Typing With Wet Claws: Reading Rambles Edition

December 9, 2016annabowling 4 Comments

Hello, all. Skye here, for another Feline Friday. It is now almost exactly two weeks until Christmas. Anty has hopes the tree will be up before then (so do I; I do not climb it, like some kitties do, or sit underneath it like my predecessor, Olivia, did, but I like to look at it, because it has sparkly lights and shiny balls and I can imagine what I would do if I could get to it.) but Anty and Mama put the white lights around the doorways to the dining room and Uncle’s office, so it is starting to look festive around here.

It is also starting to sound very clicky around here. By clicky, I mean the sound the computer keys make when Anty pounds on them. With her fingers, that is, not a baseball bat. She only does that in her imagination when she is frustrated. That happens sometimes. The end of the year is coming (one week after Christmas, so that is soon) and that makes Anty want to clear her desk of writing obligations for 2016. She is already working on goals, especially regarding fiction. She would like to be both reading and writing more of it, which means I will have more to report on my days to blog. I like to be useful, so this is a good thing.

Before I go any farther (or is it further? Ha, ha, fur-ther. That is funny, because I have a lot of fur. Maybe that joke is funnier for kitties than for humans. Oh, well. Can’t win them all.) I need to tell you where you can read Anty’s writing this week. Her latest Buried Under Romance post is all about reading rituals. Do you have any reading rituals you observe? I highly recommend having a super fluffy kitty sleeping peacefully nearby, preferably with a full tummy from food and treats. That always makes the reading experience better. Especially for the kitty. If you would like to read Anty’s take on the matter, the post is here: http://www.buriedunderromance.com/2016/12/saturday-discussion-reading-rituals.html#comment-9267 and it looks like this:

What are your reading rituals?

Anty’s binge on Matthew Quick novels continues, as you can see in her review of The Silver Linings Playbook (only of the book; she has not seen the movie, and now is not sure if she wants to, because she researched the differences and she knows what they changed. Word of warning, do not get her started on the movie version of Paper Towns cutting out her two favorite parts, because she is never going to be over that. Trust me on this one.) here:

https://www.goodreads.com/review/show/1832682800?utm_medium=email&utm_source=rating and it looks like this:

Anty is now over halfway done with Love May Fail, which is told in four different parts, in four different viewpoints, all combining to make one story. Anty likes that kind of thing, and she very much likes the author’s voice (that is his writing voice, not his speaking voice, which she has never heard, so she cannot talk about that) and the kinds of stories that he tells. She would like to be reading more historical romance, and that will come, because that is still her favorite, but when she gets one of these urges to gobble everything by a new to her author, then she will follow that. Mr. Quick often has love stories in his novels, but because they are not genre romances, those love stories do not always have to end happily (but they can, and some of them do; the point is that they do not have to) nor are they always the focus.

In a genre romance, the love story does have to be the main focus, and it does have to have a happy ending. That does not mean that the humans who fall in love never have anything bad happen to them ever again (that is a pretty naïve outlook, if you ask me; I have seen things) or that their story is over-over, and nothing interesting ever happens to them again (Anty and Uncle have been in love a long time, and interesting things happen to them all the time. For instance, they have a cat who can blog. I think that is pretty interesting.) What it does mean is that, no matter what happens in the future, the humans who are in love will have each other. They are together and happy to be that way. Believe it or not, that is the only requirement for a romance novel. The only one, seriously. That is why it puzzles me (and Anty) when people who do not read romance think that all romance novels are the same. That is not even close to being true.

Since Anty has been reading and writing romance for a long time now (three cats’ worth, including me; five, if we count Michelangelo and Francesca, who did not live with Anty, but whom she cat-sat on a regular basis) she is pretty familiar with how a romance novel goes. This year, she has been reading a lot of Young Adult fiction and general fiction by authors who also write Young Adult, because she likes getting some fresh voices in her head, and because she likes the edge many of these stories have. She would like to harness some of that and put it into her historical romances. (Note: I have been right there while she wrote the initial daft of Her Last First Kiss, and I think she is on the right tack for that particular goal.)

Suffice it to say (that is fancy human talk for Anty wants the computer back) that things are going to get very interesting, story-wise, around here, as Anty analyzes the books she is reading and takes from them things she would like to put into her own books. As a dedicated Mews, I will be sure to stay on top of this (figuratively, that is. I am a floor girl.) and let you know what is going on. I think there may be some surprises in store.

That is about it for this week, so, until next time, I remain very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Morning Pages, the Heir Presumptive, and the Young Pretender

July 6, 2016annabowling 1 Comment

With one week left in my current, much-beloved morning pages book, the time has come to decide on which book will be its successor, and I’d like to say I’m closer, but a young pretender has entered the fray. Going by only what I currently possess, the heir presumptive is this lovely bird and flower themed Punch Studio book:

Endpapers

Lined pages

That’s the endpapers in the first picture, internal pages in the second. Same images on all spreads, where I do prefer that they rotate. Banastre Lobster has no opinion on that.

Normally, the issue would be settled, but we have a young pretender to the throne, this spiral-bound Papaya! Art (the exclamation point is part of the name) gorgeousness, which would continue the Paris theme:

Banastre must, of course, investigate.

My heart did a skippity-skip when I first saw this on the shelves at Barnes and Noble, and I don’t remember when the precious actually came home, but I knew I wanted to save it for something special. Since I still have absolutely zero ideas for any Parisian historical romances, morning pages would fit the bill. Inside pages are not lined, but are lovely.

First, we have this inside cover and first page, which presents a challenge when the discipline is one two-page spread for each day:

Name and address on inside cover, obv, but facing page?

After that, we have these:

one

two

three

four

None of the pages are lined, but those backgrounds…guh. Gorgeous. I want to put things on them. On the one hand, I think Hero would heartily approve of my appreciation of a pre-prepared background, because he used to do that kind of thing, but then again, his experience in Paris (hey, there is a connection!) was not exactly his favorite part of life. He wouldn’t know about the Eiffel Tower, though, as it was a century after his time. The clouds, though, and the design elements, those he knows, and the floral motifs fit nicely for a Georgian gentleman (and his lady.)

The question for me here is, would the lack of lines be a problem? Also, what sort of pens do I want to use on these pages? They’re thicker than regular paper-paper, but not thick enough that I’d feel comfortable using Sharpies, at least not without an ink test, but I don’t want to sacrifice a page for that. Even so, the rotating designs excite me, and since I plan to increase to seven entries per week instead of six, that’s almost two rotations every week, but not exactly, so monotony would not be an issue. If the pages are visually inspiring, I am going to come to them with a better outlook, and, if stuck for what to put on the page, the images have suggestions right there. If I really need lines, I can draw them on with pencil and ruler. Fountain pens or rollerballs are my best educated guess on the pen issue. I’ve tried another book by this same maker, a different design in this line, with ballpoint, and I was so unhappy with that, that I set the book aside. Will need to resurrect that one, with a better selection of pen.

As I am writing this, I am listening to the Hamilton soundtrack. A writer friend will be traveling from Canada to NYC to see the show live this coming week. Right after the original cast departs, which does bring a pang, but, then again, there will be the energy of of the new cast making their debuts, and there will be the PBS documentary in October, and the original cast has been filmed, (I would totally go see this in theaters, if it were to be distributed that way) so it’s possible to get the best of both worlds there. I’ve been listening to the soundtrack, first as an Independence Day celebration (I know, Banastre, I know. Mama still loves you.) and then as part of my “immerse myself in the zeitgeist” plan of working through this draft.

Her Last First Kiss is set in England, in 1784, and Hero is not a soldier; he’s an artist, and he’s spent the pertinent years on the Continent (see Paris experience, above) so he’s pretty far removed from that business in the Colonies, but he does exchange letters with a cousin, relocated to Canada from New York, because expulsion of British and all that. Heroine is the product of a Russian father and English mother, was raised in England and identifies as British. These two have latched onto me in a way I’d been afraid I wouldn’t experience again after the time travel stalled, and I want to give them the very best story I can, which means I need to let their world seep into my writerblood.

The thing with writing historical romance novels is that the characters don’t know they’re in a historical. They think they’re in a contemporary. For Hero and Heroine, 1784 is their now. They aren’t wearing costumes; those are their clothes. People are people, no matter what century in which they do their people-ing, and that’s what I want to bring to live the most. If Hero were a 21st century person, he’d probably be glued to his phone, but he’s an 18th century person, so he carries around a portable lap desk so he can write letters and sketch/doodle. That was actually the first thing he showed me about himself, that desk. Writers, you understand how that works. Once he saw I was going to treat the desk right, then he came a little bit closer, like a stray cat when their benefactor moves the food dish an inch closer to the porch every day, until both cat and human are astonished that they are cuddling in the porch swing together.

If I were going to let Hero pick the new daily pages book, he’d pick the spiral bound. Which is, obviously, a lot thinner than the heir presumptive. Which may lead me to the same dilemma sooner, rather than later. I am not complaining.

There Are Lobsters on My Desk

June 29, 2016annabowling 1 Comment

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In case there is any doubt as to my lifelong case of raging Anglophilia, today’s picture should put that to rest. Paris-themed stationery aside (as in literally; I had to move my Marie Antoinette themed matchbook notepad out of the way to take this image) I’ve been hardwired for most things British straight out of the box, as far as I can remember. Don’t ask me when it began, because I have no idea, though I will allow that, by the time I was one year old, the family newly moved to a house in Bedford, NY, from Manhattan, our bottom-of-the-hill neighbors were Scottish immigrants. Shortly after that, my mom met her best local friend, a British expat, who happened to have a baby my age (yes, our families met on a playground, why do you ask?) Very easy to guess, in this case, what sort of adults I saw most often on a regular basis in my formative years. I strongly suspect they imprinted on me, early, and with lasting impact.

While that probably explains my affinity for mentally hopping the pond, I lay the thankblame (which should totally be a real word) for historical romance being my soulmate genre at the feet of two aunts. Aunt L was my mom’s sister. She lived in New Jersey, and, every time she visited (we lived in CT by this time,) she would bring at least one paper grocery bag stuffed to the top with historical romance novels. I was too young to read them at this point, but it was still my job to take the bag directly to the laundry room, un-bag them, and set them aside for my mother’s later perusal. This was when I fell in love with some of the cover art in that first wave of historical romance. It was all painted back then, not photographs, every cover a tiny work of art. I read the blurbs, noted hero and heroine first names (I’ve been name-obsessed since I was about eight) and was a good kid, not looking into the forbidden pages, not even a little.

Well, kind of. Aunt S, wife to Uncle G, my dad’s best friend from their Army days, wrote one. Then two, then three, you get the drift. I went with Mom to the book section of Caldor, to peruse the rack and keep an eye out for Aunt S’s name. I don’t remember which one of us found it, but I remember how my heart did a skippity-skip when I saw it, then another when Mom took it out of the rack. We were buying that book. We were taking it home. I have had that same feeling many a time, when lifting a much-desired book from its shelf, rack, box, hitting the download button, whatever, but this one…this one was the very first, and I knew, without knowing much about it, that this one would be special. I didn’t know it was going to change my life.

Even before Aunt S wrote her first book, even before (to my knowledge) Aunt L hauled grocery bags full of historical romance novels from NJ to CT (and it only now hits me that my mother and aunts were romance readers, and I never got to talk romance novels with them. I even remember mentioning something about a character from one of Aunt S’s books to Aunt G, another of Mom’s sisters, and her responding that she saw the character differently…you read at least one romance novel, Aunt G, and you never said.) I lived in Bedford, NY, during the Bicentennial (dating myself, I know, but I am fine with dating myself, because I always have a lovely time; I’m delightful.) As in town that was literally burned to the ground by the British Army during the war, except for one house. Home to a very lovely historical society I loved then and love now, and setting for my first historical romance, My Outcast Heart.

Dalby and Tabetha’s story takes place a half century and change before the war, so they’d be opinionated seniors by that time, but it’s safe to say that, growing up around that much Revolutionary history, the Georgian age imprinted on me, as well. Maybe that’s why the Georgian period seems to be my historical default setting when I start a new novel. It’s not the only period I like – I’ve written sixteenth century, English Civil War, turn of the twentieth century romances so far, that are currently available, and I have hopes for my first medieval, but when it came time to start Her Last First Kiss, there wasn’t any doubt that it would be Georgian.

There aren’t any Redcoats (aka Lobsterbacks) in Hero and Heroine’s story, though they’ll likely find a few when they get where they’re going, but in future books, there absolutely will be. Ember and her Golden Man still rustle at me from the pages of notebooks and not-quite-right drafts, and I’m sure there will be other soldiers with tales to tell, so I will keep acquiring lobster-related items along with my Union Jacks and other related ephemera. For now, I’m head down, eyes on my own paper, for Hero and Heroine’s tale, which I can now get to, as I can cross “blog entry” off my list. Happy midweek!

Typing With Wet Claws: Delicate Balance Edition

May 27, 2016annabowling Leave a comment

Hello, all. Skye here, for another Feline Friday. It is also a domestic tornado day, so I may have to write some of my blog now and some of it later. If I post later than usual today, that is why. Also, this is a really nice sunbeam, where I am sitting.

First of all, in case you missed it, Anty talked about medieval romance novels on Buried Under Romance this Saturday. Do you like medieval romance novels? Why or why not? Anty is very interested in this topic, and not only because she has a medieval romance gathering du…um, I mean in her portfolio. She likes to read them, as well, so is always on the lookout for recommendations. The blog post is here and it looks like this:

Saturday was a very big day for Anty, as she also got to recap last week’s episode of Outlander. Watching this show and writing the recap gave Anty a big boost, because they reminded her why she writes her particular brand of historical romance. That recap is here and it looks like this:

In case you have not read any of Anty’s books and are wondering what kinds of stories she writes, there is an easy way to get a small peek. Anty (and I) currently has (have) four hundred and forty-nine followers. Anty would like to have four hundred and fifty. (She would actually like more than that, but she has to hit that number before she goes over it, so she wants that number first. ) If she (we) get one more, then Anty will post a piece of flash fiction here on the blog.

For the rest of this entry, I am going to paw it, because it is one of those days. We are trying a different kind of cat treat this week, and by “we,” I mean me, because I have not seen the humans eat any of it. I think they know something. Probably that I am a kitty and they are not. Anty assures me that my regular treat will be back in a couple of days, and I can last that long. I will give you a secret: the different treat is not bad, and I am still eating it. Anty put a little bit of my regular treat into it, so that it would not be completely strange to me. I appreciate that.

This is not that different from writing. Even when a writer, like Anty, likes to try a few different things in their writing, there is usually something that is the same, so loyal readers will recognize that this is the same writer, and the experience is not completely strange. So far, Anty has written stories set in Colonial New York, turn of the twentieth century England and Italy, sixteenth century Cornwall, and both the Isle of Man and Charles II’s Court in Exile in the Netherlands at the end of the English Civil War. She has written a medieval novella, which is currently looking for a home, and Her Last First Kiss is set in Georgian England. The story she and Anty Melva are writing together is set in the modern day, but is historical romance adjacent, so Anty is not lost wandering in unfamiliar territory. (Anty is not all that comfortable writing completely in the modern age.)

When Anty and Anty Melva first began blowing up the Beach Ball, to use their term, they both wanted to make sure that each of them had one foot in familiar territory, as well as exploring new ground. Anty Melva is most comfortable writing contemporary, and Anty is fully aware she was hardwired for historical romance right out of the box. Anty loves a grand sweep within her historical romance, and Anty Melva likes a touch of suspense. Finding the right balance between the preferences and/or natural bents of two different writers sometimes takes a few tries to find the right ratio, but, so far, Anty and Anty Melva seem to be doing all right. That is the same as how putting a little of my regular treat into the new treat. It is nice to try something a little different once in a while (that is how I found out I like mushy beef cat food; now, I get that on special occasions, and my regular food every day.)

Finding new flavors to put into her writing is something Anty likes to do every so often. She doesn’t always know she is looking for a new flavor, but when she finds one that works for her, she likes to dive into it and experience as much as she can. She had a taste of that this past week, when she watched a lot of Outlander, and started in on a new-to-her Jo Beverley novel, in honor of Miss Jo’s passing. Miss Jo wrote mostly Georgian and Regency novels (Anty has read most, if not all of the Georgians, and some of the Regencies) but also wrote four medieval romances, and she loves Miss Jo’s work, but has never read any of Miss Jo’s medieval romances before, so that is something new, within something familiar. That is something Anty likes to keep in mind when she is writing, as well. It is a delicate balance, a challenge for sure, but also part of the fun.

That is also about it for this week. Until next time, I remain very truly yours,

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Lush

May 23, 2016annabowling 2 Comments

Romance is not about happy people in Happy Land, but courageous people in We Love Each Other Land.

–Grace Burrowes

Another Monday, another new week. I have no idea what I want to say in today’s blog entry, but it rankles that I still owe Wednesday’s post from a week (or two?) ago, and the stubborn, schedule-loving part of part of me is not going to create any more of a backlog than I already have, because such things annoy the heck out of me. All of which means you’re getting the rawest of brain droppings today, and fingers crossed that it actually goes somewhere. Only way to find out is to plunge ahead and find out what happens.

Right now, I am ensconced in my comfy chair, next to an open window, Skye curled in a ball at my feet, sound asleep. Mary Chapin Carpenter’s “Something Tamed Something Wild” is playing on my earbuds, while I plan out how I’m going to tackle the day. I know the things I want to get done, and I know the time in which I have to do them, and I know that I do best when I give my eyes a break and switch between digital and analog throughout the day. This past weekend, I had the opportunity to recap season two, episode seven, of Outlander, “Faith,” for Heroes and Heartbreakers. It is here, and looks like this:

Skye will no doubt have something to say about this on Friday.

To say that this episode hit me like a brick is an understatement. If I could breathe this episode, I would, because there is so much in there of what I want to bring to the pages of my own work that, even though a good chunk of my brain had to be focused on taking notes so that I could capture the salient points for the recap, the rest of it skipped happily through the angst and the opulence (possible book title in there?) of the costumes, the setting, the soul-crushing loss and the love that pulled it all back from the brink of despair. Yes. This. Oh so very much this that, two days after viewing and recapping, parts of me are still back there. It’s not a nice story, not a pretty story, and yet it’s beautiful.

That kind of stuff makes my blood tingle. The books I love the very best, both to read and to write, have bad things happen to good people, sometimes very bad things, and yet…and yet the love is bigger. It’s stronger. It’s beaten sometimes, bruised sometimes, dragging itself along by broken fingernails sometimes, but it’s alive, and it’s not going away. That’s one of the requirements of a romance novel, and it’s going to be there, whatever other flavors the author tosses into the mix.

This week, when I whined to another writer friend about being at the “I hate this, I can’t write, I should give up” stage, I got a reality check. Friend laughed at me, and reminded me that writing super-super detailed is something I do, it’s part of my style, so quit fighting it and do what comes naturally. That’s not going to change. Write. Tell the story. Tell my characters’ story. Tell it my way. Put in the details. Describe stuff. Work the angst. I should note that this is advice I find incredibly easy to give, but, when it comes to taking it, I need a lot of repetition. One of these days, I’ll get it.

What I do know for sure is that, when I try to rein myself in, I’m miserable, and it shows in the writing, or the lack thereof, (usually that one) but when I slap the duct tape on the mouths of the Hypercritical Gremlins and dive headlong into the angst and the opulence, that’s when I feel like I’ve come home. Still learning to trust myself in this whole writing of fiction thing, but the best way out is through, and so I have pretty legal pads and fountain pens and colored ink and if my “black on white” is actually “purple on paisley,” that’s not a bad thing.

My very favorite moment from the Meat Loaf (the singer, not the food) biopic is when he and musical partner, songwriter Jim Steinman, pitched one of their early efforts to a record producer, the reaction is first, silence, then the explanation that most songs have a verse and a chorus, maybe a bridge. These guys’ songs have bridges and tunnels and aqueducts. I want to write aqueducts, and so, those are what I need to be taking in. Something I’ve known for a while now, but, as above, something that also needs repeating, as does the actual writing. The more I write, the more aqueducts I get to build, the more movies I get to play in my head. The more lives I get to lead. Not a bad thing to start a new week.

Signs of (Writing) Life

March 9, 2016annabowling Leave a comment

Right now, I am in my comfy chair, next to a soon to be opened window, cup of tea at the ready, headphones in, blog window open. I had a post typed out, but accidentally trashed it when I got up to take pictures to go with said entry, so I’m going to babble here, stick the pictures up anyway, and see where that takes me.

Today, our temperatures here in upstate NY should top 70. The waterfowl are back in the lake at the park. On my walk home from my meeting with N yesterday, one of the male Canada geese (should I be calling him a Canada gander?) rather pointedly strutted his stuff for the benefit of the Canada goose ladies. Waterfowl romance season, it would seem, has begun. It feels early for that, but if goose love is in the air, it must be spring.

In less than two weeks’ time, I will have filled my morning pages book. I started this one on October 26th. I’m looking forward to writing the last word on the last page and starting a new notebook (I have a few candidates in my stash already) but I’ll miss the gorgeous pages inside this one. Pretty pages make me want to write more, and knowing there is a set place where I must stop helps me focus on what I want to say in that space.

Hacking my plain cardboard binder for Her Last First Kiss clicked like wildfire. I love when colors and textures suggest themselves, and it’s easy to see where one choice flows into the next. This is my story bible, with all pertinent information gathered in one place, easily accessible. Times and distances between locations (and noting when our historical people would need to change horses matters, people) and who went to school where, owns what, and employs whom. My best way into this sort of thing is to let myself blunder blindly ahead and, after I smack into a few (dozen) walls, I’ll find what works, and then get to it. Housemate has threatened me with bodily harm if I attempt to use a regular binder again, though there is still some hacking to do.

I need to Mod Podge the cover that slipped oh so easily into the plastic pocket of the old binder (but then I never wanted to use the old binder because the plain white bothered me, so tradeoff there) and there are no pockets to hold loose papers. I can buy those at the office supply store, though, stick some coordinating paper on them, and glue the kraft envelope on the inside of the back cover, to hold smaller ephemera. I blame Moleskine for giving me a need for back cover pockets on pretty much all notebooks, including binders.

I’m working, I promise

These babies are all set to be my constant companions for this week, as I’m prepping for a post at Heroes and Heartbreakers. I did want to increase my reading for this year, and to write more book related posts for H&H, so I’d say I’m doing all right on that front. Who needs sleep when one has books? Seriously, if that could be worked out, I would be a very happy camper. In the meantime, blocking out reading time as though I were studying for a college class is the best way for me to make sure the work gets done. Family has been informed that, when my nose is in these books, I am working.

Reading that is not related to any posts (as far as I know) also needs to happen, because that also fits under the umbrella of “study.” I’m very curious about Kerrigan Byrne’s The Highwayman, and have heard wonderful things about it, so can’t wait to start that. Elizabeth Hoyt’s latest Maiden Lane novel is an auto-read, so that’s going to happen, especially since it fits with my immersion in all things Georgian. I’m still determined to get back on the Bertrice Small horse (and the fact that the book I picked, The Border Lord’s Bride, is number two in its series means I will have to go back and read book one, A Dangerous Love, because that’s how I roll) and I’m still devouring realistic YA like a starving hyena. Seeing notice of an upcoming David Levithan release in the current issue of Romantic Times Book Reviews magazine made me literally squeal (Skye is used to this kind of thing) when I read it in the upcoming releases section.

Okay, there’s the magic 700 word threshold to call this blog entry good enough and traipse off to century 18 with Hero and Heroine. See you later, Liebchens.

Midweek Rambles

February 24, 2016annabowling Leave a comment

Rainy Wednesday here, and the fact that I’m only now getting to the first blog entry of the week should be an indicator of how things have been going. The new addition to my workspace is Hedwig, (thanks, Kara!) who has shot up to mascot status in short order. Lift his head off, and he’s a flash drive. He will soon be filled with novel stuffs.

No idea what I want to write about here, so I’m going to wing it. One of the most vivid rainy day memories I have carried for a long time reaches all the way back to fifth grade. We’d recently moved from Bedford Village to Pound Ridge, and I had a playdate with Elizabeth A, to keep us both occupied and our mothers sane for the rain-soaked afternoon. I remember I had a corduroy pantsuit (it was the seventies; don’t judge me, and yes, my mom picked out my outfit) that day, red with a flower print all over it. The legs were too long, so the hems of the trousers (I preferred skirts even back then, but mom said, sooo…)were damp the rest of the day.

We spent the afternoon in Elizabeth’s room. I remember Barbies and some imaginative play, some discussion of the new TV show we both liked, Wonder Woman, probably my first fandom, though I didn’t know what fandom was at the time. Elizabeth had a Chow dog, who had particular tastes in what interactions he would allow with what humans, but he always liked me. I don’t remember his name, or the name of Elizabeth’s older brother. I don’t remember many particulars of that day, but I remember the day itself, and the memory is a good one. Elizabeth A, wherever you are, I hope you do, too.

On this rainy day, years later, there’s imaginative play still. Now, I call it writing, and it’s work as much as it is play, which suits me fine. No red corduroy pantsuit, thankfully, and I’m writing this from my favorite coffee house instead of a friend’s bedroom, but the day has some of the same feel to it. Not that I know exactly what the connection is, but some things become a part of us, and come to the fore when they will.

Today is also the first anniversary of the passing of Bertrice Small, still a favorite author and my entrée into the world of historical romance. I’d wanted, as many Small fans, to dive into some rereading when we got the sad news, and, at the moment, I’d tried, but I couldn’t make the connection. Not a good feeling, but, at times, the best thing we can do is let the feelings do their jobs. I don’t know when I got it in my head that I would intentionally step back from reading an author whose work had been that important to me, or when the idea arose that I would resume on the first anniversary of her passing. Maybe it’s a form of literary mourning? I’m not going to question that one.

Once I knew I wanted to resume on a certain date, everything fit. I would pick up one of her books on that date, and I would read it, but which one? With forty-nine titles from which to choose (well, less than that, as the Lara books are in storage, and I don’t own the Channel titles) the options were too many. N’s advice, “make a decision,” came to me then, and I did. I decided I wouldn’t decide. I turned to my Lionesses at my Facebook group, The Lion and Thistle, and placed my choice in their capable hands.

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this is the one

Some of the suggestions, I’d expected. Skye O’Malley (the book, not the kitty) is my favorite, and The Kadin was the first historical romance I ever read. I know those books, can quote them in places, so re-reading them would be as much remembering as experiencing the story. The other choices offered, Deceived, and The Border Lord’s Bride, I haven’t read as much. Since my copy of Deceived seems to have gone walkabout (will be reaching out to the library system and/or used bookstores soon) my choice became clear. I hadn’t remembered, until I plucked my copy from my special Small bookcase, that this was the second story in the Border Chronicles, not the first, but since it’s an extremely loose connection, I’m letting that go. I can read the prior title, A Dangerous Love, later, if I want. I did put my choice in others’ hands, after all.

As with that long-ago rainy afternoon, I remember the book more in general than in specific, and it’s a different experience. The last time I read this book, it was 2007. A few things have happened since then. My critical mind is along for the ride, and has some issues with tell-y passages and instances of passive voice, but the voice itself, that’s as familiar as I remember, a welcome back to the things that drew me to historical romance in the first place. It’s also made me schedule reading time in my day, something I’d wanted to do, but put off actually doing, but if I want to make time to read all that I want and need to read, there has to be time where that’s all that I’m doing. This is different from pleasure-only reading; it’s also research.

library haul; must organize

In a way, that’s my equivalent of the art student camped out in front of the master’s painting, sketchbook in hand or canvas on easel. What did the master do? How did they do it? That thing that was never recorded, what was it? Can I do it, too? What does it look like when I do their thing, my way? Reading time, writing time, headphones in, laptop on, paper and pen at the ready. Let’s do this.

Typing With Wet Claws: This Was Uncle’s Idea Edition

February 19, 2016February 19, 2016annabowling 2 Comments

Hello, all. Skye here, for a slightly later than usual Feline Friday. Anty has had an unusual day, partly because Uncle had the day off. She had laundry to do, and then they went out to lunch together. They did not take me, because I am an indoor kitty, but I got fish jelly and treat, so I do not mind. Also, it is cold and windy out. Despite the fact that I have a super fluffy coat (actually, two of them, because I am a Maine Coon mix) I have no desire to be outside in cold, windy weather. Anty tried to set up at her usual coffee house, but the locals must have figured out that it is her favorite place to work, because all the seats were filled by the time she got there. It is okay, though, because it is only a short walk to her other favorite away-from-home place to write, and that place has refills on tea. Anty likes refills on her tea. She drinks a lot of it.

Anty has three articles she is working on this week, possibly four, depending on how things go on tonight’s Sleepy Hollow. For one of the other articles, she has to…uh, she means gets to…read a bunch of historical romance novels, so she can talk about how they all work together. Anty will talk about that later. She is also working on Her Last First Kiss, which she says seems to be finding its stride.

My blog this week is going to be a little different from the usual fare. This week, Uncle has an idea he wants me to talk about. Earlier this week, Anty looked at her sales figures from one of her publishers. Uncle thinks that was a mistake, because looking at those figures made Anty very grumpy. Then a conversation like this happened:

Uncle: Have you ever used your blog to tell people where they can buy your books?

Anty: Uh…..

Uncle: Like put up a link or something?

Anty: (something about websites and internets and monies and bookshelves and human stuff; nothing about feeding kitties, so I stopped listening.)

Uncle: Right, but none of that means you can’t put a link in a blog entry.

Anty: Uh… (Anty did not really have a good answer for that.)

Uncle is very smart, and I would do anything for Uncle. So, I will put in the links. In case you like Anty’s (or my) blogs, or her articles, then maybe you would like to read the books she has out already.

Here is where you can find the books she has from Awe-Struck E-Books. There are two of them.

Her first, My Outcast Heart, is set in colonial New York. For this book, Uncle asked Anty what sensuality level the book would get for its rating. Anty said that, because she does not go into great detail about how humans mate, the book would be classified as “sweet.” Uncle asked if this was the same book where the hero puts his hand in the fire on purpose, to cover the brand that marked him as a thief, and where the heroine sticks her grandfather’s body in the barn for the whole winter, because the ground is too hard to dig a grave. Anty said that it was. Uncle’s response was, “And they’re calling that “sweet?” Boy, are they going to be surprised.” Also, there are kitties in it. The dogs get more attention, but barn cats always make a book better. Just saying.

Anty’s second book from Awe-Struck is Orphans in the Storm. That book could have used more kitties, but it probably would not have changed what happened to the bad guy, because kitties are good judges of character. The heroine in this book finds out that she is not who she thought she was, and travels from the Isle of Man (note: that does not mean it is an island with only men on it. It is, however, where Manx cats come from. I am not Manx. I have a big, floofy tail.) to Holland, where those loyal to the English king fled during the English Civil War. Her hero works for the crown, and the heroine holds the key to releasing monies that will help the cause, only somebody does not want that to happen. The love story is most important, though, as with all of Anty’s books. The cover is by Kathleen Underwood, who captured one of Anty’s favorite scenes.

Anty also has two novellas with Uncial Press. Her first one there, Never Too Late, is set in Edwardian England and Italy (aka Downton Abbey times, and she wrote it long before the TV show was on the air. My Anty is a trailblazer.) Her heroine in this book is a fifty-year-old widow, who decides she is finally big enough to go after what she wants, which, in this case, means the love of her life, whom she once let get away. I will give you a hint: this time, she does not let him get away again.

Her other title there is Queen of the Ocean. I will share a bit of trivia with you; the story was originally called Frances, Queen of the Ocean, but that would not fit on the book cover. This is a reunited lovers story, with smugglers and pirates and a shipwreck (well, technically more than one) and a cave full of treasure. I do not have to tell all of you how much Anty loves pirates. She had a lot of fun writing this one.

None of Anty’s books are related to each other, so they can be read in any order, or by themselves. Anty did not figure it out until I told her, but Never Too Late and Queen of the Ocean kind of fit together, because they are both reunited lovers stories. Maybe Anty could write more like that and then they could all go together. Anty likes reunited lovers. Purr-sonally (see what I did there? Just kidding. I do not purr. That does not mean I am not a happy kitty, because I am. I show it in other ways.) I recommend them all.

Ravenwood does not have a home yet, but it is a medieval love story, where a heartbroken knight errant must escort a headstrong maiden from a plague-ravaged city, to a haven that may or may not exist. Anty will probably change the title, because it does not say much about the story. Maybe Her Errant Heart would be better? Huh. Maybe she could write other stories with “heart” in the title and put them in a loose grouping.

That is about it for this week, because Anty needs to research her articles and work on Her Last First Kiss. Until next time, I remain very truly yours,

Until next week…

Skye OMalley Hart-Bowling
(the kitty, not the book)

In Here, I Rule The World

February 17, 2016annabowling Leave a comment

Right now, I am in a rotten mood. I mean really rotten. Things started early. I woke, exhausted, thinking it was about 2AM, so glass of water, trip to the water closet, and I’m good for four more hours. No such luck. 6:45. Well, crud. Tend cat, dispense Real Life Romance Hero’s morning pharmeceuticals, perform ritual albutions. Agree to disagree with hair about its direction for the day. Breakfast…okay, breakfast was uneventful, except for Skye leaving a deposit in Real Life Romance Hero’s office, but Housemate took care of that, so the two things even out.

Morning was meant to be for taking care of some routine errands. Obtain clothing from a favorite, reliable retailer. Obtain pen refills from office supply store. Possibly other errands if the first two went quickly. The first two did not go quickly. Both were abject failures, and most women understand the barren wasteland that is a sale at one’s favorite retailer, when there is not one single thing that will fit one’s body and/or color palette. One of those. Housemate fared better, but I left with a case of the grumps. Repeat fruitless mission at office supply store.

Housemate and I did not know Lunch Option A was not going to work out until we were actually there, so went for Lunch Option B instead. Rest of errands had to be put off for unspecified time in the vague future, because I had to get home in time for A) me to make a chat with a critique partner, and B) Housemate to get RLRH to work. No shot at getting in a certain part of the house where I could perform supplementary albutions and renegotiate with hair, and still make it to chat on time, so did the best I could and raced off. Made it with minutes to spare and…open email from critique partner, who could not make chat.

accurate depiction of my mood

This is, of course, the exact second I have my tea ready, notebook and sticky notes arrayed, so I’m committed now, even though I am technically free. We will now cue an instrumental version of “Song of the Lonely Extrovert” to play softly in the background. There are other people in the coffee house, but nobody I can talk to while working, and that makes a difference. Unless the college student scowling at his own laptop is interested in my Scrivener corkboard. I am going to guess that he is not.

I’ve had worse days. Nobody is bleeding or on fire, we have not needed any first responders, and are fed, housed and employed. Even so, the other irritations build. Gaming is a stress reliever for me, and, since my old laptop is currently refusing to play Sims 3, new laptop cannot support it, and we are still looking into other options, I’m going to have to accept the fact that gaming, right now, is not going to happen. Sure, I have Sims Free Play on my phone, but that’s not the same. Not even close. Bleh.

As I told Housemate, what I would like to do is huddle in a corner (under the covers in bed is also acceptable) and mainline ice cream. What I am going to do is crack open that notebook and Scrivener and transcribe some scenes. That, I can do, and it doesn’t require a lot of my brain. Transfer what’s on the page to what’s on the screen. Spend some time in my story world, and deal with Hero and Heroine’s problems instead of my own. I know what has to happen in the tailor scene, but where does the tailor scene actually go? Do I need to plant that plot point seed earlier in the story than where it actually sprouts? How is the balance between Hero scenes and Heroine scenes? Plus the joy of getting immersed in the story.

The rest of the daily inconveniences will still be there when I’m done. It’s not a permanent break from the practical world -one of the reasons I don’t use the word “escape” when I talk about reading or writing fiction; we do still have to deal with those things when we close the book, notebook or file- but it’s a respite, a place where I can order things the way I want, no matter how much time that might take; here, I control time. Heady stuff, when one stops to think about it. Uncap my new fountain pen, open my notebook, and I step back in time, where Hero and Heroine want to know what on earth I am doing to their lives, because it all looks like one giant catastrophe from where they’re standing.

In the end, it will all be worth the trouble. I’ve assured them this book has a happy ending, because that’s what romance novels do. No matter what I throw at them during the story, they will be safe, happy, and together by the end. At the moment, things look pretty sticky for them both, individually and together (not that they’re even thinking much about “together” at this phase of the game, because it’s early days, still) but they’ll thank me for it later. Right now, I’m thankful to them for giving my day some peace. We’ll have to see how the rest of it goes, but, for right now, I rule the (okay, their) world.

Monday Morning Coming Down

February 1, 2016annabowling Leave a comment

“The really good idea is always traceable back quite a long way, often to a not very good idea which sparked off another idea that was only slightly better, which somebody else misunderstood in such a way that they then said something which was really rather interesting.”
–John Cleese

No idea what to blog about today, but I’ve hit that point on my to do list, this is the time I have for blogging, so I am going to jump in and ramble. No plan, no agenda, merely brain droppings, which will hopefully stave off the hypercritical gremilns.

NOPE, WE’RE STILL HERE!

Le sigh. Okay, well, at least I’m not alone, then. Hi, guys.

WE READ YOUR YEARLY EARNING STATEMENTS. OLD NAVY IS HIRING.

We’ve talked about that.

ABOUT HOW MUCH YOU SUCK? WE HAD TO GET A MICROSCOPE OUT TO READ SOME OF THOSE NUMBERS. WHICH IS PROBABLY THE MOST YOU’VE BEEN READ IN A WHILE.

That’s not what we’re talking about here.

YES, IT IS. IF YOU WERE ANY GOOD, YOU’D BE RAKING IN THE DOUGH, HAVE YOUR COVERS PLASTERED ALL OVER SOCIAL MEDIA, AND OUTSELL HARRY POTTER.

Harry Potter is YA fantasy. I write historical romance. That’s not even the same genre.

OK, TWILIGHT, THEN. WE ALSO READ THE START OF YOUR VAMPIRE STORY. GOOD CALL TRASHING THAT ONE.

This is the one time I am going to agree with you.

YOU AGREE THAT YOU SUCK? WE RULE! WOO HOO!

No, I agree that the vampire story wasn’t a story I wanted to tell. It also had nothing to do with Twilight.

OH REALLY? VAMPIRE YA ROMANCE IS HOT. IT SELLS. TWILIGHT IS THE ONLY ROMANCE NOVEL A BUNCH OF PEOPLE KNOW. YOU WRITE ROMANCE? LIKE TWILIGHT?

Really. I don’t think my books are like Twilight, but I’ve never read it, so I really can’t say. Why are we talking about Twilight, anyway?

YOU’D RATHER TALK ABOUT HARRY POTTER?

No.

DO YOU HAVE ANY IDEA HOW MANY PEOPLE CAN ONLY NAME THOSE TWO BOOKS WHEN ASKED TO NAME NOVELS?

:sigh: Sadly, yes, but that’s not my problem.

DON’T WORRY…UH, NO, DO. YOU HAVE LOTS MORE PROBLEMS. DO YOU WANT THEM ALPHABETIACLLY, CHRONOLOGICALLY, OR IN THE ORDER THE BAILIFF READS THE CHARGES?

:stares crossly over rims of glasses: I am not facing any charges.

FROM US, YOU ARE. YOU’RE A NOBODY, YOU HAVEN’T HAD A NEW RELEASE IN A LONG TIME, YOU’VE MISCARRIED ENOUGH STORIES WE CAN COUNT ON BOTH HANDS, AND YOU COULDN’T EVEN THINK OF SOMETHING TO BLOG ABOUT TODAY.

But I’m blogging right now.

YOU MEAN WE’RE BLOGGING RIGHT NOW. INCLUSIVE WE.

Still counts.

HMPH. FINE. WE’LL GIVE YOU THAT ONE. THIS MEANS WE’RE EVEN. UH, WAIT, EVEN IS NOT GOOD. WE HAVE TO BRING UP SOME DEEP SEATED INSECURITIES. CAN WE HAVE A MINUTE?

Sure. :sorts Post-Its collection:

OKAY, OKAY, WE HAVE SOMETHING. YOU MADE YOUR GOAL LIST FOR THE MEETING WITH N AT THE MEETING WITH N, AND YOU’RE PLANNING ON DOING ALL THAT WORK TODAY.

That is correct.

GOOD LUCK WITH THAT. JUST SO YOU KNOW, WE’RE BETTING AGAINST YOU.

Okay. You do you. I have some outlining to do, and then take a crack at a scene.

YOU’VE TAKEN SEVERAL CRACKS AT THAT SCENE.

Getting closer to the right version every time.

SUUUURE. IT’S A WELL KNOWN FACT THAT REAL WRITERS BANG OUT THE ENTIRE MANUSCRIPT IN ONE GO, OR AT LEAST SEVERAL THOUSAND WORDS PER DAY -AND COUNTING THOSE WORD IS SUPER IMPORTANT- AND IF YOU DON’T DO EITHER OF THOSE THINGS, YOU HAVE FAILED FOREVER.

Um, I’m pretty sure that’s not how it works.

SAYS WHO?

Experience, for one thing. Romance Writers of America, for another, and any number of writer friends. Everybody has their own method, and their own journey. Finding out what doesn’t work is as much a part of that as typing The End.

WHAT PART IS LISTENING TO BROADWAY SHOW TUNES?

That’s part of the magpie stage.

MAGPIE STAGE? WHAT IS THAT? THE LEAST SUCCESSFUL FORM OF TRANSPORTATION IN THE OLD WEST? BY THE WAY, YOU’VE NEVER WRITTEN A WESTERN.

That’s not by accident, and to answer your question about the magpie stage, that’s when I gather shiny things that catch my attention and dump them all in my creative pot, to make idea soup.

WHICH PART OF YOUR HISTORICAL ROMANCE NOVEL INVOLVES EAST GERMAN GLAM ROCKERS WITH IDENTITY ISSUES AND PHILANDERING AMERICAN POLITICIANS?

No East Germans or Americans in this book, but I do touch on issues of identity, the difference between what’s seen on the surface and exists beneath, and lots of romantic complications. Inspiration comes in a lot of forms, and it’s a writer’s job to dig for the gems. Sometimes, it’s a tiny glimmer from here, an interesting idea from there, flip a concept or two, mix with everything the writer has ever experienced in their own life, and it all turns into something entirely new. It’s an ongoing process.

WE HAVE SEEN YOU CHAIR DANCING.

I have never denied chair dancing.

YOU’VE NEVER SEEN YOURSELF CHAIR DANCING, EITHER. ALSO, ARE YOU EVEN PUTTING ON MAKEUP TODAY? LOOKING KIND OF PALE THERE.

That’s because I am pale. I’ve been pale my whole life. What’s your point?

THAT YOU ARE A PALE IMITATION OF WHAT YOU WANT TO BE. JUST SAYING.

So, I’m supposed to do what, give up because I’m not at my ultimate goal right this very second?

BY JOVE, WE THINK SHE’S GOT IT. BY THAT, WE MEAN OUR POINT, NOT, YOU KNOW, TALENT OR DEDICATION OR DRIVE OR ANYTHING LIKE THAT.

Well, look at that, we’ve come to the end of time we have for this entry today. I’m opening my file.

BUT WE’RE NOT DONE YET. UNLIKE YOUR CAREER.

:opens file:

:puts in headphones:

:turns to fresh page, uncaps pen:

I can’t hear you gremlins over the sound of my writing. Later.

Typing With Wet Nails

for the love of romance

historical romance