Typing With Wet Claws: Conference is Coming Edition

Hello, all. Skye here, for another Feline Friday.  This week, you get a greatest hits picture of me, because  Anty’s mail server loves the picture she took of me this morning so much that it does not want to send it to her desktop and wants to keep it all to itself. We are now in the second month of 2017, which is probably my birthday month. When Anty and Mama found me at the shelter, the vet said I was about ten months old, which means, since that was December, I must have been born in February. Maybe I am even a Valentine baby. Anty thinks that would be fitting, and, since part of her job as a writer of historical romance, is figuring out what could have happened in the past, we are going to go with that. More on that later, because, first, I have to talk about Anty’s writing and where you can find it.

First, as always, Anty has her Saturday Discussion post on Buried Under Romance. This week, she talked about books that become movies, in reality, or in readers’ minds. That post is here, and it looks like this:

 

BUR01feb17.png

maybe Anty should put the funny pictures at the top of the post?

The next two links are kind of sneaky, because they are not whole posts, but posts where Anty helped at Heroes and Heartbreakers. First, like every month, Anty got to say what her favorite book of the month is, and, this month, it was a book she already wrote about on that site, which she liked very much. That post has recommendations from other H&H bloggers, too, so it is possible, in theory, to get a whole TBR list from one post alone. That post is here, and it looks like this:

hanhbestreads

The other link is really the sneaky one, as Anty did not write the quiz, (Anty loves taking this kind of quiz) one of the potential results comes from a post she wrote, about a hero she liked very, very much. So, though Anty is not in that post, one of her favorite characters is, so she thought I might like to include it in my post anyway. She was right. That post is here, and it looks like this:

 

handhbookboyfriend

 

Now that it is February, that means April is only a little bit away, and that means it is almost time for the NECRWA conference. Anty loves going to that conference every year. Sometimes, people tell her how much they like my blog. My blog. Let us spend a moment on that, if we may. As Anty once said, when a fellow writer asked her how she comes up with new ideas for her blog every week, the key is to get a cat to write one third of the blog posts. I do not know if that will be part of her “Blogging Isn’t Dead” workshop, which she will be co-presenting with Corinna Lawson and Rhonda Lane, but I would not be surprised if the topic came up at some point.

The approach of conference time means that Anty has some work to do, not only to get together with Miss Corinna and Miss Rhonda, to talk about what they are going to say (and who is going to say what, specifically) or connect with people she definitely wants to talk to that weekend (Anty is an extrovert, so basically everybody) or what she is going to wear, but really important stuff. I know what you are thinking, and we can cross the most important item off that list right now. Uncle will feed and play with me while Anty is away. Conference weekend means Uncle and Skye weekend, so it is a holiday for me, too.

The really important thing Anty wants to focus on this year is her own books. Since she has a first draft done of Her Last First Kiss, and she and Anty Melva are working steadily toward the end of the first draft of the Beach Ball, it is time once again for Anty to look at pitch sessions, and what she is going to say to any agents or editors she might meet at any part of the conference. Anty has never gone to a conference with a book and a half in the hopper (book and two halves, if she wants to count her post-apocalyptic medieval, which really only needs half a revision to be ready for indie or traditional publishing. Probably indie, though, because it is post-apocalyptic medieval, and those aren’t exactly thick on the ground these days. Or any days. Anty still loves the story, though.)

It’s been a while since Anty has had a pitch session, and, as much as she loves them (Anty thinks eight minutes of a publishing professional’s undivided attention is right up there with amusement parks, romance-only bookstores, and bottomless cups of Lapsang Souchong tea; let’s be real, if there were an amusement park that had a romance-only bookstore in it and served bottomless cups of Lapsang Souchong tea, we might  never see Anty again.) getting ready for them is the nervous part. Anty has been in sessions where the other person has said “I love your sample, send me the whole thing” right away, and she has been in sessions where the other person has said “I don’t like stories that have Element X in them,” when Anty’s whole story is about Element X. Most sessions fall somewhere in the middle. Anty said I am not allowed to talk about the pitch session she had when she had been awake for three days straight, because that is when she gets into really punchy territory. That can be entertaining at home, not so much in a pitch session.

Since I am running out of room here, I will cut to the chase (please do not chase me; that would be scary) : it is time to hunker down and get stuff as ready as it can be, because one never knows when the other person might want the whole book, right now. It’s a magical time of year. Editors and agents go to these conferences for the specific reason of finding new writers and new books. They want to hear about what writers have to show them (but not in the people litterbox, please) so knowing what a writer wants to say about their books in advance is usually a good idea. This involves planning, and Anty loves planning, so I think she will be okay.

That is about it for this week, so, until next time, I remain very truly yours,

skyebye

 

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

 

 

 

 

Declaring My Major

Later start on the blog than I had expected today,  but that’s fine. I wrote two pages of a scene for Girl and Guy, from the Beach Ball, while at the laundromat, did some recon for an upcoming feature at Heroes and Heartbreakers (oh, the odious task of looking for outstanding declarations of love) and took a picture for the original concept of this post, which was going to be about my inability to resist pretty paper. Yes, the paper on which I write does have to be pretty, thankyouverymuch, and I am particular about it. Nothing wrong with having the right tools for the job. That almost works as a transition to the thought that hit me part way through my process of winding down yesterday evening.

We’ll skip the particulars of said winding down, as it happened in a room where the furniture is made of porcelain, but there I was, thinking of something entirely unrelated, and then the thought hit me: I’m focusing on the eighteenth century now. This should not have been a surprise. I wrote about that exact thing the day before yesterday. I jabbered about it at lunch with my BFF. I may or may not have sent thought waves out into the ether, because that seems to be a step in my process (much like my need to circle a scene and smash my head against a brick wall or two until I bust through) but it wasn’t until last night that it sank in that I am declaring a major here.

Back in another life, I majored in early childhood education. The most important thing I learned by studying that discipline is that I am not suited for early childhood education. If I ever master time travel and end up as a seventeen-year-old college freshman again (though, seriously, if I ever master time travel, my own seventeenth year is not where I would be going) I would strongly counsel seventeen-year-old me to go with her gut and major in drama, like I originally wanted to do. Declaring a major means deciding where the majority of  my time and mental energy is going to be allocated. That decides what I study, how much I study it, and what things have to get moved to the side to give my main area of focus some breathing room.

For a writer, that means we are now in the realm of branding. As an advertising executive’s kid, I learned, from an early age, that how a thing is presented has an effect on how that thing is perceived. Writers need to let readers know what kind of story they can expect when they pick up one of our books. What kind of story are we going to tell them? In what kind of world is this story going to take place? For historical romance readers, in what era do these stories happen, and how much is the history going to affect the romance? All important questions, and all part of building a brand.

I am still a temporal nomad at heart (can we call this interdisciplinary studies?)  I love a lot of periods. I have a rough draft of a Golden Age of Piracy romance, which may need to be two books (because I didn’t count on falling in love with my heroine’s parents in that one, and kind of want to play with them for a while) and a post-apocalyptic medieval romance (the Black Plague counts as an apocalypse – fifty percent of Europe taken out in a twenty year span? Totally counts.) and they will get written. I still want to write more seventeenth century, and I will. That dewy-eyed twenty-three-year-old hasn’t given up on the Tudor era, either, and I want to write in the Edwardian era again, but moving forward with a career plan means figuring out what kinds of stories I want to tell for the foreseeable future, and, last night, my brain told me what that was.

This is a good thing. Picking a major means focus. It means that eighteenth century romances get precedence on my TBR shelves. Not that I can’t read books set in other eras (hello, temporal nomad here :waves:) and a good story can be set anywhere, but, right now, seeing how others who have gone before me do what I am doing now becomes extra important. It’s picking a direction in which to travel, especially now that, with two WIPs viable to term, I’m looking at what comes next. I know the time in which these new stories will be set, so that settles that issue, an important one to writers who do love a wide array of settings. Back in another life, it was common for a historical romance author to write one medieval romance, then the next book might be a western, then a pirate story, then Gilded Age New York, then an Elizabethan, then Australian, then American Civil War, then…well, who knows? I would love for that sort of thing to come around again, and I hope that it does, but, for right now, picking a major and going for it is the smart move.

 

 

Typing With Wet Claws: Anything Can Happen Edition

Hello, all. Skye here, for another Feline Friday. Anty and I would first like to thank everybody who asked about Uncle’s paws. They are doing much, much better, and things are getting back to normal around here. At least as normal as possible, with a writer in the house. Then again, I have always lived with a writer in the family, because I was born wild and then lived in the shelter, and this is my only family, so I do not know how it is for others. Maybe I should say normal for us. There was that one day, though, but I will tell you about that later. First, I have to tell you about where you can find Anty’s writing this week, apart from here.

As always, Anty has her Saturday Discussion topic at Buried Under Romance. This week, she talks about what anchors us to a certain kind of story. Anty will admit she was tired and loopy when she wrote this one, so it might be worth reading for the entertainment value alone. Uncle says Anty gets very entertaining when she is extra tired. That post is here, and it looks like this:

bur270117

Anty also had a post at Heroes and Heartbreakers, where she talks about how great Mogul, by Joanna Shupe is. Anty always liked the Gilded Age (a long time ago, in NYC. Anty lived in NYC when she was a very tiny people kitten, right after she was adopted, but it was not as long ago as when Miss Joanna’s books are set.) so she is always happy to see historical romances that use that setting. She thinks there are not nearly enough of them. Maybe Anty should write one of her own someday (but not now, because she is already writing two other books, and she knows her limits.) That post is here, and it looks like this:

handhmogul

 

Now that my obligations are fulfilled, we can move on to the rest of this entry, specifically the part about me. When I have a sick human at home, I work as a nurse as well as a mews. That means I need to sit very very close to the human who does not feel well and shoot love beams at them. If I could jump or climb, I would get up on the bed with them, but I have special paws, so I stay on the floor and send my love from there. Sometimes, when Uncle needs to rest, and other humans are moving around,  he closes the bedroom door. That makes me sad, because I want to be with him, but I understand where he is coming from on this one. Sometimes, I like my door closed, too.

We had one of those days this week. Uncle had asked Anty if she could please be home to let in Landlady and another human, who might like to buy the building. Anty said she would, and she was, but what she did not know what that it would be a whole bunch of humans. Some of them wanted to take pictures of the rooms (including where Uncle was resting, but they said they were sorry to disturb him.) Some of them wanted to turn faucets and light switches on and off. Some of them wanted to open and close all of the windows and doors (not at the same time.)  Some of them wanted to do other things, and none of this fit in with Anty’s plan of a quiet afternoon, spent transcribing her notes.

Because the front and back doors had to be open a lot, Anty put me in Mama’s room (that is where my food dishes and water bowls -I have two of them- are kept, so I would not be hungry or thirsty)  and closed the door, so that I would not go where I am not supposed to go. Most of the time, I am a very good kitty, but, sometimes, the landing outside the front door gets too interesting, and I want to see what is out there. The problem is, I am not allowed to go out there, because past the landing, there are stairs, and past the stairs, there is another door, and past the other door, there is outside. I do not particularly want to go outside. I lived outside before I was rescued, and it was not that great. I also have never experienced stairs, so the humans want to make sure I do not get any surprises in that department. With all those strange humans (and I only knew Landlady; the rest were all new to me) milling about, Anty thought it was best if I stayed in one place.

Anty also thought it was best if she stayed in one place, too. I am glad she did, because her place was outside the door of Mama’s room, so I could smell her. I like it best when at least one of my humans is very close to me. I am their near girl. All the while I was in Mama’s room, I heard Anty’s pencil scratching on the pages of her notebook. Anty loves writing in her notebooks, and, this time, she shut out all the chaos going on around her and worked out what she needed to change for a scene she had written. While she does not want the apartment swarmed by strange, noisy humans, every day, it did remind her that, if she connects well enough with the story, she can write through pretty much anything. That is a good thing to know, because, in this family, anything can happen.

Anything, including Anty wanting to get back to her story worlds, so that is about it for now. Until next time, I remain, very truly yours,

 

 

skyebye

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

 

As If

Sometimes, it’s good to be a little uncomfortable. Right now, I’m sitting in my office, in front of the desktop, open notebooks at hand, with pencilled notes. There’s a nearly-empty travel mug in front of me. I have my ears pricked for the on and off (mostly off now, I think) rain outside my window. The numbers at the bottom of my screen tell me it won’t be long until Housemate and Real Life Romance Hero return home, so my time for uninterrupted (at least by others) is ticking down to its limit for the day. What I would like to do is take a nap.
One of the best things about working from home is that one can go to work in pajamas. One of the worst things about working from home is that one can go to work in pajamas. Today, I hit the  intersection of too tired and too comfy, so I got out of the chair, swapped leggings for jeans (aka leg prison) put on makeup and everyday jewelry (one skeleton hand ring, one skull ring, earrings are also skull themed today. I love skulls.) In a few minutes, I will give in to the urge to make tea. I don’t want tea right now, but I will in a while, so acting in anticipation is probably in my best interest at the moment.
I have two notebooks, one Molieskine Volant (sage green) and one Moleskine Cahier (black,) both bearing aforementioned pencilled notes. Said notes are for transcription, and that’s my plan for the day. My body says “nap.” My brain says “write.” Since the brain controls the body, I think (pun unintended, but we’ll go with it) and there is no “handwritten novels in note form” section at either Barnes and Noble or on Amazon, it is in my very best interests to push through the afternoon slump and Get Stuff Done. Hence the actual clothing and ritual of what my mother would have called putting on my face.
Last night, my brain too pooped to do anything productive, I spent some time browsing beauty sites and researching cosmetic items I might like to add to my stash.  On one such baord, I found a thread on colorful eye makeup. Several of the posts spoke of using colors that came in pallettes, but don’t get much use. Since it was late and I was tired, I thought, hey, that might be fun. I have green eyes. I don’t usually use green shadow, because, well, green eyes.  I have green shadows, though; they came in a pallette I recieved as a Christmas gift, but I don’t normally use them. Since I’d put on actual pants precisely for the discomfort factor, why the heck not? So I did. I have green eyelids, a different shade of green on my browbone, a bit of green on the lower lid/lashline as well. The world did not end.
What did end was the mindset of still being in my pajamas and not actually being at work. Dressed and made up and with a spritz of some vintage Chanel #19 (a long-ago gift from a favorite aunt no longer with us) that’s not lounging arround the house wear. I’m sure my imaginary friends appreciate the effort; we’ll see about that, because I’m dropping by to see them as soon as I’m finished with this entry. It says so right in my daily task list, so that’s what’s going to happen.
This post is turning out to be exactly what I didn’t want it to be; I feel like I’ve done a thousand versions of the whole left foot, right foot thing. That’s not bad, exactly. There’s a place for that, but what it gets swirling around my mind is that there’s another ingredient to the whole creativity thing, and that’s the love. Not only because I write romance (though that certainly helps with matters; I’ve been crazy in love with romance novels since I was eleven, and with love stories long before then) but the love of the work.

Today, when I wrote my morning pages, I wrote about acting as if; as if I had complete assurance these books were going to find good homes. Acting as if the market were a sure thing. Acting as if there were a whole bunch of readers waiting for these particular stories, eager to meet Hero and Heroine, Girl and Guy, in the flesh…er, page. There’s a little bit of pressure in that, but also a whole lot of purpose. If I’m only telling stories for my own amusement, well, I know how they’re going to turn out, as they’re in my own head. Why decipher the stuff I wrote in mechanical pencil, at however many mph along the highway, or, also in mechanical pencil, wedged into the tiny haven of space between the tall dresser in the dining room (old house, have to be creative with furniture placement) and Housemate’s bedroom door, while pretty much everybody involved in the transfer of power, as it were, from current landlady to incoming landlord-and-lady?

Writing romance is my happy place. When the whole apartment is swarming with people with clipboards and cameras and turning on faucets and light switches and checking I-don’t-know-what, there’s the pencil and the page, and whoosh. I’m not wedged between door and dresser at all, but surveying the common room of an eighteenth century inn, getting a bead on the crowd and figuring out how hard it’s going to be for Hero to get a room for the night (or at least bed space) by dint of his charm alone. Even in Century Eighteen, leaving the house without one’s wallet (or period appropriate equivalent) has the same consequences it has now. Thankfully, Hero is a resourceful gent. He’ll be fine…eventually. first, I have to walk him straight into the last person he wants to see right now, shake up his worldview, and make him do the thing he cannot do. That’s how it works in these stories.

That’s how it works with writing, too. If I leave these notes as notes, they’re fine the way they are…but they can’t go out in public. There’s only one copy of them, it’s all in pencil, and it’s on paper. It’s in my handwriting, which is not always readable to all. There have been times Real Life Romance Hero has asked me to print notes to him, instead of writing them in cursive, and if he can’t read my handwriting, I am not going to inflict that on others. So, the transcription. The whipping of the story into shape from bullet points to prose, from present to past tense, the ordering of things that have arrows and parentheses and odd boxes with curlicues at the corners. Only then are they ready for other eyes. This process, too, has its tricks, its own colors that came with the usual suspects, that are waiting for a chance to show what they can do if I think outside the box. Looking at it that way, it’s a lot less scary, and a lot more fun.

 

 

Pilgrimage

Yesterday, my Beach Ball collaborator, Melva, and I made our meant-to-be-monthly pilgrimage to the NECRWA chapter meeting. The topic this month, appropriately enough for January, was beginnings. I did not take  any notes during the presentation, because I spent the entire time working on notes for the Beach Ball, in the detachable pages of my all purpose Moleskine, with my newest favorite and now indispensable tool, a mechanical pencil. Melva and I talked out a couple of scenes we didn’t fully have a handle on, on our own, but when we put our heads together, boom, there they were. So, I wrote stuff.

Melva and I agreed that we both do our best work on the Beach Ball on these drives, two hours there and two hours back. We both talk fast, ideas pinging off each other like the silver ball in a pinball machines, flashing lights and bells going off all around us. She drives. I write notes on what we create, together, transcribe them when I get home, and I send the neat, orderly pages her way.

The pages I write in the passenger seat are not neat or orderly. they are a swath of bullet points, scrawled in mechanical pencil, with smudges from erasures and the odd eraser crumb wherever it falls. I have only recently discovered the joy of mechanical pencil. When I use pencil, I can erase instead of cross out, which means I don’t have to lose any space when something better comes along. Yesterday, I ran out of lead before we ran out of road. I could go on with some other writing implement, but I couldn’t reach my tote with my seatbelt still in place.

Melva said there might be some pencils in her purse. My left hand curled nervously around the red Bic Cristal I keep in my raincoat pocket for dire emergencies such as this one. I hadn’t wanted to use ballpoint in this particular Moleskine, my first ever 8×5 Volant, moss colored cover, perforated pages, so that I could write on any project on the go, take out those pages, and transcribe/file them where they actually go, but we were on a roll, and I didn’t want to break the flow.

Thankfully, Melva was right. She did have pencils. The first, I snapped the lead three or four times, as I put pencil to paper, but then I changed to the other. Cue choir of angels. Melva informed me that said pencil was school issue (she is a college professor) and not sold to civilians. Figures. I will purchase others.

We covered a lot of ground on this trip, both literally and figuratively. We joked that we should rent an RV, drive to California, from NY, where I live, or MA, where she lives, and by the time we reach the other coast, we’ll have a first draft done. Then we’d turn around and revise on the way back. Either that, or we drive around in big circles until we have a book. What matters is that we filled  a bunch of pages on this trip. Today, those pages rest.

Today, I write on Her Last First Kiss, a scene that was not in the original draft, but makes narrative sense. Maybe more importantly than that, it will be fun. I hope it will be fun. It’s got Hero, it takes place in a sort of setting I always find fun to write, and I know N is expecting that puppy, so I had better get it written today, but that doesn’t mean there has to be pressure.

What it does mean is that I unplug, settle in with open notebook and take pencil or pen and word-doodle. No, that’s not right. Story-doodle. I’m doodling story, even though I use words to do it (using interpretive dance would require rearranging the furniture and possibly obtaining proper footwear.) I need to make a few wrong turns, double back, get the lay of the land, before I can finalize my map and then follow it to my destination. There may be a few side trips and loop-de-loops while I get my bearings, make sure this scene feels/sounds like Hero, not some random placeholder character. I definitely don’t want him sounding like Guy, who made himself very much at home in my head for most of yesterday. I think that makes my brain their time share, but I am fine with that.

 

 

 

Wrong Turn, Right Path

I am a planner. I like to have at least some idea of where I’m going, or I’m going to feel edgy (and not in the good way) until I have some sort of boundary clearly marked. Once I know, okay, good. That’s settled. Now I can go nuts within those boundaries, if desired. This is one of the reasons that I have added planning to my morning routine, after morning pages. Two pages of whatever is in my brain, with the right pen for the right page spread (this is an important part of the process, trust me on this one)  then open my planning notebook.

The notebook I use for this purpose, a magenta leatherette Markings notebook, with grid pages, has been through a few wrong turns itself, before it found its true use. I’d originally purchased it to be my all purpose notebook, the one that would go with me everywhere, catch the brain droppings as the came to me, and I had every expectation that it would. After all, I’d used three other notebooks with the same format, from the same maker, same sort of pages, one after the other. Burgundy leatherette was first, then black, then turquoise, and I was most excited to try the pink one. The cover felt all buttery soft in my hands, I loved the grid pages, soft grey on a soothing ivory, and I’d used those three notebooks prior without a hiccup, so this one had to be the best of them all, right?

Wrong. El wrong-o. Nicht, nein, nope, no way, nuh-uh, sorry, Charlie, not going to happen. To this day, I have no idea why. I did everything “right.” Hacked it to a fare-thee-well, with color coordinated end papers, the proper sizes and colors of sticky notes, even put pertinent information on the front and back pages, so it would be right there when I needed it, but, within days, my enthusiasm stopped dead in its tracks. As in pining for the fjords, the whole deal. This was not how things were supposed to go.

I tried drawing black and white top and bottom borders on the pages, hoping that would give me the structure I needed. Still boring. No connection. I tried drawing zentangle-ish dangles from the top border, adding a dash of color. Who was I kidding? Not me. I tried steering into the skid…er, grid. Break up those pages into boxes, I said. That would fix everything, I said. More boundaries, I said. It would be fun, I said. Once again, nope. Le sigh. Though I hated to do it, I put the book aside. It wasn’t happening. No reason. It wasn’t, and that’s all I needed to know. I can’t tell you what book took that book’s place, but one did, and another, and another, and, in time, I moved it to the special area for notebooks I wasn’t feeling anymore.

The books that were still blank, I culled. Moved them on to new homes, where they could be loved and written in, or at least used for grocery lists and doctors’ appointments. Anything would be better than sitting there, mouldering in resentment. Having cleaned out my dad’s house after he passed, I don’t want to hoard. I want to use. I want to love. The notebooks that already have writing in them, well, they aren’t as easily passed along. Those, I taped together the already-written-in pages, and set them aside. The magenta Markings book was among those, until last week. That was when I wanted a place where I could keep my daily tasks, check them off, and move along, while, at the same time, keeping a record of what actually got done, what got modified, what got carried over to another day.

At first, I looked at the shelf I have of pristine new notebooks. All right, case. All right, cases. I really, really, really love notebooks. Yes, I do plan on using all of them. Yes, I do still need more. Nothing felt right. Then I looked through the stash of notebooks-at-rest. Grid paper? Check. (Pun unintended, but I’ll take it.) Buttery soft cover I have loved and missed, with added benefit of a crack along the spine (notebook wabi-sabi; it’s a thing) and…yes. I took a black fountain pen and wrote the day’s date at the top of one page, which had a two-colored border I’d already drawn, back in that long-ago phase of thinking maybe I could salvage the book for its original purpose. I couldn’t, back then, but this time? Yes. I wrote the date. I drew my swirly-cornered box around the date, set down my headings and bullet points, and yes. Yes. This is what it was supposed to be, maybe all along. Now it’s an essential part of my daily routine.

This is the part where I bring my ramble back around to writing. There are ideas, stories, characters, places, all the flotsam and jetsam of a writer’s brain, things I had hoped at one time would work out, but never did, still floating around, and, now that I’m at a place in both WIPs that I’m comfortable and ready to ask “what’s next?” those floating bits may be arranging themselves into some semblance or order.

I kind of like that, and I kind of don’t. I like it because I like knowing what’s going to happen before it happens, and knowing that there is some sort of writerly primordial ooze in my head is actually an encouraging thought. I don’t like it, because it’s not in my control. That’s not how it works. If that was how it worked, I would not be writing the story of a practical-minded mistress, who is half Russian, and a second son turned not terribly successful portrait painter. If that was how it worked, I would not be co-writing my first category romance, and I would not know that historical-adjacent is a thing (partly because I am making it a thing, but more on that later.)

Time to wrap this, because I’ve gone on long enough already, and the rest of the day will soon be demanding my attention, but there it is. Blog entry written, albeit slightly behind schedule. I can now check it off the list and move on to what’s next. That part, I absolutely do like.

Cold Day and Another Week Begun

Second week of 2017 underway over here. Well, underway everywhere, but I can only talk about my own experience. This was a full weekend, with volunteer training, domestic warrior queen duties, one of which reminded me why I do not do laundry on Sunday evenings. The alternative to Sunday evening laundry, in this case, was naked family. Since we live in New York, and it is January, outdoor nudity is not an option, so Sunday night laundry it was. I had my phone and my Kindle, and a couple of hours, more or less, to let my brain get things somewhat in order for the week ahead.

On Saturday, I had my (first) fierce cheerleading session with Eryka Peskin, which I would highly recommend. It’s kind of weird to have an appointment where the entire purpose is to have someone tell one how awesome one is and point out what one is doing right, and it’s kind of weird that it’s kind of weird. Yes, I did take notes, and yes, I did post them on the back of my office door, where I can see them any time I need a reminder. If I write something down longhand, it’s much  more likely to stay in my noggin than if I try to remember without, or if I go directly to keyboard. I’ve been learning a lot more, lately, about how my brain works, and how going with that, rather than fighting it, is going to work better for me in the long (and short) term.

This morning, I got up at six, which is about right for me, still wiped from the weekend -I’d intended to use it to rest, but that is not what happened- and determined to get the most out of my day. There’s a ticking clock on one important task, that of my Her Last First Kiss second draft, the scene where Hero and his brother…well, we’ll save that for later. What matters is that I need to show these pages to N at 8AM tomorrow. I know myself well enough that I have to pump the handle a few times before thing start flowing, and I know that I’m going to have to get this draft done by about 3PM, because that’s when I can bribe Housemate to ferry me to the library to get things printed. I still haven’t figured out where the heck the printer is jammed, so printing on the road is how it is until we get that sorted.

One of the first things I did was jot down a list of tasks for the day, on a piece of grocery list paper, but that didn’t look right. It had all of the information, but the visuals? Meh. I can do better. I rescued a magenta softcover Markings notebook, with grid pages, from limbo, and laid out what has to get done today. Is this bullet journaling? Am I doing it already? I’ve tried reading explanations/instructions, but my eyes glaze over and/or I get confused. I’ve been doing whatever this is for a while now, and if a thing is on the list, the thing is going to get done.

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Mini legal pad is not part of the notebook, but it’s pretty.

I keep the office door propped open if it’s okay to talk to me. This was my view for a good chunk of the early morning:

 

Skye hates my office carpet. Hates it. I’m pretty sure she wants me to get rid of it, so she can come all the way into the room and sit next to my feet. There is one sliver of hardwood available for kitty bottom, when the door is open, and she has found a way to wedge herself into it. Normally, she’ll sit in the kitchen, on the linoleum, and stare at me until I get the message (that I should pay attention to her, not the glowy box or my papers) but, this morning, she crossed the line. Over the threshold and onto the hardwood. Not a single toe on the carpet. She has her standards.

The clock is ticking down now, and time approaches when it’s going to be me, Hero, and Hero’s Bro. There’s a small  hand squeezing around  my heart, with pointy fingernails, a whisper in my ear that this is scary stuff, but there’s also a list on my door of things that I am doing right, to remind me I’ve been here before, and I did it okay. More than okay. Awesome. No, I do not want to go out in sixteen degree weather to print pages, but N needs pages for tomorrow, and, more importantly, Hero needs this scene to get to second draft, so that’s what’s going to happen. I mean, I can’t leave him there in first draft land. Besides, when I get on the other side of this, I get to talk about what I’ve written, get feedback, and move on to the next scene. But, first, this. Clear the decks of the other tasks so there’s nothing cluttering my mind when it’s time to dive into century eighteen, and turn the metaphorical thumbscrews on Hero. He’s not going to like that, not one bit, but it has to be enough to send him out of everything he’s ever known, and on the path to his future. Kind of like the writing of same. At least I’m in good company.

 

Waiting on Wise (Wo)men

Technically, it is still Christmas until January 6th, but it’s the first Monday of the new year, and that seems like the perfect time to jump back into the daily routine, beginning as I mean to go on. New year, new chances, and all of that. I like the idea of a clean slate. It fits into my clean sweep/more layers mindset, and now it’s time to draw from that well that the tucked-away week filled.

This time last year, I did not have a new planner to move into on the first of the year, and I don’t have one to move into this year, either, but for a different reason. This year, I picked up a seventeen-month planner (how have I managed to ignore these things until now?) so I moved into the new planner in the summer, and am starting the year off by using the stuffing out of this one. The pen for this book is actually a Sharpie liquid pencil (another thing I had no idea existed until recently) and, so far, it’s working. I have long since accepted that I am a planner. I want, even need, to know what I’m doing, and when I’m doing it. Then, within those boundaries, I can run wild. Hey, it works.

So, what does the new year hold? For one thing, lots of historical romance. Actually, that would be two things, as I mean both reading and writing my favorite genre. Last year, I set my Goodreads reading goal at fifty  books. I actually read eighty-nine, so this year’s goal is ninety. I have one down so far, and should be finishing at least one more in the next day or two. The way I figure it, if I read two books each week, allowing two weeks for dry spells/rest/deadline crunches, I’m going to be sitting pretty in the reading department.

Writingwise, this is the year. The last ten have been a wild ride, which could be a book in itself, but I don’t write horror. What I do write is historical romance, and, with Melva Michaelian, historical-adjacent romance. Since I work best with regular feedback, it’s my responsibility to make sure I get exactly that. Today, I will work on the next draft of chapter two of Her Last First Kiss, which I need to turn in to N tomorrow morning. She, in turn, will have pages from her WIP to show me, and the plan is to read and comment on the spot. N asked me to bring printed pages rather than sending in email ahead of time. This is out of my comfort zone, as it will require me to A) figure out WTF is jamming my nifty awesome printer that will not print, or B) hie myself to library or office supply store to print on their devices. Probably B) and then A, but the point is that this is stretching, which is what I want.

Thanks to the RWA critique partner matching registry, I have a good lead on a historical romance critique partner. Not only do we share common interests within the genre, but in other things as well, and even prefer similar historical periods. Next step is exchanging sample chapters and seeing if we are indeed the good fit it looks like we may be, and then onward we go. If I’m being held accountable and receiving regular feedback, it’s a lot harder to tell myself nobody cares, or I’m not making a difference. Maybe the benefits of external validation have something to do with being an extrovert, maybe not, but this feels good. It feels right. It feels as though a piece of the puzzle that got knocked loose during the last ten years is fitting back into place. I like that.

While I was writing this entry, I got a notice I had new email, which, of course, I had to check, because A) I am me, and B) email fits into my social media time, and I am darned shooting sure going to stick to what’s on my schedule on the very first day of having said schedule (seriously, this planner works with the way my brain works, but more on that later.) What was said email? Notice that I had won a Fierce Cheerleading session with abundance coach, Eryka Peskin (who is super awesome, and if you have a chance to be in on one of her challenges, I highly encourage you to take it.)

This morning, I had another notice, on Goodreads, that a new group had been formed, dedicated to the love of historical romance and fiction set in one of my favorite eras, the seventeenth century. That’s the setting for my Orphans in the Storm, and one hundred percent a setting I plan to use again, maybe soon. That’s because my next goal, after finishing both Her Last First Kiss and the Beach Ball in 2017, I need to look farther down the road and decide what’s coming next. Sitting down in front of a blank screen doesn’t work for me, so that means I need to put some feelers out there and see what I’m going to be writing next, after these two couples find their happily ever afters. Because writing historical romance? That’s my HEA. Okay, that and Real Life Romance Hero, because he has truly earned the title, but this is the year to be a little (or a lot) less  “Grace Kelly” (though the party in the video does look awfully fun):

and more in the spirit of this ditty below (language may not be for gentle readers or little ones in the room):

This year,  I don’t feel a letdown at the end of the tucked-away week,  like I have in the past. 2017 is the year I get to cross  “present at NECRWA’s annual conference” off my bucket list, and I could  not be in better company than my co-presenters, Corrina Lawson and Rhonda Lane. It is still Christmas until January 6th, what my father called Three Kings’ Day, which others may know as Epiphany, or the celebration of the wise men arriving at one very special manger. This year, my planner has “ornament harvest” where “take down tree” used to go, because, this year, I’m looking at the new season differently. I think I’m going to like the view from here.

Typing With Wet Claws: New Year’s Eve Eve Edition

Hello, all. Skye here, for another Feline Friday, the last one of 2016. This has been -well, it still is, because it is not over yet- Anty’s tucked away week, and it is going pretty well, all thing considered. Anty likes to use this time to collect herself and rest and refill her creative well, so that she can come into the new year at her best. So far, so good. Right now, it is snowing, which is Anty’s favorite weather of all time. Anty loves snow, so it makes her very happy to have some during her favorite week of the year.

Even though Anty likes to relax during her tucked away week, that does not mean she does not write things. She has actually been doing a fair amount of writing things. Let me share some of them with you. First, as always, she is at Buried Under Romance, and this time, she is talking about favorite holiday reads. One reader who commented is reading the holiday book that is up next on Anty’s list. Anty will take that as a recommendation. The post is here and it looks like this:

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Anty has been doing a lot of reading during this tucked away week, which was her plan all along, so that is a good thing. It is also part of her plan to share her reviews on Goodreads more. This week, she posted four of them. That is a lot for a kitty to screencap, but I will do my best. There will only be three pictures, because Anty forgot to write a review for one of them. Oops. I apologize on her behalf (also for the greatest hits photo of me, because A) I am camera shy today, B) Anty has a lot to do, even if it is tucked away week, and C) the spare picture of me she had in reserve in case I was camera shy, which I am today, is stuck in a Gmail queue and won’t send, so you get this one again.)

Anty’s review for A Pirate for Christmas, by Anna Campbell is here, and it looks like this:

pirateforchristmas

Her review for The Fox and The Angel, by Danelle Harmon, is here, and it looks like this:

foxandangel

Her review for We Know It Was You, by Maggie Thrash, is here, and it looks like this:

weknewitwasyou

Anty also read What Light, by Jay Asher, but she has not written a review for that one yet. I do not know why, because it has romance and a troubled hero and it is set in the world of Christmas trees. She will probably get to that later, because leaving reviews is not only good for the reader, or for other readers, but for the author as well. If you have read any of Anty’s books and would like to leave a review, her “I Wrote It” shelf is here

Now that it is New Year’s Eve Eve, the day before the last day of the entire year, Anty’s focus begins a shift from relaxation toward action. That means she is looking at what she can do when the new year begins. Normally, she and Mama (and sometimes Uncle, if he has the time off from work) get in the car and go a long way, to spend the day with some friends at a book swap. Humans do not have to bring a book to the party (Anty always does. Sometimes, she brings a lot.) but that party got postponed this year, so it will happen at another time. That means a couple of things.

First, it means that Anty does not have to go away, and she can spend all day home with me. I think that is a reason to celebrate right there. Anty will probably leave the house at some point, because, although I fill her kitty meter, she also has to fill her people meter. That is okay, though, because I know she will come home. The other thing that Anty spending the day here instead of away will mean, is that she needs to come up with a plan for how she is going to spend that day.

Anty does well with plans. She likes plans. That is one of the reason she collects notebooks, so that she can plan things out in them, and write about what she is going to write, before she writes it. Trust me, if she  tries to skip that step, it will not turn out well for anybody. Since Anty has not spent any time with Netflix yet this week, she will probably watch at least one movie on New Year’s Day. She has not decided which one yet, or maybe some special episodes of a favorite TV show or two. What is important is that she need to take in story, so that she can put out story.

This is especially important because of something she will be starting this week. This week, Anty and Miss N are putting themselves on a schedule, or having pages to show to each other every week. Back when we lived in the old country, Anty met every week with Anty Melva and Anty Michele, and Anty knew that, when Wednesday night came along, she had better have some pages, and she made sure that she did. Anty does very well with outside pressure like that. I would not recommend getting too close to her if it is a couple of hours before critique time and she does not have her pages yet, because she gets snarly when she does all that furious typing stuff. Better to wait that out under the bed or somewhere else that is safe like that. When things get to that point, all she cares about is getting the pages ready for her critique partners to see, so best to leave her alone and let her get that done, if you want to end the day with the same amount of body parts you had when you got up that morning.

Anty is also still on the hunt for a historical romance critique partner, someone who reads historical romance and writes it, and loves it the very, very mostestest. The way she figures it, she misses one hundred percent of the shots she does not take, so she is going to be very noisy about that for a while. By “for a while,” I mean until she finds a historical romance critique partner, so if you do not want to keep hearing about that, please consider spreading the word, or getting in touch, if you want one, too.

That is about it for this week, so, until next time, and next year, I remain very truly yours,

 

skyebye

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

 

 

 

There Are No Reading Police

I had plans for today’s blog entry, and I am going to ignore most of them. Apparently, the fact that I have them is enough for me to dive in with some measure of confidence, so will file that away for future use. Today, I’m snappish and grumpy, which is a sign of not enough sleep and feeling crowded, so, after I get this off my plate, it is time for a big ol’ mug of tea and some time in Sims 4. First, though, you get this.

Yesterday, Housemate and I went to the library. I headed straight to the romance section, and, within minutes, had my arms full of these:

 

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“Nothing to read” will never be one of my problems.

Okay, not all of these. The last four. Use On the Jellicoe Road as the dividing line. That’s my third time trying to get into that one, and this time, I am going to make it. I get bogged down in the first fifty pages, but I’ve been told it’s worth it to make it through, so this is the time. :raises fist to sky (not Skye) for emphasis: That was another trip, though. This one was only for romance novels. One anthology, What Happens Under The Mistletoe, because I am helpless in the face of Christmas anthologies during the tucked away week (I am reading one right now on my Kindle, as a matter of fact) and it jumped off the shelf, recognizing its mistress. Okay, I saw Meredith Duran’s name on the cover. That helped. The Highlander, by Kerrigan Byrne, whose voice and use of emotion made me weep when I first discovered her, and the latest two installments in Elizabeth Hoyt’s Maiden Lane story world. (A book for Alf, finally, at last, pace yourself, girl, you have to read the other one first.) Respectable hunting trip, this one, especially as I hadn’t been expecting to take home anything at all, but that’s how these things tend to go this time of year.

My first thought, when I walked out of the library with four books in my bag was, “wow, their security is lax.” Uhhh, no, that wasn’t it. Don’t steal library books. Check them out. My actual first thought was “I have no right taking out four new books.” Because I have a full TBR shelf at home. Because I have a fully loaded Kindle. Because I have a storage unit with oodles of books in it. Because I have books yet to read for posts I am committed to write for other sites. because I am behind, oh woe, so behiiiiiind (please read that last word with an echo, if you can) on my own writing, as well as reading goals. Because a million things, really, but then my second thought cut off my first one.

My second thought was, “forget that. I have every right.” I have every right to read whatever books I want, whenever I want to read them. I have every right to drown myself in historical romance, should I want to do so (and I totally do) and gobble more, more, more, more, until it oozes out of my pores and onto the pages I create. There are no reading police (and, if there are, I do not recognize their authority.) Read what you want, when you want, however you want it. Nobody else has to like it. Probably, nobody else cares. Maybe those who follow me on Goodreads (I’m here) or read my posts on this blog and other sites, but that’s it.

There are no reading police. Whatever genre you love, great. Read it. Breathe it. Gobble it. Swim in it. While I stood there in the romance section, a trio of teenage girls stood behind me, in a nearby section, giggling over how silly the books in that section were to them, to the point of grabbing books and giving each other playful shoves. Even with all that, they left with at least one book, even if it looked “dumb” to them, or if they wanted others to think they found that sort of book beneath them. Part of me wanted to turn around, take the “dumb” book from them, flip it over to read the blurb, and say it looked interesting; I’d take it if they didn’t want it.

I didn’t do that, as A) I had enough books of my own, and wanted to get home and decide in which order to read them (hint: it’s depicted in the image above) and B) hey, these young women are reading. When I was their age, I lived with a single father, who was adamantly against the romance genre on principle, but it called to me and I answered the call, and have never regretted that for one single second. I remember what it was like to sneak around the library, tucking what historical romances I could find from the spinner racks under my arm. I don’t know these young women, I don’t know what brought them to that section, if this is a new genre they are exploring, or one they already love, but think others might form opinions of them for it. I don’t know what the “dumb” book is, or if they really do read books to mock them, but I do know how I felt, walking downstairs with my own carefully chosen haul.

 

I felt more complete, as though I’d gone to the shelf, found pieces of myself that I’d been missing, and put them back into place. Maybe that’s what these young women were doing, whether they knew it or not. It’s none of my business what they read or why they read it (unless they are reading my books,. which they totally should do, because there’s a new Kat Von D palette at Sephora, but that’s beside the point) but I’m glad they were there. Read on, heroines of tomorrow. Whatever the heck you want.