historical romance

Breathing Room

annabowling 1 Comment

Yesterday, I played Sims 4. All day. That was it. No regrets. I’m playing this current (game) world rotationally, or, more accurately, pinging back and forth between households, to  ensure that each of my families makes it to the next generation. We will not mention the one Sim I forgot about since he was a teen, and stumbled across, living by himself, as an elder, with none of my created or born in game female Sims of childbearing age unattached. I had him adopt a child, then married a widowed elder female Sim, merely because I want to see how many husbands she can go through before her own time runs out. This dude is her third. I played long enough that a teen aged up to young adult, solving the dilemma of my second adult aged bachelor. The third one is still on his own, but he has two older sisters who have descendants, so I’m not worried about him. He can meet a nice townie, or adopt.

bottleofink

Saturday, I picked up my first bottle of fountain pen ink. I’ve had samples before, and cartridges, but having a whole bottle feels different. It’s a commitment. I am a Fountain Pen Person now. I was before, because I wouldn’t have had a need for the ink if I didn’t already have fountain pens in need of the same, but I have a bottle now, and a box that’s probably going to find itself, at least in part, stuck in an art journal, because it’s beautiful in its wornness. This also means I am going to have to buy some converters, and possibly a syringe (to refill the technically disposable Pilot Varsity pens I hoard like a dragon hoards treasure) but that is for another day.

Today is time to get pages of Her Last First Kiss ready for N’s critique. Tuesday is Wednesday this week, which does not help  my disorientation regarding what day it is but I am glad to have the extra breathing room, to make sure I turn out the best pages that I can. Breaking the habit of holding back can be difficult, though I am up for the challenge. Hero and Heroine have to live out their story the way that it goes, and that means I have to write what happens in the movie in my head. If this means putting stuff on top of stuff, then I need to make sure that’s what I’m doing.

morningpagesaltered

This weekend also brought a trip to the craft store, which meant Tim Holtz stuff is probably going to come home. This time, it was a canister with several rolls of decorative tape inside it. That’s two different tapes used in the frame on the pages above. This particular book had several false starts before I figured out what its true purpose was (my daily task list.) The original pages were too plain, even with the grid lines. Meh. Nothing to see here. Add some interesting borders, though, pattern on pattern, color on color, and now we’re talking. With two weeks left in my current morning pages book, I’m thinking I might consider taking an existing book with ruled pages and adding the interest myself, with tape and a few other mediums.

Which is basically what I’m doing with this draft of HLFK. The basic pages are there already. What they need are the extra touches that make this story unique. Time to climb inside Hero’s and Heroine’s skins and look at the world through their eyes. Sub out any other character for either of them, and we would not be having this story, because those different people would do different things. Those richly textured historical romances, dripping with atmosphere, are the things I love to read the very most, so they need to be what I put out there in the world.

I don’t like veering from schedule very much, but there are times, like this one, where even a smidge of breathing room comes in handy. That gives room to stretch, to observe, to pick out patterns, layer together things that might be two great tastes that taste great together, or they could be a colossal mistake. Thing is, with that breathing room, there is time and space for course corrections when needed. Time to move things around and make sure all is well with the fictional world. It’s not an excuse to slack off, but a chance to make sure things are done as well as they possibly can be done. At least that’s the theory. We’ll see how practice goes.

What if I Fall?

annabowling 5 Comments

This week, N and Mr. N picked me up for the weekly critique session, so I wouldn’t have to tromp through the arctic tundra of the park, and risk bodily harm in the ice and snow. Good people, those Ns, but what actually happens? I twist my ankle on my way from microwave (occupational hazard of extroversion; food goes cold while blabbering, and needs to be reheated) to seat. I do not remember exactly what happened, but apparently, I was airborne for a second there.

I do remember my bagel getting some serious air and landing, thankfully, on the table, so no bagels were harmed, but my ankle is another story. My favorite Panera worker rushed over to make sure I was okay and had not hit my face on the table. I had not. I remembered enough to remove my boot in case of swelling (I saw none at the time, Housemate said there was some, when she got home that afternoon) and ask Panera Worker for an ice pack. Panera worker dashed into the back and returned with an impressive bag of ice, and the admission that they live with a nurse, so they know how to make these things. I propped my foot on an empty chair, plopped the ice bag atop it, and returned to bagel preparation. This particular ankle has been noodley since I was but a wee little princess, so this honestly was no big deal for me. Had worse, had wrap for ankle at home, had crutches if needed, I’m there, N is there, we have pages, let’s do this.

Since N and I have been doing this critique thing with each other for a while now, it’s no surprise that we’ve picked up on patterns in each other’s work. The word, “more,” comes up a lot. In Her Last First Kiss, Hero is an artist, and N and Mr. N are both artists, and one of Hero’s preferred mediums is one of Mr. N’s preferred mediums -I did not plan that, it happened that way, as such things sometimes do- so this is an extremely useful connection. In this scene, Hero is one gobsmacked fellow, unprepared for encountering Heroine for the first time, especially in the place and context, and he’s knocked off his axis by the experience.

N marked this passage as one of my “more” places. Hero needed to see more. Sure, it’s nice that Heroine has symmetrical features, but it’s more than that. Her hair isn’t  only “brown,” but sienna and umber and the color a perfect cup of tea is before the milk goes in, and he doesn’t have all his paints with him, but he’s in London, so he’ll have to go buy them and he doesn’t have a painting room here yet and uh, what did the other people in the room just ask him? He wasn’t really listening. Oh crud, she looks impatient. How long was he off in art world? Stuff like that.

This is good. This is stuff I need to know, to bring Hero and Heroine’s story and their world to life on the page. It’s also scary. That lush detail stuff is what I love in historical romance. 1784 people are not 2017 people. They have a whole different frame of reference. Hero is always going to see in terms of lines first and then colors. Heroine is always going to want to make order out of chaos (and Hero is pretty much a whole lot of tall, ginger, misunderstood chaos on two legs) so that’s always going to affect the choices they make, and the windows through which they observe, and participate in, their world. This is why I go for emotionally complex historical romance over, say, funny contemporary (which is a whole other skill set.)

At the same time, it requires silencing (or at least muting) years of “whittle it down” and “make it simple” and “fast, fast, fast” and other commonly heard pieces of writing advice, some of which are not as well suited for this kind of story. There is no writing cabal that has hard and fast compulsories on this kind of things. To put it in terms Hero can understand, I get to color with all the crayons in the box. The good thing about that is that the combinations are endless; I can dive in, go nuts, put hot pink next to red-orange and scribble gray on top of the whole thing. I can work it so that the difference between blue-green and green-blue makes total sense, throw a neon in with a pastel if that’s what the particular picture needs.

The scary thing about that is also that I can go nuts. More combinations means more combinations that could go wrong, and what if “they” don’t like it? Oh, but, what if they do? Ships in harbors and all that rot. I’d rather take the chance than be safe. As Critique Partner Vicki once said, “intentionally go too far.” It’s easier to take out than to put in, very much so. So that’s what I’m doing now. Making notes on where I can do that whole “more” thing, and then moving along as though I had already made those changes. I’ll get those on the next pass. My goal is to get this book out in the world, on an editor/publisher’s desk, or on the road to indie release, before December.

Am I going to fall somewhere on that road? Yes. That’s not what matters. What matters is that I get back up, ice that twisted extremity, and dive in as deeply into the characters and their world as I possibly can. Kind of appropriate that my ankle twisted before the critique session began, in that regard. By the time Mr. N came to collect us, I was ready to see if I could put weight on my ankle (I could) and Panera Worker came back by our table with a big smile and a free pastry ring, to make the day better. I’m pretty sure not all rewards of keeping on keeping on in this writing game come with cream cheese and cherry filling, but, sometimes, they do.

pastry-ring

Declaring My Major

annabowling 1 Comment

Later start on the blog than I had expected today,  but that’s fine. I wrote two pages of a scene for Girl and Guy, from the Beach Ball, while at the laundromat, did some recon for an upcoming feature at Heroes and Heartbreakers (oh, the odious task of looking for outstanding declarations of love) and took a picture for the original concept of this post, which was going to be about my inability to resist pretty paper. Yes, the paper on which I write does have to be pretty, thankyouverymuch, and I am particular about it. Nothing wrong with having the right tools for the job. That almost works as a transition to the thought that hit me part way through my process of winding down yesterday evening.

We’ll skip the particulars of said winding down, as it happened in a room where the furniture is made of porcelain, but there I was, thinking of something entirely unrelated, and then the thought hit me: I’m focusing on the eighteenth century now. This should not have been a surprise. I wrote about that exact thing the day before yesterday. I jabbered about it at lunch with my BFF. I may or may not have sent thought waves out into the ether, because that seems to be a step in my process (much like my need to circle a scene and smash my head against a brick wall or two until I bust through) but it wasn’t until last night that it sank in that I am declaring a major here.

Back in another life, I majored in early childhood education. The most important thing I learned by studying that discipline is that I am not suited for early childhood education. If I ever master time travel and end up as a seventeen-year-old college freshman again (though, seriously, if I ever master time travel, my own seventeenth year is not where I would be going) I would strongly counsel seventeen-year-old me to go with her gut and major in drama, like I originally wanted to do. Declaring a major means deciding where the majority of  my time and mental energy is going to be allocated. That decides what I study, how much I study it, and what things have to get moved to the side to give my main area of focus some breathing room.

For a writer, that means we are now in the realm of branding. As an advertising executive’s kid, I learned, from an early age, that how a thing is presented has an effect on how that thing is perceived. Writers need to let readers know what kind of story they can expect when they pick up one of our books. What kind of story are we going to tell them? In what kind of world is this story going to take place? For historical romance readers, in what era do these stories happen, and how much is the history going to affect the romance? All important questions, and all part of building a brand.

I am still a temporal nomad at heart (can we call this interdisciplinary studies?)  I love a lot of periods. I have a rough draft of a Golden Age of Piracy romance, which may need to be two books (because I didn’t count on falling in love with my heroine’s parents in that one, and kind of want to play with them for a while) and a post-apocalyptic medieval romance (the Black Plague counts as an apocalypse – fifty percent of Europe taken out in a twenty year span? Totally counts.) and they will get written. I still want to write more seventeenth century, and I will. That dewy-eyed twenty-three-year-old hasn’t given up on the Tudor era, either, and I want to write in the Edwardian era again, but moving forward with a career plan means figuring out what kinds of stories I want to tell for the foreseeable future, and, last night, my brain told me what that was.

This is a good thing. Picking a major means focus. It means that eighteenth century romances get precedence on my TBR shelves. Not that I can’t read books set in other eras (hello, temporal nomad here :waves:) and a good story can be set anywhere, but, right now, seeing how others who have gone before me do what I am doing now becomes extra important. It’s picking a direction in which to travel, especially now that, with two WIPs viable to term, I’m looking at what comes next. I know the time in which these new stories will be set, so that settles that issue, an important one to writers who do love a wide array of settings. Back in another life, it was common for a historical romance author to write one medieval romance, then the next book might be a western, then a pirate story, then Gilded Age New York, then an Elizabethan, then Australian, then American Civil War, then…well, who knows? I would love for that sort of thing to come around again, and I hope that it does, but, for right now, picking a major and going for it is the smart move.

 

 

Typing With Wet Claws: Uncle’s Paws Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday. Anty says I have my worried/hopeful look in this week’s picture, and she is right. She is very smart, and, also, she knows me. Mainly, I was worried/hopeful that there were two people in the hallway with me, so maybe one of them might feed me (one of them did, so you can relax. I thank you for your support.) but also, it has been a very full week over here, at home as well as with Anty’s writing.

Since the deal is that I have to talk to you about where you can read Anty’s posts (other than here, of course) before I can talk about anything else, I had better do that right away. As always, Anty posted on Buried Under Romance. This week, she talked about the many jobs that a first book in a new series has to accomplish, and also, what exactly constitutes a first book.  You can read the post here, and it looks like this:

burfeelslikethefirsttime

 

Anty posted a little bit on Goodreads this week, about  Mogul, by Joanna Shupe, from the Knickerbocker club series. It is only a little bit, because Anty wrote a lot more in the post she wrote for Heroes and Heartbreakers about that book, but that post is not live yet, so I cannot share that link until it is. In the meantime, her post on Goodreads is  here, and it looks like this (which is pretty much the whole thing; actually, it is the whole thing. Her post on Heroes and Heartbreakers is a lot bigger.)

acbreviewmogul

Speaking of Heroes and Heartbreakers, that is where Anty had two posts this week, and both of them are about books she really, really liked, which means she is on track with her goal of posting about more books there, this year. First, she posted about how much she liked Lawrence, the hero of The Lawyer’s Luck, by Piper Huguley. Anty (and I) talked some about that book last week, but, now, you can read the post here. It looks like this:

handhbookboyfriendlawrence

 

Anty  also talked about some of  her favorite Highland romances (she has quite a few, so picking only a few was really, really hard.) That post is here, and it looks like this:

handhessentialhighlanders

 

Okay. Now that I have that out of the way, it is time for the rest of the post. While Anty had some really good plans about working on scenes from both books, those plans got carried over, because this was one of those weeks where real life stepped in. This week, my Uncle had hurty front paws. There is a big word name for this kind of hurty paws, but I am a kitty, and do not always remember big human words, so I will say “hurty paws” instead, because that is basically what it was. Uncle’s paws got very big and turned colors that people paws are not supposed to turn. He made a lot of loud sounds, and nobody got a lot of sleep. Except me, because I am a kitty and need to have rest so I can fulfill my duties as a mews. It’s a cat thing.

On Wednesday, Anty went with Uncle, to the people vet. He was supposed to see his regular people vet, but his paws were so hurty that they decided to go to the right-now people vet instead. Which turned out to be a good call, because it turned out Uncle had another kind of hurt on top of the first kind of hurt, but the people vets there took good care of him. He had to have a shot, and some pills, but no cone of shame, and now he can use his paws again. Anty had to be his paws for a little while there (that is the “in sickness and in health” part of the wedding vows) but, thanks to the doctors and pharmacists, he has his paws back now. That is a good thing. Now he can pet me and feed me again, so that is a happy ending for all of us.

Now, it is the part where I bring things back around to writing. Most people do not like going to the people vet, especially not  the right-now people vet, and it can be harder to watch somebody we love be in pain that we can’t stop, more than it would be to have the pain ourselves. Anty read most of a whole book (it was Mogul) while she and Uncle waited for the people vets to help him, and, even though she did not get to do as much fiction writing as she wanted this week, she did get a reminder of how important it is for romance novels to show this kind of love, as well as all the nicer parts.

Anty likes to write about the kind of love that will go through some hard tests, where one person sees the other in pain that they can’t stop, but, if they can’t stop it, will go through it with them instead, and come out the other side okay. Not perfect, but together, because that is what matters most. Maybe that is not the best way to explain it, but human love is a complicated thing, and that is one of the big reasons Anty likes to write and read romance. Even if she did not fill as many pages as she would have liked  this week, Uncle is better, and Anty has that extra fuel to go into both books and remember the feelings that make her want to write romance in the first place. Also, there is me. I am on mews duty 24/7.

That is about it for this week, so, until next time, I remain very truly yours,

skyebye

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

Typing With Wet Claws: Thinking About Things Edition

annabowling 1 Comment

Hello, all. Skye here, for another Feline Friday. Anty has been very busy this week, doing a lot of writing, which is a very good thing. I rewarded her efforts by sitting still for my picture, even if I would not look up at her. I had my reasons. This morning, a realtor human came by with an inspector human, to look at some things about the apartment that do not concern me. Anty put me in my and Mama’s room while the strange humans were here. I do not like it when strange humans come into the house, but if that is what has to happen for a while, I will find a way to deal. Probably from under one of the beds.

Since the deal is that I have to talk about Anty’s writing before I can talk about anything else, I will get right to that. First of all, Anty had her usual post at Buried Under Romance this week. Anty apologizes for not including a picture, like she usually does. This was a very full week, and some things slipped her mind. That was one of them. This week, she talked about new reads for the new year. That post is here, and it looks like this:

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Anty already said, last week, how much she liked her first story by  Piper Huguley, and that she wanted to read more books by Miss Piper. That is exactly what Anty did, this week, when she read another book of Miss Piper’s, The Lawyer’s Luck, and she liked that one very, very much. Her review for that is here, and it looks like this:

grlawyersluck

I do not know how Goodreads decides who it should ask Anty to whom she wants to recommend a book, but it asked Anty if she wanted to let Miss Piper know about this book, too. I may not know a lot about the publishing business, being a kitty and all, but I think that if the person’s name is on the book cover, they probably know that the book exists. I would also hope that they know the book is good. Anty liked this book so much, as a matter of fact, that she wrote a post on it for Heroes and Heartbreakers. It is not live yet, so I cannot give you a link to it or picture of it. I also cannot give a link or picture of the other post Anty wrote for Heroes and Heartbreakers this week, because it is not live yet, either. I will be sure to let all of Anty’s readers know when they are live. The posts, I mean. I assume all of Anty’s readers are alive, too, although Anty does like zombies, so I guess that would be okay, too. Maybe vampires. She talked about some books that have vampires in them in the other post, but that post is not about vampires. There only  happen to be some vampires in part of it. Explaining these kinds of things can be difficult for a kitty, so I will let you figure it out when the posts (and hopefully you) are live and read it for yourselves.

Most of the work Anty has been doing this week is on her books. By that, I mean the ones she is writing, not the ones she is reading (though if any humans reading this can help Anty figure out the whole ascm file thing, she would be reading even more than she already is.) For part of most of the days this week, she worked on Her Last First Kiss, and then, for another part, the Beach Ball, which she writes with Anty Melva.

That is a lot of writing. It is also a lot of researching. For Her Last First Kiss, which takes place in 1784 England, Anty sometimes has to stop and check to see if what she wants to do is all right for that time and place. There is one part in one chapter, where Hero thinks a really bad word, several times (he is a grownup,. but really, really scared, and really, really mad. That is not an excuse, but an explanation.) Anty was not sure if the bad word was the right bad word. She had to consult with some writer friends who might be able to help her figure this out. Thankfully, Miss Vicki knows this story very, very well (she has known about it since Anty was babbling random things about “the new historical,” that is how long) so she knows what Hero would probably say, and was able to offer some suggestions. This resulted in using more old-timey bad words. I am thinking this is probably not a book for gentle readers. Maybe another one will be.

Anty has also been thinking about what comes next. After she is done with Her Last First Kiss, and she and Anty Melva are done with the Beach Ball, she would like to know what she will be writing after that. One of those is already settled. Anty and Anty Melva already know that they will write two more books related to the Beach Ball. I do not know what they will call those until they get names for them. She still has some thinking to do about the next historical project, though.

In the historical romance genre, linked books dominate the market right now, but Anty naturally thinks in standalone books. That means stories that are complete in themselves, that do not continue to other related stories. Anty is not going to stop writing those, because those are what she loves the very best, but she also knows that the “commercial” part of “commercial fiction” means that market trends do come into account. That also means that Anty now gets to figure out what sort of linked books would work best for the sorts of stories she likes to tell. She has a couple of ideas on that front, and will keep thinking -and writing- about those, but she also is very firm about telling herself “this book, now,” so that she does not get distracted. She is pretty sure she will have what she needs, when she needs it.

That is about it for this week. Until next time, I remain very truly yours,

skyebye

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

Why Historical Romance?

annabowling 2 Comments

Hi. My name is Anna, and I write historical and historical-adjacent romance. We’ll get to the adjacent part in a minute. Right now, I want to focus on the big picture. Why historical romance? My first instinct is that I was hardwired that way. I don’t remember a time when I wasn’t drawn to times before living memory, though I will grant that, when one is five or so, everything falls into that category, by default. As for the romance part of things, I think I was hardwired for that, as well, because my favorite stories were always the fairy tales with a romance plot to them, even long before I had any inkling that the opposite sex could be anything even remotely close to appealing. I also preferred the more arguably obscure fairy tales, like “Donkeyskin” to any of the Disney versions (Sorry, Walt) and checked out an entire spectrum of Andrew Lang’s fairy tale collections (and wee princess me is now all, “hold on, there are more beyond the color-themed books? I must have them!” because, of course, I must.)

Though I didn’t know the concept of shipping back then, (again, five) in retrospect, I shipped Greek, Roman and Norse gods and goddesses, cartoon characters, and couples in fairy tales and folklore. I’ve often wondered if my birth mother liked romance fiction, too, if, maybe, we’ve ever read and loved any of the same books. I wouldn’t be surprised. Maybe romance, and storytelling, really is in my blood. I’ve written before about how much fun it is to listen to SF/F fans and writers talk about how they fell in love with their genre of choice, hear their origin stories, as it were, and I would love to shine more light on that same experience with readers and writers of romance, particularly historical. Let’s face it, historical romance rocks.

In the same book, we get a peek into the past, the chance to step into a world that we know existed (because, duh, history; we’ve got proof) and a story literally as old as time, and we know that there’s going to be a happily ever after at the end (or a happy for now, in serialized works) but the big question is…how? We know things weren’t as easy for those in the past as they are now; indoor plumbing is a relatively recent invention, and modern medical advances keep a lot of us on the right side of the dirt. That’s not even taking into account things like the internet, gummi bears, and Sephora. I love all of those things, and I’m glad I have them in my life, but when I’m going to dive into story world, nothing is ever going to do it the way historical romance does.

Whether or not actual historical figures come into play, the historical world is critical to the historical romance. How does the time in which these lovers lived affect their falling in love, and their chances for a future together? For my money, it’s not possible to take a couple from Ancient Rome, for example, plop them down in 1901 Texas, and have their love story play out exactly the same way. It can’t. The pieces of the puzzle are completely different, and yet, the objective is the same; finding that one person with whom they want to spend the rest of their lives and then making that happen, no matter what obstacles stand in their way. I’d be hard pressed to find a type of story I find more empowering than that. I can’t even count all the possible variations of setting, era, character type, plot trope, and a million other variables, all of which can be combined in countless ways. It really never is the same story twice.

Right now, those of us in the US, and elsewhere, but I’m in the US, so that’s where I can speak with most authenticity, live in interesting times. Since current events do affect writing and reading trends, I have asked myself if we’re headed for a surge in historical romance. A break from modern life may be exactly what some of us need to restore our resources, live a few adventures and come back, entertained and empowered, to handle the business of day to day life. Which, I should mention, is exactly what the heroes and heroines of historical romances are doing. They don’t know they’re in a historical; they think they’re in a contemporary, because Restoration England, or the American Civil War, Harlem Renaissance, etc? Those are their nows. They don’t know how their current events are going to turn out, if the war is going to go their way, if life will ever be the same again after disease or disaster upsets the routine they’ve always known up to that point. What they do know, however?

They do know love. They know, by the end of the book, that, whatever life throws at them from here on out, they won’t be facing it alone. They have someone by their side who is going to take them exactly as they are, for better and for worse, and they’re going to face it together. That sounds like a pretty good deal to me, and that’s why I do what I do.

Typing With Wet Claws: This Is the New Year Edition

annabowling 1 Comment

Hello, all. Skye here, for another Feline Friday. I did not want my picture taken today, so I tried to hide under my mama’s bed, but Anty was too smart for me and caught me before I could. That is why I look grumpy in this picture.  My revenge, though, besides looking grumpy, was that the lighting was very very dim, so Anty had to use all of her photo editing skills (she does not have a lot of them yet, but enough to be dangerous) to make sure the photo showed an actual kitty, and not only the black square that showed in the preview on her phone. Then she had to send the photo from her phone to the computer, which took some time. By the time it arrived, I was in the living room, sitting very nicely in a sunbeam in the middle of the floor. I believe this means I have successfully catted today, and deserve treats for my trouble.

Speaking of trouble, there is more of that, but I am not allowed to talk about it until I have talked about what Anty has written so far this week. So be it. Anty started off the new year (actually, ended the old one, because her posts on this site run on Saturdays, and this Saturday was New Year’s Eve, so not the new year yet) at Buried Under Romance by talking about reading resolutions. My resolution is to make Anty get rid of the carpet in her office, so that I can come inside and sit right next to her while she is writing or reading. Humans, especially those who do not live in our apartment, probably have different ones. That post is here, and it looks like this:

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Anty also put a review on Goodreads, for the historical romance anthology, Christmas in America. That review is here, and it looks like this:

christmasinamericareview

This book had some surprises for Anty, besides finding new authors whose other works she would like to read. One of those surprises was a funny one. After Anty wrote her review, Goodreads asked her if she would like to recommend the book to any of her friends. Since Anty liked the book very much, she did want to recommend it, and the site made some suggestions. Here is one of them:

christmasinamericarecommendsskyeedit

Anty thought that was funny, because Miss Piper wrote part of that book, so I think it is safe to say she already knows about it. (Anty checked; Miss Piper does.) I did not have permission from the other readers to post their names, so I blacked those out. I hope that is okay. Anty is now reading another book of Miss Piper’s, The Lawyer’s Luck, because she liked the story anthology so much, that she had to check and see where the stories in that world started. Anty already has a lot of books on her to be read list, but she does not mind adding more. Reading really, really good books is one way for writers to keep their wells filled and stay excited about the genre in which they write.

So far this year, Anty has been doing well on the writing front. She is using her planner to keep to a schedule. If she sees the tasks she has for the day, and for the week, written down, she is more likely to make sure that she accomplishes them. That is very helpful when life gets changey. It is getting changey over here because the building where our apartment is will be changing owners soon. That means that, because Anty works from home, she is there during the day, and can let in the realtor humans and their clients. It also means that I do a lot of hiding under the beds, because I do not like strangers coming into my home. I kind of know Landlady, though (the human who owns the building now) and, sometimes, I will come out if she is there. She tells me I am a good kitty. I think Landlady is very observant.

One other thing Anty is doing to keep her creative well filled is to listen to a lot of musical theatre, because musical theater songs tell stories. When she finds a composer/lyricist she especially likes, then she tracks down as much of their work as she can find and watches different performances of it. Her most recent find is Drew Gasparini, who wrote a song, “Disaster,” that Anty has been listening to, a lot. I mean so much that I think I know all the words to it. She recently found a video where Mr. Gasparini gives some advice to songwriters, and Anty thinks it applies to other kinds of writers, too. She was going to put a quote in her blog, but did not know where to cut it, so she asked if I could show everybody the whole thing. If there are gentle readers, or human kittens in the room, the actual song has some language that is only for grownups, but the talking, which comes first, does not.

Sometimes, it can be scary for a writer to throw everything on the page and let it bleed, but it can also be tiring to hold back. It is an interesting process to learn how to push past that scariness, but if that is what the story demands, then that is what Anty wants to do. That is what Anty wants to put into her stories. Critique partners can help keep Anty on track with that. At least that is the plan. Tomorrow, Anty will talk with Miss Eryka, to focus on some ways she can make sure that is exactly what she does.

The stranger humans came while I was in the middle of writing this entry, so I hid under Anty and Uncle’s bed. Anty had to lure me out with treat, which was not really extra, because it was my treat time anyway. I am not sure if this means I need yet more treat to make up for that. Anyway, that is about it for this week. Until next time, I remain very truly yours,

skyebye
Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

 

The Year So Far

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Maybe three days is a wee bit soon to be looking at a year in review, but maybe it’s also a good way to make sure things are going according to plan. Monday, I planned my day to a fare-thee-well, though I did not put “take picture of planner page” on my to-do list, and my phone is, at the moment, at the other end of the house, so you’re going to have to take my word on that one. Having all my tasks laid out in advance actually felt like a huge relief. My critique session with N, on Tuesday, was right there, so, by gum, I was going to have pages to hand in to her.

Never mind that, as soon as I opened the file, the scene told me it wanted to open differently than the way I had it, and I didn’t have the description of the room right -I’d picked the wrong details, as one often does in a first draft- and this could be so much better. Cue furious typing, followed by furious backspacing, followed by more furious typing, followed by the uttering of indelicate language when Housemate’s arrival marked the end of the session, and it was time to wrap things up so we could head to the library to print (because I have reached the end of my abilities in trying to find what the heck the printer wants before it will cough up my pages, and it is now time to call in the pros.) Which is when we remembered the library would be closed, for the holiday. No problem, off to Staples we went. Awesome worker saw they were manuscript pages and told me not to worry about the cost. I take this as a sign. (Probably that she needed to help another customer, but allow me my  moment.)

Back when I lived in the Old Country, and attended a weekly critique group, when a crit went especially well, I would spend the ride home feeling as though I were flying. The same thing would happen when a once-upon-a-time friend and I would critique through snail mail. That this is why I am alive feeling, that isn’t followed by I’ll never do this or everybody else is better than me, but by mental self-fives and victory laps and a desire to do nothing else but get right back to that story as soon as humanly possible and go, go, go. That one. I had it again. Good feedback from N, who also has the start of a most excellent romance novel her own self, and it left me with that flying feeling, a good thing to have when I walked into a small domestic tornado, but no biggie. I got story going on here. Well, stories, but that’s not the important part.

The important part happened Monday afternoon, when I realized I’d missed a big opportunity to make Hero’s first appearance show who he was when the story started, and I had a ticking clock on how much time I had in which to fix that. Which is when the whole brain outlook thing shifts and forget everything else; I am fixing this scene clicks into place. The thing where the writer growls at family members who dare to interrupt, where “yes” or “no” both get substituted with “when I’m done with this scene.” Because, at that moment, the real world is that scene. I like when that happens.

Something else happened this week. When I checked yesterday’s mail, I found this literally on my doorstep:

beatrizwilliamsbook

That sound is my heart going pitty-pat, because Beatriz Williams is one of my all-time favorite authors, and this is an ARC of her newest trip back to the 1920s (and 90s,) The Wicked City. Double pitty-pat, because, along with the gorgeous period-perfect (these books are my historical verisimilitude goals) postcards, was a personal note:

beatrizwilliamsnote

I still haven’t decided if this is going in an art journal or in a frame on my office wall, but it’s inspiration in more ways than one. My very first exposure to the historical romance genre was Bertrice Small. Before her marriage to George Small, Bertrice Small was Bertrice Williams. I know there’s no connection. (Maybe Beatriz Williams read a Bertrice Small novel at some point; I don’t know. Maybe she hasn’t.)  Beatriz is a form of the name Beatrice (I am also a name nerd in addition to being a historical romance nerd; I have been collecting name books since I was eight) and Bertrice is a created name, to honor one of that esteemed lady’s beloved relatives. There’s not a connection, but there is, for me.

Both women are authors whose storytelling and ability to make the historical eras in which they write feel as real and immediate as the modern day. They do/have done what I want to do, give readers an entire world, populated by people of its time, and make them feel the story in a real and visceral manner, rather than observe it from afar. Like I said, goals. The name nerd in me likes that the two names are similar, and having a personal note, well, that’s extra special. Pretty sure, now, that this baby is going on the wall, over my desk, so I can see it every day.

Three days into the new year, I have a system in place that lets me know what I’m doing and the time I have in which to accomplish it. I don’t have to write a whole book (and a half) at one time, only this one scene, and I have my list of things the scene has to do, right here at hand. So far, so good. Now for the next 362 days.

Typing With Wet Claws: Christmas Eve Eve Edition

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Hello, all. Skye here, for another Feline Friday. Today is Christmas Eve Eve, the day before the day before Anty’s favorite day of the year. it is also the birthday of a fictional character that has lived in her head a really, really long time and probably wants to get into a book at some point. Anty thinks about things like this a lot. Today, Uncle is helping me hold still for my picture because I kept moving around when Anty tried to get the picture. I did not mind much, because that meant I got Uncle scritches. He gives the very best ones, because he is my Uncle.

Before I talk about anything else, like the fact that I peed on my catnip mouse -I did not actually pee on the mouse, but it did sustain collateral damage. I will talk about that later.- I have to talk about what Anty wrote this week, because that is our deal. As always, Anty has her Saturday Discussion post at Buried Under Romance. This week, her topic was the big books, the ones that don’t have to go on a coffee table because they could be the coffee table, they are that thick. Unless they are e-books, then they are a file, and I do not know of any coffee tables that are files. Except fot the ones in the Sims games, because those whole worlds are files. I think. Anyway, Anty’s post is here, and it looks like this:

 

burbigbooks

Anty likes big books and she cannot lie…

Speaking of big books, Anty read a couple more this week, and then wrote about them on Goodreads. One of those books was The Twelve Days of Dash and Lily, by Rachel Cohn and David Levithan. It is a YA book, and the sequel to Dash and Lily’s Book of Dares, which is one of Anty’s all time favorite YA books, and one of her favorite Christmas books, which means she was very happy to learn that this book existed, and even happier to read it. Her review can be found here, and it looks like this:

12daysdashlily

 

 

Anty also read Dark Champion, by Jo Beverley, which is a medieval historical romance. Jo Beverley only wrote four medieval novels. Most of her other books are Georgian, which Anty loves, and Regency, which is very popular, so having these medieval is a real treat for Anty. You can read her review here, and it looks like this:

darkchampionbeverley

Anty has also been working on her own books, of course, but I am not allowed to post parts of those here. That is for after they are done and published. Then that would be called “excerpts.” Writers like when people (and kitties, I assume) share excerpts of their work. Maybe I can do that with the books Anty already has out, in the new year.

Right now, it is still the old year, and Anty is getting ready to celebrate all that comes along with that, for humans and kitties alike. This is the part where I can talk about whatever I want. I will start with the catnip mouse part. Regular readers will know that I have special paws, so I do not climb or jump (I am okay, though, and I can walk and run and play perfectly fine.) I do not like to use a litterbox, because I do not like the sides, so I picked a special spot on the floor to do my liquid stuff, and that is the only place I do it. Ever. I am very consistent about that.

Because the house we live in was built a very, very long time ago, (if Anty wrote a book set in the year our house was built, it would count as a historical) the floors slant, and, sometimes, when I make my liquid stuff, it flows in a downward direction. That is what happened this time, and, this time, the catnip mousie Anty got me got caught in the flow. This was not a big deal to me, because I do not care about catnip, and I do not care about toys that do not move. If a toy is moving, the it is fun to catch it. If it is not, then meh. Where’s the challenge in hunting prey that is already dead? That is why Anty and Uncle are talking about getting me toys that move on their own, or with help from my humans. I will be interested to see what sorts of toys those are. I suppose I will find out on Christmas morning.

This is the part where I relate something in my week to the business of writing. That is one of the duties of a good mews, and I want to be a very good mews. What stands out to me most is the part about prey. Sometimes, a writer will have an idea that will only go so far. After it stops moving, and it will not start moving again, it might then be time for the writer to find something that is still alive and work on that. If a fictional character, for example, is still hanging around the writer’s head after double digit years have passed, that might be a good place to start. Right now, Anty has plenty that is moving on its own, but if she gets stuck after that, she will know where to look.

Anty says it is time to wrap things up because she needs the computer now, so I guess that is about it for this week. Whatever holiday you are celebrating (or have celebrated) this season, I hope that it is (or was) a good one. I will share all about ours next week. Until next week, happy holidays, and I remain very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

skyebye

 

Typing With Wet Claws: Happy Anniversary To Me Edition

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Hello, all. Skye here, for another Feline Friday. This is a very special edition, because yesterday was my ninth anniversary of getting adopted and becoming a pet. I was ten months old when Mama and Anty came to the shelter to get me. I had been living there since I was six months old. Before that, I was wild, because I was born that way. I did not stay that way, though, because the rescue people found me when I got hurt by a car, and they took care of me until my humans could find me. I did not know what was happening on my adoption day. The rescue humans put me in a carrier, like when they took me to the pokey place. I did not want to go the pokey place and see a vet, but that is not what happened.

What happened was that Mama and Anty came to the shelter. They did not know I was already in the carrier, so they talked about how much they wanted to meet the kitty they were going to take home. They talked about how Olivia, their other cat, had gone to Rainbow Bridge, and how sad they were because of that. I did not want these nice humans to be sad, because that made me sad, too. I was already sad, so that means I got sadder, but the story is not over there (obviously, because you are reading this.) The rescue humans showed Mama and Anty where I was, and then they got happy, because of me. They asked if I wanted to come live with them and if they could call me Skye. I think my response was something like, “um, okay?” because I still did not know what was going on, but other humans who came to take kitties to that home place were always happy. Happy humans are my favorite kind. One of the rescue humans helped put my carrier in Mama’s car, and Anty called Uncle at his work to let him know I was coming home. She told him other things, too, like what kind of kitty I was (Maine Coon, which I still am) and what color I was (brown tabby) and that I had a ginger spot on my head (it is the only orange fur on my whole entire me) and that I was scared but still a good kitty.

Everybody was very patient with me while I got used to being in my new home. Anty even thought it was funny when I tried to nurse on her toe (Anty says we miss one hundred percent of the shots we don’t take) and now it is one of her favorite Baby Skye stories. She says that adopting me crossed “Christmas kitten” off her bucket list (maybe that is one of the reasons “Skye Bucket” is one of her names for me?) but being adopted by my humans crossed “get a home” off mine. It is a good home.

It does not, however, get me out of talking about Anty’s writing (she let me go first this week because it was my adoptiversary.) As usual, Anty has her post at Buried Under Romance to share with you. This week, she talked about romance novels and related items as holiday gifts (if you have gifts yet to buy for reading friends, books are good ones. Especially Anty’s. Anty gets really happy when people buy her books.) That post is here: http://www.buriedunderromance.com/2016/12/saturday-discussion-the-gift-of-romance.html#comment-9289 and it looks like this:

bur121216

 

Anty also has a new post at Heroes and Heartbreakers, where she talks about six of the shippiest moments on This Is Us. Anty loves writing and she loves This is Us, so this was a fun piece for her to write. Is your favorite couple/moment listed? (My favorite moment was finding out that Clooney, the cat, was okay and even got extra pettings. I hope that was not a spoiler.) That post is here:

http://www.heroesandheartbreakers.com/blogs/2016/12/best-this-is-us-moments-of-season-one#comments and it looks like this:

 

handhthisisus

But can we really feel too much? Really?

Another thing Anty wrote about this week was something that helped her pursue three goals at the same time: reading more historical romance, feeling more Christmassy, and writing more about what she reads. That is all because she read My First Noel, by Danelle Harmon, who is a favorite author anyway, (and a very nice human, even if she does have dogs and a horsie. rather than cats.) This book was Miss Danelle’s first time writing in the inspirational genre. Anty was all over that from the concept alone. Her review is posted here:

https://www.goodreads.com/review/show/1839106619?book_show_action=false&from_review_page=1 and it looks like this:

goodreadsharmonnoel

 

 

If you would like to see all of Anty’s reviews she posts on Goodreads, you can find them here: https://www.goodreads.com/review/list/8485744-anna?shelf=read. If you have read any of Anty’s books so far, and would like to write a review of them, or you are interested in reading them, you can find them on her “I Wrote It” shelf, which is here: https://www.goodreads.com/review/list/8485744-anna?shelf=i-wrote-it. Anty would like to say thank you to all the new Goodreads friends she made this week. She is always up for more Goodreads friends, and has plans to make her “I Wrote It” shelf bigger in the coming year. I will keep you all up to date on that front, as I am very dedicated to my duties as a mews.

That is about it for this week, so I will give the computer back to Anty so she can play with her imaginary friends, and make more books for you to read. Until next time, I remain very truly yours,

skyebye

Skye O’Malley Hart-Bowling
(the kitty, not the book)