Cautiously Optimistic

Today is a very Monday-y Tuesday, but that has ceased to phase me. Internet may be spotty this week, but blogging feels normal, so I want to get an entry up on as regular a schedule as possible. The offline times are good for writing longhand, so I am not complaining at all. As much as I love winter, this has been a tough one, and I will not be that sorry to see it go. I am ready for a new season.

The title of today’s post comes from a discussion Real Life Romance Hero and I had earlier this week. We are pretty sure that the light at the end of the tunnel is not, this time, a train, so we are moving in that direction. That also means that the Patreon will indeed be a go, and, for the first time, setting up tiers doesn’t seem as scary as it once did.

This past weekend, I presented Play In Your Own Sandbox, Keep All the Toys, at Capitol Region Romance writers. I learned a couple of things. First, I really do need to use visual aids, for myself as well as the people taking the workshop. A dry erase board usually does the trick, and I probably should learn PowerPoint. I will add that to my list. The second thing I learned is that, when visually impaired, and knowing darned well one needs high contrast, do not attempt to work, in front of a group, from handwritten notes, if the only inks available are pink and turquoise.

Even so, I crazy love this workshop, and the CRRWA chapter, and I came away from the experience remembering how much I really do love writing romance. When I got home, a chapter was waiting for me from my contemporary collaborator, Melva, which has me excited to work on Drama King. I also need kick in the behind to get Her Last First Kiss back in action, because those pirate books are chomping at the bit. That’s part of what I’m taking care of this week.

I know how to do this. I know how to write books. I know how to write good books. This is the thing I wanted to do more than anything else in the world for as long as I can remember. It’s easy, though, to lose sight of that when life gets crazy, and boy howdy, has it ever this past year and change. I am hanging onto the “change” part. I have mad, mad, mad respect for the productivity of authors like Sandra Sookoo and Kathryn LeVeque, the staying power of Cynthia Wright and Kimberly Cates, and yes, there is most certainly a seat at that table for me. It comes by putting butt in chair (or passenger seat) and pen to paper and telling those stores. Dump from brain to page, rough and raw, and make it pretty later.

Right now, I am tired and stressed and hopeful, and very much in love with my chosen genre. I have added an ebook edition of the material for PIYOSKATT (pee-yose-cat? Pie-yose-cat?) as a Patreon perk for a middle tier, because now, it feels like a reachable goal, and actually kind of fun. Small online class offerings may also be in the offing, because I also crazy love teaching workshops, both on my own and with other talented author type people. It’s a good place to be.

see you next time

Five of These Things

I did take a deskscape for today (okay, it was a lap deskscape) but there were technical difficulties, so let us all appreciate stock photos and photo editing software.

At any rate, I’m back. Our stay off the grid extended itself due to a couple of factors, but that’s life. Apart from the virus that converted all of my energy into super gross eye boogers, the whole thing did pretty well. I had a great working lunch with Melva Michaelian. We are oh so ready to get Jack and Kelly all the way to their HEA, so it can be Rob and Heather’s turn next, and we do know what comes after we finish this group of three.

Longhand really does work best for me, for composing/drafting, and the lack of internet distraction did allow me more time to get at least some of the ducks in a row. That does involve plotting out the bones of the gazebo story, which is taking a turn I didn’t expect (still a romance, don’t worry) and I actually have all of my pirate trilogy longhand notes in one container. ,I will do a post later, on the plotting method/template I used, and the modifications I’m making to it, but for this week, I have another focus.

Even though the whole future of RWA (Romance Writers of America) is a big question mark right now, I am super excited, and a little nervous, about the meeting of my local chapter, Capitol Region Romance Writers, because this month, I am the one presenting the program. I am honored and psyched that my fellow members not only asked me to present the workshop a few years back, but asked me to present it again.

Come to think of it, the workshop I presented back then was at a February meeting as well, so one more time, and it’s tradition. I could live with that. The chapter has changed in the intervening years, and so have I, so it stands to reason that the workshop has undergone a few changes of its own. Bob and Jane (if you’ve taken one of my workshops before, you know who they are) will be making an appearance, and there will be a few surprises as well. That’s usually what happens when we creative types dump a bunch of stuff we love in the kiddy pool of our imaginations and splash about with reckless abandon.

“Um, Anna,” I hear some of you saying, “the title mentions five things, and I don’t see any numbered lists here, just saying.” I hear you, dear readers, so I will get right to this wee listicle of five things that have made me happy recently:

1) photo editing
2) Sims (3 and 4)
3) getting back into my travelers notebooks
4) historical romance with adventure and pageantry
5) contemporary YA that makes my heart ache

To use a phrase one will hear often in my workshop, what do these things all have in common? Either with each other or as a whole. Anybody? Anybody? Beuller? The list took only a few seconds to come up with, because those things have been very near the surface over the last couple of weeks. It’s been a rough few months IRL, so that means that getting some of the good stuff is even more important, not only for creativity’s sake, but for emotional survival.

I will probably go into more detail on each item above, but for now, I’m going to be more general. I have been watching a lot of photo editing videos online, most with a very particular aesthetic. Take a look at the picture above and guess which one. The fact that I have been listening to a lot of The Smiths while I try to see if I can apply what I’ve learned to my own work probably says something.

Erik was born in-game, a while back.

Sims games are eerily similar to writing, and with custom content, I can -hey, like photo editing- make the picture on my screen look more like the picture in my head. Said picture does absolutely have a lot to do with those historical romances and YA novels that play my emotions like YoYo Ma plays the cello, and I can oh so happily spend hours getting a Sim or a house, etc, exactly right. I probably have the save with the above simulated gent in it, saved in the cloud, and if not, I have his parents; they always make gorgeous offspring.

is the return of Big Pink imminent?

Though I believe I have found planner peace with my current planner, I still very much miss Big Pink, and Li’l Pink, my travelers’ notebooks, so that probably means it’s time to get back to them. I don’t want to duplicate my7 calendar, but that only means that the next logical step is to make them something else. That, I can do. Not sure what, but I will start with my old faithful Moleskine cahiers, rather than the standard size pictured above.

That’s pretty much the gist of the workshop. Find what you love, and find a way to make it uniquely one’s own. No two combinations are ever going to be the same I find that exciting.

see you soon!

Beginner’s Mind

A few days ago, Housemate informed me that while she very much likes her mini size planner, the classic size, eh, not so much. Did I want all her classic size stuff? In a word, um, yes.

Housemate’s old planner, aka my new notebook

With only a few pages marked at all, this opened up a huge amount of possibilities. Ever since I’d accepted that the discbound system works really well for me, and that I want to keep one notebook to track my progress on various projects, could this mean that I had that very thing dropped literally in my lap? With a little ingenuity, I’d have a gorgeous notebook with twelve distinct section. The only setup I’d need to do would be to glue paper over the obsolete calendar page on the back of each divider (easy peasy; paper, I’ve got) and change the labels on the tabs from the names of the months to a more descriptive label of what would be in each section. I also have stickers, so this works out well.

“Beginner’s Mind,” in this context, is a synonym for “let’s see what happens.” That ties into the whole wanting to write like I did before I knew any better. Before I even knew that wordcount could apply to anything beyond school essays. Before I had a working grasp of the state of the historical romance market, and the shift from single books to series, almost all the time. Before, certainly, the romance writers’ organization I couldn’t wait to join turned into a tire fire. Before a lot of things.

If I had to pick one passion beyond writing and reading romance, it would be planning, and I have always done better with pen and paper than direct to keyboard, so plopping myself down at a motel room desk, with an old planner, a bunch of paper, and a couple of pens, really does seem like the most natural thing in the world. What could go wrong? Better question, what could go right?

Back in middle school (aka junior high) I had the ide that the only genres open to me were hard science fiction and mystery. Neither of which cranked my motor, though they of course do it for a whole lot of other people, and wonderfully so. If I’d taken that at face value, I’d still be listlessly going through the selection in that school library, wondering what the fluff I was doing this for, but knowing that hunger in my gut wouldn’t go away until I wrote my stories. What made the difference was thinking, what if that assumption isn’t true? Enter historical romance. Oh yes, motor most definitely cranked.

Now, this master notebook (mistress notebook?) has a section for viable future projects. There’s the Regency I tried to write, that I still love, but need to repot into an era that I also love. There’s the blacksmith’s daughter who becomes a duchess, by way of a stage career. There’s two historical romance that are mine once again, since their first publisher retired. There’s the postapocalyptic medieval that I absolutely love, and got really, really good rejections on, that editors/agents loved but couldn’t sell, so didn’t buy. Well, okay, what if…what if I did it myself?

I don’t have to please or appeal to or attract every reader. Nobody can do that. But get the attention of my readers? That, I can probably do. That’s why I’m launching my Patreon in 2020. It’s also why I am excited to undertake an Abundance Self-Assessment. This is not a sponsored post. I met Eryka Peskin at a local RWA chapter meeting, and we clicked instantly. Lucky me, she is an abundance coach (and writer, among other things) and her workshops are a big part of how I learned beginner’s mind means more possibilities.

How much do I know about starting a Patreon? Not a lot. About the same as I know about self publishing commercial fiction, more or less, but everybody has to start somewhere. Let’s find out together, shall we?

Plan as We Go January

Hey. Hi. Hello there. Here we are in the second week of January, first full week, and for those of us who are into the whole planning thing, this is the big show. This is where the rubber meets the road, or rubber cement meets the paper. At the very least, where the pen meets the paper. While some aspects of planning tick all the tried and true boxes, this year, there is also some uncharted territory.

Last year, I waffled between ring binders and traveler’s notebooks (rings vs strings, the eternal struggle) and was admittedly snobby about discbound systems, including but not limited to Happy Planner. This year? I am actively designing my own discbound planner. Probably printables at first, because manufacturing these things is far outside my pay grade at the moment, but the fact that I am researching tools and costs and components, that’s a very new thing.

That kind of makes sense, because this year is full of a lot of new things, so doing new things the old way is probably not the wisest approach. I have one notebook for current projects that are active: my contemporary romances with Melva Michaelian, my historical romances on my own, and the uncharted (for me) wilds of starting a Patreon. How much time do I have, how can I best spend it, and what has the chance of being a decent return? Since my chosen field is that of commercial fiction, there is a real chance that the right answer is “ahaha, none of it,” but it could also be “never try, never know,” and that’s the view I naturally take.

2019 was, in many ways, a dumpster fire. That’s in the past. 2020 is only six days in, and the better I plan, and carry out those plans, the better I feel. It’s not so much finding a system that works for me so much as creating it as I go. That means paying attention wo what comes naturally versus giving myself headaches trying to shove myself into some sort of box that I think I’m supposed to do. Beginner’s mind is essential in endeavors like this.

What seems to be working best for me when I start a new notebook or planner, is to carry the thing around, empty, for a few days, and then take note of what I wish it had inside it. Using a system that I have never used before, aka discbound, fits well with that mindset, at least for me. I love that the pages aren’t stuck in place, and if I want to move something to a different section, or a different book, I can do that, no problem.

Yesterday, Housemate came to the conclusion that she is a mini size Happy Planner person, and gave me her classic size planner from last year, mostly unused, and the classic size Happy Notes (same system, notebook paper instead of planner paper.) I sat there, looking at them for a minute, with a little bit of a Christmas Morning feeling (what planner geek doesn’t want this sort of thing dropped in their lap?) before I started to think about possibilities.

What was I going to do with a notebook that has twelve sections? Well, take the old planner pages out, obviously (and set them aside because there is this cool tutorial by Sarra Canon) and then stare at the empty tabs and think about what I want to have in there. At the moment, I’m thinking it could be a catchall for future projects that are still in the idea stage, where I can put notes, pictures, etc, as they come to me, and then they’ll be there when it’s time to actually start the writing.

That’s the thing that’s newest about how I want to approach writing this year. It’s time to Get Stuff Done, push past the Hypercritical Gremlins as best I can and remember what it felt like to throw the movies in my head onto the page, without paying attention to what could go wrong. That’s still kind of scary, but it’s scarier to think of never getting the stories and characters who are as real to me as people I can see and hear and touch, and introducing them to readers.

Since I do well with this kind of structure, my plan (hah) is to focus on one slot per month to give a closer look into what I’m doing, planning/notebook-wise. Some of that may end up on Patreon, and we’ll figure out what works, together. One area I’m keeping in focus for this early stage is to record the ideas that I’ve been carrying around for a while, that I would like to see all the way through. Something tells me I may surprise myself along the way.

How about you? What systems do you use for reading or writing? Pull up a chair in the comments, and share.

Two Hundred and Fifty

Welp. Last post of 2019. I will not be sorry to see this year in my rearview mirror. While 2019 did have some standout moments – the publication of Chasing Prince Charming, adding Storm kitty to our family, the support and love of amazing friends when real life plot twists took some crazy turns – the bar for 2020 is not on the dauntingly high side.

IRL challenges aside, there is the whole RWA debacle, about which I have a lot of feelings, and feelings about those feelings. Romance Writers of America has never been a perfect organization, but the new developments that have come fast and furious, over the holiday week, those raise a whole lot of questions. As it stands now, I am waiting for my next CR-RWA meeting so that I can learn more and be around other people who are going through the same thing, before I say much more. The fact that this is all happening at the same time we learned of the passing of one of the OG historical romance superstars, Johanna Lindsey, makes it all that much more surreal.

As the great Beverly Jenkins has said, and Nora Roberts has pointed out that the middle word in “Romance Writers of America” is “Writers,” this is a time to keep going forward. Keep writing. Keep writing romance. That seems like a good note on which to start a new year. While yes, there is still adulting to do, and we are doing that, writing has taken a back seat while dealing with IRL matters, and it’s time now, to pick it back up once again.

I have said on many occasions that I am not a word counter, and I am not. Right now, however, when I went to figure out how to get myself back in Serious Writing Mode, what came to mind was that a page a day is a book in a year. That’s something I can do whether I am at a computer keyboard or working with pen and paper only, and it’s pretty easy to measure. Get to end of page, that’s the minimum required for the day. If anything more is too much, I can kick off for the rest of the day, read, adult, stare off into the distance, whatever is needed. One page is roughly two hundred and fifty words, which is not that daunting. Even counting words, two hundred and fifty of them in one place are not really that much.

Morning pages do not count for this requirement. It has to be fiction. Morning pages are their own thing, though I can use parts of them to prime the pump for the day’s fiction. Naturally, I plan to write more than one book this year, as this is a reality for a career in commercial fiction. Baby steps, though, are always a good place to start, or re-start. Neither does any writing that is not actual fiction writing count. Pump priming, list making, that sort of thing can get me to where I can write actual fiction, but it’s only the fiction that is going to count.

This year, I want to tap back into the writer who didn’t know any better, the one who knew how to shut out everything else and throw that story onto the page with all she’s worth. Maybe even more than that. Strike the “maybe.”

There are a lot of stories ahead in 2020, to be read, to be watched, to be written, risks to take in all of those things. Writing, reading, and watching romance has been a driving force in my life since I was eleven years old and stole my first historical romance from my mother’s nightstand. I have had the wonderful experience of writing about all of that for blogs both personal and commercial, and I look forward to bringing some of that over to my Patreon-to-be, which is in itself a daunting yet exciting prospect. On the one hand, who am I to ask people to pay me to, well, be me, but on the other, this fits right into the idea that I don’t have to put the pressure on myself to appeal to everybody. Maybe doing what I do and focusing on people who like that sort of stuff is s more liberating way to go.

We’ll find out, one page at a time.

Let’s Call It Market Research

Only me today, but Storm insisted on being in the picture. Such is life with a beautiful calico girl. She has a thing for the Happy Planner paper. If it’s open, she must sit on it. Must. Even, and perhaps especially when I am opening the planner or notebooks to do Important Writer Things.

Very important Writer Things in this case, mean taking a look into the future, and making a road map to get me from where I am, to where I want to be. Real Life Romance Hero is on the new apartment case. As much as I love the perks of motel life (and there are some, housekeeping most of all) we are all more than ready to put down roots and settle into a real home once more. That will bring regular writing with it (yes, yes, I know, that can happen any time, any place, but it’s a heck of a lot easier when some of the basic things are more reliably covered) and I would like to have an idea of how that will look.

Which is what brought me to the open notebook that Storm claimed for her own. Okay, any paper is hers, but this paper is a clear favorite, above all. The notebooks I had open today were two dedicated solely to writing life stuff. One, not pictured, is for mapping out the current historical and contemporary projects, and a place to record potential future stuff, because the day will come, probably sooner than I think, when I’m going to have to start a new document and begin writing a new book.

In today’s market, that is more likely new books, plural. Series sell. They’re not how I naturally think for my solo work, but I’ve hit a vein of “yeah, but what if I tried it anyway?” and riff on some stuff that might be interesting to try at some unspecified time in the future. There’s a freedom in that kind of thing. No commitments as of yet, current work is still on track, and these particular pages are a place to ask myself what might be fun, how I might like to stretch, or if, maybe, it’s time to let ideas that have been in my head for years or even decades (yikes!) out for a meander.

This dovetails rather nicely with my determination to come from behind on my Goodreads challenge, targeting historical romance novellas (bonus if they are Christmas related) via Kindle Unlimited (because economical measures are win) means that I get to see stories I might not have found if I didn’t have this particular goal. Time travels for instance. Not a lot on the brick and mortar shelves (at least where romance fiction is concerned, but checking on the e-book front? Alive and well, from what I can see. Not saying if this means there is life in my own personal time travel (firmly on the back burner, until I figure out how many ten pound cats I was trying to fit into that particular two pound bag.) but definitely food for thought.

I found myself wanting to make note of this book and that, scribble down names of authors who look like they might have something I’d like. I’m seeing a lot of variety there, medieval, Vikings, pirates, Highlanders, ancient world, etc, along with nineteenth century stories, looser interpretations of the series concept, including shared worlds, and…I like it. This bears some study, and some recording of the study, so expect to see some of that here in the coming weeks and months.

This exploration excites me. It’s what I’ve always loved, and it’s something new. There’s an energy there. What if, instead of thinking about perfectly polished prose and getting everything “right,” I looked at what would be fun? What would I like to do a whole lot of, and train myself to write (to completion) faster? I look forward to finding out.

See you next time!

Writing Notebook: Discovery Draft

In college, I studied early childhood education. The most important thing I learned in four years was that early childhood education and I were a horrible, horrible match. Hence several years in retail and family caregiving. All the while, I knew what I wanted to do with my life: write.

I had known that I wanted to write historical romance since I was eleven years old. More accurately, that was when I found out what it was called. I am pretty sure I was hardwired for this right out of the gate. I would not at all be surprised were I to find out my biological mother loved historical romance. Maybe we’d even have some of the same favorite books. I wrote my first historical romance, very much a pastiche of the author who first captured my attention in this genre, but that’s how we learn, right? By copying the masters when we first start?

When I was twenty=three, I submitted that first book, and got my first rejection. I was also dealing with some raging, undiagnosed depression and anxiety, so I didn’t notice the important bit about that rejection- the editor asked me if I had anything else. At the time, I did not, so that was the end of that, right? Wrong. Depression got much, much worse, real life sucked, and there were time that I thought I would never be able to write the stories I loved with all of my writerly heart. That’s when I discovered Star Trek: The Next Generation.

With absolutely no idea of what I was doing, I started writing first humor, then fan fiction, for a newsletter and fanzine. I wrote. A lot. I made friends, talented writers all, with whom I am still friends, and still a fan of, today. Even then, I described my fanfics as “historical romance with blinkies,” blinkies being a term for any futuristic equipment that had blinking lights.

I wrote and sold four historical romances after that, and even my first co-written contemporary, Chasing Prince Charming, is set in the world of historical romance, so do we see a trend here? What’s stayed the same all that time? Yeah.

When Melva and I meet, via Skype or Messenger, each week, we set out plans for what the next week should hold. Who’s writing what, if there’s anything we need to set up for the other, etc. We know we are heading to the end of draft one for Drama King, and getting the idea soup stock started for Queen of Hearts. We want to write a summer novella, and a trio of Christmas stories, and that’s probably a good 2020 for the two of us.

I want to get a similar plan in place for my historicals. I have been admiring prolific authors of late, many of whom are self-published/indie, and putting out the kinds of books they love the very, very best. That’s where I want to be. I don’t know, yet, if I want to self publish. Part of me thinks it would be an interesting experience, and part of me does not want to crunch any numbers in the outlay department, but there’s plenty of time to deal with that. What’s most important is that I get historical romance novels written and finished, before I can sell or publish them anywhere.

The how of that? Well, that’s where the whole discovery draft of a writing notebook comes into play. What do I need to get from where I am, to where I want to be? Flying into the mist with that one, and I look forward to sharing that process here. The first step? This is it, putting it out there. Next step? Setting up the actual notebook. Throw ink on paper and see what happens when I do.

See you next time

Planners and Plans for 2020

If anybody had asked me, even a few months ago, if I would ever want to use a disc bound system for planning and organization, I would have said a flat out no. They had disks. Which were plastic. A leading brand even had “Happy” right there in the name, and that is a lot of pressure for someone who uses planning to help deal with depression and anxiety as well as writing and the duties of a domestic warrior queen in transit. Fast forward to now, and we have the heavy lifters for the coming year:

That’s classic Happy Planner in the back, with a mini Happy Planner in front of it. Yellow paper is Happy Planner filler paper in an off-brand notebook, and gorgeous galaxy notebook is Happy Notes. The pages are pink, I’ll give it the happy for that. What happened? I got the planners as birthday presents and figured I would give them a shot.

This doesn’t mean that I am abandoning my travelers’ notebooks or ring bound planners or the hordes of hardcover, softcover, and spiral bound notebooks. It’s another tool in my kit, and I very, very much like being able to move the pages around at will, without snapping and unsnapping rings, or leaving paper debris all over whatever surface serves as my desk at the time. Our family is still vagabonding, so having something that I can tote around, dump everything in one place, and then farm out to the proper specific places/notebooks later makes a lot of sense.

Some of the plastic disks are actually pretty, and not all disks are plastic. I can get metal disks if I want (and I probably will, because I know me) and some of the plastic colors are actually pretty. There are a wide variety of covers available commercially, and some creative stuff on Etsy, plus the option to buy a DIY sleeve to fill with my own choice of images. (Yeah, every much going for that one, ASAP.) After a couple of weeks, and a lot of YouTube tutorials, I got the hang of the system, and picked up my first Happy Notes, the notebook version, no planner, just paper, and rescued an off-brand cousin from a clearance rack, which has become a catchall sort of book, with pages I can readily swap out if they belong somewhere else.

Organization helps me to thrive, and pretty organization is even better. I found a few designs of planners/notebooks/papers/accessories that are more on the sophisticated side than in-your-face bright and want-to-punch-their-face cheerful. I like to have a good idea of what I am going to be doing before I am actually doing it, which very much does affect my writing, especially going into a whole new year.

2019 saw the publication of Chasing Prince Charming, another thing that surprised me. I haven’t stopped writing historical romance just because I have a contemporary out there. One of my goals is to have a historical sale and/or release in 2020. At least one, as well as my contemporary collaborations. I also want to leave room in case something else that sounds fun presents itself, because one never knows.

In the past, my writing notebooks followed a very specific pattern:

  1. pick out color scheme
  2. choose binder, always letter size
  3. create four sections: hero, heroine, villain/antagonist, and history/research
  4. never touch it again
  5. feel guilty forever

in the one sense, it kind of worked, because a) I kept doing it, and b) usually worked out a few things while doing so, but on the other, it didn’t, because, say it with me now, I never touched them again, and felt guilty forever. This doesn’t mean that keeping notebooks doesn’t work for me (um, have you met me?) but that I was doing what I thought I was supposed to do, and what probably worked very well for somebody else, but not for me. For 2020, I plan to take a more organic approach, which is to say ease the heck up on myself and let things happen as they happen in regards to setting up my writing notebooks, and shut off the annoying troll in my head that says everything has to be perfect right out of the pen. Because it doesn’t.

What I have right now is a bunch of different colored filler paper, and a plan to swoop in on any clearance 2019 disc bound planners at the end of the year. Each project will get its own…thing. I’m not sure yet how I’m going to make the divisions. Maybe as broad as historical and contemporary at first, or for 2020 and after that. That’s one of the things I want to figure out as I go along; the right way will make itself known if I keep showing up and doing the work.

Lately, I’ve been admiring the heck out of authors like Kathryn LeVeque and Sandra Sookoo, both extremely prolific authors. I haven’t read much of either author, so far, but I can still fangirl over their business savvy, and owning their voices and diving in one hundred percent. Yes. That. The question is, how do I get from where I am, to where that sort of writer is? One day at a time, it would seem, and laying out a map so that I know, generally, where I am going, and approximately how I plan to get there.

Planners are a big hep in that. I am not big on word counts, which is how many successful and prolific authors measure output. I can see why. It’s handy. For me, pages are a better bet, so I am going to try setting a page goal first. Whether or not I translate that to words remains to be seen, but a page goal, and an aesthetically pleasing way to record it seems like a good place to start. The most important part is to get the stuff in my head down on the page, all the way to the end. After that, the possibilities are endless.

I really do need a new signoff image, but this is fun.

This is a Planning Post About Planning Posts

Can you believe it’s almost November? Not only are we coming up on a new month, but the end of the current year and start of the next, which means the start of a new writing year, which means time to take stock of my planners, see what I have, how I want to use what, and what needs to find a different home. I am mostly talking about planners/planning, but it does apply to writing projects as well. Only so much time in the day, and finished is better than perfect.

i sm not keeping track of word count in Drama King (that’s Melva’s job) but I do know what scenes need writing in order to get to that point, and it’s pretty much the same with Her Last First Kiss. My best educated guess on how I am going to track writing on these projects is by scene, which works perfectly fine for me.

My original first draft of this post, handwritten in a mini composition book, because most of my first drafts are handwritten, was largely about how the midst of a months-long move is both not an advisable time to curate one’s planner repetoire, and turning out surprisingly well. Basicslly, where I hsbe landed on that one is that starting out minimally and then noting whst i wish I had, then filling that need, works decently in both writing and planning.

The planners in today’s deskscape are sll in current use. The Hsppy Plsnners are birthday gifts from Housemate, who has pulled me over to the Happy Plannerverse. She says thst mesns nothing, becsuse I am her planner dam, and thus anything she does in the planner world traces directly back to me. Fair enough. I had been snobbish about HP in the past, largely due to the disk binding, but I like the layouts and the artwork, and whst better way to find out if I do like the system or not than to use it.

I could say the same thing about trying contemporary romance, or submitting to e-pubs, both of which have turned out oksy, so i hsve high hopes for the new plsnners. Things will sort themselves out in time, usually when I’m not looking, rather going along, telling stories, playing with pens and paper , etc. There definitely can be more reading, especially as I craft what I am cslling my mission statement for Buried Under Romance, which may end up with a planner of its own.

All of thst is part of planning future blog posts. I do want to talk more about how I use planners as a writer, and still keep the focus on writing. We will see how this goes. Fiction writing comes first, and planning should, in theory, make that go more smoothly. In practice, well, we will see about that.

Book Launch Hangover

Book launch hangovers are most assuredly a thing, and I know, because I have one. This past Saturday,. Melva Michaelian and I had our very first event as co-authors, at the East Longmeadow Public Library. Arranged by dear friends, M.P. Barker and Carol Munro, this was top notch all the way.

look at these babies!

Seeing not one copy of a book with my and Melva’s names on it, but a whole pile, for which people I have not met before (nd some who have) hand over actual cash money and ask for authorial signatures, when I am one of the authors in question, well, that’s a Moment. There were sctual journalists present, and more pictures will be forthcoming. I didn’t get to take a lot of photos myself, sa I was doing other things, but no camera can capture all the love in that room.

Me, book, and friend, Mary, trying to hide behind book.

To say we had the best-best time would be an understatement. Room was packed, which was a delightful surprise. There were romance readers there for sure, and those new to the genre, making for an interesting mix. There were a few questions about the genre itself, about writing partnerships in particular, and, more specifically, Melva’s and mine. We’ll put a truncated version of our partnership’s origin story on melvaandanna.com soon. It’s a fun story, if s little convoluted.

Another great question came from friend and reader, Mary W, who asked Melva and I what our favorite tropes were in the romance genre. For Melva, it’s friends to lovers (which we are doing in our planned third book, Queen of Hearts) and for me, stasr-crossed lovers who make it work. Second chance at love (with sme lover) might be another aspect of it, and we have plans to address that, too.

Speaking of plans, the question about future books came up, and as of right now, Melva snd I plan to have the first draft of Drama King done by the end of November. Not NaNo in the strictest sense, but we are determined to write the End by the end of the month, so NaNoIsh? We will see. After that, there is talk of a couple of shorter pieces before we get back to Queen of Hearts, and we both need to keep space for our solo works.

I’d like to say it’s all cake from here, which is not entirely an excuse to show this gorgeous dessert (yes, the picture was edible) but we get back to the whole real business of writing thing, because the awesome days full of cake and the signing pen running out of ink, and posters of book covers and “I loved your book” and all the other great stuff? That doesn’t come without butt in chair, fingers on keyboard, or pen in hand. Day by day, word by word, flying into the mist or meticulously plotting (your mileage may vary) backspaces and deletes and all that other aggravating stuff.

Those moments aren’t alwys the most fun, but they are needed, because they build the foundation of everything else. After the event, the readers go home and dive into the books, while the authors go home, and, well, in our cases, sleep (for a month would be nice, but not at all practical) and eat and maybe read something or zone out in front of the TV for a while, then, in time, we get up and do it all over again.

too “explosive” a signoff pic?