my books

Typing With Wet Claws: Conference is Coming Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday.  This week, you get a greatest hits picture of me, because  Anty’s mail server loves the picture she took of me this morning so much that it does not want to send it to her desktop and wants to keep it all to itself. We are now in the second month of 2017, which is probably my birthday month. When Anty and Mama found me at the shelter, the vet said I was about ten months old, which means, since that was December, I must have been born in February. Maybe I am even a Valentine baby. Anty thinks that would be fitting, and, since part of her job as a writer of historical romance, is figuring out what could have happened in the past, we are going to go with that. More on that later, because, first, I have to talk about Anty’s writing and where you can find it.

First, as always, Anty has her Saturday Discussion post on Buried Under Romance. This week, she talked about books that become movies, in reality, or in readers’ minds. That post is here, and it looks like this:

 

BUR01feb17.png

maybe Anty should put the funny pictures at the top of the post?

The next two links are kind of sneaky, because they are not whole posts, but posts where Anty helped at Heroes and Heartbreakers. First, like every month, Anty got to say what her favorite book of the month is, and, this month, it was a book she already wrote about on that site, which she liked very much. That post has recommendations from other H&H bloggers, too, so it is possible, in theory, to get a whole TBR list from one post alone. That post is here, and it looks like this:

hanhbestreads

The other link is really the sneaky one, as Anty did not write the quiz, (Anty loves taking this kind of quiz) one of the potential results comes from a post she wrote, about a hero she liked very, very much. So, though Anty is not in that post, one of her favorite characters is, so she thought I might like to include it in my post anyway. She was right. That post is here, and it looks like this:

 

handhbookboyfriend

 

Now that it is February, that means April is only a little bit away, and that means it is almost time for the NECRWA conference. Anty loves going to that conference every year. Sometimes, people tell her how much they like my blog. My blog. Let us spend a moment on that, if we may. As Anty once said, when a fellow writer asked her how she comes up with new ideas for her blog every week, the key is to get a cat to write one third of the blog posts. I do not know if that will be part of her “Blogging Isn’t Dead” workshop, which she will be co-presenting with Corinna Lawson and Rhonda Lane, but I would not be surprised if the topic came up at some point.

The approach of conference time means that Anty has some work to do, not only to get together with Miss Corinna and Miss Rhonda, to talk about what they are going to say (and who is going to say what, specifically) or connect with people she definitely wants to talk to that weekend (Anty is an extrovert, so basically everybody) or what she is going to wear, but really important stuff. I know what you are thinking, and we can cross the most important item off that list right now. Uncle will feed and play with me while Anty is away. Conference weekend means Uncle and Skye weekend, so it is a holiday for me, too.

The really important thing Anty wants to focus on this year is her own books. Since she has a first draft done of Her Last First Kiss, and she and Anty Melva are working steadily toward the end of the first draft of the Beach Ball, it is time once again for Anty to look at pitch sessions, and what she is going to say to any agents or editors she might meet at any part of the conference. Anty has never gone to a conference with a book and a half in the hopper (book and two halves, if she wants to count her post-apocalyptic medieval, which really only needs half a revision to be ready for indie or traditional publishing. Probably indie, though, because it is post-apocalyptic medieval, and those aren’t exactly thick on the ground these days. Or any days. Anty still loves the story, though.)

It’s been a while since Anty has had a pitch session, and, as much as she loves them (Anty thinks eight minutes of a publishing professional’s undivided attention is right up there with amusement parks, romance-only bookstores, and bottomless cups of Lapsang Souchong tea; let’s be real, if there were an amusement park that had a romance-only bookstore in it and served bottomless cups of Lapsang Souchong tea, we might  never see Anty again.) getting ready for them is the nervous part. Anty has been in sessions where the other person has said “I love your sample, send me the whole thing” right away, and she has been in sessions where the other person has said “I don’t like stories that have Element X in them,” when Anty’s whole story is about Element X. Most sessions fall somewhere in the middle. Anty said I am not allowed to talk about the pitch session she had when she had been awake for three days straight, because that is when she gets into really punchy territory. That can be entertaining at home, not so much in a pitch session.

Since I am running out of room here, I will cut to the chase (please do not chase me; that would be scary) : it is time to hunker down and get stuff as ready as it can be, because one never knows when the other person might want the whole book, right now. It’s a magical time of year. Editors and agents go to these conferences for the specific reason of finding new writers and new books. They want to hear about what writers have to show them (but not in the people litterbox, please) so knowing what a writer wants to say about their books in advance is usually a good idea. This involves planning, and Anty loves planning, so I think she will be okay.

That is about it for this week, so, until next time, I remain very truly yours,

skyebye

 

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

 

 

 

 

Declaring My Major

annabowling 1 Comment

Later start on the blog than I had expected today,  but that’s fine. I wrote two pages of a scene for Girl and Guy, from the Beach Ball, while at the laundromat, did some recon for an upcoming feature at Heroes and Heartbreakers (oh, the odious task of looking for outstanding declarations of love) and took a picture for the original concept of this post, which was going to be about my inability to resist pretty paper. Yes, the paper on which I write does have to be pretty, thankyouverymuch, and I am particular about it. Nothing wrong with having the right tools for the job. That almost works as a transition to the thought that hit me part way through my process of winding down yesterday evening.

We’ll skip the particulars of said winding down, as it happened in a room where the furniture is made of porcelain, but there I was, thinking of something entirely unrelated, and then the thought hit me: I’m focusing on the eighteenth century now. This should not have been a surprise. I wrote about that exact thing the day before yesterday. I jabbered about it at lunch with my BFF. I may or may not have sent thought waves out into the ether, because that seems to be a step in my process (much like my need to circle a scene and smash my head against a brick wall or two until I bust through) but it wasn’t until last night that it sank in that I am declaring a major here.

Back in another life, I majored in early childhood education. The most important thing I learned by studying that discipline is that I am not suited for early childhood education. If I ever master time travel and end up as a seventeen-year-old college freshman again (though, seriously, if I ever master time travel, my own seventeenth year is not where I would be going) I would strongly counsel seventeen-year-old me to go with her gut and major in drama, like I originally wanted to do. Declaring a major means deciding where the majority of  my time and mental energy is going to be allocated. That decides what I study, how much I study it, and what things have to get moved to the side to give my main area of focus some breathing room.

For a writer, that means we are now in the realm of branding. As an advertising executive’s kid, I learned, from an early age, that how a thing is presented has an effect on how that thing is perceived. Writers need to let readers know what kind of story they can expect when they pick up one of our books. What kind of story are we going to tell them? In what kind of world is this story going to take place? For historical romance readers, in what era do these stories happen, and how much is the history going to affect the romance? All important questions, and all part of building a brand.

I am still a temporal nomad at heart (can we call this interdisciplinary studies?)  I love a lot of periods. I have a rough draft of a Golden Age of Piracy romance, which may need to be two books (because I didn’t count on falling in love with my heroine’s parents in that one, and kind of want to play with them for a while) and a post-apocalyptic medieval romance (the Black Plague counts as an apocalypse – fifty percent of Europe taken out in a twenty year span? Totally counts.) and they will get written. I still want to write more seventeenth century, and I will. That dewy-eyed twenty-three-year-old hasn’t given up on the Tudor era, either, and I want to write in the Edwardian era again, but moving forward with a career plan means figuring out what kinds of stories I want to tell for the foreseeable future, and, last night, my brain told me what that was.

This is a good thing. Picking a major means focus. It means that eighteenth century romances get precedence on my TBR shelves. Not that I can’t read books set in other eras (hello, temporal nomad here :waves:) and a good story can be set anywhere, but, right now, seeing how others who have gone before me do what I am doing now becomes extra important. It’s picking a direction in which to travel, especially now that, with two WIPs viable to term, I’m looking at what comes next. I know the time in which these new stories will be set, so that settles that issue, an important one to writers who do love a wide array of settings. Back in another life, it was common for a historical romance author to write one medieval romance, then the next book might be a western, then a pirate story, then Gilded Age New York, then an Elizabethan, then Australian, then American Civil War, then…well, who knows? I would love for that sort of thing to come around again, and I hope that it does, but, for right now, picking a major and going for it is the smart move.

 

 

Waiting on Wise (Wo)men

annabowling 2 Comments

Technically, it is still Christmas until January 6th, but it’s the first Monday of the new year, and that seems like the perfect time to jump back into the daily routine, beginning as I mean to go on. New year, new chances, and all of that. I like the idea of a clean slate. It fits into my clean sweep/more layers mindset, and now it’s time to draw from that well that the tucked-away week filled.

This time last year, I did not have a new planner to move into on the first of the year, and I don’t have one to move into this year, either, but for a different reason. This year, I picked up a seventeen-month planner (how have I managed to ignore these things until now?) so I moved into the new planner in the summer, and am starting the year off by using the stuffing out of this one. The pen for this book is actually a Sharpie liquid pencil (another thing I had no idea existed until recently) and, so far, it’s working. I have long since accepted that I am a planner. I want, even need, to know what I’m doing, and when I’m doing it. Then, within those boundaries, I can run wild. Hey, it works.

So, what does the new year hold? For one thing, lots of historical romance. Actually, that would be two things, as I mean both reading and writing my favorite genre. Last year, I set my Goodreads reading goal at fifty  books. I actually read eighty-nine, so this year’s goal is ninety. I have one down so far, and should be finishing at least one more in the next day or two. The way I figure it, if I read two books each week, allowing two weeks for dry spells/rest/deadline crunches, I’m going to be sitting pretty in the reading department.

Writingwise, this is the year. The last ten have been a wild ride, which could be a book in itself, but I don’t write horror. What I do write is historical romance, and, with Melva Michaelian, historical-adjacent romance. Since I work best with regular feedback, it’s my responsibility to make sure I get exactly that. Today, I will work on the next draft of chapter two of Her Last First Kiss, which I need to turn in to N tomorrow morning. She, in turn, will have pages from her WIP to show me, and the plan is to read and comment on the spot. N asked me to bring printed pages rather than sending in email ahead of time. This is out of my comfort zone, as it will require me to A) figure out WTF is jamming my nifty awesome printer that will not print, or B) hie myself to library or office supply store to print on their devices. Probably B) and then A, but the point is that this is stretching, which is what I want.

Thanks to the RWA critique partner matching registry, I have a good lead on a historical romance critique partner. Not only do we share common interests within the genre, but in other things as well, and even prefer similar historical periods. Next step is exchanging sample chapters and seeing if we are indeed the good fit it looks like we may be, and then onward we go. If I’m being held accountable and receiving regular feedback, it’s a lot harder to tell myself nobody cares, or I’m not making a difference. Maybe the benefits of external validation have something to do with being an extrovert, maybe not, but this feels good. It feels right. It feels as though a piece of the puzzle that got knocked loose during the last ten years is fitting back into place. I like that.

While I was writing this entry, I got a notice I had new email, which, of course, I had to check, because A) I am me, and B) email fits into my social media time, and I am darned shooting sure going to stick to what’s on my schedule on the very first day of having said schedule (seriously, this planner works with the way my brain works, but more on that later.) What was said email? Notice that I had won a Fierce Cheerleading session with abundance coach, Eryka Peskin (who is super awesome, and if you have a chance to be in on one of her challenges, I highly encourage you to take it.)

This morning, I had another notice, on Goodreads, that a new group had been formed, dedicated to the love of historical romance and fiction set in one of my favorite eras, the seventeenth century. That’s the setting for my Orphans in the Storm, and one hundred percent a setting I plan to use again, maybe soon. That’s because my next goal, after finishing both Her Last First Kiss and the Beach Ball in 2017, I need to look farther down the road and decide what’s coming next. Sitting down in front of a blank screen doesn’t work for me, so that means I need to put some feelers out there and see what I’m going to be writing next, after these two couples find their happily ever afters. Because writing historical romance? That’s my HEA. Okay, that and Real Life Romance Hero, because he has truly earned the title, but this is the year to be a little (or a lot) less  “Grace Kelly” (though the party in the video does look awfully fun):

and more in the spirit of this ditty below (language may not be for gentle readers or little ones in the room):

This year,  I don’t feel a letdown at the end of the tucked-away week,  like I have in the past. 2017 is the year I get to cross  “present at NECRWA’s annual conference” off my bucket list, and I could  not be in better company than my co-presenters, Corrina Lawson and Rhonda Lane. It is still Christmas until January 6th, what my father called Three Kings’ Day, which others may know as Epiphany, or the celebration of the wise men arriving at one very special manger. This year, my planner has “ornament harvest” where “take down tree” used to go, because, this year, I’m looking at the new season differently. I think I’m going to like the view from here.

Typing With Wet Claws: Happy Anniversary To Me Edition

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Hello, all. Skye here, for another Feline Friday. This is a very special edition, because yesterday was my ninth anniversary of getting adopted and becoming a pet. I was ten months old when Mama and Anty came to the shelter to get me. I had been living there since I was six months old. Before that, I was wild, because I was born that way. I did not stay that way, though, because the rescue people found me when I got hurt by a car, and they took care of me until my humans could find me. I did not know what was happening on my adoption day. The rescue humans put me in a carrier, like when they took me to the pokey place. I did not want to go the pokey place and see a vet, but that is not what happened.

What happened was that Mama and Anty came to the shelter. They did not know I was already in the carrier, so they talked about how much they wanted to meet the kitty they were going to take home. They talked about how Olivia, their other cat, had gone to Rainbow Bridge, and how sad they were because of that. I did not want these nice humans to be sad, because that made me sad, too. I was already sad, so that means I got sadder, but the story is not over there (obviously, because you are reading this.) The rescue humans showed Mama and Anty where I was, and then they got happy, because of me. They asked if I wanted to come live with them and if they could call me Skye. I think my response was something like, “um, okay?” because I still did not know what was going on, but other humans who came to take kitties to that home place were always happy. Happy humans are my favorite kind. One of the rescue humans helped put my carrier in Mama’s car, and Anty called Uncle at his work to let him know I was coming home. She told him other things, too, like what kind of kitty I was (Maine Coon, which I still am) and what color I was (brown tabby) and that I had a ginger spot on my head (it is the only orange fur on my whole entire me) and that I was scared but still a good kitty.

Everybody was very patient with me while I got used to being in my new home. Anty even thought it was funny when I tried to nurse on her toe (Anty says we miss one hundred percent of the shots we don’t take) and now it is one of her favorite Baby Skye stories. She says that adopting me crossed “Christmas kitten” off her bucket list (maybe that is one of the reasons “Skye Bucket” is one of her names for me?) but being adopted by my humans crossed “get a home” off mine. It is a good home.

It does not, however, get me out of talking about Anty’s writing (she let me go first this week because it was my adoptiversary.) As usual, Anty has her post at Buried Under Romance to share with you. This week, she talked about romance novels and related items as holiday gifts (if you have gifts yet to buy for reading friends, books are good ones. Especially Anty’s. Anty gets really happy when people buy her books.) That post is here: http://www.buriedunderromance.com/2016/12/saturday-discussion-the-gift-of-romance.html#comment-9289 and it looks like this:

bur121216

 

Anty also has a new post at Heroes and Heartbreakers, where she talks about six of the shippiest moments on This Is Us. Anty loves writing and she loves This is Us, so this was a fun piece for her to write. Is your favorite couple/moment listed? (My favorite moment was finding out that Clooney, the cat, was okay and even got extra pettings. I hope that was not a spoiler.) That post is here:

http://www.heroesandheartbreakers.com/blogs/2016/12/best-this-is-us-moments-of-season-one#comments and it looks like this:

 

handhthisisus

But can we really feel too much? Really?

Another thing Anty wrote about this week was something that helped her pursue three goals at the same time: reading more historical romance, feeling more Christmassy, and writing more about what she reads. That is all because she read My First Noel, by Danelle Harmon, who is a favorite author anyway, (and a very nice human, even if she does have dogs and a horsie. rather than cats.) This book was Miss Danelle’s first time writing in the inspirational genre. Anty was all over that from the concept alone. Her review is posted here:

https://www.goodreads.com/review/show/1839106619?book_show_action=false&from_review_page=1 and it looks like this:

goodreadsharmonnoel

 

 

If you would like to see all of Anty’s reviews she posts on Goodreads, you can find them here: https://www.goodreads.com/review/list/8485744-anna?shelf=read. If you have read any of Anty’s books so far, and would like to write a review of them, or you are interested in reading them, you can find them on her “I Wrote It” shelf, which is here: https://www.goodreads.com/review/list/8485744-anna?shelf=i-wrote-it. Anty would like to say thank you to all the new Goodreads friends she made this week. She is always up for more Goodreads friends, and has plans to make her “I Wrote It” shelf bigger in the coming year. I will keep you all up to date on that front, as I am very dedicated to my duties as a mews.

That is about it for this week, so I will give the computer back to Anty so she can play with her imaginary friends, and make more books for you to read. Until next time, I remain very truly yours,

skyebye

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

How to Eat an Elephant

annabowling 2 Comments

This past Saturday, Capitol Region Romance Writers had our annual member appreciation meeting. That’s when we gather together to celebrate everything our chapter sisters and brothers (yep, we got dudes) have achieved during the calendar year. There’s the big stuff – new releases, new contracts, first books, tenth books, twenty-fifth books-  and there’s stuff that may not seem as big on the surface, but is every bit as important – kept writing, attended a conference, gave workshops, volunteered for chapter or organization, etc- and the atmosphere is supportive and celebratory. My co-host, the fabulous K.A. Mitchell,( http://www.kamitchell.com/) cheered us all on, and suggested networking opportunities to encourage us to go better, harder, faster, longer for 2017. I love that stuff.

Not everybody participated in the survey of member achievements, and I get that. I almost didn’t, myself. Some people don’t want the attention, thanks, and, for others, something like this might give self-doubt a foothold, because other people are hitting these big milestones, and then there’s the person staring at the list, thinking they’ll never get there. Thankfully, the Hypercritical Gremlins seem to be keeping mostly quiet these days, and I only got a trace echo of “EVERYBODY WILL KNOW YOU ARE A GIANT FRAUD” because no, I’m not. I’m going to call that good.

I had wanted 2016 to be the year I could check off that I had my fifth published work. That’s not what happened. The only TARDIS I own is a night light (and even that belongs to Real Life Romance Hero) so I can’t go back to this past January and make things different. What I can do is go forward from where I am right now, which is not in so deep a hole I can’t get out of it. From a certain perspective, it isn’t a hole at all. I’m working on two manuscripts, have another, my postapocalyptic medieval novella, that really only needs an edit and formatting (okay, and a cover) to go all indie on 2017. I have posts for Heroes and Heartbreakers slated, I write a weekly discussion post on the topic of romance novel reading every Saturday (barring technical difficulties, that’s about fifty of them a year, baby. 5-0. Not small potatoes by any means.) I blog here three times a week (okay, fine, two entries from me and one from Skye, but I do have a blogging cat, so that’s something special right there.) Even so, could I have done better? Well, I hope so. If this is the pinnacle of my success, I’m going to go cry in a blanket fort (but I’m taking my computer with me, so I can play Sims.)

There’s only a few weeks left in 2016, so I am looking 2017-ward from here. Not going to lie, I want to be one of those, at next year’s member appreciation meeting, walking away with one of the big prizes. If I release or sell a book to a publisher, that puts me at fifth published work, and that does get the big prize. (There’s actually a choice, and one of said choices is a padfolio. Anyone who has known me for more than about five minutes knows about me and stationery. New readers who do not, check the AnnaLog tag. It’s all there. )

So, how do I get there? Dragging out the old Japanese proverb of a journey of a thousand miles beginning with a single step feels cliché  (but things are cliché because there is an element of truth to them) so, instead, I am going to use a favorite Dutch proverb instead. Pray to God and row to shore. Finishing a book means writing a book. Slapping the duct tape over the Hypercritical Gremlins, boarding over their closet (spray painting “Don’t open, dead inside” a la The Walking Dead is optional, but adds a certain degree of panache, as well as a much needed reminder in the weak moments.

I’m still not sure exactly how I’m going to organize the work, but meeting goals is the same as eating an elephant. One bite at a time. For those who are fans of Anne Lamott’s Bird by Bird, think one-inch picture frames. Little bits. Remember I’ve done this before. Remember the encouragement of chapter mates. Remember what it feels like to hear from a reader who connected with my story, that I’m not shouting into a black hole, after all. Remember why I started writing in the first place. Remember what it felt like to send that first manuscript off to the very first publisher, and what it felt like to open The Email, the one who actually bought Dalby and Tabetha’s story. If a hermit and a subsistence farmer can find love, there’s hope for all of us, I’d imagine.

So, that’s how it’s going today. Blog entry. Article. Would love to get some fiction in as well, and if the end of the day comes before then, that only means I know what’s first on the to-do list for tomorrow.

The Room Where It Happens (well, kind of)

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In light of current events, the setup of a romance writer’s office may not amount to a hill of beans, but romance writing, well, that’s a whole other story. Pun intended. This morning, after giving it a valiant effort, I have finally come to a few decisions:

 

  1. Working in my office, rather than the living room is a must, especially when other family members are around.
  2. My laptop is incompatible with my secretary desk, unless I can trade my body for that of an especially limber contortionist. I am rather fond of the body I currently inhabit, that is not going to happen.
  3. Old desktop is incompatible with the internet, and, given the fact that my office is at the opposite end of the house to the modem, it is possible that a new desktop might have the same problem.
  4. Word still works perfectly fine on old desktop, which means I do have a computer on which I can write, and the secretary desk is still good for writing longhand, which is my favorite. I have my phone for Spotify, so music is going to be there, even if internet isn’t.
  5. All of which points me in the direction of writing happens in the office, internet happens outside of it. I can live with that.

Pause here to retrieve phone that plummeted to the carpet, because I contorted wrong. Phone is undamaged, my nerves slightly behind that. I wanted to be so much further than I am right now. Further in my career, further in life, further in a lot of things. I’m not. I’m here, and here is where I can take the next step towards my goals. I love this blog, I seriously do, and I love blogging for Heroes and Heartbreakers and Buried Under Romance, and other venues, but the girl who snuck her mom’s copy of The Kadin under the bed in the guest bedroom is politely clearing her throat and tilting her head toward the virtual bookshelf with four titles that have my name on them. She says they are lonely and want some friends.

I am with her on that one. I am her, so that’s pretty much a given, only I am the version of her with life experience, a better knowledge of what constitutes emotional storytelling, and has read a whole lot more historical romances than cracking the cover on that very first one. I’ve seen things. The switch from epic sagas to lighter fare as a norm, the prevalence of one era over all others, rather than a wide spectrum, the shift to series rather than standalones, and it’s easy, almost too easy, to feel like some sort of dinosaur/unicorn hybrid when core story and current market aren’t exactly seeing eye to eye.

Those things may be facts, but here’s another one: I’m a romance writer. That’s what I do. That’s what I am. Even if I were to have some sort of gaurantee that I would never, ever, sell another book, never, ever make another cent from the writing of said books, I would still write them. I can’t turn this stuff off. I’ve tried. I was miserable, so, obviously, that’s not the solution.

What the solution is, is to show up every day, and, at the end of it, for there to be more of the book on page or in file than there was when I got out of bed. That’s it. Standard left foot, right foot kind of thing, and, before I know it, bloop, there it will be, The End. The Hypercritical Gremlins have been quiet as of late, partially because of the triple layer of duct tape over their mouths (it is tremendously satisfying to apply such) and partly because the events of the past week have reminded me that we need romance fiction now, more than ever.

We need the happily ever afters. We need the hope. We need the community. We need the assurance that, if we stick together and put others above ourselves, we can make a difference. I’ve never been one to want my HEA’s at the level of woodland creatures doing the housework, and the now-united lovers never, ever having any more problems throughout their entire lives. On the contrary, I want them to face everything that life has to throw at them, be it wars, natuaral disasters, family drama, the ravages of time, whatever, together. No matter what. As long as they’ve got each other, they’re going to call that good.

So am I. Right now, I’ve got two lovers in Georgian England, Hero and Heroine, completely convinced that they have no choices, no paths open to them but the ones they currently walk…And Then. And then, on one rain-soaked evening, their worlds collide, and the impact of the crash propels them both in a new direction. With the Beach Ball, Melva and I have a woman who’s angry at having what she does best taken away from her, and a man who offers an alternative that is both intiguing and completley out of her wheelhouse.

Feeling off center can be a good thing sometimes, a chance to recalibrate balance, reassess what’s most important. Change direction when needed, and full speed ahead. All I know for sure is that I’m doing what I’m meant to do, telling these stories, and the right way to tell them is the one that gets me to the end. As long as that happens, anything goes.

 

 

 

Real

annabowling 3 Comments

Another week, another blog entry, and the challenge I’ve set for myseslf today is that I can’t work on Her Last First Kiss, until I post this blog entry. Absolutely no idea what to put here, but tomorrow is breakfast with N, and I want to discuss a couple of things, which means I have to write a couple of things, so I’d better get on with this one.

This morning, I sent in a piece for Heroes and Heartbreakers, about Joanna Shupe’s latest entry in the Knickerbocker Club series, Baron. When I first heard there was going to be a series of historical romances set in New York’s Gilded Age, I literally cheered, and the three stories I have read in that world so far have not let me down. I’m now working on another piece, about the Knickerbockers series as a whole, and looking forward to having that to share soon.

Ten days ago, I noticed a new feature on Sandra Schwab’s illustrator Facebook page (she is also the author of one of my all time favorite gothic romances, Castle of the Wolf. Always count the gargoyles. Always. My desk has two.) – a contest for a free heroine portrait. At first, I thought, “wow, that would be cool,” scrolled past, and then scrolled right back, because we miss one hundred percent of the shots we don’t take. I typed a description of the qualities that make Heroine special to me, and hit send before I could talk myself out of it. (I am very good at talking myself out of things like this.) Back to work, business as usual, looking forward to reading about everyone else’s heroines. I have always been a heroine-centric reader and writer, so of course I want to hear about what other writers are doing with their heroines.

Imagine my surprise, later, when my direct message box pops up, with the notification that I won. :Blink: Did I read that right? :blink: Okay, I did. :blink: Oh good gracious, now I have to talk about her. I have to say her name. Well, technically, I already did, and that gave me some nervous tingles, because it’s not like there’s some super secret character naming cabal, and Hero and Heroine’s names aren’t super weird (I hope) or super boring (I hope) but I’ve been guarding them, because they’re part of this whole book baby, and I want to do right by it. By them. I did the only logical thing. Shut the window and paid very close attention to Doing Something Else. I am also very good at Doing Something Else.

Doing Something Else, in this case, lasted only so long before the part of me that screams “Ronkonkoma,” while running down the metaphorical pier at top speed, to cannonball into the water, kicked into gear. My cannonball, in this case, was to look at the information Sandra needed for the portrait, attach a reference picture I’ve been using when I need to describe Heroine, and hit “send.” There. Done. Now Do Other Things.

Fast forward to a few days later, when my direct message box pops up again, and my breath caught at the image beneath Sandra’s “How’s this?” Oh hey, Heroine, there you are. Her face was perfect, the colors exactly right, she had her pistol, and it was her. I’d know her anywhere. Heroine. I knew exactly the point in the story this would have been, and I actually shivered. I couldn’t wait to share her with everybo….wait a minute. There’s her name. On her picture. If I put this out there, everybody will know. Doom will fall. Doooooooooooooom. Writer people, you may identify with some of this.

I took a moment to regroup. 1) since this manuscript’s ultimate destination is publication, that means that I’m going to have to put Heroine’s name out there sometime. Nobody writes “Hero” and “Heroine” throughout the entire book. People are going to know her name. 2) it’s only her first name, and it’s the name she actually uses, not the name that would be on an official document, and yes, the actually used name is indeed a period appropriate pet form of the formal name, so the history police are going to have to shush on that one. 3) this is overthinking and we are cutting down on the overthinkings.

Toward that end, Ronkonkoma:

 
That’s her. That’s Ruby. Heroine. Part of the prize is the ability to use the image as a teaser, so that’s the next thing, selecting a short passage to go along with the image. That will mean I’ll have a teaser to share here. To show writer friends and readers. To put on the Coming Soon page (which needs some serious updating anyway.) I can’t back out if it’s there. If it’s real. The Ronkonkoma part of me already has plans to commission a Hero portrait (hey, baby steps) because they’re a pair, the two of them, and Heroine has good aim. I do not want to be on her bad side.

So. The picture is there. The next draft is in progress. I know where I’m going, how I’m getting there, and what happens along the way.  This is not only back on the horse, but once around the ring, moving forward. It’s real. Of course, it always was. The fact that the stories and characters who populate them exist in our heads doesn’t mean they aren’t real. This only means that, now, other people know it’s real. Small change, but a big one all the same.

 

 

 

 

 

 

Typing With Wet Claws: Falling Into Place Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday. I did not want my picture taken today, because I was more interested in watching Uncle get ready for work than in taking pictures, so Anty has to use a picture from a different day. I am a kitty, after all. It is in my job description to be mercurial, but I am normally a very good girl.

To show what a good girl I am, I will start by talking about Anty’s writing this week. Her post at Buried Under Romance talks about some ways we learn things about our own reading habits. Anty has found that tracking not only what she is reading, but how far along in that reading she is, helps her see patterns in the way she reads. Her post looks like this:

bur

and you can find it here:
http://buriedunderromance.com/2016/09/saturday-discussion-what-have-we-learned-about-reading.html

Anty is also working on some posts for Heroes and Heartbreakers, which I will tell you more about when they are live, and also on Her Last First Kiss. That one had some excitement this week. At first, Anty thought she had lost outlines for a couple of new scenes, so she looked everywhere for them. One of them she found, exactly where it was supposed to be, and she is still not sure how she missed it, so that is good. The other one, she needs to reconstruct, but it will not be that hard. She has had it in her head for a long time, so getting it into place is pretty easy. That is a good feeling. Moving Hero and Heroine along the road to their Happily Ever After makes Anty very happy, even if Hero and Heroine are not, at this stage of the story. It is all right, though. Anty writes romance, and that means all will be well in the end. Until then, though. she makes no promises, and may be known to let out an evil cackle or two. At one point, Miss N told Anty that Anty needs to give Hero and Heroine some small successes at this stage of the game, because, otherwise, that part of the book will be very depressing. Anty sees no problem with that, but she also sees Miss N’s point. Small successes, it is. Very small.

ROBINDAGGERS - WIN_20150811_110539

Vintage photo of Grumpy Anty, torturing her characters. I tried to make it smaller, but I could not. That is the downside to having paws instead of hands. My apologies.

 

Even though there are still a few hot days to come, Anty has a surprise for Saturday; it cannot get her with its sun and  heat, because she will be in an air conditioned hotel all day, at a workshop for writers. You can read more about that here:

http://cr-rwa.org/2016/09/before-you-hit-send-workshop-with-angela-james-is-this-saturday/

Anty loves going to workshops for writers, because it lets her combine her love of writing with her love of being around people, especially people who love the same thing she does. Those two things are great on their own (and Anty loves being around people, in general; social interaction gives her energy that she can then spend on writing) but when they are put together, it is like catnip for her. Or so I am told. I do not care about catnip. I have heard that is unusual for a kitty, but, then again, I am an unusual kitty. I am also in full shed, which means I leave gifts of my summer coat fur basically everywhere. Anty calls running the Swiffer, while I am in shed, “the tumbleweed harvest.” I cannot say she is wrong. I shed a lot of fur, but do not worry. I will grow a very thick winter coat. Two of them, actually, because I am a Maine Coon. Having a built in two layer coat comes in handy on these New York winters, but it is not the most fun for humans who have to keep the floors tumbleweed-free.

That did not have much to do about Anty’s writing, except for the part where I mention she likes to use mundane activities such as tumbleweed harvesting to work out story things in her head. Most humans like spring cleaning, but, for Anty, it is fall cleaning that she likes, getting the house ready for cool days and long nights. She is actually excited that Mama will be bringing  home some of the good cleaning supplies, because she has plans for them. Some of these plans, I am told, involve putting me in a different room so that I cannot get things on my paws that are not good for kitties. I do not like being away from her -part of being a mews means following my Anty around as much as possible (or until Uncle comes home, and then I switch to him, because he is my favorite)- but I do appreciate her looking out for my welfare. The vet is nice, as vets go, but that does not mean I want to see her any  more than is strictly necessary. I prefer to stay at home. That is my happy place.

For Anty, the whole fall season is her happy place. Her super powers come back, she can be outside more, pumpkin flavored everything is everywhere, the same with apple cider, she can wear comfy sweaters and jackets, it is more comfortable to sleep at night, and things feel, in general, right. It is also the time of her birthday in October, and then Haloween, and then Thanksgiving. After Thanksgiving is the start of Christmas season, and, well, that is a whole other thing in itself. We will see how this one goes. Anty wants to start planning now. Anty says it is never too soon to plan.

It is also never too soon for Anty to get back to work on Her Last First Kiss, so that is about it for this week. Anty would like to wish a happy 50th anniversary to all Star Trek fans; live long and prosper. She may write about that later on, but I am not throwing away my shot. (Yes, Anty is still listening to Hamilton a lot. Maybe it is time for an all-cat production. We could call it Catmilton. I’ll see myself out.) Until next week, I remain very truly yours,

i1035 FW1.1

Until next week…

 

Skye O’Malley Hart-Bowling
(the kitty, not the book)

One Guard Had Red Hair, or, File Hide and Go Seek

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Confession time. I still have not reinstalled Spotify on my laptop. This is not because I don’t use it. I do. Rather a lot, actually. That’s part of my maximalist tendency. I want a lot of stimulation, and I want as much of what I love around  me as possible. So, there is usually music playing while I work. Sometimes, I listen-listen, sometimes, I let the feel of the music seep into me and couldn’t tell where one song ends and the other begins. Sometimes, my brain is on autopilot, but silence-silence can often make me edgy. So, music, or, sometimes, ambient sound, is a must, but actually reinstall the music program I use every single day? Eh, there are workarounds.

Note that I did not say terribly convenient workarounds. I’ve had somewhat spotty luck with the web player, which irks me, because that would be easy. Instead, I usually use my phone, which is fine, but, right now, the battery is charging, and phone itself is picky about what chargers it likes and what ones it doesn’t. My tablet is not speaking to anything today, because it’s busy downloading speech to text (or the other way round?) utility that it is only now letting me know it has. Will have to investigate that later, because if there is one thing I can do, it’s talk. Also write, which is like talking on paper. Or pixels. Whichever works at the moment.

One would imagine (for those who are curious, I am listening on the web player, while writing on the laptop. Today’s picture is of my secretary desk, because there is too much light in the living room, where laptop and I currently are. This is what I see when I sit down to write my morning pages, complete with morning pages book.) that it would be easier to download Spotify on the laptop, so it would be there, and I wouldn’t have to go through two other devices and opening another browser, but that is not what is happening today. Today, I am searching files for the pages of Her Last First Kiss scene stuff that I know I wrote at some point on the long weekend, but then promptly put somewhere they should not be, and thus am spending the time looking for them.

This is not the worst I have ever done. Back when life was caregiveapalooza, I lost the manuscript for an entire book,  which I only found out when I got an email from my then-editor, reminding me when they needed the final copy. Ulp. I called in hardcopies from my critique partners, and reconstructed the entire book, save for one scene that had not made it to critique group. That one, I had to build from the ground up. After a fifteen minute panic session, an email to a writer friend, and a moment of silence, I plopped myself back in the desk chair and summoned a memory –any memory– of the missing scene.

Only one thing came to mind. One of the guards had red hair. Okay. I could work with that. I typed it onto the screen. “One of the guards had red hair.” Which meant there was more than one guard, if I needed to make the distinction, and I knew where that book’s hero was going, since I had the scenes before and after it to give me my start and end points. So I threw things onto the screen in a big firry glop, all out of order and mushed around. Then I mushed them into place, amid much grousing and determination, and, eventually,  the scene came together. That book, for those who are curious, was Orphans in the Storm, and the scene, well, some secrets, I am going to keep, but it’s not hard to figure out.

It’s been some time since Jonnet and Simon’s story was the new kid in town, and I’m glad we had each other when we did. Though the books are not in any way related, Hero and Heroine would not be here without those two crazy kids and their supporting cast, because every step in the journey is one step closer to the destination. This morning, while I was going through my files, looking for the now-missing scene stuff for HLFK, so I could show it to N, and couldn’t find it, my first reaction was not panic. Instead, it was “huh, can’t find that right now,” as a matter of course, and my instinct was to take out my all purpose (also called commonplace) notebook and start making a bullet point list of everything I remembered from the missing sections. That, I took to breakfast with N, ran it past her, and, even if I don’t find the original document (I suspect the Scrivener trash file) Plan B, and a rather painless one, at that, is to transfer my bullet point list to a new document and continue on from there.

Train of thought is rapidly derailing here, because I am now counting down the time to when Housemate and I make a library run. Also because I would really rather get back in there and mess with Hero’s and Heroine’s lives, figure out if Place was built to be Place, or if it was something else first, because that is going to affect where Room is, and all that other good stuff. Mostly torturing Hero and Heroine at this point, but it’s okay, because I write romance, and we know everything will turn out all right in the end. Better than all right. Happily ever after. As long as we know the two lovers in a romance novel are going to come out on top, and together, we can handle the author throwing pretty much anything in their way along that journey, so it really isn’t that much of a stretch to see it the same way during the actual writing process. All of which is my big fuzzy way of saying see you all tomorrow; time to go play with my imaginary friends.

Rust, Clear Water, and Finding the Corners

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…and you write until the rust comes out of the faucet, and it’s clear water. Then you write down the clear water.

–Lin-Manuel Miranda

Furious writing in the margins is a good thing. Furious writing in the margins, that wraps around said margins, across the top, and down the other side of the page, is even better. After yesterday’s breakfast with N, and her critique of the revised outline for the last leg of Her Last First Kiss, (there is a unique sound made by a writer when the writer’s critique partner announces they have a few notes on the pages the writer sent them the night before, and then takes out six handwritten pages. Ulp is not quite it, but probably the closest approximation, only more whimper-y.) and possibly the longest detour I have taken yet on my way home (on the plus side, there are some gorgeous brownstones in this city) I arrived home, thankfully not overheated, which is rare for this summer, and ready to work. Bold and italics both needed here, because brain was firing on all cylinders and I needed to get home and make some serious notes.

There’s a special feeling for us puzzler writers when it clicks that, yes, we have all the pieces now, and we can move on to the  next stage of the game. I’d tossed the outline N’s way, to make sure there were no dangling threads (there were a couple, but a bit of chatter over tea/coffee and bagel/Danish) sorted that out right proper, and…yeah. This stage is done. I’m one of those writers who has to know where I’m going, and if that means splashing around in the shallows for a while, I am, at this stage in my life, fine with that. I’m not writing anybody’s book but my own, so I need to do what works for me. It’s like finding all the corner pieces of a jigsaw puzzle, because once one has the corners, one knows the boundaries of the image. Top and bottom and side pieces are also clear, and, once that happens, then the mess in the middle isn’t quite so…messy.

It’s actually kind of fun, fitting things where they ought to go, especially helpful when the characters do the heavy lifting. Going from “Hero has to find out Heroine is pregnant somehow, but I don’t know what he’s doing while she’s doing her stuff over here, blah, blah, self-flagellate, cry, etc, ” to “well, this time when she blurts it out to Other Character would be the worst possible way for him to get this information, so that has to happen, so that fits,” is pretty heady stuff. Since characters aren’t waiting in the wings, tapping their feet and waiting for their cues, that means Hero was doing something else, and since things have to come to a head with Supporting Character and Hero, oh, well, it makes perfect sense they were over here, doing that other thing, and then they saw/heard the thing and came to see what it was, and then, dun dun dun… Not fun for them, but good for the story.

Now it’s a matter of going back to the start and make sure everything that comes full bloom in the end is planted in the beginning, and that I properly tend it along the way. That is about as much as I know about gardening, so I will leave the analogy there. What I do know is writing historical romance. Now that I know Location is actually going to get some screen time, as it were, there’s research to do on that, and, now that it has a name, I have to go back and change references to “that place over there” to Location’s proper name. Still keeping names close to the vest on this one, because that’s what feels right for this story, at this time. It’s not big enough to play outside on its own, without holding onto Mama’s hand at this stage but, at the end of the next pass, I think it will be.

With the framework in place, now it’s time to start making it pretty. There’s still the whole matter of connecting the back part to the front part and that’s going to take some work and some loose leaf paper and some sticky notes (Plot board in my closet, I am looking at you.) and looking up from the keyboard to see the metaphorical story contractors standing there, in their hard hats and overalls, clutching metaphorical blueprints and wanting a minute of my time, because we’ve come up against a zoning ordinance or the  new guy brought the wrong lug nuts and has to go back to the hardware store, or unicorns are nesting in the hole dug for the reflecting pool, but those are occupational hazards. What’s important is that I know where the corners are, and the water coming out of my faucet is clear again. Next evolution.