Midweek Rambles

Rainy Wednesday here, and the fact that I’m only now getting to the first blog entry of the week should be an indicator of how things have been going. The new addition to my workspace is Hedwig, (thanks, Kara!) who has shot up to mascot status in short order. Lift his head off, and he’s a flash drive. He will soon be filled with novel stuffs.

No idea what I want to write about here, so I’m going to wing it. One of the most vivid rainy day memories I have carried for a long time reaches all the way back to fifth grade. We’d recently moved from Bedford Village to Pound Ridge, and I had a playdate with Elizabeth A, to keep us both occupied and our mothers sane for the rain-soaked afternoon. I remember I had a corduroy pantsuit (it was the seventies; don’t judge me, and yes, my mom picked out my outfit) that day, red with a flower print all over it. The legs were too long, so the hems of the trousers (I preferred skirts even back then, but mom said, sooo…)were damp the rest of the day.

We spent the afternoon in Elizabeth’s room. I remember Barbies and some imaginative play, some discussion of the new TV show we both liked, Wonder Woman, probably my first fandom, though I didn’t know what fandom was at the time. Elizabeth had a Chow dog, who had particular tastes in what interactions he would allow with what humans, but he always liked me. I don’t remember his name, or the name of Elizabeth’s older brother. I don’t remember many particulars of that day, but I remember the day itself, and the memory is a good one. Elizabeth A, wherever you are, I hope you do, too.

On this rainy day, years later, there’s imaginative play still. Now, I call it writing, and it’s work as much as it is play, which suits me fine. No red corduroy pantsuit, thankfully, and I’m writing this from my favorite coffee house instead of a friend’s bedroom, but the day has some of the same feel to it. Not that I know exactly what the connection is, but some things become a part of us, and come to the fore when they will.

Today is also the first anniversary of the passing of Bertrice Small, still a favorite author and my entrée into the world of historical romance. I’d wanted, as many Small fans, to dive into some rereading when we got the sad news, and, at the moment, I’d tried, but I couldn’t make the connection. Not a good feeling, but, at times, the best thing we can do is let the feelings do their jobs. I don’t know when I got it in my head that I would intentionally step back from reading an author whose work had been that important to me, or when the idea arose that I would resume on the first anniversary of her passing. Maybe it’s a form of literary mourning? I’m not going to question that one.

Once I knew I wanted to resume on a certain date, everything fit. I would pick up one of her books on that date, and I would read it, but which one? With forty-nine titles from which to choose (well, less than that, as the Lara books are in storage, and I don’t own the Channel titles) the options were too many. N’s advice, “make a decision,” came to me then, and I did. I decided I wouldn’t decide. I turned to my Lionesses at my Facebook group, The Lion and Thistle, and placed my choice in their capable hands.

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this is the one

Some of the suggestions, I’d expected. Skye O’Malley (the book, not the kitty) is my favorite, and The Kadin was the first historical romance I ever read.  I know those books, can quote them in places, so re-reading them would be as much remembering as experiencing the story. The other choices offered, Deceived, and The Border Lord’s Bride, I haven’t read as much. Since my copy of Deceived seems to have gone walkabout (will be reaching out to the library system and/or used bookstores soon) my choice became clear. I hadn’t remembered, until I plucked my copy from my special Small bookcase, that this was the second story in the Border Chronicles, not the first, but since it’s an extremely loose connection, I’m letting that go. I can read the prior title, A Dangerous Love, later, if I want. I did put my choice in others’ hands, after all.

 

As with that long-ago rainy afternoon, I remember the book more in general than in specific, and it’s a different experience. The last time I read this book, it was 2007.  A few things have happened since then. My critical mind is along for the ride, and has some issues with tell-y passages and instances of passive voice, but the voice itself, that’s as familiar as I remember, a welcome back to the things that drew me to historical romance in the first place. It’s also made me schedule reading time in my day, something I’d wanted to do, but put off actually doing, but if I want to make time to read all that I want and need to read, there has to be time where that’s all that I’m doing. This is different from pleasure-only reading; it’s also research.

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library haul; must organize

 

 

In a way, that’s my equivalent of the art student camped out in front of the master’s painting, sketchbook in hand or canvas on easel. What did the master do? How did they do it? That thing that was never recorded, what was it? Can I do it, too? What does it look like when I do their thing, my way? Reading time, writing time, headphones in, laptop on, paper and pen at the ready. Let’s do this.

Strange Bedfellows

I’m sitting in my second coffee house of the day, volume on my headphones cranked up to maximum, to block out sound around me. This morning, I walked through a snow-covered park, and met with N, to set long and short term goals for our work. I love these once a week meetings, and have taken to staying after N leaves, to get some extra time in, working on the book or free writing, to dump junk out of my brain. The bottomless tea doesn’t hurt, either, even if there wasn’t any caffeinated tea on hand, period, today.

At the moment, I’m listening to a mix of songs from Hedwig and the Angry Inch and Hamilton. There’s some connection there, beyond the fact that I listened to both original cast albums on the same day. My mind does that sometimes, marries things to each other, even when I don’t know why it’s doing that. Sometimes, I find out later, and sometimes, I still don’t know, several years down the line.

If I had to guess right now, I would say it’s strong storytelling, standout characters, and really good music. Super talented casts don’t hurt, either. An East German glam rocker with identity issues and one of the founding fathers may not have much in common on the surface, but beneath that, there is something that connects the two. My brain doesn’t see all that much difference between the birth of a nation and a would-have-been-empty Broadway theater that spans from a divided Germany to a trailer park in Kansas, because it’s more than that. The emotional connection is there in each, raw and visceral, and real.

Neither central character is perfect, each caught up in circumstances beyond their own making. Neither ending can be strictly classified as “happy.” Hamilton dies. Hedwig is…no longer Hedwig, though I think that is a conscious choice. Both suffer devastating losses. Hedwig, born Hansel, loses her identity more than once, on top of being an internationally ignored song stylist (her own words.) Alexander Hamilton, well, history fills us in on most of those particulars, but for the sake of moving things along here, let’s focus on the sex scandal that did things to not only his political career, but his marriage to his beloved Eliza, not to mention losing their son, Philip, in a duel.  In the end, Hedwig strips down from her over the top attire and walks out of the theater. Hamilton’s legacy lives on, and I am not ashamed to admit I tear up every danged time Eliza sings about the orphanage, doing what she can for children who are where her beloved Alexander once was.

With both shows, it’s easy to climb inside the title character’s skin and see the world from their eyes. For Hedwig, there’s always that lost little kid beneath all the glamour, the yearning for something great, even despite being beaten down, used, abandoned. I think Alexander Hamilton would have understood a lot of that. Poor romantic choices? Both shows have that covered. Hedwig has a series of poor romantic choices, Alexander only one impulsive one, that we’re shown his attempts to resist, but, as Hedwig would likely understand, even the great ones fall. We’re none of us perfect, and it’s in those imperfections where the stories grow.

If a character already has what they want, there’s no story there. Both Hedwig and Alexander want freedom, purpose, and love. Alexander’s Eliza loves him to his death and beyond, while Hedwig has three dysfunctional relationships that end badly, and departs the stage, alone. I’ve read that, in the movie version, Hedwig’s exit is au naturel. On Broadway, there is an undergarment. Hamilton has a huge, diverse cast, and pretty much everybody gets to sing (and rap,) while in Hedwig, the music is almost entirely Hedwig, except that one song where she’s Tommy. Which pretty much fits Hedwig. It’s her world, and we’re only living in it for a little while. From a certain point of view, so is she.

Even though neither show can be classed as a romance, my romance writer brain inhaled both of these soundtracks, and there’s something churning. What? Not a clue, but I’ll know what I need to know, when I need to know it. That’s generally how it works. Still working out what I’m getting from each of these, and both together. My brain ties them both to Rent, which isn’t an entirely unrelated connection, as an original concept was to perform the Broadway revival of Hedwig on Rent‘s closed set. That didn’t happen, and a fictional musical version of The Hurt Locker, which Hedwig tells us closed during intermission, provides Hedwig’s venue instead. Rent takes place in New York, which would have been the capitol of the country Alexander Hamilton helped to build, so there’s that, and it’s a modern-day retelling of La Vie Boheme, which gives both historical and contemporary vibes, which combine to make something entirely new.

In all three cases, there’s an indefinable thing. I want that thing. To create characters like that, give that level of emotional investment and connection to my readers, that’s the goal. Since I write romance, my people are alive and together at the end, but before then, throwing the unimaginable at them and seeing how they get through, how that changes them into who they need to be, seems to be the order of the day.

 

 

 

Monday Morning Coming Down

“The really good idea is always traceable back quite a long way, often to a not very good idea which sparked off another idea that was only slightly better, which somebody else misunderstood in such a way that they then said something which was really rather interesting.”
–John Cleese

 

No idea what to blog about today, but I’ve hit that point on my to do list, this is the time I have for blogging, so I am going to jump in and ramble. No plan, no agenda, merely brain droppings, which will  hopefully stave off the hypercritical gremilns.

NOPE, WE’RE STILL HERE!

Le sigh. Okay, well, at least I’m not alone, then. Hi, guys.

WE READ YOUR YEARLY EARNING STATEMENTS. OLD NAVY IS HIRING.

We’ve talked about that.

ABOUT HOW MUCH YOU SUCK? WE HAD TO GET A MICROSCOPE OUT TO READ SOME OF THOSE NUMBERS. WHICH IS PROBABLY THE MOST YOU’VE BEEN READ IN A WHILE.

That’s not what we’re talking about here.

YES, IT IS. IF YOU WERE ANY GOOD, YOU’D BE RAKING IN THE DOUGH, HAVE YOUR COVERS PLASTERED ALL OVER SOCIAL MEDIA, AND OUTSELL HARRY POTTER.

Harry Potter is YA fantasy. I write historical romance. That’s not even the same genre.

OK, TWILIGHT, THEN. WE ALSO READ THE START OF YOUR VAMPIRE STORY. GOOD CALL TRASHING THAT ONE.

This is the one time I am going to agree with you.

YOU AGREE THAT YOU SUCK? WE RULE! WOO HOO!

No, I agree that the vampire story wasn’t a story I wanted to tell. It also had nothing to do with Twilight.

OH REALLY?  VAMPIRE YA ROMANCE IS HOT. IT SELLS. TWILIGHT IS THE ONLY ROMANCE NOVEL A BUNCH OF PEOPLE KNOW. YOU WRITE ROMANCE? LIKE TWILIGHT?

Really. I don’t think my books are like Twilight, but I’ve never read it, so I really can’t say. Why are we talking about Twilight, anyway?

YOU’D RATHER TALK ABOUT HARRY POTTER?

No.

DO YOU HAVE ANY IDEA HOW MANY PEOPLE CAN ONLY NAME THOSE TWO BOOKS WHEN ASKED TO NAME NOVELS?

:sigh: Sadly, yes, but that’s not my problem.

DON’T WORRY…UH, NO, DO. YOU HAVE LOTS MORE PROBLEMS. DO YOU WANT THEM ALPHABETIACLLY, CHRONOLOGICALLY, OR IN THE ORDER THE BAILIFF READS THE CHARGES?

:stares crossly over rims of glasses: I am not facing any charges.

FROM US, YOU ARE. YOU’RE A NOBODY, YOU HAVEN’T HAD A NEW RELEASE IN A LONG TIME, YOU’VE MISCARRIED ENOUGH STORIES WE CAN COUNT ON BOTH HANDS, AND YOU COULDN’T EVEN THINK OF SOMETHING TO BLOG ABOUT TODAY.

But I’m blogging right now.

YOU MEAN WE’RE BLOGGING RIGHT NOW. INCLUSIVE WE.

Still counts.

HMPH. FINE. WE’LL GIVE YOU THAT ONE. THIS MEANS WE’RE EVEN. UH, WAIT, EVEN IS NOT GOOD. WE HAVE TO BRING UP SOME DEEP SEATED INSECURITIES. CAN WE HAVE A MINUTE?

Sure. :sorts Post-Its collection:

OKAY, OKAY, WE HAVE SOMETHING. YOU MADE YOUR GOAL LIST FOR THE MEETING WITH N AT THE MEETING WITH N, AND YOU’RE PLANNING ON DOING ALL THAT WORK TODAY.

That is correct.

GOOD LUCK WITH THAT. JUST SO YOU KNOW, WE’RE BETTING AGAINST YOU.

Okay. You do you. I have some outlining to do, and then take a crack at a scene.

YOU’VE TAKEN SEVERAL CRACKS AT THAT SCENE.

Getting closer to the right version every time.

SUUUURE. IT’S A WELL KNOWN FACT THAT REAL WRITERS BANG OUT THE ENTIRE MANUSCRIPT IN ONE GO, OR AT LEAST SEVERAL THOUSAND WORDS PER DAY -AND COUNTING THOSE WORD IS SUPER IMPORTANT- AND IF YOU DON’T DO EITHER OF THOSE THINGS, YOU HAVE FAILED FOREVER.

Um, I’m pretty sure that’s not how it works.

SAYS WHO?

Experience, for one thing. Romance Writers of America, for another, and any number of writer friends. Everybody has their own method, and their own journey. Finding out what doesn’t work is as much a part of that as typing The End.

WHAT PART IS LISTENING TO BROADWAY SHOW TUNES?

That’s part of the magpie stage.

MAGPIE STAGE? WHAT IS THAT? THE LEAST SUCCESSFUL FORM OF TRANSPORTATION IN THE OLD WEST? BY THE WAY, YOU’VE NEVER WRITTEN A WESTERN.

That’s not by accident, and to answer your question about the magpie stage, that’s when I gather shiny things that catch my attention and dump them all in my creative pot, to make idea soup.

WHICH PART OF YOUR HISTORICAL ROMANCE NOVEL INVOLVES EAST GERMAN GLAM ROCKERS WITH IDENTITY ISSUES AND PHILANDERING AMERICAN POLITICIANS?

No East Germans or Americans in this book, but I do touch on issues of identity, the difference between what’s seen on the surface and exists beneath, and lots of romantic complications. Inspiration comes in a lot of forms, and it’s a writer’s job to dig for the gems. Sometimes, it’s a tiny glimmer from here, an interesting idea from there, flip a concept or two, mix with everything the writer has ever experienced in their own life, and it all turns into something entirely new. It’s an ongoing process.

WE HAVE SEEN YOU CHAIR DANCING.

I have never denied chair dancing.

YOU’VE NEVER SEEN YOURSELF CHAIR DANCING, EITHER. ALSO, ARE YOU EVEN PUTTING ON MAKEUP TODAY? LOOKING KIND OF PALE THERE.

That’s because I am pale. I’ve been pale my whole life. What’s your point?

THAT YOU ARE A PALE IMITATION OF WHAT YOU WANT TO BE. JUST SAYING.

So, I’m supposed to do what, give up because I’m not at my ultimate goal right this very second?

BY JOVE, WE THINK SHE’S GOT IT. BY THAT, WE MEAN OUR POINT, NOT, YOU KNOW, TALENT OR DEDICATION OR DRIVE OR ANYTHING LIKE THAT.

Well, look at that, we’ve come to the end of time we have for this entry today. I’m opening my file.

BUT WE’RE NOT DONE YET. UNLIKE YOUR CAREER.

:opens file:

:puts in headphones:

:turns to fresh page, uncaps pen:

I can’t hear you gremlins over the sound of my writing. Later.

 

 

 

 

 

 

 

 

 

 

 

 

 

Typing With Wet Claws: Creative Differences Edition

Hello, all. Skye here, for another Feline Friday. Anty and I are having some creative differences this week. There was a topic Anty had suggested for me to write about, but I had to exercise my duties as a mews, and let her know (gently, because this insomnia thing makes her grumpy) that her idea was not very interesting, which it was not. Fridays are my day to blog, and Anty needs to trust me to do the job she asked me to do. At the moment, she is too busy chair dancing to “You’ll Be Back,” from the Broadway musical, Hamilton, to put up much of an argument anyway.

One of the things Anty has come to realize about days when it is difficult to focus is that she probably needs more stimuli. New music is always a good thing, and when it comes highly recommended by people whose opinion Anty values, that is a good sign she may want to have a listen. Anty has not seen Hamilton, but she loves when things people may not think go together -the American Revolution, Broadway, and rapping? What?- do go together, and not only work, but work far better than one would expect.

So far, Anty is only a few songs into Hamilton, but she has already listened to this song five times. No, wait, it is six now. When Anty finds a song that clicks with her, she is going to listen to that a LOT of times in a row, and she does get something new from each listen. I think it has something to do with that whole more layers thing.  I probably should remind Anty that she has her DVD of Idlewild sitting on the DVD shelf in her office, and the combination of Prohibition and hip hop probably is going to jog something loose in her brain. Movies and art journal time are very good for things like that.

Anty has also never seen A Knight’s Tale, but that is on her list, too. She did not see it when it first came out, because it had too much of a modern slant – fighting for the honor of the queen, sure, but to the music of Queen? Uh, no, they did not have Queen in the middle ages, thankyouverymuch. Anty’s  outlook has changed some since then. Now, she is more concerned with the feel of the story world, verisimilitude instead of strict accuracy.  People who lived in other centuries wanted the same things as we do today, but the ways they got them were different.

Now that Anty thinks on it, some of these creative mismatches are the truest of all. Anty loves Elton John and Tim Rice’s version of Aida. Did I mention how one of Anty’s favorite-favorite tropes is star-crossed lovers? Well, it is. It is probably her favorite of all. Anty’s best definition of historical romance, the way she writes it and likes to read it, is a love story worthy of history. She thinks “Written in the Stars” has to be one of the greatest star-crossed lovers songs of all  time. I will give you a spoiler here: Aida and Radames do not get a happy ending (well, not in this life) but in a historical romance novel, they absolutely would. I should amend Anty’s favorite trope as “star-crossed lovers who make it work.” She cannot get enough of that stuff, so she has to make more, of her own.

When Anty finds it difficult to put out story, then it is time for her to take some in, to fill her well. What well needs to be filled can vary from time to time. Sometimes, she needs an infusion of emotion. Other times, it is a grounding in the world of the time of the story. That does not mean facts and dates, which may surprise some. For Anty, it is the way the world felt.

Anty’s favorite research session ever, she thought was going to be a very boring one. She had gone to Old Mystic Seaport, with two other writer friends, who were excited to use the research library, and the people who could help them find the books they needed. When Anty got to the library, she felt like the walls were closing in, and didn’t know how to answer the person who asked how he could help  her find what she needed. She didn’t know what she needed from all those books, so she told her friends she had to take a walk. It was cold and very, very windy, and Anty soaked it all in for hours.

She stood at the shore and watched the tide come in, walked through the completely deserted shipyard and inhaled its scents, picked up shells from the tide pools, and picked the brains of every costumed interpreter she encountered. There were not many of them, because it was really cold and really windy, but Anty did not mind. When she read, in her pamphlet, that an  to talk about what life was like for a house slave in that era, she ran to the right building, so that she would not miss anything. By the time her friends met her for lunch, Anty was full of ideas and stimuli, and couldn’t wait to get all of it into her story. The story she was working on at the time -and hopes to again, in the future- was not set in the time or place of the museum, but that did not matter. What mattered was that they were near the sea, and there were the skeletons of ships, and that was the same centuries and an ocean away.  Getting the feel right, knowing why a certain character loved ships more than anything else, that was what Anty had come for, and she got it.

That all feels vaguely subversive, but Anty likes it that way. It has been said that well behaved women never made history. Maybe the same thing applies to writing historical romance, as well. What is it some humans say, play by the rules, miss all the fun? I am not sure Anty is not having a little too much fun, listening to Hamilton. “Helpless” is playing, and this degree of chair dancing cannot be safe on that kind of chair. That had better be about it for this week, so, until next time, I remain very truly yours,

 

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Until next week…

 
Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

 

 

 

 

Typing With Wet Claws: Story Brain Edition

Hello, all. Skye here, for another Feline Friday. Anty did not tell me what to write about today, so I am going to have to wing it, or, in my case, paw it. I do not have any wings, because I am a kitty; only paws. I use them for walking.  Only birdies have wings. Also bats, and some insects. Maybe also Pegasus (I do not know the plural form of that word, but it is a horsey with wings. I am not sure if they are real or fictional, but I do not want to find out by meeting one. They sound scary.)  I think Anty letting me say whatever I want today shows a great deal of trust. I will try to show her she did the right thing.

Most of this week can be divided into domestic tornado management and writing. Anty also found time to get to the library, along with Mama, and bring home a bunch of books. Eight of them, which is a lot, even though Anty says it is a reasonable amount. These are the books:

Anty picked them all. Mama did not find any books she especially wanted to read, but she wants to read some of the books Anty picked, when Anty is done reading them. So far, Anty is close to mostly through one. One. Anty needs more reading time. I would suggest that Anty try using some of the awake-in-the-middle-of-the-night time for reading, but the last time I did that, she looked at me like this:

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That is not something I want to go through again, so that was the last time I will make that suggestion. Anty is doing laundry at least once tomorrow, so that is two hours of potential reading time right there. If it does not turn into writing time, that is. Which it might.  One important thing to know if you have a writer in your life is that pretty much any time can turn into writing time. That comes with the territory, and does not only happen when they are in front of a computer or have a notebook at hand (although Anty usually does have at least one notebook within reach.) Many writers, including my Anty, do not have an off switch. Sometimes, it would be useful if they did, but they do not. At least mine does not.

We do not have any pictures of the Anty Has Story Brain look, and that is probably a good thing. Mama and Uncle and I have learned to recognize it, though, and I think some of the humans who work at the coffee house. Twice, this week, Anty has had a coffee house human remind her that her tea is right in front of her and she can sit down now.  Some of them know it because they are writers, too, and give the gentle prompt as a matter of professional courtesy. The best way I can describe that look is sort of blank, staring off into some place that is not there.  Maybe I should say it is something non-writers cannot see, because merely because something happens inside a writer’s mind does not mean it is not real. Making things in their heads become real is a big part of writers’ jobs, so it is no surprise that it happens when it happens. Sometimes, often in the car, Mama will notice Anty is too quiet, and ask “are you writing?” Almost always, Anty says that she is. Once, Mama asked, “How are Hero and Heroine?” Anty laughed, because that was where her story brain had gone.

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a very small portion of story brain

 

Anty says that, at least for her, story brain is a sign that she is on the right track, and the characters are doing their parts. It is like a movie in her head that plays itself and she has to get it all down. Maybe it is somewhat like recapping TV shows, except that there is no remote to pause things and she has to do it all in her head. I think the inside of Anty’s head is probably very messy, filled with pictures and sounds and bits of movies and snippets of songs, remembered smells and parts of ideas that started out as something else, but took on their own form after they swam around with all the other stuff for a while. I can imagine it is very easy to get lost in there at times, and that is why it takes Anty a little while to come back from it when she has to do things like go to the grocery store or figure out where Uncle’s sweater went.

Story brain is a lot better than lack-of-story-brain. Anty wrestled with that for a long while, and it was not pretty.  I am not sure that story brain is that much prettier, as her office looks like a tornado hit it. More books are coming out of boxes and going into her bookshelves, moving around so books she wants easiest access to, like the library haul, above, are the ones she can get to fastest, and books she never ever looks at can get ready to go to new homes. Right now, she needs books that will help  keep her moving forward in telling Hero and Heroine’s story, and those that don’t, need to go away. She says I can share pictures when she gets things neat again, but not right now.

Right now, Anty needs the computer back so that she can write more about Hero and Heroine, so that is about it for this week. Until next time, I remain very truly yours,

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Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Backing Up and Moving Ahead

“You do what you can for as long as you can, and when you finally can’t, you do the next best thing. You back up but you don’t give up.”
–Chuck Yeager

 

Another Monday, another blog entry. Not feeling it today, but discipline and practice are both important, and I find that putting order to chaos satisfies me, so here I am. Morning spent doing housework with help of Housemate. This often consists of her sitting there and letting me chatter at her, as it was today, with me sitting cross-legged on the floor, the box fan in front of me, as I took apart the covers both front and back and cleaned that sucker with grapefruit-scented all purpose cleaner and paper towels. Odds are we aren’t going to be needing that fan for a while, as furnace keeps us toasty warm, and it is January, after all. So, into the newly reorganized closet for our biggest fan. I promise I only do this to mechanical fans, not readers. No reverse Misery-ing here, and, besides, readers are good to have around during all seasons.

The great Christmas ornament harvest of 2016 went well this morning. Good crop, and we hope for an even better return next year. As much as I love the whole process of decorating for Christmas, and will inspect the placement of garland and ornaments (the fact that we use a pre-lit tree is probably best for all involved, lest I get nitpicky about light placement as well; I have in the past.) taking things down is a much quicker and more ruthless process. Down come the lights, coiled, tied, boxed. I pluck ornaments from the tree like ripened fruit, in a matter of seconds. It’s all over in a handful of minutes. This year’s crop is planted in the storage boxes, labeled, and can now germinate for next year. Maybe next year will be the year I finally go for a second tree, which would have black and white ornaments only. Supplemental tree, not replacing the traditional one; I have to have my tradition.

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When I’m at a loss for what to blog about, my guiding phrases of “clean sweep” and “more layers” push me in the right direction. Taking down the Christmas décor and making better use of the closet space fits both of those criteria, as does yesterday’s library trip. Yesterday was a tough day, tired, emotionally drained and frazzled at the same time, and I strode through the library doors with one specific purpose in mind. I was going to grab an armful of romance novels.

I’ve written, recently, about how it’s been difficult for me to read a lot of more newly produced work (part of this, I am certain, is due to my reluctance to jump into the middle of a series of linked books; have to start at the beginning, for me, and there are a lot of series.) This time, I knew what I needed; romance. Historical romance. That’s my reading and my writing home. No matter what happens between Once Upon a Time and Happily Ever After, I know I am going to get that Happily Ever After, so pretty much anything is fair game in between those points. I did end up plucking a current release from the shelves, Cold-Hearted Rake, by Lisa Kleypas, which I started reading as soon as I got home.

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That’s the whole haul, for those who were curious. I’d gone with a vague hope I might find one of the Russian-related historicals on my list (and did, with Forever in Your Embrace) and fingers crossed for a Georgian (but not Regency) setting (When You Wish Upon a Duke delivers on that front) but, apart from that, nothing more specific than wanting a good grounding in my favorite genre. Carla Kelly always delivers on the emotional impact, so that was enough to put the book in my hand, and it had been a while since I’d read a good time travel, so The Last Cavalier fit that bill. If I could hit the snooze button on the calendar so I could snuggle beneath my fuzzy duck blankey and read them all, with endless cups of tea at hand, I think, at this point, I would.

Life, unfortunately, doesn’t work that way, but I can make sure I get some pages read every day, the same way I make time for my morning pages and have to at least touch one of the current fiction projects every day. As K.A. Mitchell, whose wonderful workshop on character relations this past Saturday gave me even more layers to slather on Her Last First Kiss, has said, open the file and change your seat. I have to open the file, or open the notebook. When I do, well, it’s right there. I have a pen in my hand, or the keyboard is right there, too (usually both, in most cases; that’s how my brain works best) and who would it hurt if I took a poke or two at things, hm?

Thanks to a talk with a new writing friend, who listened to me whinge about how hard it’s been to find where I should (note that should, there) including roundabout analogies and a diagram drawn on a napkin with rollerball ink, I am getting the chance to do both the clean sweep and more layers things at one with Her Last First Kiss. What, she asked, was the moment that changed my heroine’s life forever? What permanently took her off the path she always thought she was going to walk in life? Huh. Well. Had to think about that one, and then the answer came out all on its own. When her father left.

Sure, she was seven then, and I didn’t want to start that far back, but darned if the whole scene didn’t play itself out on my walk back home from that meeting. I sat down at my secretary desk, with notebook and fountain pen, and out flowed the whole thing. I didn’t have to yank any teeth. Didn’t have to force anything. Huh. I…remember how to do that. Don’t write a book. Tell the story. Remember back when I didn’t know all the rules, but blithely wrote down the movie in my head? Yeah, that.

Clean sweep. More layers. Easy enough when I don’t think about it.

 

A Handful of Dreams and a Blogful of Opinions

I’ve been reading a lot of older historical romances lately, mainly those first published in the 1990s. Many of these are standalone stories, in the truest sense of the word, not parts of any series, so anything can happen, to anybody, apart from the HEA we are guaranteed by the end of the book. The  hero’s charismatic best friend isn’t exempt from villain status, because no, we aren’t going to need him to be the hero of book two or there, because there is none. One hero, one heroine, one HEA, off into the sunset, done and done. That’s how my story brain naturally works, anyway, and I’d been craving the big, thick doorstoppers I used to devour (and still can, because keeper shelves and UBSs and e-books, yay publishing revolution) so I dove into this subgenre once more, with overwhelmingly positive results.

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One of my best (but not surprising) re-finds was Barbara Hazard. I’d re-devoured her Georgian historical, Call Back the Dream, and wanted to dive into the sequel (I know, I know, I was talking about standalones only a minute ago, but bear with me; this is going somewhere) immediately afterward. I thought I’d packed that in the same box with the original, but then it would have been in the same bookcase. It wasn’t. Instead, there was A Handful of Dreams, also excellent, and completely unrelated.

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I didn’t remember too much about A Handful of Dreams, though I’d first read it when it was fairly new. I remembered the scene where child Sally catches a coin tossed to her by a British soldier on horseback, but didn’t remember if that soldier would turn out to be the hero or not. As I read on, I still wasn’t sure. I did remember, very clearly, the fictional Sally’s abusive first marriage, her return to her family of origin, and her placement as the companion of the daughter of a different soldier.

Let’s say that Sally and her employer’s daughter had different expectations of the relationship and leave it at that. I’m not sure if that might have been explored differently,  had the book been written today, and that’s something I will likely think about for some time. Sally’s employer decides it’s time for Sally to move on, and her situation, as it were, becomes a commodity.

A friend of the family, Harry, Lord Darlington, purchases the care of Sally, and his treatment of her didn’t -on either read- strike me as particularly heroic. He’s a cold father to his children from other relationships, including two marriages, even when Sally expresses her desire for the children to be part of the family. As a work of historical fiction, this works fine, and that’s how I read it this time around. There’s a friend of Harry’s, who also takes a liking to Sally, and there was a good portion of the book where I was thinking maybe I’d misremembered and he was the true hero.

Not going to give away spoilers, because there are two sorts of readers involved here; the ones that are going to track this book down o they can read it themselves, and those who will not, because old book, who cares, or they don’t read romance anyway. Either way, I finished this reread a couple of days ago, and, as much as I’d like to read another romance, my brain is stuck here. Lots of thinking.

Were I to publish this book today, I would class it as historical fiction rather than romance. Sally does find love, and that love is reciprocated. There’s even an acceptable heroic grovel on the part of the gentleman who fills that role, but, in the end, this is really her story and not theirs. I am okay with that. Romantic elements, yes, but this book is about Sally’s life, her struggle to find her place in the world, and the effect the cards she was dealt do have on what she can do.

Sally starts out Irish and poor, in the early nineteenth century. She’s also beautiful, exceptionally so, and that gets her noticed, not always for the right reasons. This is one of my favorite types of characters, where that beauty has its perils as well as its perks. There are those who don’t look below the surface, those who assume a certain set of facial features means a certain personality or mindset, when that couldn’t be farther from the case. Sally’s options are limited. She’s not educated, she doesn’t have a lot of power, but she is smart and she is strong, and she is a woman of her time. That’s important.

Some aspects felt  a little too neat to me, others a bit rushed, and. for a historical romance, there isn’t a lot of emphasis on the relationship that should be the center of the story. I’m not sure I would have chosen the same hero, were this my story to write, but it wasn’t. I’d love to talk to the author, but without contact information, that’s not likely, so some of these things are going to muddle around in my own mind for a while. Maybe some elements will transfer and transform in my own work, but for now, I’m still thinking

Treasure Box

We’re a few days into what’s usually my favorite week of the year, that tucked-away week between Christmas and New Year’s. Jury is still out on this year’s version. Normally, going to the Laundromat is a lovely pocket of time, and doing so during my tucked-away week would make it doubly so. This time? Not so much.

We’ll start with the fact that I had to put laundry in and take it out of four machines before hitting one that would actually h0ld everything and did not have any mystery detergent residue that would play havoc with sensitive skin. Add in a quick dash back home to collect more quarters, because I ended up using the industrial sized washer. On the plus side, clean bedding.  On the minus side, there was the person who asked me if I was taking the week off, and, when I said that was my plan, answered that they didn’t think that was possible. Since I work for myself, my whole life is apparently “relaxing” and I do whatever I want, whenever I want. Yeah, not the way it works, person. Seriously not. Add in another unwanted interaction,  and I was in a foul mood by the time I got home.

I’m not sure what drew me to the small cardboard box in the hallway closet, but I figured I could use some diversion. I knew it had some of my dad’s art supplies -now my art supplies- in it, and art time is usually a good de-grumper. I noticed the paint first, four small tubes of watercolors. Some pencils, of varying vintage and purpose, some tools that look like they’re for carving clay (can check with a friend whose husband is a sculptor) and then there was the pen. Which I may want to call The Pen.

 

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Rather plain at first sight, black cap and silvery barrel, but still a pen. I took the cap off.  Either a fountain pen or dip pen, though I can’t see where I could get the pen apart to check for where I’d refill if it’s a fountain pen. That’s when I examined the nib and found the words that caught my attention. Mont Blanc. Huh wuh? That’s a good pen, isn’t it? Quick check online and my suspicions were confirmed.

White snowflakey/star thing is present on top of cap and bottom of barrel, as well as the clip. “Mont Blanc” is on the otherwise plain nib, and “Mont Blanc Germany” is on the cap, below the clip. I’m not finding what model this is, and not sure where/how to continue the search, but when a fabulous pen falls into my lap, I’m going to take it. Whatever ink may have been in there at one time is completely gone now, and if it’s a dip pen (though I don’t see any evidence of Mont Blanc making any dip pens) then that would explain the lack of ink. This is going to require more investigation. The closest Mont Blanc store I can locate is in White Plains, which is a road trip in itself, but Westchester and tracking down the identity of a super cool pen? This may need to happen.

 

The paints, I think I like on their own rather than together, but this is only my smush them on the page and see what they do stage, so it doesn’t count. That’s still something hard to accept, that I can put something on a page, whether words or colors or shapes, and it doesn’t have to, and as a matter of fact, probably won’t be perfect the first time around, but treasure boxes like these are helping me deal with that.

It’s highly unlikely that I’m going to haul a box out of the storage unit and find it’s full of words, characters, plots, etc (apart from old manuscripts or boxes of books) but that same spirit of playing around, tossing something on the page and seeing what it does -What  color is this, really? What mark does this make? What happens if I get this wet? Can I scratch into it for some texture?- that can only infuse new life. Time to take a few risks again and see what comes out. There may not be gesso for the written page, but there is a delete key. First drafts are meant to be messy, same as laying down a background color; that’s only the base. Many more layers are yet to come before the finished product is ready to be seen.

 

Hypercritical Gremlin Interview, Part One

Welp, four more days until Christmas, not nearly ready, but I did watch A Charlie Brown Christmas last night, so that’s a start. By Real Life Romance Hero’s and my reckoning, we have gone over one solid month with somebody in our family sick. Not always the same person, thankfully -there were a few days there where I was the healthy one- but mostly it’s been me, which is weird, because I am the Energizer Bunny, and tend to keep on going, no matter what. Which may explain things right there. Sometimes, when the brain won’t allow for a break, the body overrules and takes what it needs.

BUT IF YOU’RE SO BUSY, WHY AREN’T YOU RICH, OR AT LEAST HAVE A WHOLE BUNCH OF NEW RELEASES, YOU SLACKER?

That would be the voice of my hypercritical gremlins. They, along with my characters, live in my head (though in a much dodgier neighborhood) and are a talkative bunch. They have extremely high standards, keep excellent track of what everybody else is doing, and offer advice unsolicited. Today, they get blog space, because “blog entry” is next on my list, and I am determined to get everyday things out of the way so I can concentrate on Christmas preparations.

ALSO, YOU WANT TO PLAY SIMS.

:ahem: Yes, yes, I do. I assume you guys have a problem with that.

OF COURSE! DO YOU HAVE ANY IDEA HOW MANY THOUSANDS OF  WORDS YOU COULD POUND OUT IN THE TIME IT TAKES YOU TO PUT IN ALL THOSE FRIVOLOUS THINGS LIKE MODS AND CUSTOM CONTENT?

Probably not many, because I don’t work that way at this stage of the game, but I do usually have a legal pad next to my computer and jot down ideas and dialogue while I play. I find it relaxing.

SO YOU ADMIT YOU’RE A LAZY SLACKER!

No, I admit that I am finding what works for me. Sometimes, I’ve sketched out entire scenes while doing that or cracked character issues that had me puzzled before. Do you guys always shout everything?

YES!

Do you always shout it in unison?

YES! ! ALSO, YOU ARE BAD AND STUPID AND IRRELEVANT FOR NOT SEEING THE NEW STAR WARS. OR EVEN PLANNING TO SEE IT.

If Real Life Romance Hero wants to see it for date night, I’ll go with him, but I’m more of a Merchant-Ivory girl, when left to my own devices.

YOU DO KNOW ONE OF THEM IS DEAD, RIGHT? THERE WILL NEVER BE A NEW MERCHANT-IVORY PRODUCTION. ALSO, MOST HISTORICAL MOVIES ARE FICTIONALIZED BIOGRAPHIES THESE DAYS BECAUSE NOBODY WANTS OR CAN RELATE TO OLD TIMEY DRAMAS, YOU RELIC. HAVE YOU SEEN THE SALES OF HISTORICAL VERSUS CONTEMPORARY ROMANCES THESE DAYS? WRITE WHAT SELLS.

:drinks tea: Ah, the bunny trails. Okay, Richard Curtis, then. I saw About Time this weekend, and it was wonderful. Emotionally effective, intimate, made me cry more than once, and reminded me why I write romance, though it isn’t a romance (but there is a romance in it.) Also, Bill Nighy can do no wrong. He seriously can’t, at least acting-wise, though I am certain he has hypercritical gremlins of his own, who would tell me otherwise.

HE DOES. WE FOLLOW THEM ON TWITTER.

Gremlins are on Twitter?

GREMLIN TWITTER, WHERE WE CAN TALK ABOUT ALL YOU TWITS. WE NOTICE YOU DIDN’T ANSWER US ABOUT THE HISTORICAL VS CONTEMPORARY THING.

That’s because I am not having that conversation.

:HUFF: OH ALL RIGHT. THEN AT LEAST WRITE REGENCY. EVERYBODY LOVES REGENCY.

That’s not true.

YES IT IS!

No, it’s not. Regency is a very popular setting, yes, but that doesn’t mean it’s the only one out there, or that I am suited to write in it. Remember all that time I spent trying to write Regency already?

:CLINK GLASSES AND HIGH FIVES: GOOD TIMES!

No, not good times.

GOOD TIMES FOR US! WE ESPECIALLY LIKED ALL THE CRYING AND HEADACHES.

I didn’t.

WE KNOW! THAT’S BECAUSE YOU’RE AN OVERSENSITVE WUSS.

Really? You’re going there? I thought you had better ammunition than that.

EXACTLY WHAT ARE YOU IMPLYING?

Mostly, that you must not know me very well.

WE’VE BEEN LIVING IN YOUR HEAD SINCE YO UKNEW YOU HAD ONE. MAYBE BEFORE.

So? Look, I get that you guys probably aren’t moving out, anytime soon. You like the décor –

THERE COULD BE MORE ART ON THE WALLS. REMEMBER THAT TIME YOU SOLD ONE OF YOUR PURSES AND THE PERSON SAID YOUR HOUSE MUST LOOK AMAZING WITH ALL YOUR ART ON THE WALLS, AND YOU WERE ALL CRINGEY BECAUSE YOU DON’T HAVE ANY UP? NOTE WE USED PRESENT TENSE, AHEM.

–as I was saying, you mostly like the décor, the food is good, and you like petting my bookshelves when you think I’m not looking–

ALSO GOING THROUGH YOUR OLD PRINTOUTS AND FINDING GRAMMATICAL ERRORS. REALLY HAD A THING FOR GERUNDS THERE IN THE LATE NINETIES, DIDN’T YOU?

Okay, you guys need a hobby. Playing Sims is fun.

YOU DO KNOW THAT’S ONLY PIXELATED BARBIES, RIGHT?

I do know that the original game was pitched as a virtual dollhouse simulator, so what’s your point?

THAT YOU ARE CHILDISH.

Obviously, you haven’t been paying attention to my saved games, or any of my stories.

THANKS FOR THE REMINDER! YOU’RE NOT NICE, EITHER. WHAT ARE PEOPLE GOING TO THINK ABOUT YOU IF YOU HAVE CHARACTERS DO THINGS LIKE YOU DO?

Hopefully, that I can tell an emotionally compelling story. Are you guys about done now?

NOT EVEN CLOSE.

In that case, we’ll have to continue this conversation later, because it’s time for me to move along with my day. Any parting comments for this session?

YES. YOUR ART JOURNALING IS AMATEURISH AT BEST AND NOBODY WANTS TO SEE IT. COVER REVEALS, THAT’S WHAT READERS LIKE. ALSO, YOUR DISLIKE OF THE WORD, ‘JOURNAL’ MEANS YOU ARE NOT A REAL WRITER, IN CASE YOU WERE WONDERING.

Actually, I wasn’t, but thanks for sharing your opinion. I need to go write and send off an invoice now, so we’re done for the day.

FINE. WE’RE GOING TO HANG OUT HERE AND PICK ON YOUR READING CHOICES.

As long as you do it quietly, knock yourselves out.

 

 

 

 

Typing With Wet Claws: Crabby Holidays Edition

Hello, all. Skye here, for another Feline Friday. Today, you get an edited picture of me, and later than usual, because I am camera shy. Part of the reason is because it has been a challenging week. Part of it is because Anty is crabby. Part of it is because I am a kitty. I think that a few holiday lights would make this picture more seasonal. I know Anty took some pictures of fairy lights for another blog today. Maybe she could blend the two pictures together. I think that would be lovely.

Before I say anything else, Anty has a new post up at Heroes and Heartbreakers, about last night’s The Big Bang Theory. Anty is very happy about what happened on that program, and to share her thoughts on it with all of you. It is here, and it looks like this:

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Anty says I cannot use the crabby picture of her again, even though I think it would be a very good illustration. Maybe she needs a new crabby picture, possibly with Uncle’s Bah Humbug hat, because I think the lack of holiday spirit is part of what is making Anty crabby. Anty really loves getting ready for Christmas, and it is only two weeks away now. Here is a list of the preparations she has been able to make this year:

Nothing.

  • Number of Christmas movies watched – zero.
  • Number of Christmas TV show episodes watched -zero.
  • Number of times Christmas playlist has been played – zero.
  • Number of Christmas themed books and/or stories read -zero.

This is a problem. Normally, Anty likes to get the Christmas tree up after Thanksgiving dinner. This year, both she and Uncle were sick, and the next week, too. Then Anty and Uncle got better, but then Mama got sick. Mama is on her way to getting better, so maybe things will go up this week, depending when all the humans are home at the same time, and nobody is sick or tired. That will be an interesting time. It has been like this for the last couple of years, so I am not surprised. Anty will get over this roadblock, and, before we know it, she will be in the mood. (I think church on Sunday will help a lot, because they will be talking about Christmas then.)

I can relate to the crabbiness. I do not like having to wait until evening to post my blog. Being a kitty of habit as I am, my blogs are morning things, and I prefer to get mine up in the  morning. That is not always possible. Today, for instance, Anty needed to help Mama take care of some errands. It is very difficult to open a laptop and turn it on when you only have paws and no opposable thumbs. Also, when you do not climb or jump, and it is on top of a table. So, I had to wait. A long time, since Uncle decided Anty really, really, really needed to be fed when she got back from errands, and then Anty had to do laundry.

A couple of days ago, all of the humans were very, very busy and Mama was sick, so my dinner time got put off. As a kitty of habit, I did not like this at all. I had to get their attention so they would feed me. I ran and ran and ran all over the house at my fastest speed. Uncle calls this  a rip. Then I talked. Since I am a Maine Coon mix, I do not meow like other cats. I make different sounds. My “ek ek ek” sound means that I would very much like food in my dish as soon as possible. I said that very loudly, and that did the trick. Anty paid attention to me and put food in my bowl. I ate it. Then I felt better. She and Uncle apologized to me and gave me scritches and love. That is a happy ending in my book, pun intended.

Here is where Anty can learn from me. When she is crabby, that probably means she is not getting something she needs. Often, that is food, or sleep, or she needs to be around people. When I have one of those needs, I find a human and I ask them. Sometimes, I will use my voice, and other times, I prefer to be quiet, sit very close and stare. Other times, Anty needs something else, like art, gaming, or some time reading a good book. All of those things are needed to fill her well. It is okay to ask for those things when they are needed.

Tonight, Anty and Mama are going to put up the white lights around the doorways to the living room and Uncle’s office. Uncle does not know they are going to do that, so it will be a surprise. I hope it will be a nice one.

Speaking of dinner time, it has rolled around again, so that is about it for this week. Until next time, I remain very truly yours,

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Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)