One Week Into One Book July

This is the closest I am going to get, this Monday, to having all of my ducks in a row. This weekend just past was a weekend of three (count them, three) flea bombs, over the course of two days. Judging from the peaceful night’s sleep we all had, presumably free of microscopic vampire bugs, that should mean a peaceful Monday morning, but au contraire, it meant a Monday morning of shaking out bedding, moving things back where they go, rescuing things-that-touch-food from their cabinet bunkers, and hauling trash and recyclables to the refuse room down the hall. (For new readers, we live in an apartment building, and this is a magic place where gallant maintenance workers whisk away our rubbish on a daily basis, not that we have a room full of trash in a private residence. Nobody wants that.)

Okay. Focus, Anna. While work continues on Camp NaNo and Plunder, with notes on researching Catholicism in the Caribbean, in the late seventeenth century (yes, that is important for the romance, Karen. (Metaphorical vernacular “Karen,” not any specific person named Karen, even if she does want to see the manager.) because a certain part of the story will be a whole lot easier for me, if not my characters, if I can plop a fictional convent where I want to plop a fictional convent. So far, the answer should be yes, especially in non-British-held islands, and my hero is Dutch, sooooooo……

:deep breath: What was that I said about focus? Right. Okay. One Book July, as it applies to planning, has no official rules, but the commonly accepted guidelines are to use one planner/bullet journal for everything during the month of July. Some participants add other challenges, like using only one pen. That one, I would normally have a hard time doing, but that pen in the picture below? I get two of them for about seventy cents, and they are comparable to Pilot G2s, so yeah, this is the pen I am using as everyday carry for this month.

Webster’s Pages, pocket size, blush cover

Please note, (pun unintended) that I have fallen in love with that flower-crowned vixen (saving that line for a future hero’s lexicon) and, when I fill the insert she graces, I am taking the cover off and putting it on the next one. I know a good thing when I see it. That particular insert comes from a national chain craft store, in packs of three, for about two dollars (less, if there is a sale) and I am already stockpiling them, because, although I was hesitant about A) passport size, which is even smaller than pocket, and B) white pages, when I strongly prefer ivory, these guys are absolute perfection for my daily pages. Bullet point tasks on the right hand side of the spread (please insert my mother’s voice here, clarifying that it is my right, not the viewer’s right. Thanks, Mom.) and then the left/facing side is for notes.

I didn’t mean to set up my daily insert like that. It happened, on its own, as did finding the perfect balance for Li’l Pink (yes, I name my planners, and yes, they have genders) is three passport size inserts, and then I don’t know how to count the pocket sized inserts, because we have some buddy bands in there, and printables and covers I ripped off and covers I made, and it works, okay, does it really need a label, Karen? Ooh, labels.

My name is Anna, and I am a notebook addict.

Even though it is One Book July, it is also the time when I finally caved in to my curiosity about the B6 size of insert/notebook, above. Same company that makes the fox insert (ooh, do they make a B6 version of the fox? Now I have to go in search of; if I don’t return, I love you all.) makes B6 inserts, same paper -plus lined, plus graph (which I did not get, but will, this weekend) – and they were on sale for a mere dollar apiece, so of course I had to indulge, and, well, I love them.

I do not, however, own a B6 traveler’s notebook, so now I will need to start looking in that direction, but, in the meantime, these inserts are looking happy enough in my spare regular size Webster’s Pages, that I was wondering how I was going to use, so that will work out fine until I can settle the cover issue. I didn’t even have to think about what I’m going to use these inserts for, because they presented themselves. I now do have a notebook-notebook, to keep track of all things stationery (if anyone is taking bets on when that would finally happen, whoever had July 5th, 2019, gets the prize.) There will be another insert for household information, one for sketches/doodles/etc, and one for random brain dumps. I know exactly what pens I want to use with it, and it’s rather satisfying to have a whole endeavor land in my lap like that, a single bloop, and there it is.

Writing is like that, sometimes, and when it is, it is wonderful. More often, it’s like that pocket notebook that is my everyday carry/my one book for July. Trial and error. Will this work? No? Well how about that? Oh no, that’s worse. Rip that out, hide the evidence, try this weird thing because why the heck not? Well, look at that. That actually works. Okay, then. Onward we go.

No deep wisdom on writing today, Karen (or is there?) but I do learn a lot, about myself, about visual arts, about creativity in general, and other things, from my notebook adventures, which is why I do see them as part of the writing process.

Oh wait, there is one practical tip. If you see an oddly placed sticker in my July planner pages, there is probably the evidence of a dead bug under it. This gal does not tear out pages from a sewn binding. I’m not a monster. (usually)

Typing With Stuffed Paws: Pre-Galley Slave Edition

Greetings, Foolish Mortals. Sebastian Thunderpaws Hart-Bowling, coming at you with all the stuff for the week that was. Writer Chick can’t believe it’s the first of March already, but with all the planners she has, this should not be a big surprise, but here we are. This also means that Writer Chick’s next post is about the state of at least one of those planners. I would say the whole planner obsession keeps her out of trouble, but we both know that isn’t true.

Writer Chick insists that I put the big news up front. Writer Chick and Other Writer Chick have sent in all of the manuscript information and cover art information, so now they get to take a break and wait for the galleys to land on their desks. When that happens, it is their last chance (I think; I only skimmed the emails) to catch anything egregious before things go from manuscript to BOOK. Writer Chick insists I clarify that those weeks before they become galley slaves are not vacation time. They have to keep working on Drama King, and each of them have their own solo projects, so it’s really more of one less chain saw to juggle,

Since there will be one less chain saw to juggle, let me put it out there that Writer Chick could use some of that free time to focus on reading, because she is now two books behind schedule on her Goodreads Challenge. Good thing she has the weekend to get current on that one. Since she already has a loaded Kindle, and an audiobook on Overdrive, so she can technically read two books at the same time (she has not tried that, but she might, if she gets desperate enough. It could happen.)

As usual, Writer Chick was at Buried Under Romance, this past Saturday (she will be there again tomorrow) and this time, she talked about having nothing to read, because there is too much to read. If you’re looking for something to read, hit the link in the caption, and you can read that.

Earlier in the week, Writer Chick went to the local storage unit, with one task in mind: liberate three to five paperbacks from the first box of books she could reach, and bring them home. She is happy to report that her quest was successful, and will probably go a long way to bringing her Goodreads numbers back up to acceptable levels. Her criteria for choosing those books were few. A) she needed to be able to reach the box with the books in it. B) she had to be able to get the books out of the box, and C) they had to each have one thing (at least one thing) that she could point to and say that was why she was interested in that book.

Some of the criteria that could make the list would be things like: geographic setting, historical era, vague memories of reviews that said the book was highly emotional, a favorite character type, or stuff like that. Writer Chick will explain more about that later, either here or on Buried Under Romance. Suffice it to say, there are a lot of reasons Writer Chick might think she could like a particular book, and want to read it. Focusing there is a lot more fun than focusing on what isn’t lighting her fire.

Speaking of lighting fires, and today being the first of March (smooth transition, eh?) today is also the start of one of Writer Chick’s favorite workshops, 31 Days and 31 Ways to Jumpstart Your Abundance, courtesy of abundance coach Eryka Peskin. This workshop is free, and it is fun. Apparently, Writer Chick may get a bonus chance at a drawing or something if you join because of her, but it’s a great place to go to have people tell you you’re awesome, on Facebook. There is also the chance to catch more Writer Chick babble, if you’re into that sort of thing. Punch your paws on this link, below, to get more information, and/or join:

http://www.eryka.com/index.html

In other news Writer Chick took this family photo of most of her turquoise pens (yes, there are more of them that are not in this picture) to compare it against a turquoise pen sampler she saw at an online retailer. She does not accidentally have all of the pens in the sampler, but she does have enough of them that her better bet is probably to buy the pens she doesn’t have, individually. She also has some that are not in the sampler, so there’s that. May I point out her good taste in choosing pens that perfectly complement any handsome stuffed orange boys that might be lying around her work area? She’s very considerate about that. There may be hope for her yet.

This isn’t even all of them…

In review, Writer Chick needs to read more, has a lot of pens, and will soon become a galley slave. I’m off to stare at squirrels.


Peace out,

February Planner Post: Part One

Normally, I would say that Monday’s post on Tuesday was the result of some domestic tornado, but, this time, it was a planner. (Note: this is not a sponsored post. I babble because I love, that’s all.) Sunday night’s weekly Michaels stroll led to the discovery of possibly the most Anna-est personal size planner I have seen to date, on serious clearance. Meet Magnolia Jane, from Heidi Swapp (I think the planner is discontinued, but look at those gorgeous other things in the line) I tried to reason myself out of it, as I already have my Webster’s Pages planner, which was also on serious serious clearance, but I have come to recognize this as The Sign. Planners find me. I don’t fight it anymore.

Needless to say, a bunch of Monday was spent putting this beauty together, moving into her (yes, my planners have genders) and us getting to know each other. Mostly. I still have no idea what I want to do with this page, that starts off every month:

Suggestions always welcome…



The black washi tape is my addition, but, from top, left, we have a blank section, a dot grid section, and bottom left, gridded section, then the stripey section. Right now, I got nothing, but Housemate, who was actually the one to find this beauty, said it looked like my historical romances, and I have to say she is not wrong. So, home it came, and it is now my writing planner. The white Webster’s Pages is now for household use.

Bare bones, again

The washi tape is my addition (also another serous bargain; it’s from the three rolls for a dollar bin at Michaels) and I do want to find some prettier way of marking off the days than bare X marks. Possibly a good place to track progress on various projects, once I figure out a decent legend for that. I’ve found these things work best when I let them happen organically. Carry it around naked (the page, not me; it is winter in NY. I will be wearing many, many clothes) for a while and then, bloop, I’ll know what belongs where.

weekly planning spread

This section, I have mostly figured out. I clicked with this sort of weekly layout in my Dylusions agenda (repurposing as an art journal, now) but wanted some better use for the extra space, as I tend to write vertically. These are better suited to how I work, with half blank, and half gridded sections on each day.

This planner is only for writing tasks/habits, so the weekend, which is not a workweek (not to say that I won’t write on a weekend, and my CRRWA meetings are always on Saturdays) gets blocked off. I’m still figuring out what I want to use to record the daily tasks for the rest of the week. Right now, scrap paper “stickers” are fitting the bill, and the circular sticky notes are for writing related dates/appointments. Both the white circles and pink flags came with the planner kit.

UniBall Signo pens, Recollections pouch 

For this planner, I will be using the Uni Ball Signo pens in blackened colors. Very, very dark versions of red, brown, violet, blue, and green, make my heart happy. The outside pocket of the pen pouch has white, gold, and rose-gold pens, for writing on dark backgrounds, so I am set to go on that part. I have not yet figured out the highlighter situation, but probably will use Zebra Mildliners. in curated colors.

This does not by any means imply that I have the whole thing figured out, or that having certain planners or pens or ephemera will magically make me a better writer (cool if that would happen, but that’s not how it works.) For some, a plain ballpoint pen and blank white paper would work much better, and, for them, I say an enthusiastic “go for it!”

What does make me a better writer (yes, of course, writing; I’m getting to that) is that, since I’ve become involved in the planning community as a whole, I want to write more. Playing with the pretty paper and pen toys combines beautifully with wanting to play with my imaginary friends, and, if I am going to be spending hours a day staring at a page or screen, they may as well be pretty pages and screens. This may have something to do with why I like writing heroes and heroines who are creative in some way; write what you know and all that. After all, I’ve already had one hero spring to life (Bern, from Her Last First Kiss) thanks to my fountain pen obsession, and his heroine, Ruby, would be all over the whole bullet journal thing. Maybe she was actually there first, because, hey, she’s in the eighteenth century. Who knows who else may be lurking in my stationery stash?

Watch this space for part two, and a closer look on how I actually use these pretties.

Typing With Stuffed Paws: Something About Voice Edition

Hey, everybody. Sebastian Thunderpaws Hart-Bowling, coming at you on this rainy Friday. Rainy Fridays are Writer Chick’s favorite kind of Fridays. Check back when it snows, because she loves snow, but rain happens during every season, so I am going to go out on a limb and say it has an edge, for frequency alone.

Domestic tornado-y week around the apartment again, but we come to the end of the week with the same amount of humans as we started it. More importantly, the same amount of stuffed folk. Most importantly, me. Being Cat Regent is a tough job, but somebody has to do it, and, between you and me, I am far more qualified than the red teddy bear, or the super floppy zebra that can’t even stand on its own. Plus, I am a cat.

Anyway, on with the show. Last Saturday, Writer Chick was at Buried Under Romance, as per usual. Most recently, Writer Chick wrote about the eternal appeal of fairy tales in romance. That post is here, and this is the picture that goes with it:

BURfairytales

For Writer Chick’s Goodreads update, I have to call it now: she is being a cheater cheater pumpkin pie eater (she insists that I mention that A) there is not currently any pumpkin pie in the house, B) what’s up with that? and C) she is reading as fast as she can, okay? It’s been a very stressful week, and she’ll have finished the last couple of chapters by the time anybody reads this, so lay off, Sebastian. Yes, she used my name, but not the entire name, so she is probably not too irritated. Probably because she wants to get to the end of her book.)

That out of the way, Writer Chick’s pick of the week is The Iron Duke, the first entry in Meljean Brook’s Iron Seas steampunk romance series. Writer Chick says this has exactly the right blend of history and romance, even if the history is a very different version from what happened here on really real Earth. Just go with it. She is definitely going to read more of these. If you have steampunk romance recommendations, leave them in the comments, and Writer Chick will check them out.

I think that’s everything from the agenda Writer Chick gave me, so now it’s my time to riff. Wednesday was Writer Chick’s birthday-plus-one-week, which I gather is celebrated by putting on unusual clothing and going around to neighbors’ houses, begging for dessert. This is a fitting observance, though a quiet one around ye olde homestead. Maybe next year’s celebration can swap out the desserts for office supplies, because Writer Chick would be all about that kind of reboot.

It has come to my attention that National Author Day or something, was some time in the past week. Also National Cat day, but they didn’t say stuffed cat. At least I don’t t think so. I didn’t read the fine print, but I did lie on it. It was in my sunbeam. By that, I mean real sunbeam, not the artificial sunbeam, in this week’s picture, although that is good, too.

Also in this week’s picture is the business card holder that usually sits on Writer Chick’s desk. Since Writer Chick’s desk is currently in storage, that holder thingy and the pen attached to it live on the bookcase in Writer hick and Dude’s bedroom. Writer Chick gets the bottom shelf, Dude gets the top shelf, they split the middle shelf, and I sit wherever I want.

Writer Chick is kind of pumped that she needs to order more business cards soon, because she has now given out most of the ones she had before. That means networking is going okay. She is also pretty pumped that the pen takes Pilot G-2 ink refills, because she loves those pens. Bold point preferred; she’ll be very clear about that, but she’ll take medium in a pinch, fine point if she must, but she will do so with a heavy sigh.

The plaque on the base of the holder says, “I Anna-ize,” which is there because this was a gift from a friend, who froze when thinking of what to have put on the plaque. Writer Chick’s name only occurred to her afterward, but it’s all good, because Writer Chick likes that sentiment. Putting her own stamp on the romance genre has always been important to her, so this is a good reminder to make sure that goes into every manuscript.

How does Writer Chick “Anna-ize?” That’s a very good question, and there are times when her response would probably be that she was hoping you knew. Sometimes, it’s a matter of sitting down and doing the thing. Apple trees can only grow apples, and all that

For this kind of thing, it’s really best if Writer Chick doesn’t over Anna-lyze (see what I did there?) what she’s doing, and, instead, let the characters have their head (that is an old-timey phrase, meaning to let a horse pick where it wants to go, and the rider will be all “whatever” about the whole thing) and trust that they will get her to the right place, in the end.

Since Writer Chick writes romance, that end is an ever fixed mark (Shakespeare reference, for the win) but exactly how those people get to that happily ever after, well, that’s a wild card. I can respect that. It’s going to be different for everybody, which is why romance is such an interesting genre for Writer Chick to write.

That should be about everything for “Write” (heh heh) now, so keep your eyes peeled for those stray posts Writer Chick still owes. Never know when those babies are going to pop up, but they’ll be there.

Peace and Cuddles,

SebastianWindowBye

Writing Lessons From My Art Journal

Happy Halloween, and/or day before National Novel Writing Month, to all who participate. The extrovert in me loves the community of NaNo, and the competitive side of me loves the pounding toward a goal, hell-bent for leather, as my Aunt S used to say, but anxiety is not as thrilled about the pressure, so, for me, doing the slow and steady thing works better, so I will cheer on all who are participating from the sidelines, and keep on going at my own pace..

Once again, we have Monday’s blog on Wednesday, and I am okay with that. Domestic Tornado Season is, hopefully, winding down, fingers crossed. In the meantime, butt in chair, fingers on keyboard and/or pen to paper whenever possible.

Lately, I’ve been using my art journals to destress, and, as usual, they’ve taught me a few things about the writing life. I don’t know how I settled on it, but, in the middle of one of the bigger tornado surges, I took out the nearest art journal to hand, and turned to a fresh page.

First of all, I did not draw anything on these pages. Both pages are stencils, by Jane Davenport, whose art supplies I love, love, love. The notebook cover and insert are both from her collection, as well. No compensation here, just a fan, sharing what works for me.

I’ve tried to start this blog entry many times, and I always get in my own way, so I am going to go ahead and throw whatever is in my head onto the page, which is generally how the best stuff happens, anyway.

Earlier, this week, I grabbed the art journal, pictured above, some face stencils, and a Pitt artist pen, and started throwing stuff down. These stencils have options as to what features I can put, and where. Usually, I start off placing the eyes too high. Moving them around before I actually set down any ink helps, and keeping a small notepad next to my art journal also helps, because working with art stuff is a great way to get my story brain on the back burner, which is when my imaginary friends often do some of their best stuff, while I’m looking at lines and shapes and colors.

Right now, it’s already after 3PM, which means that the ideal posting times have passed for the day, and I could call myself now two entries behind and promise that I’d take care of it tomorrow. I know this is bull, because tomorrow is already booked (no pun intended) and a post written after the ideal posting times is going to get more hits and reach more readers than the post I’m going to write, eh, sometime. This is also the first thing that my recent art journal experience has taught me about writing:

* Put Some Stuff On The Page. 

This is important, because, without that, nothing gets done. The idea stays in my head, and, no matter how many people I tell about it, nobody will get the full experience. Including me. As long as the idea stays in my head, it stays perfect, and I can’t fail. Once I commit ink to paper (or the digital equivalent) the ball is actually in play. If I don’t like what I made, A) nobody has to ever see it, and B) I can open to a new page and start again.

*Use What You Already Have. 

I love going to art or craft stores, looking at all the pretty stuff, imagining what I can do with it, and petting the packaging. Sometimes, some of it even comes home with me, which means I can actually use it. I can also actually let it sit there and taunt me with its un-touched-ness, but I don’t get to find out what it can really do, unless I bust it out of the packaging and put it on the page. See first point, above. Those craft store displays and online adverts are very tempting, buuut know what? That box of stuff is right here, and everything in there was the shiny new thing once. It came home for a reason. Time to actually let it fulfill its purpose, or, at the very least, see what it can do.

*Experiments Are Good

When I first started using the traveler’s notebook system of covers and inserts, I was very adamant that I only wanted one particular size, about five by eight inches, because that was the size of notebook I already liked. Two sizes, if we count pocket. Then, I had to have this particular cover, which came with this particular insert, which is standard size, eight inches square, folded in half (my brain is not going to do the math) but this was the insert that came with the cover, and it was marker paper, and I have markers, and what’s the worst that can happen?

In this case, I can fill the entire thing in a record amount of time (I am one spread away from filling the whole insert) and then start making my own, from paper I already have on hand, because I love what my brain does when I am art-ing, which leads to the next point.

*Take Notes

This one, I cannot stress highly enough. My story brain works best in a fertile environment. If I’m making art, I have a pen in my hand already, so, if there is a pretty piece of paper (or the back of an old envelope) nearby, it’s ready to catch any thoughts that pop into my head. I am also usually listening to something while I art, and, recently, that’s included a lot of You Tube videos on writing and/or reading.

This is normally where I want to wrap the post together and relate it directly to writing, but I’m not going to do that right now. I’m going to leave it where it is, hit “post,” and grab a notebook or two.

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Use It If You’ve Got It

Yesterday, I picked up a new notebook for my morning pages, as I am rapidly nearing the end of my current notebook. Current book has a unicorn on the front, pastel rainbow pages inside, and I usually go for glittery gel pens when writing in it, because what else is one going to use in a pastel rainbow unicorn book? There is a lot of pink, purple, and turquoise.

211018morningpagesoutside

In contrast, the new book is by Punch Studio, who have the key to my maximalist heart, now and forever. I knew, from the moment I first saw this book, in a bunch of other books on a shelf, that I would need this one fo rmy next round of morning pages. I already know which pens belong with this book, and there will be some purple involved, but a blackened purple. All of the pens that go in this book will be blackened versions of their colors: red, brown, green, blue, purple. That feels welcoming and comfy and right. What comes after that book is finished? Ask me when this book is full.

211018morningpagesinside

Contrast with the other book I picked up last night, which is almost definitely going to be my new traveler’s notebook/bujo setup for 2019. For the last year and change, I have been drawing my own planners, which, while I love the result, takes a whole lot of time that could go toward writing, so a purchased planner really is in my best interest.

That may have something to do with why and how the entire Dylusions Dyalog system fell into my cart, when it was on clearance at a well known craft store. I thought I’d saved pictures of the one spread I have completed so far, but there were technical difficulties. I’ll add those later. Point is, the aesthetic of this creator is not my usual thing, but there’s an energy about it that keeps drawing me back, and, equally importantly, I already have it. Never mind that it’s a size of notebook I’ve never used before, and I am not sure yet what pens go with this paper. I need an agenda, this has an agenda, and, if I don’t use this system, why to I have it, hm? Hm?

Now. Writing. You knew this was going there, right? I have characters and plots and settings and tropes, all tapping their collective feet in the waiting room of my imagination, and I am wracking my brain for new ideas? Some of that stuff is so old, it could vote, on its own, without me. I am letting it gather dust, why, again? Right now, I am having trouble finding an answer, which is probably an answer in itself.

What am I saving them all for, anyway? The pretty notebooks, the fancy pens, the star-crossed lovers, the family saga, all of that good stuff? I am waiting for what, again?  A special occasion? Define special. When I am good enough? At what?  By whose standard? When the constantly changing market is right? Right by what standard? Is there some criteria I haven’t mentioned? Probably. It’s probably a complicated question, but the answer could be an easy one.

Maybe writing romance novels, and writing morning pages aren’t that different, after all. Maybe it’s as easy as finish one book, and start on the next. If they seem like complete opposites, or strange bedfellows, at first glance, that’s perfectly okay, as long as there’s that core of love there, that feeling that I’m exactly where I’m supposed to be, and the thought of getting up every morning, to face these particular pages for months at a time, fills me with enthusiasm, rather than stress.

Maybe that’s too facile a comparison, but, for today, I’m going to go with it. Not that this is going to stop me from acquiring new notebooks, or new ideas. That is flat out not going to happen, because A) I have a birthday this week, and B) writers spontaneously generate ideas, a lot of the time. Neither ideas,  nor notebooks, however, do much good if they aren’t put through their paces. Not everything is going to be a winner, but we never know until we try.

020418deskscape2

Detour

Right now, by body is ensconced in my pillow pile, Irish fisherman afghan, knitted by Housemate, in my lap, notebook and early birthday present (also from Housemate) in front of me. My mind, however, gave me a jaunty salute as soon as I started swatching the pens, and hopped into the wayback machine.

181018rainbowpens

Do I blame the pens, or thank them?

Since I swatch in color wheel order, the mnemonic, Richard Of York Gave Battle In Vain runs through the back of my mind. Red, orange, yellow, green, blue, indigo, violet; it’s a pattern that stays the same, no matter what form the colors take. I’m still not entirely sure where brown fits in. Sometimes, I treat it like a dark yellow, sometimes it does its own thing between purple and black, or hangs out with other neutrals. Putting pens in color order sets the story part of my brain on the back burner, where, like the brown pen, it does its own thing. Swatching leads to putting actual English words on the page. Enough of that, and the words start to take on some semblance of content.

Today, working my way through the warm colors, my brain gave me a jaunty salute and trotted off toward the wayback machine. This time, it wasn’t Georgian England it headed toward, but Upper Shad Road, in Pound Ridge, New York, coughty-cough decades ago. Our family only lived there for one year, but my mother and I, sometimes my Aunt Lola, and I, wit or without our two dogs, too many a walk along that road, with the autumn leaves all around us, the air crisp, and only the occasional car zipping its way by us.

Back then, I was too young to take the walk by myself, so there always had to be an adult with me, and, especially if the dogs (one purebred German Shepherd, Schatze, and one beagel-y sort of mix, Spike) were going, no way was I going to turn down the chance to take that walk. My mom trained both dogs to sit quietly behind her, on the side of the road, whenever she said the word, “car,” and they were 100% on that, only standing again when she told them, “okay.”

The route was always the same, from our house, to the end of the road, or, if we were feeling adventurous, around the corner, to see a house under construction, and then on to Scott’s Corners, which had the local grocery store, and a couple of other shops. If it was Aunt Lola with me, then it was a sure deal that I was going to come back with a special treat. The very best of those was when I’d make the return trip with a brand new comic book tucked inside my jacket.

That is, I think I had it tucked inside my jacket. I was too young for a purse, and though my aunt or mom would have had theirs, I remember carrying my own stuff, so if it wasn’t in my jacket, it was in a bag from the store. Either way, the way I carried it doesn’t matter. What does matter is the way that I felt, on those walks.

Spending time outside, in the crisp autumn air, in the glorious riot of reds, oranges and yellows, the browns of trees and grass and dirt, the smell of happy, healthy dogs, the feel of their excitement to exist, period, and spending one on one time with my mom or aunt, were wonderful, of course, and stick with me even now. What stands out even more, though, is the feeling of that new comic, next to my heart, figuratively, if not literally, my mind whirling with the possibilities that lay within those pages., between two glossy covers.

Back then, I was super into Wonder Woman, so most of them were probably that, though I also liked the whole Batman family, and the Christmas/holiday season could not truly begin, before Aunt Lola bought me whatever Christmas edition of one of the Archie comics we could find. This was never outright stated, by either of us, but there are things that an eleven-year-old knows in the marrow of their bones.

There are things, as well, that a grown up writer knows in the marrow of her bones. Things we may not say aloud, or ever discuss with anybody else, but are true as true as true as true. Maybe that’s why they don’t need to be discussed, or put into real English (or Spanish, or Italian; our family was multilingual) words. Still, they are real, and they are true, and they are a constant that the grown writer can touch on, decades later, when long autumn walks involves crossing city streets (and wondering if she would have to teach dogs the word, “bus,” as well as “car.”)

It’s natural, this time of year, to think of the veil between present and past thinning, so maybe that’s why it’s that easy, today, for adult me to touch that particular bit of kiddo me. I am, right now, about the same age Aunt Lola was when we took those walks. Stories still make me feel the same way, all tingly and alive with anticipation, wanting to get home, already, so I can dive into them and experience the story world as vividly as I did the walk to get them, in the first place.

Granted, now, I am the grownup. Now, I am the one writing the stories, as well as the one reading them. These days, it’s historical romance and contemporary YA that make my heart skip its way along the tree-lined road, possibilities whirling around in my head, like leaves kicked up in the wake of passing cars. When I get home, it’s not to parents and hamster, but husband and housemate, two miniature rosebushes, and a stuffed cat that is standing in for the real one we do not have right now (that bit about the stuffed cat is exactly the same, alas.) The feeling, though? Exactly the same.

It’s easy to get distracted by the minutiae of every day life, the mundane stuff like trash and dishes, and adulting, in general. Even so, I am fully convinced that one of the girls in my basement (thank you, Barbara Samuel) is an eleven-year-old girl, her pockets filled with black licorice, and a comic book between jacket and sweater.

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Anna-ticipation

Right now, I am sitting on my pillow pile, lap desk in my lap. Outside, it’s grey and intermittently rainy. There is a package of pens (not the ones pictured) on its way to me, possibly arriving today. My tea mug is empty (again,) and, as soon as I finish this entry, I can get up and make more tea. It may possibly be chai. In the later afternoon, there will be groceries. This may or may not expand my tea choices. It may also expand my pen inventory, but that is a risk I am willing to take.

This past weekend, I attended our monthly CR-RWA meeting, where Jean C. Gordon took us through her Gone in Sixty Minutes synopsis workshop. Now, I have one eye on my notebook, as I go through the Monday stuff, because I want to get back to what I was doing on Saturday afternoon.

I’m not usually excited about writing synopses. Writing a whole book is, somehow, easier than giving a brief summary of what the book is about, and what it means for the two lead characters. Do not ask me why. All I know is that, usually, when I hear the word, “synopsis,” I immediately forget the entire book, stare blankly, and mutter something that sounds vaguely like “ummm….”

This time, however, I’m much closer to “this is super cool, and I can’t wait to hunker down and get to it.”  I even like the idea of writing the synopsis before writing the book, and may have to give that a go at some point.’That may be close to what Melva and I are doing with Chasing Prince Charming right now. I used Her Last First Kiss for the hands-on part of the workshop, as well as reconnected with a once upon a time critique partner, about resuming that relationship, and, now, that it’s time to get back into the serious business of making book (literally) I feel more…grounded may be the best word. I was not expecting that, but I will take it.

That work isn’t for today, though, because Monday is for doing Monday things. Getting ready to Skype with Melva, making a grocery run, transcribing longhand pages. Keeping one eye on the clock, because I know when the mail carrier brings our building’s mail, and there is a very good chance that there may be pens in there. Not that I know exactly what sort of pens they are going to be, because this is from a pen exchange on a Facebook group for pen enthusiasts. I am also getting a bunch of pens ready to send off to my exchange partner, someone whom I know very little about, other than their address and taste in pens. Sometimes, that’s all one needs to know, only enough to take care of the task at hand. If that hand happens to be holding an awesome pen, well, that’s a plus.

As usual, the weekend included some craft store tourism with Housemate. This time, I cracked open the marker paper insert I’d been wanting for a long time, open as soon as I got it home, whipped out some markers and stamps and stencils, and started throwing stuff onto pages that were not the first page (excellent art trick to get over the reluctance to ruin the first page of a new sketchbook/insert.)

Again, this is kind of similar to something Melva and I are doing with our first draft of Drama King, and what a combination of talks with N, Saturday’s workshop, and a few other factors, have me wanting to do with  Her Last First Kiss. Maybe one of the pens in the pen-ding delivery will find its purpose in doing exactly that.

I already know what my reward, at the end of the day, will be. Right now, I have one re-read of a classic historical romance for my before-bed reading, and one brand new contemporary YA, by two authors who always hit the mark, on my phone, to nip into when I have spare moments. Both of those are the kind of read where I find myself thinking about the characters during the day, hoping they don’t do anything interesting without me. They usually don’t, Other people’s characters are usually better behaved than my own, and happy to wait for me before they get back into the action.

Not so with my own imaginary friends. Getting up to stuff is pretty much in their job descriptions. They’ll run off the planned route, on a whim, make decisions and take actions that I did not authorize first. Oftentimes, they come up with better stuff than I do, and maybe this is what they will do, tonight, when I am scanning the shelves for no sugar added applesauce, or cruising the pen aisle for fun things to toss into a package I will mail out later this week.

It’s important to stay in the moment, and do the thing in front of us, but, sometimes, casting a glance at the horizon can be an excellent reminder of where we’re going, and why we want to be there.

Breaking Out the Good Stuff

Stuff is going down today. I can tell because A) I am the one who planned said stuff, and B) I broke out the fancy pen. Full disclosure, said fancy pen was broken out for photographic purposes, as a quick test proved that it’s going to require cleaning and re-inking before I can actually use it. The actual pens used in today’s work will probably be one of my workhorse pens, possibly erasable because I know me, and perfectionism is the big boss to defeat before I can get into reconnecting with the meat of Her Last First Kiss, which is my assignment for the day.

Tomorrow morning, N and I will have our weekly breakfast and go over our homework, aka the pages that will enable us to kick each others’ posteriors into gear on our chosen projects. For double-digit years, I was part of a weekly accountability/critique group, that included my contemporary cohort, Melva Michaelian, and I was the only person who had something to read, every single week. There were more times than I’d care to admit, that my pages for that week were written in a white-hot burst, down to minutes before my ride came to ferry me there. There were times when I wrote pages that didn’t have anything to do with a current project, but they were pages, goshdangit, and that was what mattered.

When I moved from CT, to NY, obviously, that was the end of that. I missed it, and still do. I haven’t found a local group yet, though I’ve tried a couple, and I do have local writer friends, whom I meet with individually. I miss the group dynamic, though, so still working on that one.

Writing is often a solitary pursuit. I am an extrovert, meaning that I gain my energy from being around other people, and spend my energy when alone. Communing with other writers is a great way for me to refill that energy reserve. The internet is a great source for that. I will never, ever turn down a chance to have tea and writerly talk, face to face, with a local writer buddy, and have been known to travel, to see writer friends who are farther away than public transportation can connect.

That better have pages thing, though, I’ve been missing that. Last week, when N and I had our first regular breakfast after we both went to separate RWA events, we admitted we could both use some accountability. Hence the homework. Hence the excited skip of my pulse as I write this, glancing over the top of my monitor, at the real life version of today’s picture, only a few feet away. A new cup of tea, a pen in my hand, and it will be time, once again, to dive headfirst into Georgian England, and Bern and Ruby, and all the reasons they shouldn’t and can’t be together, which are nothing compared to the fact that they must. Are they going to admit that, though? Not without a great deal of difficulty, and that, for me, is where the fun lies.

Since I’ve already written the first draft, I know how things are going to turn out. This is for going deeper, for making the book more itself. Making Bern Bern-ier, Ruby more Ruby-licious. This is going to mean finally breaking down and setting up the printer, because I need reference pictures, and family trees, and cheat sheets, and all of that good stuff. This means ripping apart the binder I made over a year ago, that I set up in a specific arrangement, then never used.

Obviously, that arrangement didn”t work. Difference between theory and practice, and all that. This is time to fly into the mist, albeit with a general idea of what I’m doing, and the boundaries of the previous draft and a half, to bump me back when I drift too far afield. I’m excited (if you haven’t picked up on that by now) and am about half super pumped to get back to this story (a huge thank you to those writer friends who have needled me about this, because it super duper helps) and half running around in circles, arms flailing, but at least they are controlled circles.

My table/desk is not going to look this neat by the end of the day, when it’s time to clear away the writing stuff and set up for dinner with the fam.  I am okay with that. Probably, at some point, but probably not today, I will do battle with the fountain pens that were last packed when I had a different address, and bring them  back into everyday use. That’s another topic, though, for another day.

For right now, it’s time to brew some tea, pick out pens, and make a cover page for the second half of Big Daddy Precious, then start digging.

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You Asked For (Most of) It

Kitchen table seems to be my default workspace as of late, and, one week after my return from CT Fiction Fest, the normal routine is inching back into place. Since the normal routine includes candles, tea, books, pens, and paper, this is a very good thing. It also means I do the book writing thing, now equipped with my snazzy new tools gleaned from abovementioned conference.

Starting off a little differently this week, though (and not only because Monday’s entry is coming to you on Tuesday,) with answers to a few asks I’ve had in ye olde emaile inboxxe.

First, my planners. If you’re new, spoiler alert: I love planners. If you’ve been here a while, this is not news. For those who asked about my current system, I use the traveler’s notebook setup, aka one cover, holding four notebook inserts inside it.

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Webster’s Pages classic and pocket traveler’s notebook covers

My classic (aka A5) cover is blush stripe, and the pocket size is blush. I am very into blush pink at the moment (it will probably be a very long moment) which is why I had to have the blush pink Artist Loft dot grid journal from Michaels. This is where I make my monthly and weekly spreads. I used to make daily spreads as well, but A) that takes a while, and B) my dailies migrated to a whiteboard on the refrigerator, and seem happy there, so who am I to move them? I’m experimenting with a minimalistic style in this planner, which is new for me, but fits with the blush, so it may stick.

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My calendars are in Dutch, because I am learning.

Inserts for both covers are usually Moleskine cahiers or Volants, but Picadilly has some super nice A5 inserts, as well. I get both brands at Barnes and Noble. My new discovery is Yellow Paper House, on the website or Etsy, which makes gorgeous inserts with colored paper. Insert heart eyes emoji here. My favorite pens could take up another post all by themselves, but, for daily use, I like Pilot Frixion erasable pens and pastel highlighters (also erasable.) I like the clicky ones best. I am not receiving any compensation from abovementioned brands; merely fangirling over my favorites. This weekend, I plan to try my hand at making my own inserts, because A) I am a control freak, and B) I like pretty notebooks that do exactly as I want.

The next request comes from a conversation with friends, this past weekend, and the idea of top five books. This is a hard question for many readers, because how do you pick? Going with top five for right now, not of all time, and I can write more, later, in depth, about said choices, but, for today, my top five historical romance novels are:

  1. Skye O’Malley – Bertrice Small
  2. Lovesong – Valerie Sherwood
  3. Pirate in my Arms – Danelle Harmon
  4. Tyburn – Jessica Cale
  5. Wild Bells to the Wild Sky – Laurie McBain

 

Top five YA novels, right now, are:

  1. Eleanor and Park – Rainbow Rowell
  2. Every Day – David Levithan
  3. Emergency Contact – Mary H.K. Choi
  4. We Are Okay – Nina La Cour
  5. I Will Go Barefoot All Summer For You -Katie Letcher Lyle

 

I could probably break this down further, to give lists of specific kinds of historical romances, or YAs, and favorites that don’t fall into either category.  (Nick Hornby, Evelyn Waugh, and (the real) V.C. Andrews, I am looking at you.) These will probably crop up in future posts, because A) instant post topic, on days when my blogging idea bank consists of “uhhh….” B) I will get to make a separate notebook to keep track of all of these lists, and C) I honestly could blabber about my favorite books forever. Ditto on the pens and notebooks, but a gal’s got to write sometime.

I am also putting a mental sticky note on the topic of abandoned notebooks, those that I started with the best of intentions and then…umm…yeahhh…:shoves stack of notebooks under bed, with foot: Some of them come back, as with Big Daddy Precious, aka the second from the bottom in the book stack, pictured. I fell in love with this notebook on sight, needed it, longed for it, and knew that I wanted to use it for Her Last First Kiss stuff. I started at it for longer than I would care to admit, then tried a bunch of different approaches, all of which fell completely flat.

Still, I packed it in with my must-haves when we moved, and, this past week, hauled it out of its box, when N and I gave ourselves homework to get ourselves back on track with the manuscripts we loved, but had been ignoring/hiding from/procrastinating. What better book than the one I can swear is giving me the side-eye? I hadn’t noticed it at the time, but the point in this notebook where I paused writing in it? Dead middle.  Solution? One page break, new title page, begin as if this was a brand new notebook.

The one thing I have learned from these notebooks abandoned in midstream is that whatever I was using them for, and then abandoned, wasn’t the right thing. Maybe I thought it was the right thing, but it wasn’t, and that’s normal and natural, does not mean I am a failure as a writer and/or human being. All it means is that I need to turn a fresh page and try something that is not what was giving me guff. Decent advice for most things, really. I may need to make an art journal page about that.

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