Typing With Wet Claws: Creative Thinking Edition

Hello, all. Skye here, for another Feline Friday. Big week at our house, as usual, so that is no big surprise. Anty is very happy that she will be going to three RWA chapter meetings this week. Three. She has never been to that many in one week before. She went to Saratoga Romance Writers on Tuesday (you can read about that here, in case you are new or missed it.) Tomorrow is her day to go to Capitol Region Romance Writers (they are the closest to us) and on Sunday, she goes all the way back to where we used to live (the area, not the house) to go to a meeting of New England Romance Writers. She is gone all day when she goes to that one, but happy when she comes home.

Being around other writers, especially other romance writers, is very good for Anty. She comes home from those meetings all excited and wanting to write more.Sometimes, she comes back with more books. Sometimes, she comes home with snacks. That is people snacks, unfortunately, and not kitty snacks, though that is okay, because I only eat the food Mama, Anty and Uncle give me, and they never miss, so I am fine. This week, Anty came home with flowers. In case you missed them, they looked -and still look- like this.

They're baaaaack.

They’re baaaaack.

Anty getting the flowers was a good thing, because she likes flowers, and she, Uncle and Mama had wanted flowers for the front window (the one I watch birdies through) for a while now. She was happy to get these, and thinks they are very beautiful. There is only one problem, though. They make her head explode. That is very frightening for a kitty. When her head explodes, I run out of the room, because the sound is very loud. Then I come right back, because I am brave and curious. Then her head explodes again. I am exhausted from all the running. That is probably why Anty moved the flowers from the front window and into her office, where she can close the door.

There is only one problem with that. If the sneezy flowers are in the office, she can’t be, and she needs to rearrange the office because a new destktop computer is coming home in a couple of weeks (it is not new-new but it is new to Anty, so that still counts.) This means the flowers have to go, but where? At first, Uncle had a good suggestion. Anty could bring them to a friend who had to stay at the people vet for a while. Anty agreed that was a good idea, and she took the sneezy flowers all the way to the people vet, only to find that their friend’s room was…empty. A nice nurse assured Anty everything was okay and that the people vet said their friend was better and had gone home only a few minutes before. Anty took the sneezy flowers back home and told Uncle they had to think of another place.

Then Uncle had another good idea. He could take the sneezy flowers to the prayer chapel near his work. I should mention that Uncle is Catholic,which does not have anything to do with cats (I know, I was disappointed to find that out, too; it has c-a-t right in the name. That is rather misleading.) even though all the Catholic people I know personally like cats a lot. But some do not. Anyway, Anty was happy to hear the flowers could have a home in the chapel, and went off to write, When she got home, surprise – flowers. She waited for Uncle to come home and asked him why they were still there. He said he’d forgotten it was Lent, and there cannot be any decorations at that chapel during Lent. So much for that.

Anty does not want to throw out these flowers because they are not cut, but are in soil, so they are alive. She says she might take them to her CRRWA meeting tomorrow and give them to somebody there. I hope they are not allergic to flowers, too. Maybe next time, she should get catnip.

Speaking of catnip, since notebooks are like catnip to Anty, she wanted me to share her newest acquisition, her very first 5×8 hardcover Moleskine. Can you believe she went this long without one?

I think the discount helped...

I think the discount helped…

Anty has been very busy this week, not only with meetings, blog posts, and stories, but with her brand newest thing. Today is her day to talk at 31 Days and 31 Ways to Jumpstart Your Life. She is excited to talk about how being creative helps make life better. Tomorrow is the day she posts at Buried Under Romance. If you have never read her posts there, here is last week’s post, about finding new books. Here is the picture she took for this week’s post. What do you think she will talk about there?

what could this mean?

what could this mean?

Anty says this is getting long and she needs the computer back, so that is about it for this week.

Until next week...

Until next week…

Until then, I remain very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

A Camping I Will Go (NaNo style) And Other Tales

I’m doing Camp NaNo this year.

I hadn’t planned on it. In fact, I’d planned on not doing it, because NaNo wordcounts give me the heebie-jeebies, and as I told the delightful Shannon Kauderer at today’s Saratoga Romance Writers meeting, tend to leave me in a fetal position under the dining room table, sobbing uncontrollably. Shannon reminded me that I can set my own word count for Camp NaNo, even zero, and that the moral support, which is what I’d liked about NaNo in the first place, was the main point. So, this year, I’m camping. Also, Shannon has mermaidy green curly hair and charm for days, so that may have had something to do with the fact that I am now officially signed up. Not focused on word count; it’s all about the story for me.

ready to work

ready to work

Good thing, that, as Shannon, the regional municipal liason for NaNoWriMo (and camps) was the guest speaker, presenting her workshop on the Snowflake Method of plotting. I’ve taken this before, when Shannon presented at CRRWA, then, as now, with the delightful SueAnn Porter as my companion, so I knew what I was in for, and surely, I’d whip through this, no problem, be all set to charge forward.

Not exactly. The first step, creating a one sentence description of one character’s journey, had me stymied at first. Lots of writing, lots of crossing out, lots of squeezing in teeny tiny words above those crossed out lines, and I finally came up with this:

A disreputable rogue finds the love of a lifetime in the one woman he can never have — his best friend’s mistress. 

Hm not half bad there. Okay, the meeting itself went rather smoothly. I felt right at home in the, warm, welcoming and professional group, and definitely plan on visiting again. I am not only saying that because I won the drawing for these lovely blooms right here:

Free flowers, that's how to welcome visitors.

Free flowers, that’s how to welcome visitors.

It was when SueAnn and I hit the parking lot that things got interesting. Flat tire. SueAnn figured we could limp along to the nearest service station, but reversed her decision and direction and we headed back to the parking lot. There was a quick fix kit in her trunk, which we both gave the old college try, but the green sludge in the squeezy bottle refused to go into the actual tire.

actual green slime

actual green slime

In my family, the words “dripping green slime” are a way of expressing barely contained anger, but there was none of that as SueAnn and I waited for AAA to show and swap flat tire for spare tire, which turned out to be the smaller donut sort. With weather thankfully warm for the day, we waited as only writers can – picking apart bad endings to good movies and TV shows, and fixing them. By the time AAA did show, we had a couple more stops before I could head home and charge straight into writing.

at least we tried

at least we tried

Adventure over? Not a chance. SueAnn wanted to get the real tire fixed and back on, which makes sense as she’s off on another adventure with Mr. Porter after she drops me off at home, so we had a short detour to the place from which her tires originally came.  There, we met an individual SueAnn has asked me to dub “Ridiculously Handsome Tire Guy.” We do not have a picture of Ridiculously Handsome Tire Guy, but SueAnn put him at “Derek Morgan level” (Shemar Moore in Criminal Minds) found herself distracted enough to momentarily forget how to speak English, which she assures me is indeed her native tongue (but sorry, SueAnn, “tire” and “photograph” are not synonyms, no matter that the gent in question seemed to catch her drift even so) and drop her purse. Somewhere out there, she’s sure, a romance novel is missing its cover model.

ridiculously handsome writer's dog

ridiculously handsome writer’s dog

Quick stop by Chez Porter to feed Bailey and make sure he got to :ahem: visit the great outdoors (and pose for a photo op) and then time to brave the traffic to drop me home. What do I do immediately upon arrival? Yep, head for they keyboard. A day spent talking writerly things gets me excited to go home and put all that theory into practice. The more I live with that one line blurb, the more I like it. Should be a fun time at camp this year.

Update: Flowers now exiled to office, as incessant sneezing makes me suspect I may be allergic. Balcony door now open to let in the evening air as I snuggle under a blanket to further explore story doings.

Remembering Bertrice Small, Part Three: Beyond The Pages

The most vivid memories I have of Bertrice Small aren’t between the pages of her books. While there are others who knew her far longer and far more intimately than I did, these are the memories that come most to mind.

Bertrice Small was my very first phone call. I was three days old, newly brought back to my parents’ New York apartment from Viriginia, where I was born. Their way of letting close friends know they had adopted me was to put me on the phone, and, as Aunt Sunny herself told me, she was the first. Her exact words to my mother, were, according to her, “Oh my God, you stole a baby,” then delighted laughter when my mom assured her it was a legal adoption.

Okay, not technically my memory, but that was so completely Bertrice that  I had to share it. Her voice is the most calming voice I have ever heard in person, and she was the first person I called when my father was taken off life support. I didn’t have to say anything; she said “it happened, didn’t it?” and we shared the moment, together. Those two phone calls alone could serve as memory enough. Bertrice Small was, beyond a pioneer in her genre, a true matriarch who could give any of her heroines a lesson or two (and she did) but the more time I spend on the matter, the more examples spring to mind. Photographs, alas, are currently in storage, but the memories can come at any time, and my copy of Lost Love Found will always have an extra special meaning, on more than one level, so I’ll let that suffice.

To me, this book will always symbolize friendship, not because of Valentina and Padraic’s story (which I love) but because of the friendship attached. Bertrice had originally wanted her dear friend, Elaine Duillo, to illustrate that cover. Unfortunately, contractual obligations made that impossible, and another illustrator friend, Robert McGinnis, stepped in to provide the cover art. I wish I could remember the entire story, because it was a good one, but I remember the animation in her voice and the spark in her eye when she told it. I do know that her covers sparked my ongoing interest of the works of both illustrators, different styles but equally talented.

My copy came to be courtesy of Nancy,  a family friend, with whom I was spending the day. I insisted we stop in a bookstore because Lost Love Found would be out and I had to touch a copy, though I didn’t have the cash on me to buy it yet. It was there, and I plucked it from the shelf and read the first few pages. Put it back with a sigh of regret. Picked it up again and stroked the cover. Nancy, kind soul, bought it for me because it was clear the book and I had bonded, even though she didn’t read romance herself. A very Bertrice-like thing to do, and all the more special because Nancy passed away shortly after that. Now, when I reread or even pet the cover, it feels like they’re both there with me still.

It’s difficult to pick out the personal memories to share.  As any two people do, we had our differences over the years, and navigating a child/adult relationship as it turns to teen/adult and then adult/adult is going to have some bumps in the road, but if I had to say only one thing about Bertrice Small, the person, it would be this: her heroines would be proud. I remember that calm, yet lively voice, telling family stories with as much imagination and care as any of her novels, doling out much needed advice and opinions, making command decisions when they were needed most and showing me that it was, indeed, womanly to be smart and strong.

Remembering Bertrice Small, pt 1: As a Reader

I’ve spent some time thinking about how I could encapsulate the influence Bertrice Small has had on me as a reader, writer and human being in general, into one post, and what I came up with was that I couldn’t, so I’m not going to try.  One post is going to be three.

i1035 FW1.1

I read my first Bertrice Small novel, which was also the first Bertrice Small novel, The Kadin, at the tender age of eleven, but I’d known about it long before. Bertrice’s husband, George, and my dad, had been in the army together, one of those friendships that was so close, it was a shock when I figured out they weren’t biologically related. So, it was normal to have grown up with mentions of “Aunt Sunny’s book.” A story fiend from day one, I remember asking a lot of questions about it, most of which were creatively evaded, and I remember being in the local Caldor with my mother, combing the paperback racks on one fateful day when The Kadin was a brand new release from a new author. Could I read it? No, my mom said, I was too young, but I wouldn’t be put off. Something about the cover called to me. I pestered and pestered and pestered her for at least a rough outline of the plot.

At last, my mom bowed to the inevitable and gave in. A sixteenth century Scottish girl got sold into slavery and spent forty years in a harem and then came home because her daughter in law didn’t like her. I remember the words rushing out of my mother’s mouth all in one go, and the way her eyes darted as if looking for a better answer. I also remember the insistent voice in the back of my head that whispered an insistent, “sold!” I stole the book from her nightstand shortly after that, knew, within the very first few pages, that I had found what I wanted to read and write for the rest of my life. Mom caught me reading The Kadin under the bed in the guest bedroom, by flashlight, during a thunderstorm that knocked out the power. She confiscated the book. I stole it back. I also wrote a book report on it. To her credit, my teacher, Mrs. Potter, did not contact my parents and gave me an A. She also took me aside and talked to me about becoming a writer myself someday. Good spotting, Mrs. P.

By the time the second book, Love Wild and Fair, a title which I was and am rapturously in love with, came out, I was still too young, but I did it again. Stole that book, saw exactly why Aunt Sunny was as in love with Bothwell as Catriona was, and I fell as hard for Scotland as I had for Ottoman Turkey in the previous book. It all filled my mind to overflowing. Not the sex scenes at that point, but the history, the drama, the descriptions and relationships, all lush and full and vivid as life. I got caught again, got a lecture from my mother again, got steered again toward more appropriate reading, which fell flat for the reasons above. I also got a stern talking to from Aunt Sunny herself.

By the time her third book, Adora, came out, I received my own autographed copy as a gift, along with a promotional poster. I have no idea where that poster is now (hopefully in storage, where it can be retrieved and displayed) but I still have my much-loved copy of the book, signed, this time, to me. I’ve acquired a few more signed copies since then, by the same and other authors, but none will ever match that thrill of seeing the very first book a favorite author signed with their very own hand.

I remember exactly where I was when I first read the opening pages of Skye O’Malley (the book, not the kitty) and not wanting to get out of the car to follow my father to the yard sale that was apparently more important than me diving into this book. My mother had passed away by that point, and she and Aunt Sunny had agreed, when Adora came out, that I was going to steal the book anyway, so I may as well have my own copies in the future, no matter my age. When I first met Skye, the fictional character, my life changed. Strong, smart, headstrong heroines, who could be adventurous, leaders, survivors, history-makers, beautiful inside and out, make mistakes -even huge ones- and still come out on top? Oh yes, please. Give me that. Teach me how to make that.

I soaked it up like a sponge, and was unspeakably thankful to have someone as knowledegable as the author herself to help me counter my father’s argument that romance was “all soft porn” with facts and definitions. Her recommendations of other amazing books in the genre – The Outlaw Hearts by Rebecca Brandewyne and The Spanish Rose by Shirlee Busbee stand out, and, boy, was she right. She recommended other authors I might like if I liked her: Cynthia Wright, Virginia Henley, Morgan Llewellyn, and a man named Jennifer (Wilde, aka Tom E. Huff.)

Bertrice Small opened a whole new world for me, one where love stories were worthy of history, and in some cases, sprang directly from it. For a kid who had honestly thought that the only options for me were hard science fiction and mystery, neither of which caught spark with me, no matter how hard I tried, it was a revelation. In historical romance, I found my reader heart set free, and I knew, deep down in the marrow of my bones, that this was what I was meant to write, as well. I will always, always be thankful to Bertrice Small for that.

Comfort Food

Some days start out with a four page to-do list and end up with comfort food.

This is one of those days. Two dear friends have beloved mothers in the hospital, at the same time, in different states, and I can’t be with either of them, though I’d love to be with both.  One expects to get her mom settled back into her own home by the end of the week, and the other, oh, my heart aches. I don’t even want to type it.

Real Life Romance Hero was  home today, both of us drained and cranky and concerned for our friends. We made grilled cheese and tomato soup and hung out in the kitchen, discussing food and film and baking lemon poppyseed quickbread. He advocated greasing the pan when the directions didn’t call for it, and dumping the excess butter in the batter, both of which ended up happening. Dinner will be Chinese delivery or meatloaf and his homemade mashed potatoes (that would be Real Life Romance Hero’s mashed potatoes. I don’t know if Meat Loaf makes mashed potatoes or not, but if he does, that would be fitting.)

Prior to the comfort food, I shoveled the walk, for the third time in twenty four hours, and, also for the second time in twenty four hours, hauled a load to the laundromat. Not my first choice of activities after said shoveling, but A) it’s February, B) we live in Upstate New York, and C) I was out of socks and long sleeved shirts. So, laundry had to happen.

Today's workplace

Today’s workplace

The smaller pad, next to the Diet Coke can, ended up with a four-page to-do list, which I informed Real Life Romance Hero about upon my return. I told him also that Plan B was to say “forget all that and watch movies.”  Because sometimes, we have to. Our bodies are tired. Our heads are full. Our hearts are heavy. This is one of those days, and I do have Revolutionary Road, which I know darned well is going to be gorgeous and tragic all at once, waiting for me. I haven’t cracked it open yet, because that’s the way the day has gone.

That four page to-do list? There are going to be a lot of arrows on it. Arrows, in my lists, mean carry over to the next day. Because there will be one. If there’s one thing I’ve learned from my time on this planet, it is that. Carrying things over from one to-do list to another doesn’t surprise me. What does surprise me is the way I accepted that today. Okay, not going to get All The Things checked off today, but did have a good hangout in the kitchen with Real Life Romance Hero, got to warn him not to touch the food until I’d photographed it, and had a much-needed break where we got to discuss Things That Are Important (friends’ mums, what both of us are doing with work these days, how the deep freeze outside affects our plans for the week) and Things That Are Not (current movies neither of us want to see, things we each read on the interwebs, how to share a single order of silver dollar pancakes and what side dishes there should be with that.)

We’re in a lull now, him doing dishes in the kitchen, and me under an afghan in the comfy chair, Spotify open and tuned to one of my story playlists, inspiration picture open in another window. We’re both waiting for the quick bread to cool (he calls it “a dirty tease” that there is an in-pan cooling period and an out-of-pan cooling period.) He’s puttering and I’m…writing.

It strikes me funny that, when not so long ago, trying to write meant me smashing my head against a brick wall for hours at a time, and now, when I’ve given myself permission to take a day off, I’m diving into my fictive world because that really is where I want to be, when I can be anywhere. To have the WIP be the place to go for comfort and rest, that’s a pretty good thing. I will take that, and gladly.

i1035 FW1.1

View from the laundromat

Duluth, Part Three

You must do the thing you think you cannot do.

–Eleanor Roosevelt

Here, on this lovely not-currently-snowing day, we bring the Duluth trilogy to a close. In case you missed them, part one is here, and part two, here. These all came about in the throes of writerly angst, when getting anything, even an incoherent brain dump, on the page felt like an insurmountable task. Obviously, that wasn’t permanent, but boy, did it feel like it at the time.

Duluth, pt 3

Since a writer’s work is, literally, all in their head, (and yes, I know I’ve drifted from the original topic of this post, but I don’t care; I’ll bring it back around) the upside is that there will be far fewer needles and surgical procedures involved in the writer’s recuperation, but that doesn’t mean it’s any less exhausting, aggravating and even painful. It’s neccessary, though, because writing isn’t something one can turn off. If you are, you are, and if you aren’t, you aren’t. While it is possible to be a writer who doesn’t write, as in someone who is genetically predisposed/hardwired/whatever term you’d care to use, who does not choose to exercise that ability, they aren’t the easiest people to live with and trust me, they’re not having a good time. It’s like trying not to breathe.

There’s the want. There’s the need. The how, however, that’s a different story, pun intended. Trust me, it’s easier to maintain a full creative well than to refill it. Ever try to fill an empty swimming pool using your kitchen tap? Whether it’s hooking up the garden hose so that one end is in the sink and the other in the deep end, or carrying buckets with or without the help of family members. it’s going to take a while. A long while. By that time, it’ll be too cold to swim, so what’s the point? Nope, better to call one of those trucks from the pool company and have them all dump it in at once. That, for the writer, is reading. A lot. In genre, out of genre. Books. Magazines. Backs of cereal boxes. Posters on the coffee house wall. Junk mail. Actual paper letters (really, send a writer one of these and they will love you even more.) Ebooks. Forum posts. Graphic novels. Library books. Closed captioning on movies and tv shows. Read read read read read read read until it’s not possible to hold any more.

Like with the pool illustration, if the creative well is empty, it may take a LOT of reading, a lot of taking in story in all its forms (movies, tv, plays, dance, computer games with a storyline or character development, etc.) It gushes in and in and in and in and in and in….that’s our transfusion. Next comes the physical therapy. Writing. Actual writing. I’m not going to say words on the page, because that phrase, I am pretty sure, was the piano that dropped on me, personally. Or maybe the pigeon that pooped in my eye when I looked up to see if the piano bench was going to fall, too.

At any rate, this stage of recovery means that there has to be actual writing. Meaning stuff in the writer’s head has to go someplace where it is possible, at least in theory, for somebody else to see it. Whether or not they actually do is not that important at this stage. For those who have a hypercritical gremlin in their head, jumping up and down and screaming “yes, it is!” it is okay to smack that gremlin with a copy of Outlander. If our writer had been in a physical car accident, do we expect them to crawl out of the wreckage and run a marathon? I’m thinking not.

What happens at this stage is spewing out everything that’s in the writer’s head, because even while the well is filling with good stuff, the bad stuff still has to come out. I’d say expressing pus, but that’s gross, but I also am taking advantage of this time to smack my hypercritical gremlins, so yes, it is at times like expressing pus. Bad stuff out so there’s room for the good stuff to come in.

Somewhere in the middle of all of that, things will begin to balance. The writer will get back in touch with why they accepted the invitation of all these people who live inside the writer’s head. The type of story, the type of character. They will get their voice back. They will fill notebooks and flash drives and whatever other method of storing data modern technology comes up with in the time between writing this and someone else reading it. Some of it is going to be venting. Okay, a lot of it is going to be venting. it’s going to be rough and confusing and attract hypercritical gremlins like blood in the water attracts sharks. Keep going. Because at some point, the balance will be reached. (Yes, that is passive phrasing, and no, I do not care, because hypercritical gremlins get my boot in their butt at this stage of the game.)

Up and down the steps. Up and down and up and down and up and down and then one day, without thinking about it, without planning to, without advance approval of the physical therapist, the writer takes the stairs instead of the ramp back to their room (or more likely, the vending machine on the third floor because that’s the one that has pub fries and gummi bears) – well looky there, stairs. Bunches of them. Climbed up and climbed down and the world did not end. Time to go back home and get back to business. And find directions to Duluth.

Duluth, Part Two

Mostly, you probably need to go deeper. Deeper, deeper, deeper. You should know everything there is to know about your characters and your settings.
–Barbara Samuel

I had a post all planned out for yesterday, but a deluge of the white stuff wiped that all out, so instead, hopping in the wayback machine to continue my Duluth post:

Sometimes, a girl (or guy) has to read. For girls (and guys) who write, that goes double. Not that it’s less important for those who read for pleasure only, because it’s certainly up there on the list of crucial things for maintaining life, along with breathing, food, water, rest, shelter, all that stuff. It should be noted that a decent bookstore or coffee shop should have all of the above, which is why I recommend visiting both as often as possible, but I digress.

The importance of reading for the writer goes double because it serves a double purpose. For most readers, reading is a break from everyday life. I say break, not escape, because when I close the covers of a book or power down my reader, the bills are still due, health isssues are still there, somebody still doesn’t get along with somebody, etc. I have to go back to what others may call “real life” but it’s with the knowledge that I carry some of the story I have read with me, and I can go back to it, or the  next one, in the near future. It carries me through.  True enough for all readers, but for those who write, we need to gorge, because we’re going to spew it all back out.

Seen those bumper stickers that say “no farms, no food?” We saw a good deal of them in the town where we used to live, as we were close to farm country, and it’s true. In the same way, “no books, no writers” could apply. Before any of you say it’s not the same, or ask if it shouldn’t be the other way around – “no writers, no books” – let’s put that aside for the time being.

Remember, whether you are reader or writer, that first book that invited you in. I say invited rather than sucked, because, unless there was a gun to your head or a rabid gorilla smacking his fist standing behind you, you had the option of putting the book down…but you didn’t want to. Staying with that book was an act of will. The rest of the world was going to have to wait, because what was in that story was more important.

Writers have to be, consistently, at that place where we can generate stories we hope will have that effect on people. While there are times when writers do the “just one more chapter and then I’ll stop” thing when at the keyboards (and we all want to be at that phase most of the time, I’m pretty sure) there are other times when we need to take in before we can put out.

Life, for anyone, can be exhausting. Things are going to happen. Natural disasters, injuries, illnesses, a sudden diagnosis when a loved one goes to see a doctor for something and then it turns out to be something else, which affects the entire family in ways nobody ever expected. New friends come. Old ones go. Sometimes, they come back, but it’s different than it was before. Work is crazy. Work is gone. Annoying situations grow to a point where they become unbearable and then every fiber of one’s being, every hour of every day, is focused with pinpoint accuracy on that one detail because nothing else can happen until that particular monster is penned and dispatched to the great beyond.

Now, do all of the above, in one year, and then put out a book, damnit. Preferably more than one. Oh, and be happy about it. Yeah, right. If it worked that way, cupcake, I would hop on my sparkly pink, winged unicorn and gallop through the clouds to Mount Olympus where I could have tea with Scarlett O’Hara, Darth Vader and the entire cast of Lost. (by which I mean the characters, not the actors) It doesn’t. Think of a series of life disruptions all happening basically at once like a car versus pedestrian car crash.

There the writer is, minding his/her own darm business, walking along and having mental conversations with imaginary people, when WHAM! Hit from behind. Get up. What happened? WHAM! Hit from the front. Well, okay, maybe I can get out of…WHAM! Sideswiped. Wham! Wham! Whamwhamwhamwhamwham! Before you know it, it’s a ten car pileup, and then, for no apparent reason, a piano drops on top of the writer like it’s a Looney Tunes cartoon.

We’re going to have some bruises here. Some blood loss. Some broken bones. Unless medical science has made dramatic advances in the last five minutes, we do have the technology and we can rebuild him/her, but not in an instant. Nope, it’s going to need a transfusion and bandages and some surgery most likely, and after that, after alllllll of that, we start the physical therapy. Not anyone’s idea of fun (except for masochists, and for them, hey, let them have their moment) but neccessary if the writer is ever going to get out of that bed and back to the land of the living.

Think of it as climbing up and down those same three steps in the physical therapy room. They don’t look like they’re going anywhere at first sight. In fact, they can be easily picked up and stashed in a cabinet at the end of the day, and by the tiniest of nurses, too. But up and down them a zillion times a day for however many days, and know what happens? Our writer is finally cleared to go home, the medical staff confident that he/she can traverse the three steps onto the front porch, and more than that, the thirteen steps that connect downstairs to upstairs. Time for a return to business as usual.

To be continued…

 

Obligatory snow picture

Obligatory snow picture

From The Trenches

I’d meant to have this post up Monday. Then there was Sunday’s snow, Real Life Romance Hero and I both adjusting to not being sick, all family members being home at the same time, and computer issues, and I cannot tell you for the life of me what my original topic was.  Really no idea on that one. I have a note somewhere that says “longhand,” but that could be pretty much anything. So today, you get my rambles. Also some assorted pictures that I have no idea what they were originally taken to illustrate. Let me throw them up here and see if I remember.

Okay, here’s one. First cup of tea after cold sore scab dropped. Apparently freedom tastes like cinnamon and star anise. I grabbed that tea bag at random from what we call the orphan jar,. where   various teabags go when the rest of their box has been dispatched, were picked up at other venues, received as gifts, etc. Though I haven’t actually played Tea Roultette (you drink what you pick) formally as of yet, it is always a possibility in our house.

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Skye’s notebook, surprisingly good pen found at the dollar store. Starbucks mug, because I needed a BIG cup of tea.

Snow: 

Snowy Sunday.  Cars totally buried, oh the fun.

Snowy Sunday. Cars totally buried, oh the fun.

I put these guys in the front window:

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A polar bear, a teddy bear, and a bat live across the street from a bar…

Workspaces: 

I trudged out in the whirling white on Sunday, in desperate need of human contact (apart from the human contact I live with; there’s a difference) and broke in a new padfolio. Ivory paper, not white, not yellow. Ivory. Lots of blabber, lots of tea, listened to RWA talks from last year’s Nationals; not bad for a snowy afternoon.

I'd forgotten about the cookie. I think it was pumpkin.

I’d forgotten about the cookie. I think it was pumpkin.

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This sign was on the counter where I wrote. I only had a legal pad, so I’m good.

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Have I shared this art before?

I like sitting at the small counter facing this window when I write longhand at the coffee house. There’s something about having my back to the world,. a view of art, raw brick and the world outside -best when it’s snow or rain, and there was plenty of snow on Sunday- that feels very comfy and creative.

Today: 

Displaced chessmen

Displaced chessmen

There’s a table in the coffee house that has a built in chessboard and Risk board, both very cool, and usually, the chessmen are in place, but, today, they were on a field trip to another table. I think they look like they’re having a fine time.

Do I have any better idea now what I was going to blog about? Nope, but I’m still here. My brain may be mush for anything apart from fiction writing at present, but that’s not entirely a bad thing. Sometimes entertaining for family and friends, but the spaciness is actually a good thing. It means my head is in that story space I’ve wanted it to be in for longer than I would care to admit, and I can’t begrudge that.

Typing With Wet Claws: Under the Weather Edition

Hello, all. Skye here, for another Feline Friday.  This has been a big week, mostly because of two things. The first thing is that Anty got sick, and the second thing is that we got snow.

Anty almost never gets sick, but this time, she did. Part of her feeling bad is the thing she calls a bug (I can understand that. I had fleas a long time ago, and I hated that) and part of it is that because of that bug, she cannot have a lot of the things that are good for humans when they are sick and it is cold out. No tea, no orange juice, no soup, no spicy foods. I am glad I eat cat food. That is much easier to figure out.

The one good thing about Anty being sick (please do not tell her I said this, because she might think I am happy when she is sick, and I am not) is that she is at home all of the time. I like having my favorite humans around, and when Anty is on her glowy box, like she is even on sick days, I can sit near her and feel very safe and content. Today, she is painting her claws. I love the smell of claw paint.

Most of the time, though, she is writing in a notebook or on the glowy box.  On Monday, she watched Sleepy Hollow and recapped it for Heroes and Heartbreakers. It is here and looks lie this:

Yowling humans can be entertaining...
Yesterday, she had her planner and calendar and some Sharpies (which also smell very interesting to a kitty) because it was time to update her Coming Soon page.  She will be participating in 31 Days & 31 Ways to Jumpstart Your Life, in March, writing one of the daily posts.  Her topic will be creativity. She will tell you more about that when it gets closer to March.

On Valentine’s Day (very appropriate for a romance writer,) she will be presenting On Beyond Fanfic, the updated and in person version of her From Fan Fiction to Fantastic Fiction workshop, at Capitol Region Romance Writers. She really loves doing this workshop, and is excited to present it live. I think that may be why she has been watching a lot of DVDs and taking notes this past week.

It may also be because she is grumpy over not being able to get out and have fun in the snow. Snow is her favorite weather, and we got it two times this week. One of those times is today, and it is not done yet.  She says she is going to go out and take pictures (and get pizza and tea) as soon as she is better, but she did get one picture on the day it was supposed to snow a lot and only snowed some. Since I am an indoor kitty, and the windows are up high, I have to take her word on this, but this is what it looked like outside our house. Is that a lot of snow? I would not know, as I have never been out in it.

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That is about it for this week.  As you can imagine, there is a lot for a kitty to do when their human is under the weather, especially in more ways than one. I think I will take a nap by the heater to restore myself, because a kitty’s work is never done.

Until next week, I remain very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Throwback Thursday: Daddy’s Girl?

I don’t have a date for this book cover, Dad is no longer with us, so I can’t ask, but Amazon says the book was published in 1962. That’s definitely in the pre-Anna days, when I was not yet a glint in my biological father’s eye.

Since I’m adopted, I don’t share any DNA with my father,  Rudolph J. Carrasco, but one place where we always had a shared interest was art. Dad was always a working artist through my entire life, both in the commercial field (family friends say he did several book covers around the same time he did Party of Dreamers) and his own original art.  As a very small child, I remember seeing him paint over a family portrait of our neighbors (the parents had emigrated from Scotland, which may have been an early contributor to my love of the UK) and not understanding what he was doing, but fast forward a few decades, and we call that mixed media art now. I’ve slapped paint over more than a few pictures myself in my day.

Since the statute of limitations is likely over by now, I can freely confess to sneaking into his studio as a wee sprog and making off with his supplies, always careful to put them back exactly where I found them (paper excepted, and I always remembered where the good stuff was.) I asked him for art instruction. He declined. That may have been for the best, as my taste and his didn’t have a lot of common ground, but, in his later years, he loved when I brought him art magazines while he had hid dialysis treatments, and asked to keep a special issue of Somerset Studio devoted to color theory.  Though we had our differences, some of them large, I’m glad we had art in common.