, but she does not have to worry. If she likes the fur I eat so much, it is not a big problem if I do eat it. She will see it again. That is kind of how cats work. It is also how hairballs work. Hm. I do not like the hairball medicine I will get if I have too many hairballs, so maybe brushing is okay.

The way this blog works, if you are new (and even if you are not) is that I have to talk about where to find Anty’s writing on the interwebs (besides here) every week before I am allowed to talk about other things, which are usually about Anty’s writing anyway. This week, as always, Anty was at Buried Under Romance. This time, she talks about playing a game called Never Have I Ever. I do not think it would be fair for me to play, since I am a kitty, and have not ever read any books, unless being in the same room when Anty listened to an audiobook counts. That post is here, and its link on the main page looks like this:

BURneverhaveiever

Next, we come to Anty’s activity on Goodreads. Right now, her reading challenge looks like this:

GR072117

I may need to check with Anty to see if this is correct. She may not have updated everything with the hot weather this week, but that is okay. Reading is a very forgiving thing, and books will always still be there. Anty did read a novel about almost-grownups (or very new grownups; it is hard to tell with humans, sometimes) and it is called Lovely, Dark and Deep. No cats in it, but it is set in Maine, which is where Maine Coon cats come from (the breed, I mean, not me, specifically. I was born in Massachusetts.) Her review of that book is here, and it looks like this:

GRLovelyDarkAndDeep

Anty thinks the cover is very pretty.

 

Other than me being in shed, another sign of autumn coming (it is almost August, after all. Uncle’s birthday is in August, which makes it a very good month.) is that back to school supplies are everywhere. I do not mean only in Anty’s office, which is true (it is always true; Anty is kind of nuts about notebooks) Autumn means that Anty will get her super powers back, but they did not really go away this year. That is kind of new.

Part of that, I think, is that Anty has been taking a critical look at exactly what she wants to do, and set specific goals. Meeting with Miss N every week, to get feedback on Her Last First Kiss (as well as give Miss N feedback on her book) keeps Anty accountable, as does talking over Skype with Anty Melva about their book. Anty does very well with goals and accountability, so those are going to stay. She is still looking for a critique/brainstorming partner and/or writing friend, whose focus is historical romance, so putting that out there. Payment is you get to talk to Anty and possibly get extra pictures of me.

I will let Anty tell you how she is refining focus in her reading, which can help refine the focus in her writing. I think it is interesting how those two things feed each other.

 

In case you are wondering, her shirt says “Lovers Gonna Love.” I find this very interesting, not only because it is an appropriate shirt for a romance writer, but because “gonna” is probably Anty’s number two pet peeve in general speech. It is not actually a word, but two words, “going to,” mushed together. In case you are wondering, her number one pet peeve in general speech is “just.” It can usually be taken out wit no change to meaning, unless it is used as an adjective, as in “the court’s decision was just.”

Knowing Anty, she is probably going to make a to-be-read list to keep in her planner, and she will probably want to show that list, because she is probably going to make it pretty, or at least interesting, visually. Anty is kind of into this making pretty notebook pages thing, which I guess is for the greater good, if it helps her brain stay more organized and focused. I, personally, like the way the markers smell when she takes the caps off, so I am not going to question her motives. Maybe this desire to make pretty pages will make her want to learn how to draw cats. One cat in particular. I will give you one guess as to which cat that might be. (Hint: it would be me.)

That is about it for this week, so, until next time, I remain very truly yours,
skyebanner01

skyebyefancy

Until next week…

 

 

Sprints vs. Marathons

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It’s Monday once again, but not, this time, a marathon. Nope, done with those, after last week’s events, so if I’m not doing that, then that means I have to do something else. Easy logic. Thankfully, the weather forecast has flipped from its previous brutal high eighties all the time forecast, to a more moderate lower to mid eighties deal. That, I can handle more easily. I’m stocked with sports drinks as well as water, planning smaller, more frequent, lighter meals, there’s a second fan in my office, aimed at my feet, and a new ice pack at the base of my spine. Quite comfy, really, which means there’s only one thing I need to get the second draft of this chapter done, which would be…the first draft of this chapter.

There is one, I should mention, but it’s short, and, now that I know more about Ruby, her Hero, and their story, these scenes are going to require something more. I don’t mind that; it means that the story is real and alive, and it’s going places. That’s all good stuff.  What is not so good is the old  “oh crap, what am I doing, I was supposed to work this all out over the weekend and now it’s Monday” feeling. Which would normally turn into “welp, guess it’s an uber-marathon in that case. Put the previous versio aside, start from scratch, keep pushpushpushpushing no matter what, even if it takes all night.” Which, after last week, no. Not doing that.

Which means new approach needed. Long term solution, better time management, enforcing boundaries, and keeping track of what environmental factors are in place on especially successful/productive days. Looking back at the time, a few weeks ago, when I shot far past my page count, the habit that sticks out to me most is that I took short, frequent breaks. So, this time, sprints instead of a marathon. Marathons are necessary sometimes, and there are days when I don’t want to stop and would happily chug on long into the night, and into the wee hours, but that’s the difference, and it’s an important one.

This past week, I got current on season two of Poldark, and I have a lot of feelings about that. Mostly, impatience, because I want season three to begin now, thankyouverymuch, but also anger at Ross, and the very firm decision that, if things come to that (no spoilers, please) I am firmly on Team Demelza about the thing Ross did at the end of Season Two. There will always be a part of me that will forever blink at the screen in disbelief. but A) Poldark is not a romance novel, B) the story isn’t over yet, and C) while I hated what happened, I loved being surprised.

Though I’m currently reading a YA that has my attention, Poldark gave me a thirst for historical romance with the same flavor. That sort of story that could not possibly take place in any other place or time, or with any other people. It’s not comfortable, and bad things most assuredly do happen to good people, but that’s what makes it interesting. Doesn’t hurt that the story takes place in the same era as Her Last First Kiss, so, in a way, it was pretty darned close to a trip back into HLFK world. I love to drink in the use of light, the subtle differences in clothing, not only between classes, but the more traditional styles and those more fashion-forward. The social interactions, how characters behave differently among their intimates from how they behave to newly met acquaintances, the modes of transportation, the way they use their leisure time, family celebrations both big and small.  That’s what I want to see in a historical romance, both those I read, and those I write.

Which brings me around to the sprints vs. marathons thing.  Rather than have a “must get at least x amount of pages ready,” focus on this scene. Take the time to feel the temperature, not in my room, but the room (or outdoor location) where my characters experience their “now.”  What can they see, hear, smell, feel, taste? How do they move through the space? I connect best when I write longhand, so this translates well to the non=marathon way of tackling a bigger section at once; break it down into smaller bites. Write longhand, away from the desk, break, transcribe and tweak, break, next bit, bit after that, and so on.

Is this going to be a foolproof technique that will work forever and ever and ever? I have no idea, but I don’t expect every book or every day to be exactly the same, so I expect variations. I expect interruptions. I expect some therapeutic housework, to sort out whatever it is on the back burner of my brain, and know that these things have a way of working themselves out. I know where my characters are going, and I know where they came from, and, since we’ve been through the initial draft with each other already, we’re going to figure out this slight detour. Not because pages are due for critique meeting, but because it’s fun.

The writer of commercial fiction, by and large, are in a funny place. We know what readers of our genres want from a story, we know what we, personally want to read in such a story, so writing the story we want to read should be a blast (and often, it is) but then the market has its requirements, and there are production schedules, and and and…. Which is why there are headphones and playlists, and a list of rewards I get for completing, not onebigmonsterthatMUSTBEFINISHED by a certain time ORIANDTHEBOOKWILLBOTHBEDOOMED, but a collection of shorter bursts. In eighteenth century terms, a turn around the garden. (Spoiler: nobody takes any turns around any gardens in this book. Maybe next time.)

Right now, I can cross “blog entry” off my list, and then I get to noodle with my art journal for a few minutes, then take one of those turns about the garden. If that means I end up taking something rougher than I like to critique meeting, that’s fine. Still counts. The same amount of ground gets covered either way.

 

Typing With Wet Claws: On Top of The Milk Crate Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday. This has been an interesting week in our home, but then again, I think every week is interesting. Either I really do have an interesting family, or I am very easily impressed. I am not sure which, maybe both. Before I am allowed to talk about anything else, though, I have to talk about where you can read Anty’s writing on the interwebs, besides here, so let’s get to that.

First, as always, she was at Buried Under Romance on Saturday. This week, she talked about the importance of friendship in romance fiction. That post is here, and its link on the main page looks like this:

BURfriends

Please pardon the awkward cropping. These things are hard when one has special paws.

 

This brings us to Anty’s Goodreads activity. Anty will tell you more about her reading habits in the video below, but I am happy to report that her reading challenge progress now looks like this:

GR4690

Anty is now 51% of the way through her goal of 90 books read in 2017, and she is now only one book behind schedule. Considering that this is the weekend, I have every faith that she can not only get back on track, but maybe even pull ahead. That would be very exciting. This week, the books she read were these:

 

Click on the links below each picture, to read Anty’s reviews of these books. In case you are counting, that is one historical romance this week, and one contemporary inspirational category romance. I should point out that, even though “category,” has the word, “cat,” in it, there are no cats in this book. I may have to have Anty talk to Miss Jean about that, because they are in the same RWA chapter. Can a book without cats truly be all that inspiring? Maybe there are cats in other books by this author.  I will give Miss Jean the benefit of the doubt. She does have a lot of books, so odds are that there should be a cat in one of them. I suppose we will see.

This week, Anty had a surprise during her Monday marathon session for her work on Her Last First Kiss. The actual second-drafting went pretty well, but Anty learned an important lesson about how to get through hot, muggy days and nights. She found out, the hard way, that it is indeed possible to drink too much water at one time, because it makes humans sick, which does not help with the writing process. I think this may have something to do with her drinking water out of a travel mug and not out of a bowl. I have never had too much water at one time, and I always drink out of a bowl. Just putting it out there.

Needless to say, this has given Anty serious thoughts about how she can best avoid the need for these Monday marathons. The obvious answer is to do more of the work over the course of the week, so she does not have to cram it all into one day. That makes a lot more sense, and it also involves her keeping better track of how she uses her time. Anty believes that we can always find the time to do what matters most, and in her case, that is writing. I suspect this may affect my routine somewhat, but I am willing to take one for the team if it makes for a happier Anty, and as long as it does not affect my treat schedule. Anty and Uncle know that I always know when it is twelve noon and ten at night. I find time for what is most important to me, too.

Today is cool, gray and rainy, (well, rainy off and on. Right now, birds are chirping.) which is Anty’s favorite summer weather, which generally means good things for her writing. That may not always show on the writing tracker, because, well, Anty does not like this particular writing tracker. I will let her tell you about that, and how her writing has gone this week:

Thank you, Anty. That was very interesting. I will not tell the people how many takes it took for you to get that video made, or the backup video you made on your phone, but I will keep it safe, in case of emergencies, like me needing more treats. What I will tell them is that Mama had a very good suggestion, that Anty should prop her laptop on top of a milk crate, instead of the makeup case and all of those books. As it happens, Uncle gave Anty a fancy wire milk crate for Christmas (it did not have milk in it, unfortunately, but it did have other things. Uncle is not a monster.) and, while she is still figuring out what she wants to do with it for real, it works very well as a booster for the laptop. She still has to use the binder to correct the angle for the screen, but this is a lot easier than the other way, so there may be more videos.

I should note that Anty has not been getting out of the house as much as she would like, and so she  may be going a little loopy with the whole needing people thing. Having an extroverted writer does present some challenges for even the most dedicated of mews, but the internet is a big help.

That is about it for now, so, until next week, I remain very truly yours,

skyebanner01

skyebyefancy

Until next week…