Notebooks

This Book Now

annabowling Leave a comment

We have a new toilet. Probably not the most exciting thing to start off a blog entry, and no, you do not get a picture, but that took up my early afternoon, which is why I’m only getting to write this post now, and why I’m writing it from the, ah, comfort of my own home, instead of from the coffee house, and yes, I am itchy over that. Thwarted extrovert here, but Skye kitty is doing her best, and Housemate will be home soon, to watch Ink Master, so there’s that. There is also writing.

Five days from now, I will start a new morning pages book. That would be the purple one in today’s picture. Current book is the one with the face on it, and yes, I am already scouting out the notebook that will come after that one, because I really do want the alternating page spreads instead of the same pages every time. This will make my fifth notebook since I started doing morning pages, so I think it’s safe to say that this whole morning pages thing is working. Good to know.

Also good to know is that the current method of fumbling my way toward ecstasy, by which I mean leveling up to the next draft, because that is, in itself a form of ecstasy, is working. While dealing with the unique experience of a gentleman showing up at our door, taking out one commode and installing another, thus silencing the vuvuzela player in our basement, my brain was firmly in the eighteenth century. I’m about halfway through my notes on N’s notes, and ready to show this next draft who’s boss. (Hint: it’s me.) The stuff I figured out I’d figure out later (apart from the section that is still literally labeled “Hero Scene” with “vaguest note ever” – that’s still pretty much that, but since Heroine’s reaction to events at that stage of the game is X, his needs to be Y, so they are not even close to on the same page in this part. Nobody can be completely happy until the very end of the book, at which point, I literally throw my hands in the air, shout “HEA!” and cheer. Even in Panera. This may or may not have anything to do with the staff remembering my order without me having to say a word, but I’m not going to investigate it too closely.

Today was not the day I expected. I got to the Laundromat at a later point in the morning than I had intended, I didn’t get any reading done, and I do not want to speculate too much on the reason my favorite washing machine had that many feathers in it. I suspect it may have had something to do with down-filled clothing, pillows, or thrill-seeking chickens. Probably not the chickens, but one never knows. Plumber showed about four hours early, minutes after Real Life Romance Hero vacated the room Plumber needed for his work, and we now have the old toilet waiting on the curb for whatever its next destination will be. I have no idea how these things work, but that’s where it is. Wherever it goes from here is up to forces beyond my control.

What is within my control is how I write this book. Trust my gut. Trust my characters. Tell my story, the way it comes to me, and tell it until it’s told. For me, that comes in layers, enough of them to make a bookish baklava. When I look at the early parts of the story now, they feel a lot sketchier than the later parts, because I didn’t know the story or characters as well then as I do now. That only comes with time, with asking them why, and, more importantly, listening to their answers rather than trying to fill in the blanks by myself. There’s intuition and planning, and that funky space in the middle where it’s a little of both.

Here’s what I do know. I’m writing this book. I know where it starts, where it ends, and what happens in between. I know Hero and Heroine,  why they are both the worst person for the other to fall for, at the worst possible time,  and the very best person for the other in the end. I know it hasn’t taken the path I thought it was going to take right at the start, and I know it still has a few surprises for me before we’re done. I know this one is going to make it. I know I am back on the horse. I know there will be other books after this one, and I know I don’t need to concern myself with them at this point. I know they will present themselves, characters, setting, era and all, at the time I need them and not before. This book now. That may need to go on my wall.

 

Typing With Wet Claws: They’re Coming Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday. There is a lot going on this week, so I will talk about Anty’s writing first. Her latest post at Buried Under Romance is about the heat levels in romance novels, and she does not mean the weather. She means how much kissing, and more than kissing, that an author puts in their stories. I, myself, am fixed, and so have no preference in these matters, but, apparently, humans do, and like to discuss them. Anty’s post is here, and it looks like this:

BURAug20

In case WordPress is being picky again and not letting Anty make links within text, click or cut and paste here:

http://buriedunderromance.com/2016/08/saturday-discussion-too-hot-to-handle.html#disqus_thread

It is also being picky and not letting her reply to comments on that page right now, but she will answer as soon as she can.

The first thing that happened this week was that the cable humans meant to turn off service to somebody who was moving, but they read the wrong number and cut our service instead. That was a mistake. We did not have cable or internet for two and a half days, except when we could get on the city internet, but that was weak. Anty did not mind all that much, because there was city internet, and because that was enough to run Spotify when she wrote. She wrote a lot this week. She and Anty Melva outlined the rest of the Beach Ball (loosely, Anty says, but it still counts) and had a Skype meeting about that. Anty Melva asked if Anty wanted to pitch a workshop they created together to the NECRWA conference (they will go, even if the conference people say no thank you) and Anty said okay. So there is that. Anty also used what she learned from Miss K. A.’s workshop last week, to take care of some things with Her Last First Kiss, which also makes her very happy. With the anticipated return of Anty’s super powers, and firm plans, this should be a very write-y autumn.

One way that I know this will be a very write-y autumn is that Anty is now less than two weeks away from filling her third morning pages book. Here is the current book (the one with the Eiffel Tower) next to the next one (it says “Fearless,” which Anty wants to be in what she is writing these days.) :

PaPaYaParisFearless.jpg

The Fearless book is really half a book, because Anty started writing something else, with the wrong pen, in the first part of the book, and then set it aside. When she started writing her morning pages in the Paris book, she knew she wanted to continue with books by the same maker, PaPaYa! Art, because they look like how her brain feels. Anty says that will make sense to some other writer humans. It does not make sense to me, but then again, I am a kitty. They are pretty, though, and pretty pages help Anty write more. Here is a better look at the Fearless cover by itself, and the pens Anty will use to write in it:

 

 

Those pens are also the pens Anty has in her daily carry bag, so this could get interesting, though, with the number of times she has written her morning pages on the go, this may actually make it more convenient. She has not missed a single day since going to seven days a week, and thinks that may have something to do with writing more, in general. The rotating page designs probably have something to do with her being eager to see what pages she will write on that day, although they do rotate, which means it is the same sequence, so she should know these things. Anyway, these are the designs on which she will write her morning pages this time:

 

 

Another thing that Anty loves, besides writing, is organizing. Anty loves, loves, loves organizing. I, on the other paw, love, love, love things staying the same. You can see where we might have creative differences when it comes to moving things around. Anty is moving things around, because we are having company on Sunday. Anty Mary and Uncle Brian are friends who still live where we used to live, and they are all very excited to see each other. I, again, on the other paw (I am a kitty; I can have up to four paws in this situation. Well, any situation, because I do have four paws, all the time. I walk on them.) am not as into the concept of visitors as Anty  and the other humans.

I already had to deal with the Cable Human this week, so I am not that thrilled about more visitors. Uncle and Anty put me into Mama’s room with the door closed, so that I would not have to deal with the Cable Human, but there is a cable box in Mama’s room, too, and Cable Human had to look at it, as well as the one in the living room. I hid under the bed, but he still saw me. I do not know why. Only my tail stuck out. That was the only thing. He did his job and left quickly, so that was good. Anty Mary and Uncle Brian will stay longer than that, though (partly because Uncle will be feeding them. Also because they are good friends who have not seen each other in a long time.

They also have not seen me in a long time, so I will probably come out and say hello at some point, because they are not strangers. Also, they smell like doggy. His name is Alex. I have never met him, but Anty says he is a Golden Retriever. That is a big doggie. He will not be coming; only the humans. I will send him kitty scents on his humans to tell him hello from me. He can sniff them when they get home. He has smelled me on my humans lots of times, so that will be familiar.

That is about it for this week, as Anty needs to get back to writing and getting the house ready for company, and her office ready for working more efficiently. Until next time, I remain very truly yours,

 

 

i1035 FW1.1

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Right Now

annabowling 5 Comments

Right now, I am in the comfy chair, bare feet up on the footrest, an ice pack on my lower spine (for heat regulation, not injury; I’m fine.) My Paris travel mug sweats on the table to my right. It’s almost empty. I’ll need to get up and refill it soon. On my left, a box fan sits in the open window. Ominous gray clouds lurk low over the old brick building across the street. There was a wonderful pub there when we moved in; it’s empty now. Its neighbors, a bodega and a liquor store, remain. I am listening to a new-to-me singer, Levi Kreis, on my phone, because Spotify can be patchy when using the web player on my laptop, and I’m still hypervigilant about memory, so downloading very little to the hard drive. I suspect that the multiple YouTube videos H sent me, of the Danish Royal family (it was all for writing, really it was) may have left their ghosts in my cache, because there is a full GB less of space than there was the day before, and I clean caches daily. I’ll deal with that later.

Right now, I have enough time to focus on this entry, because it is a domestic tornado day. One of these days, I may start naming our domestic tornadoes. If I start here, this one will be “Anton.” Well, maybe not Anton, because the Anton I know in real life is the owner of my favorite coffee house, and, while he does wear a lot of hats (metaphorically and literally) he has nothing to do with today’s tornado. So, maybe not Anton. Maybe I’ll start naming tornadoes some other time, when I am not actually in the middle of one.  Not entirely sure if that is ever going to happen, so maybe it’s more of a juggling act.

Right now, I want to squeeze in as much blog entry as I can before I have to shift back to family mode. What I would like to do is pack up laptop and legal pad, ensconce myself at Anton’s establishment and delve into my eighteenth century world, but that’s not what this afternoon is going to be. Okay. Can’t change that. What I can change is my response. The day is what it is. I like my family, and spending time with them is not a bad thing. We all work together to make a good life for all of us, and, for every tornado, there is going to be a calm (or at least an eye.) So, it’s going to happen. Not a zero sum game. Since I have my purse notebook, all necessary accoutrements in the accompanying pouch, I can take my show on the road. I seriously think this may become my new default notebook:

CaseMateWithGelPens

All that ink on paper…soooooo calm. Insert happy sigh here.

Margins are perfect for making short lists, and notes on what’s on the rest of the page, where needed. Highlighting dates and headings means I can go immediately to what I want, which I like very much. Seriously considering drawing margins on the pages of other notebooks that do not have them already. Anything at all can go in these all purpose books, and the fact that my newly discovered music crush has some songs that would fit beautifully for Hero in certain situations, should there ever be a Her Last First Kiss musical (hey, I can dream) means that musing on same is perfectly fair game. Anything specific to a particular project, I can copy into the proper book when the time comes, and there’s always transcription to computer file, but I know myself. Longhand is best.

Speaking of longhand, I am locking in these PaPaYa! Art notebooks as my next two morning pages book, since I am now on the second half of the book I am currently using:

PaPaYa!Notebooks.jpg

Notebook and a half, actually

The “Fearless” book is really half a book, since it belongs to the “uh, no, I actually don’t want to use this book for that purpose” family. It’s about halfway filled, maybe a little less than that, with ramblings in purple ballpoint, which, while a pen I love (promo pen from Hannah Howell) also one that doesn’t show up well on the surface of these pages. The “Love You to the Moon” book, I have been saving for a special occasion. Today, I decided that right now is special enough.

 

This Saturday, I get to have the great good pleasure of attending my monthly CRRWA meeting, made all the better by a workshop with the luminous K.A. Mitchell, who always puts us to work, which I greatly appreciate. Writer people, if you ever get a chance to take one of her workshops, do. Anyway, a tidbit from her workshop on breaking creative blocks feels appropriate for right now: use the good stuff. Use it now. Beautiful notebook, fun idea, character who won’t shut up; use them now. Don’t wait. There will be more. That’s how creativity works.

Marginally Speaking

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Third time I’ve started this blog entry, and both times, I bored even myself, so I am going directly to my last-resort backup, because then I get to take a reading break. That backup is playing show and tell with a favorite notebook. In this case, it’s a hardcover Case Mate, which appears to be a proprietary Wal Mart brand.

CaseMateChevron

insert own obligatory “black and white and read all over” joke here.

I have two of these Case Mate notebooks already, one blue, and partially written in, always with blue ballpoint (though that may change) and currently living on the kitchen counter (which will probably change) the other purple, and as yet untouched, as I have vague plans to start some kind of purple notebook family/dynasty (this may be the subject of the next blog entry when summer and its bestie, insomnia, have used my home for yet another non-sleepover) but when I saw this one in the back to school section (the notebooks in the regular office supply section are the same inside, but have neon covers, which does not fit with my aesthetic) I had to have it. The notebook also comes in pink and aqua versions, which may yet happen, but I can’t have every notebook (where would I put them?)

Here’s the best thing about the Case Mate book:

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Only marginally important. Get it? Marginally? I’ll see myself out. No, this is my blog. I’m staying. I’m punchy. Deal with it.

Ivory paper here, which I far prefer to white, but it was the margins that sold me. part of me would like to see the margin on the facing page on the outside instead of inside, but it’s perfect for making notations on what I’ve already written, the perfect place to affix sticky note flags and the like. I don’t currently have any sticky note flags tucked into this book (partly because it does not have a pocket) but I did stock it with the basics; two different colors of square sticky notes, and one of a larger size. Still working on the color scheme; would love to keep it black/white/red/gray or in that neighborhood.

StickyNoteNotebook

Top square sticky looks lavender, but it’s light gray. Trust me.

Only semi-hacked, no fancy end papers, but I already feel the calm that comes with moving into a new notebook. I’d started to feel itchy when, every time I had to switch bags, I had to dig for my pen pouch and the one all-purpose notebook that was supposed to come with me from bag to bag, be filled by now (it’s about halfway there)  and possibly grant wishes or something. I don’t know what I was thinking at the time, but I am going to assume best intent and believe that I was going for efficiency and avoidance of adding anything to the stack of whoops-that-wasn’t-their-purpose-after-all notebooks.

Whatever it was, the fuss of hunting and switching overrode the supposed ease of a one size fits all kind of deal, and so the idea popped into my head, shortly after I brought the new notebook home. My usual summer tote is black and white stripes. I have a black and white chevron case my black rimmed glasses sleep in every night. I have  gorgeous black and white chevron afghan, for when temperatures drop, and my new pen pouch is black and white, so why did I have a notebook with a color photo as my book for that bag?

As soon as I made the switch, I felt a click. This combination looks like it belongs together. It looks intentional. It feels like me, like where I want to be going. Not a magic fix-it to all my problems, not a huge thing, even, but it feels right, and that’s good enough.  It’s listening to that creative impulse and not shushing it with “shoulds” and “you don’t need thats” and “bare minimum and/or status quo is good enough,” because no, no, isn’t. If it were, then it wouldn’t feel right when I made the change. I am learning to listen to my creative brain when it says things like this. “Let’s try something different today,” or “what if we did this instead of that?” Learning to say yes when a writer friend asks if I want to bat around a story, just for fun, because we’ve both talked each other down from ledges this week, and, dangit, we want to touch the joy.

It’s easy to get away from the joy, easy to get lost in the shoulds, but easy, too, if we allow ourselves, to feel the giddy pleasure of cracking open a new notebook and leafing through the empty pages, reading the words that will be written there, imagining which ink, what format – story notes? to do lists? doodles? drafts? all of the above?- and making a conscious decision that yes, my writing has value, and it is worth the investment. It’s worth the investment of the right notebook and pens, that feel right in my hands and right in my spirit, look right to my eyes, and it’s worth the investment of my time, to get away from the rest of the world and follow my imaginary friends as they live their lives, copy it down and then put it in order.

Where am I going with all this? Well, I don’t have to go anywhere, really, since I’m already far past the magic seven hundred, nattering on about a notebook in which I’ve only written one page, and that to test ink, but I know where that took me. That took me into writing mode, into the urge to open the document and poke it with a stick, even if I have only a few minutes before family descends and I need to switch gears. If that’s the outcome, is a new notebook frivolous? Not from where I’m sitting, which is, in this case, on the edge of the eighteenth century, so if you’ll excuse me, I’m needed there.

This Is My Brain On Summer

annabowling 2 Comments

I had plans for this afternoon. I was going to head to my favorite coffee house, with the legal pad on which I’d written stuff for two scenes of Her Last First Kiss, and transcribe in air conditioned comfort, directly under a ceiling fan. Good in theory failure in execution. The hitch? I left the legal pad at home. Since I live less than a full block away, there was the temptation to ask the barista to hang onto my iced tea while I raced back home, but I am not racing anywhere in this heat. I’m already sun and heat sensitive, and not going outside any more than I absolutely have to until this heat dome lifts.

So, today went to plan B. I had some Beach Ball work to do, and switched gears to take care of that. First up, check on the comments Melva gave on the chapter I sent her. Which cut off a full two pages early than the actual scene. Okay. Find backup copy, pray it has the missing pages (it did) and send off the correct version, as well as the compiled document with all of our scenes in it. These are more or less in order, and, seeing them together, criminy crikes, this is a book. Still in the gestational stage, but definitely a book. Guy and Girl (to differentiate from Hero and Heroine) have got to their first threshold of contact. Plot arc and romance arc progressing, historical adjacent stuff inserted at the proper (we think) time, and seeds for future things planted. This is all a good thing. Not what I had planned for the day, but I am calling it good. I can pick up on what I wanted to work on today, tomorrow, and the world will not  end. Doing things in a different order is still doing them, so forward we go.

Possibly into the babbling portion of this blog entry, because this is the last thing on my list for the day. It was going to be one of the first things, but see mention of doing things out of order. There are times, when the unrelenting heat stays unrelenting, that the only thing to do is plunk one’s feet in cold water and crack open a book somebody else wrote. When putting story out isn’t working, take story in; refill the well. A reading break, if nothing else, gets my mind into story mode, in general, which is a good thing .

When the heat gets too high, and invites its BFF, humidity, along for the ride, it can be difficult to slog through the brainmelt and actually get stuff done. Interesting timing there, with this brainmelt arriving the same time I’m getting my stride back, writing wise, but that’s how things work, I suppose. Resistance builds strength and all that. Left foot, right foot, left foot, right foot. Story, story, story, story, story, story, story. That’s my happy place, any time of year, and slipping into storyworld makes consecutive days of 90plus temperatures somewhat more bearable.

As my mother used to tell me, the more I do, the more I’ll want to do, and she’s right. Every morning, I drag myself to the morning pages, even when I have no idea what I want to put on those pages. It’s the discipline that’s building the practice. This is telling my brain that this is what we’re going to be doing for the majority of the day. The pretty pages mean my eyes want to stay on those pages, and good thing, because I have two more notebooks by the same makers, to take up when I finish this one. Okay, one and a half, really, as I’d tried using one of them for one thing, and that Did Not Work Out. That, though, was before I discovered rollerballs and fountain pens, so that notebook is only resting for a little while.

Exercising any muscle makes it stronger, which is why I set myself the discipline of three blogs per week. Okay, two, but getting a cat to write the third one for me is pretty darned creative all on its own, so credit there, surely.

Allrightyroo, that is the magic 700 words, so this blog entry is d-o-n-e, done. Tomorrow, Hero and Heroine, tomorrow, I am coming for you. For now, air conditioning and reading break. Toodles.

 

 

 

Typing With Wet Claws: Too Darned Hot Edition

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Hello, all. Skye here, for another Feline Friday. Even though I am the one with the built-in fur coat, Anty  is the one most affected by the heat. Uncle had a rough day, too, yesterday, and even Mama has been feeling sluggish, and she is usually the hardiest in this weather. Before I am allowed to talk about anything else, I have to talk about Anty’s writing first, so we will do that now.

Anty’s most recent Buried Under Romance post is here, and it looks like this:

BUR

Do you like to go fast or slow?

Summertime has never been Anty’s favorite time of year, because it is very hot and bright, and she is sensitive to both of those things. That means that, for most of the summertime, staying inside, in front of the box fan, during the day is the smart thing to do. Thankfully, since Anty is a writer, this actually works in her favor. Well, apart from the whole lack of energy thing. Do not worry, though; when autumn comes, Anty will get her superpowers back. She is not willing to wait for a couple more months to get to the top of her game, and so she has to make a couple of adjustments here.

Since Anty is a morning person, getting up super early helps. It is still cool in the morning, and  her brain is all fresh from sleep. The house is quiet, too, so it is the perfect time for her to write her morning pages. She is excited to start a new morning pages book, and has settled on the Papaya! Art spiral bound book for her next round of morning pages. If you have missed that post, (it is here) that book looks like this:

20160706_103611

She still does not know what pens she will use for that, but that is okay. She will know what to use when the time comes, and admits that she will probably have to do an ink test, even though she doesn’t want to make any mistakes on a book this special. Come to think of it, she feels the same way about the books she is writing, but there, too, she is learning to make adjustments.

Miss H, one of Anty’s writer friends, reminds Anty that nobody ever has to see a scene if Anty really thinks it is, um…stuff, (Miss H did not say “stuff.” I am using it as a euphemism for what she really said.) but Anty does have to write it. Anty is very tempted to say bad words to Miss H when Miss H says this, but she settles for saying the same thing right back to Miss H when it is Miss H’s turn. That is the important thing. It is okay to write the scene while scared of writing that scene. Getting even the roughest version out of the brain and onto the page or screen is what is important here. There will be time to make it pretty later, but nothing can be done if there is nothing on the page. Anty finds that it can be difficult to get over perfectionism, but it is also necessary. Sometimes, that is the biggest part of the battle, and once there is something, anything, on the page, then the rest comes easily.

This week, Anty has been working on both Her Last First Kiss, and the Beach Ball, although not as quickly as she might like. As I mentioned above, it has been very hot, and there has been a lot of humidity. I usually find a doorway with good air flow (the bathroom hallway is the best, because there are no windows, the floor is linoleum (or would that be lion-oleum, because it is comfy for kitties?) and, if I am in the right spot, I can catch breezes from the living room fan, Anty and Uncle’s bedroom fan, and stay in direct line of sight of the pantry door, which is where the humans keep my food and treats.

Even though Anty is most dominant, she is too big to flop in a doorway, and so she has to take other measures. Her comfy chair is in front of the living room fan, and the master bedroom door can close, keeping all the cool air inside. Her office even  has a ceiling fan, so that gives her another place she can work comfortably, even when it is not a good idea for her to go outside even the short distance to the coffee house. Even so, there are some days when it is flat out (and I am flat, even though I am inside) too disgusting to brain.

Anty is learning that, when it is difficult to put out, then it is time to take in. Because her body loses water, salt and potassium when the weather is hot, then she needs to put those things back into it by what she eats and drinks. The same way, since she puts out story when she writes, she needs to take story in between writing sessions. Reading is the best way, in her genre and out of it, to both stay grounded in why she loves what she loves and to inject some new energy into what she’s already doing.

 

Sometimes, the shift happens when Anty is not even looking for it. Today, while doing laundry (she went very early, so she could be there and back before it got too hot) Anty read a chunk of one of the books she got from the library earlier this week, and, when it came time to read the next chapter, she took out her mini notebook from her pen pouch to make a couple of quick notes. Yeah, Anty, those pages are more than a couple of notes, but that is exactly the point. Keeping one’s well filled means there will be enough to draw from when the time comes.

Anty says that time has come now  (also for my lunch, so there’s that) so that is about it for this week. Until next time, I remain very truly yours,

i1035 FW1.1

Until next week…

Skye O’Malley Hart-Bowling

 

 

 

 

Morning Pages, the Heir Presumptive, and the Young Pretender

annabowling 1 Comment

 

 

With one week left in my current, much-beloved morning pages book, the time has come to decide on which book will be its successor, and I’d like to say I’m closer, but a young pretender has entered the fray.  Going by only what I currently possess, the heir presumptive is this lovely bird and flower themed Punch Studio book:

Endpapers
Lined pages

 

That’s the endpapers in the first picture, internal pages in the second. Same images on all spreads, where I do prefer that they rotate. Banastre Lobster has no opinion on that.

Normally, the issue would be settled, but we have a young pretender to the throne, this spiral-bound Papaya! Art (the exclamation point is part of the name) gorgeousness, which would continue the Paris theme:

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Banastre must, of course, investigate.

My heart did a skippity-skip when I first saw this on the shelves at Barnes and Noble, and I don’t remember when the precious actually came home, but I knew I wanted to save it for something special. Since I still have absolutely zero ideas for any Parisian historical romances, morning pages would fit the bill. Inside pages are not lined, but are lovely.

First, we have this inside cover and first page, which presents a challenge when the discipline is one two-page spread for each day:

 

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Name and address on inside cover, obv, but facing page?

 

After that, we have these:

one
two
three
four

 

None of the pages are lined, but those backgrounds…guh. Gorgeous. I want to put things on them. On the one hand, I think Hero would heartily approve of my appreciation of a pre-prepared background, because he used to do that kind of thing, but then again, his experience in Paris (hey, there is a connection!) was not exactly his favorite part of life. He wouldn’t know about the Eiffel Tower, though, as it was a century after his time. The clouds, though, and the design elements, those he knows, and the floral motifs fit nicely for a Georgian gentleman (and his lady.)

The question for me  here is, would the lack of lines be a problem? Also, what sort of pens do I want to use on these pages? They’re thicker than regular paper-paper, but not thick enough that I’d feel comfortable using Sharpies, at least not without an ink test, but I don’t want to sacrifice a page for that. Even so, the rotating designs excite me, and since I plan to increase to seven entries per week instead of six, that’s almost two rotations every week, but not exactly, so monotony would not be an issue. If the pages are visually inspiring, I am going to come to them with a better outlook, and, if stuck for what to put on the page, the images have suggestions right there. If I really need lines, I can draw them on with pencil and ruler. Fountain pens or rollerballs are my best educated guess on the pen issue. I’ve tried another book by this same maker, a different design in this line, with ballpoint, and I was so unhappy with that, that I set the book aside. Will need to resurrect that one, with a better selection of pen.

As I am writing this, I am listening to the Hamilton soundtrack. A writer friend will be traveling from Canada to NYC to see the show live this coming week. Right after the original cast departs, which does bring a pang, but, then again, there will be the energy of of the new cast making their debuts, and there will be the PBS documentary in October, and the original cast has been filmed, (I would totally go see this in theaters, if it were to be distributed that way) so it’s possible to get the best of both worlds there. I’ve been listening to the soundtrack, first as an Independence Day celebration (I know, Banastre, I know. Mama still loves you.) and then as part of my “immerse myself in the zeitgeist” plan of working through this draft.

Her Last First Kiss is set in England, in 1784, and Hero is not a soldier; he’s an artist, and he’s spent the pertinent years on the Continent (see Paris experience, above) so he’s pretty far removed from that business in the Colonies, but he does exchange letters with a cousin, relocated to Canada from New York, because expulsion of British and all that. Heroine is the product of a Russian father and English mother, was raised in England and identifies as British. These two have latched onto me in a way I’d been afraid I wouldn’t experience again after the time travel stalled, and I want to give them the very best story I can, which means I need to let their world seep into my writerblood.

The thing with writing historical romance novels is that the characters don’t know they’re in a historical. They think they’re in a contemporary. For Hero and Heroine, 1784 is their now. They aren’t wearing costumes; those are their clothes. People are people, no matter what century in which they do their people-ing, and that’s what I want to bring to live the most. If Hero were a 21st century person, he’d probably be glued to his phone, but he’s an 18th century person, so he carries around a portable lap desk so he can write letters and sketch/doodle. That was actually the first thing he showed me about himself, that desk. Writers, you understand how that works. Once he saw I was going to treat the desk right, then he came a little bit closer, like a stray cat when their benefactor moves the food dish an inch closer to the porch every day, until both cat and human are astonished that they are cuddling in the porch swing together.

If I were going to let Hero pick the new daily pages book, he’d pick the spiral bound. Which is, obviously, a lot thinner than the heir presumptive. Which may lead me to the same dilemma sooner, rather than later. I am not complaining.

 

Flop Day and Morning Page Rambles

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Today is a flop day. The temperature, at last consult, was ninety-three degrees. The sun is bright. I am fair, and sun-and-heat-sensitive. This means stay the heck inside, wear light, loose clothing, stay hydrated, and plop self in front of box fan for the duration. Since I am a writer, this is not that difficult a task. I have reading to do for various upcoming Heroes and Heartbreakers posts, and two ongoing WIPs. Well, official ones. I have back burners. Lots to keep me out of trouble, and in range of cool, moving air. Real Life Romance Hero is at hand, and, later in the afternoon, the whole household (minus Skye, who stays home, because she is a kitty) will decamp to an air-conditioned car and air-conditioned venue for an extra dose of cooling.

Mornings are the easiest parts of flop days, as it’s not as hot yet as it’s going to be, and I’m a morning person anyway. My morning beverage is cold instead of hot on these days, and comes with me when I write my morning pages. In two more weeks, I’m going to have filled my current morning book, and will need to choose another one. This may or may not be from my current stock. A peek, first, at previous and current notebooks:

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Book with the river scene is my previous book; book with burgundy damask flap is current.

 

The Eiffel Tower theme was not intentional, so not strictly necessary for the new book to continue that tradition, but both do have a rotation of designs on the interior pages, and that is a requirement. That’s where the indecision comes into play. I do very strongly prefer writing on beautiful pages, and having rotating designs on each two page spread reinforces that I am writing two pages and two pages only for this purpose. I could have sworn I had a third Paris-themed book (not the one in today’s featured picture, though that is the new baby; those pages are plain lined ivory, and the only thing I know is that I will be writing on them with red and turquoise Pilot Varsity pens, no clue as to content) at hand, with a black/white/red color scheme, that would be the natural successor, but the book in the crate where I thought it was has plain lined pages, not rotating designs that I remembered. Either I filed it in the wrong crate, or I was engaging in some wishful thinking. Bottom line here is, I need to pick a new morning pages book. I do have two books with rotating designs, as shown below:

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Candidates one and two from current stock

 

I did take pictures of the covers, but it refused to load, and I am not taking pictures of every design in both books, so use your imagination. Assume the art style remains consistent within each book and on its covers. The larger book is Paris-themed, but I’m not sure it’s clicking with me at this precise moment. Neither book has lined pages; some are unlined, and some have grids. The larger book has some pages where the design takes up the entire page, and I’m not sure where I’d even write on those pages. Designs in the smaller book take up part of the page, so that would cut into the writing space, and that’s more thinking than I want to do first thing in the morning, unless it’s one of those days where I get to start off by having breakfast with my imaginary friends. Neither book is out of the running, because A) I have them, and B) I do want to use them one day, but I’m not sure if they belong to this purpose.

There is one other contender currently on hand, and I already know what pen I would use to write in it (turquoise Pilot Varsity, as shown.) :

Front cover
Same spread on all pages

 

Absolutely gorgeous, though the spread is the same on all pages. Could get monotonous after  while, but I could possibly alternate with the sepia Pilot Plumix (once I fix the jammed-too-far-into itself cartridge; last week was not good for refilling fountain pens.)for the sake of variety. Still thinking on that one, and I do  have some time. I’d prefer to use something already on hand, but there are some lovely books out there, so the field is still open. Maybe I’ll even find I didn’t imagine the black, white and red Paris book.

When the time comes, the book will be there. This time around, I’m going to increase my days to seven rather than six. I’ve found I miss doing daily pages on Sundays, and have toyed with having a special Sunday book (which would press another book into service, so maybe not an entirely bad idea there) but keeping everything one place seems the more efficient option. Who knows? I’ll know when it’s time. That’s part of this whole finding my way part of the journey, and if it’s paved with more notebooks, all the better.

 

Typing With Wet Claws: Z is for Zoomies Edition

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Hello, all. Skye here, for another Feline Friday. My day started early this morning, and, because of that, so did Anty’s. What happened was that I had a case of the zoomies. That means I had too much energy, and I needed to run. A lot. Very fast. I needed Anty to know that I was running, so I would run up to her, chirp, and run away again. I kept that up until she knew it was time for up, which means time for feeding me. As you can imagine, I worked up quite the appetite with all that running. Uncle thinks it is cute when I get the zoomies, but he is not the one who has to deal with the aftermath, which is usually my, um, stuff. Needless to say, Anty required more tea than usual to get her brain into gear after a start like that.

In case you missed them, Anty has two posts at Heroes and Heartbreakers this week. Her post about the second-to-last episode of this season of Sleepy Hollow is here, and her post about the first book in Charis Michaels’ Bachelor Lords of London series, The Earl Next Door, is here. They look like this:

 

There is a new member of the family that joined us this week. The Jinhao fountain pen Anty ordered online came in the mail. She was super excited, because she did not know it came with a converter, which meant she did not have to wait for the cartridges to arrive. She could ink it right away, which is exactly what she did. The ink is purple, which is very good for writing in Anty’s daily pages book. Here is the pen, resting on that book. Anty gets grumbly when she reaches the end of a two-page spread, because she usually wants to keep going, but that only means she is ready for the real writing of the day.

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deskscape, with new pen and daily pages book

 

Yes, that is Henry VIII peeking out of the top of the Paris notebook. Anty likes to live dangerously. This is one of the perils of being a historical romance writer with various interests. Although Anty does not write her books in her daily pages book, sometimes, she writes about them. That is kind of like zoomies of the brain, when she has so much in her head that she has to dump some of it out on paper. It is fitting that she does that with a fountain pen, because filling those can sometimes be messy, the same as it is putting things down on the page for the very first time. Also, going over the same thing multiple times, exploring new layers, from different angles, until Anty gets what she needs.

Another way of getting things out of her head and onto a page is with her art journals. Those do not always involve words at all, and the supplies smell very interesting, so I like to stay close when she is working on those. This is a current page in progress:

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Anty says that the Picadilly paper is not very good at taking wet media, so she probably will not use it again in this book. That only means she can get a different book, with watercolor paper, so she can use wet media in that one. Pencils and stencils and magazine papers are better matches for this sort of paper. Anty has put more things on this spread since this picture was taken, but we do not have pictures of that new layer right now. There will probably be more by the time she is happy with it and ready to move on to the next spread. She also needs to find stencils that can make different shapes from the ones she used here.

It is kind of like that with writing. In the stage where Anty is with Her Last First Kiss, the bullet point draft, it is only when Anty drops things onto the page and mushes them around, that she can tell what the story still needs. This week, she found out she misplaced a certain character for several chapters, so that, when she needed that character later on in the book, she had no idea where that character would be. This will involve reading through what is already there and finding out how fast that character’s injury would heal, so she knows if they would be able to move around on their own or not. She also is working on a scene where she knows the beginning and end points, but does not know the middle of the scene. She has worked both ends against the middle before, so that is not a new thing, even if it can be aggravating at times.

Anty is also getting ready for the Let Your Imagination Take Flight conference, which will be at the end of the month. If you are going to be there, Anty would love to talk to you. She will have pictures of me on her phone, if that is an incentive. Maybe even some videos.

That is about it for this week, so, until next time, I remain very truly yours,

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Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Draw Shapes

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We have snow. In April. I am going to have to go outside and shovel the sidewalk. In April. Even though snow is my favorite weather, it had the whole season of winter to show, and it didn’t. I live with two springophiles, and they’re sad at the loss of their favorite season, which makes it hard to enjoy this unexpected dose of mine, so this is an interesting conundrum. I may need to take a snow day.

 

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view from our balcony

 

 

For my fellow Sleepyheads, my recap of Sleepy Hollow‘s latest episode, “Delaware,” is up at Heroes and Heartbreakers. Man, this episode. Two particular Ichabbie scenes could count as love scenes -donuts and boat, for those who have seen- because the connection is that strong, and sure, and understated and all the more obvious for it. If this were a book, I would have sticky notes on those chapters, so I could see how they did it and learn to do it for myself. Still no word on whether the show will be renewed or not, so next week’s season (and hopefully not series) finale should be interesting, not to mention cause for great speculation. It is here, and it looks like this:

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New member of the (notebook) family came home this weekend, when I saw this gorgeous specimen at Barnes and Noble, in the red dot clearance section:

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new art journal – what can I do to it?

 

I’ve always wanted to try an unlined Picadilly, and one of their larger notebooks, so when I saw this, and it announced it was my new art journal, (because notebooks talk to me; don’t they do that to everybody?) I fell in love with the creamy pages, and spent a rather blissful chunk of time at the kitchen counter, slapping down seemingly random things that were within easy reach, and I’m rather pleased with the results.

Though I don’t remember who actually said this particular gem, I want to say it was in an issue of Art Journaling magazine. In every issue, multiple contributors are asked the same question about their creative process. That’s probably my favorite feature, as I love finding out how different people do the same thing. In one issue, I want to say the question was something like, how to get started when ideas aren’t coming.

One answer stuck with me.  “When you don’t know what to draw, draw shapes.” I am fairly certain I’m paraphrasing here, and probably need to go back and find the actual quote and artist’s name, because that had a big hand in getting me out of a creative funk. Draw shapes. Well, that’s easy. Anybody can draw shapes. So, today, when I sat down with a two page blank spread in front of me, that’s what came to mind. I stuck down a piece of scrapbook paper, tried out some long-neglected stamps, with a longer-neglected ink pad (that pad has earned all the RIPs in the image) and then…nothing. Which is where the shapes came into play.

I grabbed an old stencil that was, apparently, made by IBM, for…IBM-related something, I imagine; my dad probably bought it for art use, and now it’s mine…and started tracing shapes. Then I filled them in with an old #2 pencil, which I’d found in the same box of stuff. I didn’t think, didn’t plan, only let one shape flow into the next one, my mind drifting along with the music, picking out the stories from the songs, the snapshots of emotion captured in sound, and that told me where to go next. When I got to the point of “done” with shapes, I looked at the blank space for a while. It needed a figure. I grabbed a stack of pages torn from old magazines, cut out the first one I saw, glued it down, added some shade, then sat back.

Words. I needed words on that page, but didn’t want to overthink it. What ended up going on the page were the lyrics that played at that exact moment. It worked. Done. I liked the whole process a lot, and will probably do that again, because it gets my creative brain in gear. So, what does that have to do with writing? Other than inspiration, that is, because there was definitely that.

It’s the blank page. It’s the shapes. It’s knowing that I know how to  do this. Once there is a shape on the page, once there is a splash of color, or even a single mark, the page isn’t blank anymore. The first step will invite the next one, which will make the page an entirely different thing from that, and once I get in the groove, it’s easier to keep going than it is to stop. It’s trusting myself and knowing that  what works for me, works for me. It’s feeling the doubt and going ahead anyway, because otherwise, what else is there to do but stare at a bank page? Put something down. Anything. Fix it later. Add to it later. Cover it later. Rip it out later, if you want, but put it down there. Use a template if you need. Go freehand if you want, but start. Make your mark. Draw a shape. Write a word. I dare you.

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