If Anything Happens To Me, It Was The Canada Goose

Right now, I am at my desk, planner open in front of me, Pilot G-2 gel pens at the ready. I am running about an hour late, give or take a few minutes, but still roughly on schedule. The sky is clear outside my office window, and part of me wants to shut off the computer and head to the park because A) I want to leaf-peep, B) park people are already setting up for the holiday light show, and C) I want to see if the mallards and Canada geese are still there. I think so, on that last one. I don’t know if they are “our” ducks, or visitors from up north, on a layover as they head for their summer home, but I am pretty sure the geese are ours. If anything happens to me, this guy did it.

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Big guy in the center of the frame, that is, but do not underestimate his mate, next to him. I am pretty sure she has some skills of her own. They own this end of the pond. Let’s be honest, the whole pond, but this seems to be their favorite spot, possibly because of the benches, which mean humans, which mean food. To be clear, I mean that the humans would bring food for the geese, not become food for the geese, but let us consider this gander, above. I cannot rule that out.

I’ve taken to the habit of making at least one loop of the lake on my afternoon walks during the eek, whenever possible. It’s come to the point now, that, if I don’t make my loop, I miss it. Normally, I would play music on my headphones, but a writer friend suggested I try a podcast or audiobook, for a change. I am now on my second audiobook of the week. The first one was All The Bright Places, by Jennifer Niven, and I am still not emotionally recovered. Since my friend also suggested that I make the audiobooks for walks only, as an added incentive, and I didn’t want to wait to find out what happened to the two leads in ATBP, I bailed on the audiobook, got the hardcover at the library, and blazed through it.

Still thinking about that book (a love story, but not a romance) and the other Niven title I got at the same time, Holding Up the Universe. That one is a romance, and I’m not sure where History Is All You Left Meby Adam Silvera, which I got at the same time, is going to end up; could go romance, could go not-romance, but there is definitely a love story (or two, maybe three, depending on what one counts) and maybe a bromance. Still too early to call on that one, and I would be perfectly happy taking it with me on my loop around the pond this afternoon, but it’s hardcover, not audiobook, so I may need to take it to a park bench or my favorite coffeehouse instead.

What I’ve noticed about this most recent YA binge is that I am gobbling the love stories in these books, while I give guilty looks to the two historical romances, one on my Kindle, and one in paperback, that still wait, with varying degrees of patience, for me to get back to them. Maybe I’m still not over my last historical romance read, Tyburn, by Jessica Cale. I know I’m still mourning a secondary character who left us far too soon. Books most certainly do have mourning periods, and respecting them is usually a smart move.

Later, tonight, after walk and geese and audiobook and dinner, I will settle into my office chair, and divide the screen into two windows. One window will be Skype, so I can talk to my writer friend, H, and the other window will be Netflix, so that we can watch the last two episodes of The Seven Deadly Sins season one, together. It’s anime, which I never would have picked on my own, and do not quiz me on the magic system, anime tropes, or the like, because what has my attention is (no surprise) the love stories. Renegade knights, sought for crimes they didn’t commit, tortured backstories, and star-crossed lovers who find ways to make it work? Um, yes, please. There is a part of my mind that is filing all of this away and figuring out how to siphon the essence for future historical romance doings.

This Saturday, I will attend my CR-RWA meeting, where Marie Lark will give a workshop on core story, which has been on my mind a lot lately, both for writing fiction and for updating the content of my own workshop that I’ll be giving online in March, through Charter Oak Romance writers.  I don’t think any of this is coincidence.

Where I am right now in my second draft of Her Last First Kiss, I need to get Ruby, my heroine, so wound with anxiety that the air crackles around her, with all the possible things that could go wrong, which is exactly when she throws herself in front of one of them. It’s a romance, so things will turn out fine, but up until then, no guarantees. Maybe I’m doing the writer version of carb-loading for that. This may require more than one loop around the lake, to sort everything out, and possibly a hot beverage in a travel mug.

Cave ansarem. (that’s Beware the Goose in Latin)

TheWriterIsOut

History, Romance, and Historical Romance

Right now, I’m sitting in my office chair, The Goo Goo Dolls playing in the background, and water bottle at the ready. Skye is curled against the office door, propped open (the door, not Skye) with a blush pink mini milk crate filled with art supplies. I have an ice pack for the finger I burned on the skillet while making sausage for breakfast this morning. My brain is still rather think-y, mostly about writing, the romance genre, and writing in the romance genre.

I’ve known I wanted to write love stories since I was far too young to be reading them, and yes, they do have to end happily. Back when I first jumped on board the historical romance train, things looked different within the genre. Books were books, not series, for the most part, and pretty much the entire sweep of history was fair game, the now-dominant Regency setting mostly in its own sphere, that of the traditional Regency. When I first started reading historicals, I loved the idea of a genre devoted to the specific spirit of a particular time, and distinctly remember asking a bookseller where the Elizabethans were. You know, like the Regencies, but the Elizabethan period, when Queen Elizabeth I ruled England. Or Tudor period as a whole; her dad’s era, or her granddad’s, it’s all good.

I remember the bookseller’s answer as well, after a few rounds of variations of “what on earth are you talking about, strange college student who is super into this historical romance thing?” There weren’t any. Historical romances could be set in any period, and, back then, they were, but these slim books with their distinctive covers only covered one historical period, and a relatively short one at that.

Well, then. Where’s the fun in that? Personally, I think there could be a market for that. Historical romances where the history and the romance are intrinsically intertwined are among my very favorites, and knowing where a reader could find stories in their favorite periods makes a lot of sense, but maybe that’s just me. I spent long hours in that bookshop, pulling spine after spine out of the shelves, for a glance at the cover, then a quick scan of the back blurb, looking for my preferred periods. In the rare case when cover and/or blurb didn’t tell me, the first page of the story usually did.

My favorites back then were anything in the 16th-18th century range, then medieval, then Edwardian, then ancient world, then whatever’s left can all mill about together. Special exception made for historical romances set in Australia. There have  never been enough historical romances set in Australia. Coughty-cough years later, my historical hierarchy has not changed, though the first three shuffle around in order from time to time. I think they have some kind of time share thing going, and I remain firm in my position on Australian historical romances. Tell me a historical romance is set in Australia, and then take my money. I need hear nothing more.

It’s a select group of romance novel elements that fit that designation. If either lead spends time in Newgate or Bedlam, give me that book. Star-crossed lovers who somehow make it work? I want that. No, scratch that. I need it. I want the struggle. I want to see our lovers get thisclose to being happy, have it all wrenched away, and then fight like hell to get it back, and, this time, they win. I’m perfectly fine if that takes multiple years, crosses oceans, or takes place on more than one continent. As long as I have a lump in my throat, my heart hurts a little, and I get to fist pump at the end, because the lovers made it, no matter what stood in their ways. Take that, antagonists, you are no match for true love.

There’s a lot to be said for quieter stories, and I have liked some of them, even loved a few. My first historical romance, My Outcast Heartis a quiet story. My hero is a hermit, and my heroine, a subsistence farmer. Dalby and Tabetha are always going to be special to me, not only because they were my first sale, but because their story could not have come together any other way. I left them happy, healthy, and a wee bit better off than they started the story. Dalby started the story living in a shack in the woods by himself, so the bar was probably low for him to begin with, but still, they ended up together and happy about it, and I don’t think they’d consider their lives small at all. Quiet, yes, but not small. All right, Tabetha’s last name was Small before she married Dalby, but there’s a difference between Small and small.

From there, I took a detour to sixteenth-century Cornwall, and the turn of the twentieth century in England and Italy, before Jonnet and Simon found themselves in the middle of the English Civil War.  Every one of those periods, and the periods I’m writing in right now -the late eighteenth century for Her Last First Kiss on my own, and the modern age for my co-written novels with Melva Michaelian, influence the love stories, so that the stories as they happen couldn’t have happened the same way in any other era.

For me, that’s a lot of the fun. How are these particular lovers going to get what they want, within the world in which they live? How have the lives they’ve led up to the point where they decide this other person is it for them, affected how likely it is they are going to get to be with this person, and what are they going to have to do, or give up, to be with this person? For me, the HEA is all the more satisfying if they have to work hard for it, and take a few knocks along the way. That’s the type of story I hope to bring to my readers, with Her Last First Kiss, A Heart Most Errant, and everything else.

What kinds of historical romances are your very, very favorites?

 

 

 

Typing With Wet Claws: Warm and (Chicken) Tender Edition

Hello, all. Skye here, for another Feline Friday. We have one week of October under our belts. Except for me. I do not wear belts. I do not wear anything. I do have a full length fur coat, but it is built in, which means is it part of me, so I am not wearing it.  This week was not as full as last one, but it was still a good one, and one I have to review in full before I am allowed to talk about anything else.

First, as always, Anty was at Buried Under Romance this past Saturday, wrapping her Back to Romance School series of posts, asking what we have learned about romance. I, personally, have learned quite a bit. Mainly that there need to be more cats in these books, but Anty is working on that. Her post is here, and it looks like this:

BURwhathavewelearned

Since it is the first week of the month, that means it is time to look not only at Anty’s reading progress, but at how many of those books were historical romance. Right now, her Goodreads challenge looks like this:

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Her goal is to read ninety books before the end of the year, and, so far, she has read sixty-eight, which puts her on track for the second week in a row. Good job, Anty. Keep up the good work. I will sit very very close to you, to provide inspiration. Also body heat. I am very, very fuzzy.

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The next question is, how many of those books were  historical romance? Once again, Anty is on track. Her goal was for at least half of the books she reads this year to be historical romance. So far, out of sixty-eight, thirty-four are historical romance. If we count the historical fiction with romantic elements, that puts her over half, but the jury (comprised entirely of Anty) is still out on that one, so we will say half, to be on the safe side. That is still pretty good. The rest are divided among YA, historical fiction with romantic elements, and some contemporary romance/women’s fiction.

Here are the books Anty reviewed this week, both YA:

GRwindfallsmith

Windfall, by Jennifer E. Smith

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Genuine Fraud, by E. Lockhart

On the writing front, there is some good news. Earlier this week, Anty Melva sent Anty an email at her writer address, not her personal address. Anty was not sure why Anty Melva was sending her email there, but then she opened it and found out that one of the publishers Anty Melva queried about Chasing Prince Charming liked the query and now would like to read the whole book. That made Anty and Anty Melva very happy, and they hope this publisher will like what they see. In the meantime, their next book, Drama King, will have a cat in it. They should probably mention that in future queries. Editors generally like cats.

Anty now has three writer friends who are looking at Her Last First Kiss, to help her make it the best book she can write, right now. The people looking at it are Miss N, Miss Vicki, and Miss T, who is starting from the beginning. Miss T sent Anty an email with her comments on the second chapter, asking if she was being too critical. Uh oh. That made Anty a little nervous, but she would rather know what needs fixing than not give the book her very best. She opened the file, and guess what? It was not that bad. Miss T also writes historical romance, and they have some of the same tastes, so Anty is very happy to have these sorts of comments. They help her want to make the book even better.

This week was also Anty’s first time making chicken tenders in the oven. I did not get to eat any, because I am a kitty, and chicken tenders are people food, but I do get chicken flavored cat food sometimes, and the kitchen smelled really, really good. I came in to check on how she was doing, because the room was warm and smelled like eggs and birdies, and those are most excellent smells when one is a kitty. This is what the chicken looked like when Anty took it out of the oven:

Tenders

I did not attack that middle tender. Anty cut it in half, to make sure it was cooked all the way through. It was. Anty was not sure at first that she wanted to try making chicken like this, because she had never done it before, but humans tend to get cranky when they have not been fed on time, so she read through the instructions and went on ahead. She had been leery of touching raw chicken, but, as it turns out, she did not have to do that. There are things called tongs that come in handy for things like this. Pick up the chicken with the tongs, put it into some flour, then some eggs, then some breadcrumbs and then the oven. I do not like it when the timer beeps (it is too loud) but the kitchen smelled so good that I did not mind all that much.

It is like that with writing sometimes. A new idea may seem scary at first, and the writer may even be a little squicked out, but, if done right, the new thing could also become a new favorite. Also, chicken is delicious.

Now it is time for Tuna Roll’s Thought of the Day. Take it away, Tuna Roll.

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No matter how smooth things look on the surface, there is always something fishy going on. -Tuna Roll

Thank you, Tuna Roll. That is very true.

That is about it for this week, so, until next time, I remain very truly yours,

skyebyenew

see you next week

Carrots, Sticks, and Nibbles

One thing I have learned about the way I write now, is that I am extremely self-bribeable. Today, the carrot on my stick is a chapter of Genuine Fraud, by E. Lockhart. In the alternate universe where I am in charge of everything, my plan for the day would be to snuggle on the bed with a fuzzy blanket, this book, and an endless supply of hot Lapsang Souchong tea. Throw in some shortbread, and my fully charged Kindle, so that I can gobble Tyburn, by Jessica Cale, after I finish Genuine Fraud. I am not, however, in charge of everything, but I am in charge of getting done what I need to get done today.

Some days, productivity comes on its own, I zip through the to-dos, and, especially now that it’s fall, and days are growing shorter (thankfully; these earlier dusks make me feel alive. I’ve always been that way. Early sunset feels like the world being tucked in for the night, with flannel sheets and handmade quilts.) but other days, not so much. Other days, and this is one of them, I need a carrot on that stick to move forward. One carrot, so I can focus on getting to that treat after I complete one task, instead of looking at the elebenty bajillion that swarm over my head, in chaos and motion. I highly suspect they are breeding, because there always seem to be more, every time I check.

That’s one of the reasons I am notebook-mad. Corral those suckers between their own covers, assign them colors and images, and assure them I’ll give them my full attention when it’s their turn. That seems to be working, so I am going to stick with that. I grabbed Genuine Fraud from the shelf, knowing nothing but that it was the new book by the author of one of my all-time favorite YA novels, We Were Liars. I didn’t want to know anything else, and actually preferred to go into this book completely, 100% blind, because the author’s voice is worth it. I trust the author, know ahead of time I cannot trust the narrator, and I am fine with that. For Tyburn, well, it’s called Tyburn. Sold. I am crazy in love with seventeenth century England, which was a huge motivator in writing my own Orphans in the Storm, though there is very little of that book set in England. Tyburn? Gallows? Yep, I’m there. Darker historical romance with a heroine who is a prostitute at the start of the story, and a tutor hero who has a side hustle as a highwayman? Shut up and take my money.

So. Carrots. One of the downfalls of being in charge of one’s own work is that, sometimes, one does need the additional enh (universal sound made when one cannot…quite…reach a desired object) factor. Some days, that’s write a blog entry, read a chapter. Research an article, read a chapter, do a thing, read a chapter, etc. At the end of the day, the stuff is done, and more chapters have been read, so everybody’s a winner. So far, that is the plan for the day.

What I did not plan for, was an email from my co-writer, Melva Michaelian, letting me know that one of our queries has obtained a nibble. There is a publisher who would like to see the entire manuscript. Cue simultaneous celebration and nerves. What if they don’t like our baby? What if they do? Whoa, whoa, cool your jets, babe. This is a good thing. This is what we want to have happen. The Fraud Police have not (to my knowledge) been dispatched to my current location (if the doorbells rings in the next sixty seconds, I will jump through the roof, fair warning. Eh, if it rings any time, I will jump through the ceiling. It’s a prewar doorbell that buzzes through the walls.)

Not going to lie, it is exciting getting a nibble, that “okay, let’s see what you’ve got. I like what I read so far and want to know more.” Consider it the book version of a test drive. Somebody whose job is to find books people want to read thinks that maybe ours has a chance of being one of those. For someone in the process of getting back on the horse, that’s a nibble on ye olde carrot, and it does serve to add a bit of strength to the pull.

Another email brought comments on one of my chapters, from my newest critique partner, which reminds me I need to get my comments on their chapter back to them, which means better get cranking on the rest of the tasks for the day. Onward.

Past, Present and Future

I’ve been doing a lot of thinking, lately. With anxiety, that’s usually par for the course, and, all too often, too much thinking, given to many bunny trails, several transfers on the old logic train, and sometimes veering off the tracks entirely, to go directly from A to Z. I honestly don’t remember what it was that got me swiveling the office chair around, to look at my Bertrice-Small-only bookcase, or what made me pluck Duchess from the shelf. Maybe it’s part of the “when you feel like quitting, remember why you started” idea, but A) I do not feel like quitting (and am not) and B) remembering why one started is always a good refresher. For me, it was that purloined copy of The Kadin, by Small, that got me started in this whole historical romance game, and I did want to touch that feeling again. Maybe I picked up Duchess because it was the closest book to my hand when I swiveled the chair, or because it’s a standalone, or maybe it was luck of the draw.

Duchess Desktop

book, and stuff inside book…

When I opened the cover, (Elaine Duillo remains my all-time favorite illustrator) I found not one, but two surprises. First surprise was a sticky note I’d written to myself while writing Orphans in the Storm, a snatch of dialogue between Jonnet and Simon. Second surprise was a long, thin, white envelope, so, of course, I had to investigate that, and its contents. Said contents proved to be a bookmark from a once-upon-a-time friend, whom I’d met through a once-upon-a-time fandom (not Once Upon a Time fandom, in case there’s any ambiguity) with a note declaring herself a fan of my work. At that time of the writing of the note on the back of that bookmark, said work consisted of fan works, one long manuscript that lives in a storage unit, where it cannot hurt anybody, and, if I am doing the math right, maybe My Outcast Heart. There’s not date, so I can’t say for sure.

I can’t remember if this friend ever read My Outcast Heart, as life took us in different directions, but I still love her dearly and hope she’s well, with lots of great books to read. I have no idea why that bookmark was in that book, and no, I did not make note of which page or scene it marked. What I do remember is that my first inclination was to arrange them all on my desk and take a picture, then ask myself what these three things had in common. Why did I have them all in the same place?

For the second question, I don’t have an answer, and I’m not sure if I do for the first one, either. What I do know (and here I give away my secret for keeping writing when I have no idea what comes next: write “what I do know is:….” and then something will usually come, even if it has nothing to do with the topic at hand. There’s probably a way to connect it later. First job is to get things written; they can be prettified later.) is that this collection of objects felt perfectly right for where my brain is at the moment: kind of jumbled, still madly in love with reading and writing, especially historical romance, and more determined ever to bring the best of my reading and writing roots into the work I am creating now.

There have been a lot of eras within the historical romance world, between the day I stole that book from my mother’s nightstand and my opening of Google Docs today. Whole careers have come and gone, and, for some, come back again. Other favorite authors have sailed off into the proverbial sunset, either to a hopefully happy retirement, or the great beyond. There have been a lot of eras in my own life, as well, both personal and reading/writing. I am no longer involved in the fandom in which I had met my once-upon-a-time friend, but I still cherish this bookmark, and have put it into my bookmark jar, to go back into rotation. I like using bookmarks that give me a sense of connection, and this certainly fits the bill.

Out of the three items, the one I find myself going back to the most is the sticky note.

OitSnote

No idea if this actually made it into the book.

Right now, I have no idea whether this exchange actually made it into the book, but if it didn’t, now we know why. If it did, well, good for me, because I like it.  (And no, Simon, you were never a coward. You have been many things, but a coward has never been one of them. Trust your author.) I also like sticky notes, and no notebook is truly mine unless it has a bunch of them sticking out from between the pages, covering pages, hopefully color-coordinated, but sometimes, obviously whatever was at hand at the moment I needed it. That’s kind of how this writing thing works.

Still getting my ideas on historical romance in general together, in semi-coherent form, but, on a personal level, finding these things all together had that feeling that always sends the right kind of tingle along my spine. Yes. This. Here’s why I do what I do. One book by the author who made me love historical romance, and recognize it as my genre. One bookmark from a reader who loved something I wrote. One note from myself, to myself, in the process of writing a book that has gone out into the world. Since all of my backlist is currently e-book exclusives, I have not yet reached the point of someone pulling one of my books from the shelves and finding anything inside it, but there’s only one way to get to that point.

The route to that point is made of a thousand more sticky notes, a thousand more hours of reading, the lovely surprise of a kind word from a reader, at unexpected moments, and a thousand other things. Write, revise, submit, repeat. Yes. This. Thanks for the reminder, writer, reader, and me.

But I Don’t Feel Like Writing

I’m going to go out on a limb here and say most of us have been at this point at one time or another. If you’re a writer who has never been there, wait. It’s coming. Consider it an occupational hazard. My desktop is an autumn theme, because I need the reminder of what season we’re really in, even though the weather report says we’ll be hovering around ninety degrees for most of the week. This is not my favorite weather, or my family’s favorite weather. Possible exception for Tuna Roll, since he is a tropical fish, but that’s one for, three against. We are not, however, in charge of the weather.

There’s the matter of current events, there’s anxiety, there’s the matter of not wanting to blabber my way through one more topic-less blog post and shake the generic you-can-do=it pompoms, at myself or anyone else, so I’m going with where I am right now, which is wishing Monday came with a snooze button. There’s the doubt over the Outlander recap I sent off last night. Did I forget something important? Did I get someone’s name wrong? Did I miss some essential Easter egg those who have read this far in the books will be buzzing about today, because I am farther in the TV series than the books, and, if I am farther in the TV series than the books, what am I doing writing about it, anyway? Ironically, the next thing on my list is to write another piece about Outlander. Funny how these things work.

I like lists. They give structure. I like to know where I’m going, and lists can serve as a roadmap for the day, especially on days like this one. I will now date myself and reference the Vicki Lawrence sitcom, Mama’s Family.  In one episode, Thelma, the Mama of the title, applies for a part-time job. The interviewer asks her if she knows how to answer the phone. Thelma, in a deadpan voice, says no.  When it rings at home, she runs around in circles, screaming “What’ll I do? What’ll I do?” Of course she knows how to answer the phone, which translates, in this case, to of course I know how to write, because I do. See? I’m doing it right now.

As I am going for that two hour block of the most important tasks first, that’s what has to get done, even when I don’t feel like it. That’s true for any job. Work starts at a certain time, and the worker is there, or the worker does not have a job for much longer. Since my goal is production right now, this means butt in chair, do the thing at the top of the list, cross it off, do the nest thing, cross that off, drink water, take breaks, and remember it doesn’t have to be perfect. It only has to be written.

That’s the hard thing. I want it to be perfect. I want to somehow get everything in my brain onto the page, preferably by willing it there, and have it have happened double-digit years ago. Not the most realistic desires there, especially that last one, but those are where I am today. I’m also here, at the desk, with an idea, and moving forward. A million single steps add up to arriving at one’s destination. The worst thing for me, the very, very worst, is not knowing what I’m doing. Tried pantsing, doesn’t work for me. Nor does strict plotting, though I’ve tried that, too. That leaves puzzling, which can be downright irritating for someone who likes to have a clear roadmap, but my imaginary friends are prone to taking the scenic route when I didn’t tell them they could. Ingrates.

Eventually, we’ll work it out. We always do. We kick and we fuss, sometimes them, sometimes me, sometimes all of us, and then, usually when I get up to do something else, bam, there it is.  This often works with writing my nonfiction posts as well. Not all who wander are lost and all that good stuff. It’s too hot today to make tea, so I am doing this without caffeine. The coffee house down the block has, sadly, closed, so I am now in the market for a new other place to write. This makes me grumpy, because I liked that place, but we will dub it “plot twist” and move along. Check this blog entry off the list, and move on to aforementioned Outlander piece, then transcribing handwritten pages for Her Last First Kiss. 

After that, it may be time for more handwritten pages, time to step away from the screen and the temptation of Facebook, the distraction of current events and checking the weather and checking the word counts and checking this and checking that and checking the checking and slip into the story world for a while. Time to write the story as though I were the one reading it (does that sound weird? It sounds like it should sound weird.) and watch the ink swirl onto the paper as my imaginary friends and I head off on the next adventure.

 

Some Things, We Know

One of theses days, I should probably change my desktop wallpaper. Taking bi-weekly (as in two per week, not one every two weeks; they really are new pictures every time) deskscapes allows me to notice things like that. I like this wallpaper, but it’s been up for a while, and if the whole point of taking deskscapes in the first place is to get a shot of where I am working today, but today looks nearly identical to two days ago, that could arguably be defeating the purpose. I like this wallpaper. I like it a lot; wise words in that image, and it fits my aesthetic. I have my open planner on the desk, so the actual date is clear…if one zooms in…okay, and reads Dutch. Housemate did once ask me, in a worried voice, if the big “woe” at the top of my planner page was my mental state. It was not. I write the days of the week in Dutch. Months, too, but they’re pretty close. We’re almost at October, so maybe Abbie and Ichabod can come back for the season. I may need to start scheduling desktop changes. If it’s in the schedule, I’m more likely to do it.

Which is where my initial blabbering turns into actual blogging. Since I’ve been moving my target date for handing A Heart Most Errant over to beta readers, I’ve been looking at exactly what needs to get done, when it can be done, and how much time this is realistically going to take, along with continuing the restructure of the end-of-the-middle part of Her Last First Kiss‘s second draft and the ball for Drama King having landed firmly in my court. Which begs the question, what the heck am I doing?

Well, writing, duh. Obviously. That much is pretty clear. Working on three books at different stages means juggling a lot of balls, and the odd chainsaw thrown into the mix at any given time. So why was this the good decision? I have no answer for that. It happened. That moment when “hey, spiff that old novella and give it another chance at life” idea was not something I’d expected, and I will admit that part of the delay is that  the idea is kind of scary.

The last time I pitched this story was to one of the bigger name agents, who  read snippets of my own work back to me, and told me she would totally read this book for pleasure, but that she couldn’t sell a medieval in this (at the time) current market. My choices were, as she saw them:

  1. Trunk the book and forget it, period. (Not an option.)
  2. Publish independently. (She seemed keenest on this one.)
  3. Hold onto it until the market changes, and medieval are more marketable. (Not even going to try to predict when this would be, but medieval fans are loyal.)

I hadn’t thought too hard about writing medieval romance until the ideas of medieval and post-apocalpytic romance getting together and making book babies came around, even though I’d been reading medieval for years. The idea came when it came.  I did not go looking for it.

Same with my current historical home in the eighteenth century. If I had to pinpoint a moment when that turned into a thing, I would be hard-pressed. I lived the first ten years of my life in a town the British burned to the ground during the American Revolution, so the eighteenth century was literally all around me as a wee little princess, and the big one-oh for me was also the big two-oh=oh for the entire country. As for the British part, our closest neighbors for the first years of my life were Scots immigrants, and my mom’s best friend was a British ex-pat. I sometimes spell certain words with extra u’s, because I was used to that from an early age.

One moment, though? If I had to pick, as in if the life of a loved one were in danger, I would have to say that would be the walk from my dorm to the Marcus Garvey lounge on the Wesleyan campus, during my summer at Center For Creative Youth. Do not ask me what the subject of the day’s class was, because I have no idea, but that’s where those of us on the writing track reported after breakfast. I want to say we’d had something to do with eighteenth century literature, maybe poetry, the day before, and the rhythm of the language was in my head, and characters started talking that way.

First thought: that’s weird that they’re talking that way. Second thought: it’s weirder that this is totally comfortable. I did not immediately begin writing Georgian romance after that. We are not going to discuss the time I tried to write a Regency. Key word is tried. Something clicked, then, or maybe planted itself is a more accurate term, but I remember that feeling, and I recognized it again, this morning. Today was laundry day, which meant laundromat reading time. Which usually means Kindle, but mine was at home, charging, and I had the Kindle app on my phone.  I’d loaded Be Not Afraid, by Alyssa Cole, and, within seconds of reading the first page, bam. There it was.

Yes. This. That instant feeling of not reading a historical romance novel, but actively being in the story, firmly grounded in time and place, inside the skin of a character as real and alive as the people I can reach out and touch. Thankfully, none of the reach out and touch kinds of people were in the laundromat  at that time, but it reminded me why I’m doing this. Writing, that is, not laundry. I know why I do laundry.

It’s that feeling, that instant transportation to another time and another place. That feeling is, and always has been, my happy place, or one of them, and if I can bring that to somebody else, then I will consider it a job well done. I like a lot of historical eras, so I’m not ruling any of them out. I will probably wander like the temporal nomad I am, but setting down and making camp for a while, well, I like that fine. That, I can do.

 

 

Typing With Wet Claws: Save the Dates Edition

Hello, all. Skye here, for another Feline Friday. I tried to convince Anty to wait to take my picture until Uncle was awake, so I would be perkier, but she said something about a schedule and took my picture anyway. It is hard being a mews sometimes. I have been hard at work this week, so we had better get down to business.

Before I can talk about anything else (which is usually Anty’s writing anyway,) I have to tell you where on the interwebs, besides here, that you can find Anty’s writing this week.  As usual, she was at Buried Under Romance on Saturday. Her theme for September is Back to Romance School, because it is always a good idea to brush up on the basics. (As long as that brush is not on me, I am fine with that. I am a sensitive girl, and brushing makes me licky.) What two elements does every single romance novel ever published have to have? Anty’s post covers it all. That post is here, and it looks like this:

BURbacktoschool

Now that the new TV season has begun, Anty will have many more chances to write about kissy stuff on TV shows, and it all kicks off with her recap of the season three premiere of Outlander, “The Battle Joined,” at Heroes and Heartbreakers. That post is here, and it looks like this:

HandHOutlanders3e1

but what about Frank?

Next, we move on to the reading portion of the post. Anty is now one book behind in her Goodreads goal, but I am willing to cut her some slack, because it has been a very full week, and she is almost done with the latest Marsha Canham book. Anty can read Ms. Marsha’s books pretty fast, because Ms. Marsha is one of Anty’s favorite writers. The weekend is here, Anty’s Kindle is full, and I expect good things ahead. Anty is not a total slacker, as she wrote a review of the one book she did finish reading this week. That book was this one:

 

 

 

This week was a good one for Anty, because she got to add a few things to her schedule, and Anty loves putting new things on her schedule. That is why she made a new banner, so that I can add a Coming Soon section.

Here are some things Anty will be doing very soon:

Anty will also be recapping the odd-numbered episodes of Outlander all season long, while Elizabeth Poteet will recap the even-numbered episodes. On even weeks, Anty can make popcorn and watch, as a fan. That should be pretty fun, too, and, because she will not have to take notes while watching, she can have her hands free to pet me. I prefer head scritches, thank you, but chest is okay too, if she is very gentle.

Because this has been a very busy week, Anty  has pushed the date of getting A Heart Most Errant to beta readers back to September 21st, so maybe I should put that on the calendar, too. Maybe after my nap. Being a good mews takes a lot of energy. Anty would have preferred to have the book in readers’ hands already, but then she has to remind herself that A) there is no deadline on this one, and B) she would rather take the time and do it right than rush and then wish she had fixed things. I would tell her not to worry, that her beta readers will find things she can fix, but that generally does not come across as a big help.

Now that it is fall, Anty is in her groove, so keep an eye on the coming soon section to see what else she may be up to in the near future. Frankly, I am surprised that her love of planning has not carried over to the site before this, but, then again, she did not consult me on this matter. I could have told her that keeping that section up to date means that she gets to have another sort of calendar. That is my tip for this week: writers, listen to your cats more. Especially when they ask for food or head scritches.

Okay, that looks like everything on my list, so now it is time for Tuna Roll’s Thought of the Day. Take it away, Tuna Roll.

0825TunaRoll

If you find yourself swimming in circles, that will always take you home. -Tuna Roll

Thank you, Tuna Roll. That is very reassuring. That is also about it for this week, so, until next time, I remain very truly yours,

skyebyenew

see you next week

 

A New Notebook, Some Love Scenes, and an Ex-Mouse

Welp, it’s Monday again. No big surprise. This weekend went by fast. Saturday started out with the discovery that I have had a bonus office buddy for an undetermined amount of time. Said bonus office buddy had shuffled off this mortal coil before I came across what he left behind (aka his earthly remains) while looking for Post It notes to put in my new notebook, for CR-RWA meetings only. My desk is a secretary style desk, with a fold-out writing surface, and cabinet space beneath. Since dear departed bonus office buddy was kind of carpet-colored, it took me a few seconds to process what lay before me. There was no necropsy performed, but from what I can tell, Bob (let’s call him Bob) was on his way out of the lower part of my desk, when his little mousey heart gave out. His exit, both from my desk,  and his corporeal existence, seems to be fairly recent.

He might have been on his way to look for foodstuffs, because I do not keep any in my desk, so going elsewhere really was his best bet, but he’d have been out of luck anyway, since all food is secured. Bob was not our first rodent roommate, that’s all I’m saying. I can at this time, confirm that Skye had nothing to do with Bob’s demise, as there was a carpet between them. Skye’s hatred of my office carpet is strong enough to keep her from de-rodenting my desk, but I do suspect some of her intent stares in my general direction during Bob’s tenure may have been at least partly for him. I prefer not to think about the duration of that tenure. I also prefer not to think about the amount of times I rested my bare feet inside that open cabinet over the last few months. I am going to assume that Bob and I have never touched.

That was how my weekend started. I did get the notebook put together, and I am rather proud of the results. Pictures to follow, because I didn’t have time to set up everything right off the bat, but turning to a fresh page of lined, cream colored paper, with the date stenciled at the top, and posting the cap to a fountain pen, adds a certain gravitas to the taking of notes. Ballpoint on notebook paper doesn’t have the same effect. This month, the topic was love scenes, by the wonderful K. A. Mitchell, which is excellent timing, because the love scenes in both of my current historical manuscripts, Her Last First Kiss, and A Heart Most Errant, are going to need some work, and my contemporary co-author, Melva, and I haven’t even talked about the love scenes for Drama King. 

Though we had a Skype session slated for Sunday afternoon, the connection (computer, not personal) was wonky, and we had to reschedule the meeting. Didn’t help that anxiety was rampaging through my brain like a herd of water buffalo, and there was still the Outlander recap to do at the end of the night. No spoliers if you haven’t yet watched, but suffice it to say season three is off to an excellent start.

Which brings us back to Monday, and the fact that I have blabbered my way through most of this entry without a firm topic, so I will keep on blabbering until at least that magic seven hundredth word. This weekend had a few surprises. I brought a new writer friend (who is both a new friend and a new writer; hi, Erin :waves:) with me to her very first RWA meeting, where I met another new friend (hi, Terry :waves again:) who also writes historical, and makes a mean Butterfingers cookie. My beloved pink laptop may require either a system restore or trip to the computer doctor, which was not a snag I had anticipated, but will be worth the effort if it gets her back in fighting trim. Now that I have been introduced to the wonders of Skype (and of video blogging; I have not forgotten that) I don’t want to go back, and not going back means, well, going forward.

Going forward sometimes means going into the unknown. I’d say ask Bob, but Bob’s not answering anything right now. Sometimes, reaching into the recesses of one’s desk for a Post-It means finding an ex-mouse first. Not expected, not pleasant, but better to know about those things as soon as possible rather than waiting for the what’s-that-smell stage of the game. One disposes of the ex-mouse, obtains the Post-Its, and proceeds to the meeting and keeps on going.

Today, I am tucking in with some of the changes I need for this next section of Her Last First Kiss, figuring out how the puzzle pieces fit together. Thanks to K.A. Mitchell’s expertise, I have the seeds of this book’s first love scene on the pages of that new notebook. There’s a while yet before I can get there; one house party that now needs to be a specific event, in a specific place, with specific people, rather than what it had been before, but I know where I’m going. I’ll take that.

Really Fall Now Edition

Hello, all. Skye here, for another Feline Friday. It very much feels like September now, with cooler air, the very young humans (some live on our street) back in school, pumpkin spice things coming home from the grocery store (along with pen and paper things, because Anty loves back to school supplies.) Uncle even closes some of the windows, sometimes. In case you do not know him, this is big. The biggest sign, though, is that my shedding has now entered the “how much hair do you have, kitty?” territory. Anty thinks all of my shed fur migrates to my neck from other parts of my body, and possibly also from other cats. I can neither confirm nor deny that theory.

As per our agreement, before I can talk about anything else (even though that is usually Ant’s writing, anyway) I have to talk about where you can read Anty’s writing on the interwebs, other than here. The past Saturday, like every Saturday, she was at Buried Under Romance, with the last entry in this year’s romance appreciation month theme, the power of the HEA (that means happily ever after, in case you do not read a lot of romance novels; that means that the humans in love will be okay at the end of the book.) That post is here, and it looks like this:

BURpowerofhea

Anty also had a post on Heroes and Heartbreakers this week. Many historical romances are set in the nineteenth century, which include two distinct historical periods, Regency and Victorian. If you are not clear on how to tell which is which when reading a romance novel, Anty has a post that may be of some help. That post is here, and it looks like this:

HandHRegencyVsVictorian

Now it is time to talk about how Anty did with reading this week. She is still on track, for the fifth week in a row, with sixty-one out of her goal of ninety books for this year. That puts her at sixty-eight percent of her goal. Go, Anty. Keep going. You got this. The books Anty read and reviewed this week are:

and

 

This is also the time of year when things tend to get moving for Anty, writingwise. That is a very good thing. Anty will be making her  very first author visit at Buried Under Romance on the eighteenth of September, to talk about Orphans in the Storm. The teaser for that one looks like this:

OrphansInTheStormTeaser

 

This Sunday is the debut of the new season of Outlander, and Anty will be recapping the odd-numberd episodes all season long. I will make sure to post links to her recaps here.

The middle of the month will see another deadline for Anty. That is when she has to have her edits done on A Heart Most Errant, so that she can send it to her beta readers. There will probably be a teaser or two by that time, if I know Anty, and I know her pretty well.

Anty is also working on a historical post for a site she has never blogged for before, but has read for a while. That site is called Dirty Sexy History, and Anty will be writing about a special law that England passed a long, long time ago, to say who could marry who, and when and where. Apparently, this was a big enough problem that something had to be done about it.  I am not sure I understand everything involved in this law, but I think it is a good thing that I am fixed, and do not have to concern myself with such things. Apart from helping Anty with writing her post, that is. I will post on here when it goes live.

This week, Anty has to do some research on house parties in Georgian England, because, believe it or not, “some social event” is not specific enough to put in an actual novel. Readers actually want to go with the characters when important things happen, and so Anty has to come up with a whole house full of people for one of her story people to try to avoid for a bunch of days. Spoiler alert: they will not succeed in avoiding these people. Maybe Anty’s character should try hiding under one of the beds. That is what I do. Anty’s character would fit, because those old timey beds were huge. Seriously. Works for me every time. Beds with long bedspreads are the best for hiding. Just a suggestion.

On Sunday, Anty and Anty Melva will talk about how they want to start Drama King, share character backgrounds and go over some possible first few scene ideas. I am excited about this one, because there is a kitty in it. Anty should write more books with kitties in them. She has a lot of experience, with yours truly, so she should have a lot of material for cat characters. I will take my share of the profits in treats.

Speaking of treats, it is always a treat to have Tuna Roll’s Thought of the Day. Take it away, Tuna Roll.

0825TunaRoll

As long as you wake up on the right side of the bowl, the day is off to a good start -Tuna Roll

Thank you, Tuna Roll. That is definitely food for thought. That is also about it for this week, so, until next time, I remain very truly yours,

skyebyenew

see you next week