Heroines (real life edition)

The more you do, the more you’ll want to do.
-Erma Pesci Carrasco (aka Mom)

December ninth can be a hard day for me. I remember being fourteen years old, my dad waking me, and not understanding why he wouldn’t let me get out of bed. Then it sunk in. Mom was gone. The cancer won. Dad wouldn’t let me go to school, though I wanted to. He went to work, and , as I found out later, did not inform coworkers why that day was different at the time.  I spent part of the day at home with a family friend, then the rest with a neighbor.

December ninth is also the birthday of a favorite aunt (family friend sort, not parent’s blood sibling sort,) who served as second mom at key points in my teenage years, and who greatly influenced my choice of career and genre. I always wondered if it dampened her birthday celebrations in later years, that her special day was also the day she lost one of her dearest friends, but could never bring myself to ask. This year is the first Aunt’s Birthday after Aunt’s own passing, and anniversaries like this are…interesting.

My mother never got to read any of my books, though I like to think she would have. She never got to know I would write articles and blog posts (or know what a  blog was) or teach workshops.  Since my first exposure to the historical romance genre came from stealing the books from her nightstand and sorting through the books her sister, my Aunt Lucy, brought her, I suspect she would not have any issues with my choice of genre. I never got the chance to find out what Mom’s favorite settings, tropes, plots or authors were, but I do remember that, every time Aunt Lucy visited, there was a grocery bag full of big, thick historical paperbacks with art that captivated me, and back cover blurbs that fired my imagination. All that adventure, all that history, and all those happily ever afters…pure bliss in a brown paper bag. That hasn’t changed.

My aunt had read at least some of my writing, though I’m not sure how much, and her advice remains invaluable. She gave me books to read, letting me know which were the good ones, and was firm but fair with her input on my own writing. I remember, as a teen, that her advice to live life first before attempting to write about it, irritated me, but, all these years later, yes, she was right. I’ve lived. Some of the stuff, I would have rather skipped over, but it really is all grist for the mill.

From an early age, Mom’s publicity pictures, and a newspaper write up or two, preserved in a scrapbook, dazzled me. There was a long while when the fact that I got kicked out of robe choir, in front of the whole class, for having “a bad voice,” (teacher’s own words, sadly; I remember those, too) or the endless wait to see when her bone structure would make itself known in my own face vexed me greatly. My dad confirmed that I was adopted when I was twenty-two, but I’d figured it out by then.

I am, however, Mom’s daughter, and Aunt’s niece, without a doubt. Every year, at Christmas, I channel Aunt in a way that still gives me the heebie jeebies. This year, I may go all out and bust out the Robert Burns grace even if we end up ordering Chinese delivery for Christmas dinner. The decorations, the way presents are organized, that’s all Aunt, and, at this stage of the game, I think it’s safe to say those things are going to stick.

As will the advice Mom gave me, driving me to elementary school one day. I don’t remember the time of year, though I want to say it was spring. I wanted to stay home sick, and she didn’t think it was needed. As one who works from home now, myself, I do understand the need for a peaceful workspace and the room to breathe when the others have left for the day.

I was still fairly young, as I was in the back seat, and still angling to get my way. This was a short day (we had one of those a week, I think, at that time of year) and Mom remained firm. I didn’t even have to do a full day, only a shortened one, and I’d be fine once I got going. “The more you do, the more you’ll want to do,” she told me as we pulled into the parking lot, and, at the time, those words were the last thing I wanted to hear. She was right, of course, and, if saying it here counts, yes, Mom, I get it. I don’t remember anything about that day, but I obviously made it through.

Sometimes, especially on tough days, it’s tempting to say “nope” and retreat. Some days, that’s needed. Other times, though, the best thing to do is get dressed, get out of the house, and go do the work. Show up. Open the file. Change seat if needed. Put something down on the page and make it pretty later. I think Mom and Aunt would both approve of that.

 

 

 

 

Back in the Saddle

Monday again, and the first time in two weeks that I am sure enough that I will make it out of this cold alive. Semi-normal day yesterday, which left me tired but accomplished, so time to see about getting back in the creative saddle again. This is both an exciting and daunting project.

Let’s take that one at a time. First, the excitement. Not coughing, not leaking sticky goo from my eyes, and not having a throat made of sandpaper (well, most of the time. Cherry cough drops, I still love you.) are all things I highly appreciate, as well as the ability to concentrate for more than ten minutes at a time, and I have missed my daily trips into 18th century England and one very complicated romance between two unlikely lovers. I finally get to start preparing for Christmas, my very favorite holiday. Tomorrow,  I get to combine a trip to the pharmacy for Real Life Romance Hero with a writing session at Panera, and, best of all, a twilight walk through the park, which is lit up for the season, and I can take pictures. Were we not between ovens, I would be churning out batches of cookies in celebration. Absence does make the heart grow fonder when it comes to writing, and I am very eager to get back to that.

Even so, there’s the daunting aspect. I’ve been away from active work on this book (okay, these books, as work on two novellas also fell by the wayside) for two weeks. Ugh. I am insanely grateful I don’t count words at this stage of the game, because I would probably give up in disgust, and the mere thought of miscarrying yet another novel is more than I want to even think about if I want to get back in the groove. It’s easy to get discouraged when friends have cover reveals and new releases and new sales and I’m staring at a blank page and wondering if I have ever met these story people before. Add to that the fact that ‘not enough layers’ and ‘clean sweep’ can apply to the same project at the same time.

On the one hand, that doesn’t seem entirely fair, and on the other, the thought of a fresh, blank document excites me. The fact that this is not the first time on the same project makes me want to punch things (I suggest keyboards in this instance) but if it’s going to make a stronger story, and a stronger writer, well, okay then. I’d tell anybody else that it seems perfectly normal and natural to have been knocked back a couple of paces by that much sick time, and that it’s not time lost.

Perspective is always a good thing. During that time, I read, and did art journal work that helped me see that, when a scene (or project) isn’t working, it’s likely one of those two things. Kind of like a sketchbook for writers. The only thing I actually sketch is boxes at the time, and even those aren’t something I want to show around, but all those layers of playing “what if” and “how about X” and saying “yes, and” to myself do sit in my mental crock pot and simmer together into something I might not have put together if I were actually looking to do so. Alchemy, that’s all I’m going to say.

That, and permission to trust myself. Still working on that one, and it’s scary. If I keep the story in my head and in my head alone, then I can’t fail. The story and the characters, and the writer herself, get to stay safe and protected. Nobody can hate them. Nobody can not “get” them. They can’t stumble and fall. They can’t grow stronger. Nobody (but me) can love them. I know these characters well enough to know that they aren’t going to stand for that. The last two, really.

So, I keep what I have, and I open a new document, set up my bullet points and blorch onto the page, as many layers as the substrate will hold. Spew it out now and make it pretty later. That’s what subsequent drafts are for, after all. Reading a friend’s ms and talking to writer friends on the internet reminded me of the joy to be found in storytelling, which is as important as the craft and discipline. It’s a balancing act. That sneaking away to scribble down the movie in my head is the first step toward a finished ms, a new sale, a cover reveal, a great review, and all of the rest. The story has to happen first. Nothing else can happen without it, and none of that can happen without me. Daunting and exciting both, that.

Typing With Wet Claws: Art Journal Therapy Edition

Hello, all. Skye here, for another Typing With Wet Claws. Anty is still battling her very bad cold, but she thinks she is getting the upper hand on it, at last. I will keep you all posted.

When Anty finds it difficult to concentrate on writing but still wants to be creative, she can spend time with her art notebooks (most people say art journals.) Even when Anty finds putting words or images on the page too much  for her brain, she can still put down backgrounds, which is what she spent some time doing this week.

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This spread is only gesso and watercolor, but she still finds it very interesting. The page with different colors on it is leftover paint from other backgrounds brushed on top of gesso, and the page with only gray on it is gray watercolor painted over gesso into which she scratched lines into while it was still wet. I could have helped her with that. I have claws.

These pages are also backgrounds, or the starts of backgrounds. Anty does not have to know what is going to go on the page in the final version, but only concentrates on what feels right for what she is doing in the present. Sometimes, that means putting down a mask, to keep part of the page the original color while she puts other colors on top of it.

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Cropping is hard when you have paws…

Anty has learned that, when an art page is not working, it is due to one of two things:

  1. Not enough layers
  2. Clean sweep

Either Anty has not added enough things to the page for it to look right, or she needs to start over, completely fresh, with a clear idea of what her focus should be. Maybe she wants to see what kind of mark a pen or brush can make, or what she can do with a particular color of paint.  As you can see in the picture above, she has ripped out a few pages in her time. Sometimes they cannot be saved, but, usually, they can, by turning into something else.

Any really really loves a calendar she had a few years back, from PaPaYa! Art, so she wanted to use it as an altered book and add in her own art. One of the first things she thought she would do would be put a coat of gesso over the calendar pages, to make a new background. That was a good idea. What was not a good idea was to do all of them at once, and “protect” the wet pages by putting scrap paper in between them.

Well. She knows, now, that she needs to use wax paper when she does that. Back then, she did not know. To make matters worse, the pages she used were very very very bright blue. They had things printed on them, and she thought it might be interesting, once she figured out that the pages were now adhered to the calendar pages, to see if she could treat it like a gel medium resist and gently rub away the blue paper, leaving the words, and incorporate that in the art. That was not what happened.

What happened was that the warm water that dissolved the blue paper also dissolved part of the page beneath it. Some pages had to be torn out altogether, but, since they were already total losses, then she could use them to experiment with other techniques. Which often turns into something else she really can use, like this:

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The watercolor went over the parts of paper Anty could not rub off differently than it went over the parts of the page that were plain gesso, and even the part of the page that came off at the top could be interesting as a part of something else. Anty can use this page as part of a bigger page, or she can cut it down into smaller parts and use some or all of them as parts of several other pages or projects.

If you think this is where I remind Anty that this advice can carry over into writing as well, you are right. If a scene is not working out, either there are not enough layers, or it is time for a clean sweep. Go back to the idea at the heart of the scene and start over, with the heart of the idea in mind. Usually, one of those two things will do the trick, and she can fill the page with whatever it needs, then move on to the next.

My nursing duties call, so that is going to be about it for this week. Until next time, I remain very truly yours,

i1035 FW1.1

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Daily Pages and Rambling

Beautiful grey, rainy day here in upstate NY, and I am stuck inside because, yes, cold is still hanging in there. Real Life Romance Hero, aka Patient Zero, is back at work, and I am making a stab at doing the same. If I can be half as productive as my immune system, I may be able to make up for lost time, or at least babble incoherently.

The notebook in today’s picture is from Punch Studio, as is the small notepad propped against the monitor. Yellow sticky notes are plain Post-Its and get tossed as soon as I’ve dealt with whatever is scribbled on them (the note to buy Kentucky mints -the kind with jelly inside- has been there for far longer than I would care to admit. Must deal with that soon.) This notebook is for my version of morning pages; two pages, one sitting, as soon as I can in the day, all by myself, no stopping, no censor. Two pages, rather than three, because a) achievable goals, and b) the interior pages are printed with two-page spreads in four different designs. I’ve been doing this since October 26th, every weekday, and so far, so good.

One good thing about being sick is that staying home gives me a better perspective on how I use the space in my home. Going into the office, closing the door, and breaking out pen and paper feels like an indulgence, far more than flipping open my laptop and pounding keys. It may be convenient to flop in the recliner, put the lap desk on my lap and make with the clickety clack, but the alchemy happens with paper and pen. Being around my art supplies (which really need more organizing, when I am done with all the drippiness) also helps remind me that, while there is discipline needed for a productive writing career, there is also a measure of creative indulgence.

Right now, I’m making a list of historical romances that take place at least part of the time in Russia. I’ve had a passing interest in Russia since one of my dad’s ex-fiancees (yes, plural,  and yes, only one at a time; my dad still had it far into his later years) and there is a lot of Russian interest/influence in ballroom dance, which I also love (strange life lesson learned; if you’re at a dance show and the Russians get up and leave before intermission, the show is bad.) but it wasn’t until the heroine of Her Last First Kiss told me she was half Russian that I knew I had to get farther into the zeitgeist of eighteenth century Russia. Not that my heroine would know much about that, as she’s never been outside of England, nor seen her Russian father since she was seven, but I need to know these things.

For some, maybe most, this would mean stocking up on biographies of real life historical figures. I do not work that way. I have tried, but it’s Sony and I’m Beta or the other way around (or whatever the distinction was; technology and I have a complicated relationship.) While I don’t advocate using movies and other works of fiction as sources of factual research, for me, those things have what I need even more. The feel of the time and place. Yes, I know that’s interpreted through writers and editors and actors and directors and set and costume and la la la I can’t hear you.

I’m not writing scholarly texts. I’m writing love stories that take place in a certain time and place, and, to the characters living this story, they don’t live in Historical Period X. They think they live in Now, because, to them, they do. They don’t know who’s going to win the war, or if the long-awaited royal baby will be male, female, stillborn, or healthy and whole. With the state of communications (as I tell RLRH, they didn’t have Twitter in the eighteenth century) unless my characters already live near Court, they aren’t going to know about the goings on until they are went-on-a-while-agos. Whole different mindset.

Annnd I’m rambling. Which is fine, because rambling is still writing.  The post is still here, and I’ve stayed more or less on topic, so I am going to call this a win. I’ve gone through an entire box of tissues, have a big dent in my second bag of cherry cough drops, and am feeling up to actual food for lunch. It takes my mind longer these days to wander off, which I count as a good thing. Characters, however, are still prone to do whatever they want as soon as they hit the page, but it works better that way. Easing up on the iron grip gives them and me both room to do our thing, and if this cold from beyond hell had any hand in making that happen, then I will accept that purpose without too much complaint.

 

 

In My Blanket Fort, Coloring Furiously

Well, it’s Monday. Time for Monday’s post. Not sure what I’m going to write here, because even I am sick of reading me write about being sick. Not sure what else there is to say on that front, except that the cold seems to like it here, and I am impressed with the sheer volume of mucus my body can produce. I do not want to know where it is all coming from, but at least that’s progress?

Cherry and licorice cough drops have become a food group for me, and my favorite foods at the moment are those that do not have corners. On the plus side, I sound almost human after I’ve had ice cream, and I am staying well hydrated. Ice skulls are lifesavers (I do have a roll of actual Lifesavers, but have not yet opened them.)  By which I mean small novelty ice cubes in skull shaped molds I brought home around Halloween. Perfect size to pop in my mouth and cool things down without being unwieldly. Plus, they’re skulls. That has to count for something.

The way things are going, I’ll take that. It’s easy to get discouraged. Last week was going to be the week I made up for the week before’s loss of writing time, and then look what happened. Look at it. Not only did I not get things done, but it feels like things I did get done, got un-done. I would like to retreat to my blanket fort and color furiously. Yes, I used an adverb. Want to make something of it?

Right now, I’m grumpy. I’m tired of being sick, tired of being tired, tired of not Getting Things Done. Tired of not having brain enough to get a lot of reading , much less writing, done, but one thing I’ve been able to keep focus on for the last couple of days is art. In my office, on the floor, with paper and pencils and paint and assorted ephemera, it’s a different brain space than trying to make English work in a brain that only wants to take a nap (but knows that it can’t, because getting horizontal seems to be my body’s version of putting in a request for a long coughing fit that leaves me even more exhausted.)

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This spread took me a couple of days to create, no plan in mind but to use stuff I could get without having to look for it. So, liquid acrylic paints, gesso, an almost-dried-out paint dabber, fortune cookie fortunes, and gel medium.

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The page with the blue background was the page I gave some form of thought to, mainly to finally use the fortunes I’d been saving. Get those down on the page, arrange in pleasing manner, then paint around them with the blue paint. The arrangement of the fortunes suggested boxes, and primary colors seemed to fit, so yellow boxes came next, then the dark red boxes, and I may do some doodling with silver Sharpie or white gel pen, but I’d need to pick up a new one of those, as the old one now pines for the fjords, despite my best efforts.

I’d always planned on using the fortunes “someday.” These particular paints are free samples of some of the good stuff, from the art store, again, saved for “someday.” The day I’m good enough. The day I somehow intuitively know how to paint like Elaine Duillo by sheer osmosis. The day life calms down. The day, well, there’s always something, isn’t there? That day (don’t ask me when, they all blend) I decided, enough. It’s that day. Put the fortunes on the page. Paint around them. What’s next? What’s after that? Well, that, apparently. Who knew?

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The facing page was somewhat of a cheat; random smushing and/or swiping of stuff, mainly to clean my brushes, and, in the case of the black dots, to see if the paint dabber was still worth saving. It kind of is. Not what it used to be, but not too far gone, either. I can deal with that. I have no idea how my phone camera got rotated, but as I took the picture in the middle of a coughing fit, that may have something to do with how that turned out. I’m going to call it good enough, and/or a new perspective.

Are either of these pages done? Maybe, maybe not. Time will tell. What I do know is that playing with arty things like this calms me down and lets the story part of my brain free-float and work things out, away from the hypercritical gremlins that like to look over my shoulder when I’m pounding keys. (Gremlins aren’t quite as vigilant when writing longhand, thankfully, but they come back when it’s time to transcribe.) Sometimes, I have music on in the background, or a movie or TV episode on the DVD player. Sometimes, it’s quiet, with only the voices in my head.

Sometimes, I have a plan for these pages, and sometimes, I don’t. Sometimes, the best pages come from when I think I’m only cleaning my brush or playing “what marks does this make?” or “what color is this, really?” Some mindless noodling with color and line and shape, and before I know it…art. It can be the same with writing. Was once, before I let the rules drill in too deeply, and it’s a place I am learning to find again. There are going to be some messy pages along the way, some that get torn out and we will never mention again. Others, though, others come together in such a way that it feels more like discovery than creation. I’ll take that, too.

Paris Papers and Random Writerly Ramblings

The image above is not all of my Paris-themed stationery, but it was what I could readily reach, fueled by only part of my first cup of tea for the day and the knowledge that getting this post written was one thing I knew I could get off my to-do list. When I put them away after the picture, I realized I had a lot more than I thought I did. This may be about half, which makes me want to rearrange my unused notebook storage to make Paris-themed books its own category. This may be about half.

That surprises me. I haven’t written anything set in Paris, apart from maybe some long-ago fanfiction (and here I will get language nerdy; no, I do not write about location X or Y. I write historical romance that may be set in location X or Y, but I’ll leave the writing about the location to others, because nobody wants to read what I would turn out on that front.) so I’m not sure why I gravitate toward this theme so much in stationery matters, but as, we can see above, I do. As one of the aspects of my From Fan Fiction to Fantastic Fiction (new version, Play in Your Own Sandbox, Keep All The Toys) workshop is to examine why we like what we like, this may be something for me to try here.

Basically, stick the Eiffel Tower or Arc de Triomphe on a piece of stationery, and I want it. Fleur de lis also work, maps, French text (I don’t speak or read French, but I can figure some out if I’m not hurried) the streets of the city, the Seine, the general vibe of the place. Do not ask me to describe that (see above) because it’s something I’m not sure how to put into words. Interesting challenge for a writer, but there it is. I’m not as much about the facts and political histories of a setting, but the zeitgeist instead, the spirit of the times.

My best-best method of research is being there. Barring time travel, living history museums or reenactments are the closest I can get. I will never forget the reenactment of a pre-Revolutionary War British army regiment, held on the grounds of the John Jay house, some years back. Growing up in Westchester County, NY, the American Revolution was all around me (okay, the French were on the side of the rebels, so maybe I got some exposure to the French through that?) especially in the year of the Bicentennial, and it never left. So, when the date of a reenactment, at a venue that had been one of my big treats as a child, coincided with my birthday (or very close to, IIRC) Housemate decided that would be the perfect gift.

It absolutely was. I made a tour of the merchants’ booths, talked to re-enactors (best-best for me is when neither one of us breaks character) and wanted to show Housemate some of the grounds. There we were, meandering the dirt path, a sea of white tents to our left, a field filled with re-enactors and modern folk alike on our right, and the ground behind us trembled. A deep male voice bellowed for us to make way for the King’s men, so we jumped to the side of the path, and a river of redcoats marched past us, footbeats and hoofbeats vibrating into my very being.

That, for me, is what I want in a historical romance, whether writing or reading. I want the full immersion, not only who was on the throne or in office, but what my people would see, smell, hear, taste and feel in their daily lives. What people of however many centuries ago wanted are, at the heart, the same things we want today. My stories start, always, with the characters. Once I know who they are, then it’s time to figure out where and when they might have lived. It’s more a matter of following them around and climbing into their skins. Where do they go when they go home? If they’re late, who misses them? What does their voice sound like when they speak? These aren’t, most often, things I can dictate, but things I have to discover.

Which may, in the end, be what’s up with my collection of Paris stationery. The voices will come when they come, at the right time, and when they do, it will be the most natural thing in the world.

Typing With Wet Claws: Pocket Full of Candy Corn Edition

Hello, all. Skye here, for another Feline Friday. It is halfway through November, almost, and that means the holidays are almost here. Well, Halloween is a holiday, and so is Anty’s birthday, so I suppose that means we are already in the holiday season. That is a good thing to keep in mind when things get hectic, because they certainly are.

First, Anty has a new post up at Heroes and Heartbreakers. She said I have to put her new posts up first, or I will run out of room when I get talkative. Her Heart to Heart on last night’s Sleepy Hollow is now live. It is here and it looks like this:

ICHABBIE

Anty is slightly grumpy that the show is going on hiatus until February, but she is glad to know that it will be back. It will be on a different night, Fridays, instead of Thursdays, when it was originally aired on Mondays. That is a lot of change. Kitties are not very big on change. Humans can handle it somewhat better, and it is good to try new things once in a while.

For a long time, Anty could not remember if she liked candy corn or not. Most years, she did not care about that. As long as she has gummi bears, she is pretty much content on that front, but this year, she had to know. Uncle thought she did not. Mama could not remember, either, but she does not like candy corn, so maybe Anty did not, either. Anty wanted to find out for herself, so she tried some.

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the great experiment

Mama and Anty got some candy corn that was on clearance, from a maker whose other products they have liked, and brought it home. The box said it was made with real honey. Anty was surprised to see that as an ingredient, as she never thought honey had anything to do with candy corn, but maybe that was a point in its favor. She gave Mama a piece and then tried some for herself. Then she remembered. She did like candy corn, but it has to be from a good maker, and there is a right way to eat it. That would be by color, from the top down, in case you were curious. Anty did not rush out and buy three pound bags of the stuff (three pound bags of cat treat, yes, but candy corn? That would be a little much.) but it is good to know there is something fall-themed on which she can nibble while she works in her office. They also fit nicely in her sweatshirt pocket for cold days when she needs to wear that while she works.

Anty’s office is undergoing a lot of change, the same as her writing and reading. I think it is all related, but do not quote me on that. The bulletin board is down now, as is the string of fairy lights (some people call them Christmas lights, but Anty likes to have them up all year) she used to drape around the frame of the bulletin board. She still wants to have the lights up, but now needs to find a new place for them to live. Even Anty cannot drape fairy lights around a poster that does not have a frame (basically, a piece of paper) so she must think of other ideas. She could put them around the closet doorway (it does not actually have a door; it was like that when we moved in, so do not blame Anty. Or me.) or maybe get some  hooks to go around the poster and try to display them that way. She could also get the poster framed, which she probably will do eventually, but for right now, she likes the airier feel of having more visual room in her workspace. She will take a picture and share it later, once she gets things the way she wants them.

Having a work environment that reflects the work Anty does is important to her and it does help her stay focused. The one big Union Jack does more for her than a board with small bits of ephemera scattered around it, so it is going to stay. She has some Georgian-era reproduction prints that her papa had in his house. Those are in heavy frames, so she needs to find the right sort of supports to hang them, that will not damage the walls. Maybe they will end up leaning on a shelf, if the frames are too heavy, but she has always wanted them in her special space, and now they are there. All she has to do is find out how they can best be displayed.

That is a theme with Anty these days. Take what she loves and find the best way to use it. That will generally provide the best result. For right now, the best result will be for her to feed me, so that is about it for this week. Until next time, I remain very truly yours,

Until next week...

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Writershead Revisited

“I should like to bury something precious in every place where I’ve been happy and then, when I’m old and ugly and miserable, I could come back and dig it up and remember.”
Evelyn Waugh, Brideshead Revisited

My favorite movie of all time is the original 1980 Brideshead Revisited. Okay, technically speaking, it’s a miniseries, as it ran on PBS and clocks in at a whopping twelve hours, but to me, it’s a movie, and so I am counting it as such.

If you’re a purist and insist on theatrical releases, my preferences are thus:

  • Comedy: Love Actually
  • Drama: Remains of the Day
  • Other: Saturday Night Fever
  • Obscure: Lords of Flatbush

People who know me in the really real world, am I forgetting anything? I have not seen the Emma Thompson theatrical version of Brideshead Revisited, nor do I plan to,  because I do not mess with perfection. Sorry, Emma, not even for you. I’ve read the novel by Evelyn Waugh (Hevelyn, for those in doubt about which Evelyn wrote this one) and will correct any who try to call the building known by non-devotees as “Castle Howard.” They are wrong. It’s Brideshead. I know. I’ve lived there, with Charles and Sebastian and Julia, and I have deep emotional scars from the first time I saw the graffiti on Charles’s mural and the empty :sorry, I need a minute: fountain :sniffle: with barbed :I can’t, I seriously can’t: wire. Sebastian drove that car around the bend of the road on that first school break, and BAM, I, as well as Charles fell deeply, irrevocably in love.

It’s the same feeling I had when I stole the then-new copy of The Kadin by Bertrice Small from my mother’s night table and read it under the bed in the guest bedroom during a power outage. I knew then and there that I’d found what I wanted to read and write for the rest of my life. The same way a lot of my SF/F reading/writing friends fell hard for Star Trek, Ray Bradbury and others, that’s how I fell for historical romance, and that’s what’s been, increasingly strongly, calling me back home.

Today, I took the bulletin board off my office wall. If I haven’t been utilizing it in the three years and change I’ve had this office, that’s not where it belongs. Later, I’ll take the items off it, find them new homes, and figure out the board’s new purpose. There will be one, because I crazy love vintage office supplies. In its place, I put the Union Jack poster above, purchased at a local art store about two years ago. it’s been rolled in brown paper, waiting for “the right time.” Which would be when, exactly? When we could spring for a fancy frame? The right fancy frame? When life calms down? When (fill in the blank?) If there’s one thing loving historical romance and historical fiction has taught me, it’s to seize the moment. So, up it went, with blue tacky stuff holding it to the place where whoever painted the room a lovely moss green had obviously painted around the mirror that Real Life Romance Hero took down for me the day we moved in. Much as I like to work on my selfie game, I don’t want to stare at myself the whole time I’m writing.

Taken in a different room, but it would be pretty much this.

Taken in a different room, but it would be pretty much this.

I also unearthed a pub sign that I honestly don’t remember when I acquired it, and had been waiting for, you guessed it, the right time and perfect place to put it up. Maybe the right kind of hook, whatever, whatever. Baloney. I still has blue sticky stuff, so I slapped some on the back and then affixed the sign to the door. My office may technically now be the King’s Head Pub, and I am fine with that. We even have a pub cat instead of a pub dog, and I am fine with that, too. The two Georgian era prints I kept from my dad’s house and had wanted since I was a wee little princess, do need to wait for command hooks to come home before they can go on the office wall, but when they do, up they go. The right time is now.

This means I'm allowed to have pub food at home, right?

This means I’m allowed to have pub food at home, right?

Doing things like this gets me excited, makes me want to dive headlong into the story world, climb inside the characters’ skins and see through their eyes. Writing longhand with a fountain pen, at least initial notes, is another way I find I can connect. Today, I also added another notebook to my shelf of the usual suspects on top of my desk’s hutch. It’s one of those story ideas I’ve been on and off with for years, and, as the flip side of the bulletin when story ideas and characters and settings and such have been in my head for long enough that they are old enough to vote, drink, marry or join the military without parental approval, they probably aren’t leaving, period. Better for me to get their rooms ready. That feels right.

Today, I met my Ravenwood editing goal a lot earlier in the day (for the day, not the whole project) because I wasn’t focused on word count or verb tense, but telling the story and living in that story’s world. This afternoon, I jump to Georgian England and Her Last First Kiss, and I’m excited about that, too. I don’t consider myself old, ugly or miserable, but dusting off things I love and displaying them proudly in the now, that’s a piece of the puzzle sliding into place. The road to The End, on both of these current projects, and others, has never seemed clearer.

Roots and Wings

Leap the fence. Seize that chaos. Whet your own edge. Go weird. Go buckwild.

— Chuck Wendig

This is the first year I’ve felt 100% okay about not doing NaNo. No regret, no obligation, though I do give a hearty shake of the pompoms to all participants. This year, I am too excited to be working on Her Last First Kiss, immersing myself in the world of my hero and heroine (and the mutual friend caught in the middle, though I still don’t know if he gets a POV or not. We will find out.) to have much brain space left for the “oughts” and the “should” and the “everybody elses,” which is a good thing, and a goal I have been working toward for quite some time. So, that’s a win right there, in my book, pun intended.

The last few  years have seen miscarried manuscripts, at various stages of viability. Some are still waiting for the bad juju to burn off, so that I can see what’s left. Others and I have parted ways, mostly amicably, while yet others are like the one night stand one passes at work with downcast eyes and a pretended interest in the pattern of the carpet until one is out of the other’s orbit. (Vampire story, I am looking at you.) All have been necessary steps along the journey, and those that are still viable will get a second look once the HEA has been inscribed in stone on this one.

For me, discipline is key, but the kind that works for me. When I have a schedule made out, then writing/researching/editing time is from hour X to hour Y, and that is mine. I am at work, whether that means a notebook in the park or fingers on keyboard. All those miscarried manuscripts have taught me that  “um, I don’t know, England?” or “figure out why later” are not going to work for me, and the sanest thing I can do is hit pause, find out the specifics and then move forward. I love adding detail, adding layer on layer to make my story people into their own being, not my popsicle stick puppets, building locations I can see and hear and feel and breathe, so that I don’t have to stop and beat myself up because I don’t know the exact process of choosing a tanist :exchanges wary glance with time travel manuscript: or when house numbers came into general use :waves goodbye to novella idea that wasn’t strong enough to carry a story in the first place:

I’ve found out, the hard way, that my default setting at present, is Georgian England. Not that I can’t or don’t use other settings -far from it- but if I don’t know at the outset when and where a story takes place, that’s probably it. Part of this comes from being a child of the Bicentennial, and being a child of the Bicentennial while living in a town that was, literally, burned to the ground during the Revolution and rebuilt from a pile of ash. I can identify with that. The dress, manners, speech, and aesthetics of the Georgian era are second nature to me where historical romance is concerned. Love to read it, love to write it.

Studying the stories I love most to read tells me what I want to put into the stories I write. Deep emotion, the choices my characters make and the consequences thereof affected by the time in which they live. I love stories of identity, where the character breaks away from what others tell them they “should” or “ought” to be and instead, discover who they actually are, and live in that. Again, this is relevant to my interests.

I haven’t written a story like this one in a while, and it’s scary at times, but going back to my roots, the stories and characters that I love, fills me with anticipation rather than pressure. Piecing together my timelines, planting family trees and slapping down bullet points in notebooks and fresh documents lets me approach the work with enthusiasm, and without the feeling that I’m forcing anything. Challenging? Yes. Very much so. This timeline has me with one foot on the ledge already. There’s a gray area in a choice a character makes – maybe it’s not “likable,” but I’m not here for “likable.” I’m here to tell the stories that come to me, and, in this story world, that’s what happened, and I’m glad it did. When the characters start making their own choices like that, that’s when I know the story is real and alive. That’s when it goes from idea to book in progress, and this is definitely that.

Things That Make Me Go “Whoa.”

I want to know that there’s something just beyond MY ability, that I can eek (sic) out one day that can move people like I’ve been moved.

–Ben Folds

Once again, we’ve arrived at blog day, but my first reaction is to say I’ve got nothing and see you next time. Not going to do that, however, as this is on my to-do list, so it is going to get to-done. This is one of the reasons I keep a list of writing related quotes on hand. That way, I always have something to use as a prompt, whether it’s strictly adhering to the original quote or using it as a jumping off point to something more loosely related.

Right now, still not sure in which direction I’m going to go, but I am going. The first time I remember being aware of Ben Folds was in my BFF’s car, on a long ago December 26th, at precisely 6 AM. Points to the DJ who cued up “Brick” at exactly that moment. From the first haunting piano notes, I knew I was listening to something special.

I didn’t know at the time that this was a song about an abortion from the viewpoint of a seventeen year old boy, nor that it was from the singer/songwriter’s personal experience. All I knew was that this was raw emotion, the very serious subject matter at odds with the beauty of the music, and played against the mood of the holiday season, the contrast was sharp. In short, it wakened that “how did he do that?” reaction in the story part of my brain.

My father was an artist all his life, and I remember, from a young age, being brought to art shows and museums, and noticing people with sketchpads or easels, in front of certain works. I wasn’t sure what they were doing -it seemed rude, from my four-ish year old perspective, to be in a museum and they’re paying attention to what they can do at home on their own?- so I asked. My father told me that they were copying the masters in order to learn how they did what they did. Centuries before YouTube videos, webinars, mass communications or even widespread literacy, this is how it happened. Try and fail and try and fail and keep eyes on the good stuff and try to figure out how the good stuff got good.

This is, as a matter of course, going to result in turning out a lot of crap along the way. That’s part of the process. As much as I would love to spit out a bunch of words and have them arrange themselves into timeless fiction while I sleep, that’s not going to happen. What is going to happen is that I need to treat this like any other form of education. I need to study the books in my genre that work for me, and figure out why they work for me. What elements of these books, these writers’ voices, etc, can I adapt to my own use? I  need to study books in my genre that do not work for me, and find out why they don’t work for me. Do I see any of my own bad habits there? How can I work on improving those? I  need to study books outside of my preferred genre, to see what elements in those books can enrich what I do and add something new to the time honored elements.

Sometimes, it feels like, well, work. Which it is, of course, for those of us for whom writing is a profession as well as a pleasure. When I feel a reluctance to get to the work, that usually means I need to reconnect. Which, for me, means a lot of reading, because story in, story out. Though I’m still reading a lot of realistic YA these days (because they seriously deliver the visceral emotion and make me want to step up that game in historical romance) I’ve missed the deep immersion of the older historical romances, so revisiting a lot of those, and will likely be doing a lot of rambling on that in the future.

So, these days, I have at least part of my brain in magpie mode. I want to be challenged in what I take in. Surprised. I’m listening to a lot of music on Spotify these days, sometimes dedicating time to read the lyrics (I love that feature) while listening to the music, and treating that as research. The way Ben Folds uses language – seriously impressing this gal who completed an English minor in two years without even trying (I honestly did take all the required courses merely because they interested me ;  go figure) and am now in a serious Damien Rice mode, because my heart is still dying a little from “Accidental Babies” and “The Greatest Bastard.” Lots of brilliant turns of language and emotion there, essential for writing romance.

I can feel the closing paragraph coming on here, the one where we restate the topic sentence (did I have one here?)  and leave readers with a takeaway. Not sure how well this is going to hew to that (look at me, using vocabulary words) but here’s what I’ve got. I want that “wow” moment. That “I never thought of that” moment. That thing where all I have to do is hear three piano notes and a whole movie plays in my head. Hopefully on my pages as well. Story in, story out, in all its forms.