Okay Not to be Okay

Once in a while, life drops a bomb on all of us. That’s what’s happened in our family this week, and I’m not sure how much I want to write about it here, because this is a writing blog, and this isn’t a writing thing. It impacts my writing, of course, as time spent wrangling family stuff is time spent not writing, but it is also, as everything in a writer’s life, going to end up in a story someday. But writing about the thing itself? Ehhhh, don’t know yet. It’s still fresh. Still dealing with the things-that-need-to-be-done-now and making plans and considering contingencies and and and and and…

…there are a lot of ands. A lot of ifs, a lot of maybes, a lot of we could trys, a lot of I don’t knows. Life can be scary sometimes, and it looks like this may be one of those times. Even so, writing remains my happy place. Going into the story world and closing the door behind me isn’t so much an escape -the other stuff will still be there when I come out again- but more of a respite. It’s some time away that fills em so that I am better able to deal with what’s going on when I’d really rather be writing.

One good thing about writing in the midst of chaos, besides the respite, is that it crystallizes things. I want this. I want to keep writing the main focus of my life.  I will gaurd it and chase it and hunt it down with a club when I need to, because I need it. There’s a power in knowing this is why I am here, and this is the genre I love and I have stories yet to tell, so what other people call “real life” is going to have to calm down and take a seat so that I can get down to business. Sometimes, that will mean I can hunker down with laptop and go clickety clack on the keys for hours. Sometimes, that means I can scrible in my pocket notebook or on an index card or jot something down on the back of a receipt or napkin and keep on going with whatever else the day has demanded of me, but the main thing remains. I can’t turn it off. Not even if I wanted to, and I don’t want to, so I won’t.

Which brings me to the title of this post. There are going to be times, in life and in writing, when things are going great. There are going to be times, in life and in writing, when things are going the exact opposite way and crawling under a rock sounds like a good idea…but nothing gets done there. What I’ve had to tell myself is that it’s okay not to be okay at times. Let the feelings do their job, but don’ t dwell on them. Feel what it feels like to be angry, afraid, confused, exhausted, exhilerated, at wits’ end, triumphant, defeated, whatever it is. Feel it. Remember it. This, too is grist for the mill, and because we write, because we read, we know the black moment comes before the resolution. If things are at their chaotic-est, that’s probably because it’s the middle of the story.

To be continued…

Typing With Wet Claws: Office Development Edition

Hello, all. Skye here, for another Feline Friday. It has been an interesting week to be a writer’s cat around here. Uncle has been around more in the mornings (he goes out to hunt more in the afternoons and evenings instead) so Anty has been trying different places where she can do her writing. Yesterday, she talked about making a temporary office in the park. In case you were wondering how she picked the right picnic table to use as her desk (besides the fact that it has a really good view of the ducks and geese) here is why:

obviously for lady writers

obviously for lady writers

That was very helpful of whichever human wrote on the picnic table, but I am sure it is all right if men sit there, too. It did not say anything about kitties, but most of us stay home, and wild kitties go wherever they want, so signs really would not do any good.

I think there is still Olivia hair in the keyboard...

I think there is still Olivia hair in the keyboard…

Another place Anty has been writing this week has been in her office. The computer in there is older than me (I am not very old, but still, that says something. Anty used to have Olivia on her lap when this computer was  new. Olivia was the kitty before me.) and does not connect to the internet, so when Anty is on that computer, all she can do is write. The speakers do not work, either, and Anty likes to have music when she writes. She takes Robin Sparkles (that is her tablet, if you are new here) in there with her when she wants music or needs to check her email. The secretary desk in there is not the best for a desktop computer, because it was designed for handwriting. Anty loves to write by hand, so this is a good thing for her. She has put the notebooks that apply to her current projects on top of the desk, to make their own bookshelf. She will write in longhand first, and then transcribe, whether that be on the desktop or laptop. Not so much on the tablet, since she has to use the onscreen keyboard there. The bookshelf looks like this:

Anty's bookshelf of works in progress

Anty’s bookshelf of works in progress

I will try to get a picture later. Do not be afraid of the gothy cover; that one is Anty’s bloodletting (what she calls freewriting) notebook and what is in it cannot hurt anybody. There are gummi bears in the giant cupcake. She can have one (gummi bear, not giant cupcake) when she meets her goal. There are two story notebooks, one for Her Last First Kiss, (The big one in the back lives on the shelf; the pink and blue small ones go in her purse, and the black one is her planner.)

These are all for HLFK, but the big one in the back is for the office

and then the other one, which she is working on with my Anty Melva, does not have a title yet, but the notebook pages look like this on the inside:

not a Disney book, I promise

and on the outside:

Not a Disney book, we promise

Not a Disney book, we promise

It is the book with the scary woman on the front.  (the red one is her all purpose book and lives in her bag, not her office) Anty liked this book because she says it reminds her of the attitude of a character in the book she is writing with Anty Melva. I will take her word on that. Anty and Anty Melva are still thinking of what they will call that story. I will let you know as soon as they say it is okay for me to share.

Anty says I cannot take pictures of her bookcases or the stuff on the floor, because she is still figuring out where things go. I am still not sure if I want to come into the office, because it has carpet on the floor, and the carpet is rather me-colored. This is good for shedding, but not as good for kitties who do not want to be unexpectedly stepped upon. Not that Anty would do that intentionally, but one never knows. Anty says she is going to try and pick up a different chair next week, which may make her more comfortable for working on the computer. She likes the chair she has now, but it is the wrong height for this type of desk. Back pain is not conducive to good writing, unless one is writing about back pain, which Anty is not. She is writing romance novels. Also about romance novels.

She is very busy getting ready to recap Outlander this Saturday. She says I am too young to know about the scene that will be in that episode, so I have no idea. Maybe it is about people voting or doing taxes or something like that. Sounds boring. What is not boring is Pinterest. Anty loves Pinterest. It is like a bulletin board for her stories and other interests, that she can take with her anywhere. This is good because she has not figured out how to fix the vintage bulletin board that used to be above the desk. The wire that held it broke, so it is now kind of behind the desk, and she needs to update the pictures and things on it anyway. Unless she gets fed up and puts it aside and uses Post-its instead. She does not know yet.

Anyway, she has two new Pinterest boards. This one is about rubber duckies, and this one is about skulls. Anty really likes both rubber ducks and skulls. She will put up boards for other motifs she likes, like snowflakes and fleur de lis, later. You can see all of Anty’s boards (except for the private ones) here. I notice she does not have any boards about Maine Coon Cats. I may have to fix that for her, now that I have my own computer (she still thinks it is her tablet. Humans are cute when they think things like that.) but first I would need to get it away from her. That is not an easy job.

Anty needs the keyboard back now, because she still has to format her Buried Under Romance post for tomorrow. It promises to be quite an adventure, so I had better nap in my sunbeam to rest. Until next week, I remain Very Truly Yours,

Until next week...

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Office Hours, aka Day Camp of the Mind

On my own, I found my place outside the lines.
–Kathleen Bittner Roth

Sometimes, a writer has to bust out. This morning, I escaped the loving bosom of my family and headed for the park, to set up a temporary office on the picnic table beside the lake. I’ve learned that I need to know what I’m doing, and that writing things down means I can put the giant jumble of ideas in my head in some sense of order and then prioritize. This all made sense out in the open air, looking at ducks between bullet points, but now that I am inside and should be able to focus, my brain wants to wander.

got all my ducks in a row...

getting my ducks in a row…

One of the reasons I’m here right now is that I am committed to blogging three times a week, and if I put off posting until the weekend (after Skye’s post tomorrow) I will be fried. That’s not going to do anybody any good, so I will probably talk all around Robin Hood’s barn, as a high school English teacher used to say (ignoring the fact that Robin Hood did not have a barn; he was an outlaw who lived in the woods, ahem. Maybe he had a barn back at Locksley, but he’s over that now, and it wouldn’t have been one of his priorities, anyway. Now, where was I?) before I get to the point, if indeed there is one. Until then, there are waterfowl. My trip to the park yesterday netted me a peek at the first babies of the season. The Canada geese have spawned, three fuzzy yellow bebehs. The parents wasted no time in letting me know that picture time was over as soon as I got this shot.

Goslings!

Goslings!

I hadn’t expected to make such a connection, but as I settled in at the picnic table, with notebook and pen (after finding out that the sun made it impossible to see much on my tablet screen) it hit me why I liked working from the park in the morning as much as I do. It reminds me of day camp. Odd connection to make, but there it was. Maybe it was the travel mug full of Diet Coke talking, or maybe it was the chance to be seated on weathered wood, under the shelter of shady branches, immersed, as I often was during those long-ago day camp summers. I hated sports, largely because I was A) sun sensitive (still am) and B) nearsighted (still am) and I never fit in with most of the other kids. There was Them and there was me, and no matter how much I wanted to join in, I could never quite make the edges of the puzzle come together. Either I’d hang with the counselors (I was always more comfortable with adults, even as a kid) or I’d stay by myself.

If I couldn’t fit in with my real life peers (though, really, were they?) then I would create them in my head. I didn’t know that was writing, then, and I was surprised and perplexed to learn that not everybody did it. I loved Barbie dolls because they were, to me, tiny actors who never objected to my choice of costumes, roles or situations. Finally, a way to give faces and bodies to the voices in my head. I still remember my parents’ befuddlement when the first thing I did with my Jane and Johnny West action figures (12 inch, fully articulated cowgirl and cowboy) was make them reenact the balcony scene from Romeo and Juliet. (Signs your kindergartener will grow up to be a historical romance writer for one hundred, Alex.)

I didn’t bring dolls to day camp; I knew enough to do that, but when our counselors took us to the outdoor sunken basketball court and explained their variation on Red Rover, involving an orgre who lived beneath the blacktop and could come out of the storm drain, I soaked that like a sponge and created a princess who wanted to escape the ogre’s clutches, and what was supposed to be normal kids-running-around stuff became a mix of Nordic myth, various fairytales (not the sanitized Brothers Grimm version, not this girl) and probably some mix of whatever cartoon had held my interest at the time. When it came time to head to the pool for swimming, there were mermaids or a trip to Atlantis. A good deal of the time, I didn’t notice when the other kids didn’t want to play because I had friends who lived in my stories. Best of all were the times when I’d find a kindred soul and could entice them to play along.

It’s somewhat like that now, when I head to the park. The characters in my WIPs tag along, and, if I’m meeting reistance in a scene or a concept, it’s usually that I’m trying to force the characters to do something they wouldn’t. While we take a loop around the lake, in search of waterfowl, sipping a cold drink from our travel mug, or set up shop at the picnic table, the restraints fall away. The walls come down, as it were. I’m not sure if this is because the great outdoors is a good equalizer, and more familiar to my historical people than a recliner or ergonomic chair and blinking cursor on a blank screen, but I can’t discount it.

Even in those day camp years, my default story setting was the long ago and usually far away. I can’t explain it, other than the fact that I’m hardwired for historicals. The British Isles thing, I can maybe explain; our closest neighbors when I was little were a lovely Scottish couple, and my mom’s best friend was a British expat.  I soaked in the accents and the mannerisms, the folk tales and other bits that I’m sure I didn’t even realize, and they became part of me, part of the worlds I created when the physical one didn’t fit. Some things, I am happy to report, never change.

'ello, ducks...

‘ello, ducks…

Cranky Day, Lessons Learned, and Random Waterfowl

It’s not even one o’clock, and I’m cranky. It’s one of those days. We were promised thundershowers. I am looking at brilliant sun through the clouds. I did not ask for brilliant sun. It burns. Yesterday was productive, I was looking forward to more of the same today, and yet…ugh. Hit the wall. Not my favorite thing to do, but writing a blog entry gets at least one thing knocked off my to-do list.

Since I am grumpy today, but want to get this entry up, I am going to be lazy and draw from yesterday’s productivity. I had my all purpose notebook with me and did some writing on Things I Have Learned about the way  I, personally, write. These may or may not be of use to anybody else, but if I get this entry written, I get to bribe myself with a walk, which should bust me out of my funk, so here we go:

  • The goal/task list I make on Monday mornings is my set of goals for the week, not the for the day. I do not want to say how long it took me to realize that, but I finally get it now.
  • I need to write stuff down, or I will lose it. Writing it down also means that I get to play with pens and paper and highlighters. I am a visual person.  If I like looking at the page, I will want to spend time there.
  • Bullet points are life. That’s how my brain works best when getting stuff out.
  • I don’t count words when writing a first draft. That completely paralyzes me, and I’ll shut down. Not going there again. Let me tell the story, though, and watch me fly. I think in terms of scenes. Bullet point draft the scene, smooth it out, get feedback, move on.
  • Yes, I do need to talk about the WIPs. I have tried, very hard, to follow respected advice to keep mum, and, for me, that kills the story. I’m talking flatline. It’s dead, Jim. Pinining for the fjords. An ex-story, as it were.
  • I don’t mean talking the story to death, which I have also done. I have a time travel romance that I really, really love, like crazy love, on life support. It’s been there for years now, and I still can’t pull the plug. Still waiting for all the toxins –too much advice, from too many people, who wanted the book to be things other than what it was, and still is, often contradictory and mutually exclusive- to filter out of its system. Then we’ll see what we can do, but lesson learned.
  • The happy medium is, for me, finding one or two trusted writer friends (and not always the same ones for every project) upon whom I can unleash my verbal onslaught, over cups of tea or instant message (or both at the same time) and keep it at that. For me, thinking and talking often happen at the same time. If I’m stumped by blank page or screen, talking it out is a lifesaver. Sometimes, I don’t know what I’m saying until I’ve said it. Then I’m good, and I can get the story down.
  • I don’t know how many times I’ve started a conversation with “I  have no idea where this story is going,” then spew my verbal sludge at a writer friend, only to be told that’s the whole outline right there. Often with extraneous details filed off, but one of these days, I will get smart and record these blathers. Probably when I can get someone else to transcribe them for me, because I’m one of those people weirded out by their own voice on recordings. Speech to text software is also an option.
  • One of the CRRWA members asked, at this past weekend’s meeting, how it is that I’ve met my personal goals (self set, shared with the group and accounted for at meetings) every month since we began the program. What I said at the time was something along the lines of, “um, I like writing?” but that was also the portion of the day where being asked my favorite TV show stymied me to the point I could only mumble something about Bones, and that after some prompting. (For the record, currently How I Met Your Mother, but not the finale, which I refuse to acknowledge, though if we’re talking only shows in current production, The Walking Dead. Those choices probably say something about me, but I don’t want to examine it too closely. Said choices may change tomorrow, but those are they at the time the question was asked. )
  • What I would have said if not caught on the spot, would be more along the lines of:
  1. Set realistic goals (aka know what you can do.)
  2. Word them vaguely when you need wiggle room.
  • That’s about it for now, as it’s time for walkies.
random waterfowl

Canada goose, eh.

Typing With Wet Claws: The Kids Are All Right Edition

Hello, all. Skye here, for a special Thursday edition of Typing With Wet Claws. I am writing to you today from a sunbeam, where I am practicing my selfie game. Camera angle is everything, Anty says. I think she may be onto something.

Anyway, this has been a busy week for Anty. I will tell you more about that tomorrow, because then there will be more links. It is season finale time, so there are more people kissing on TV than usual, which means Anty gets to talk about all the TV kisses. She is also reading a lot, and working on both her novel and collaborating on a novella. Which means I may need to pitch in more with the blogs for a while. That is okay. I could use the practice.

Today, Anty is keeping her head down and eyes on her own paper. She has a post to write for Buried Under Romance, a novel timeline to create (she will tell you about that later) and there will be important kissy things on Big Bang Theory, so she will probably have to write about that later tonight. She is also reading her way through a big stack of books from the library. Here is the current read:

i1035 FW1.1

Reading now…

Anty has been reading a lot of young adult books lately, though her focus is still historical romance. She wasn’t sure at first why she was reading these books, this much and this fast, but they come in from the library and go out again, very quickly. She is still reading historical romance, as you can see from her currently reading list on Goodreads (are you Anty’s friend there? She likes to have friends there.) so it is not instead of her favorite genre, but along with it.

It took her a few books to catch on to what she’s reading for here. Anty loves a strong authorial voice (this means the way the human writes, not when a human reads a book aloud, although she does like to listen to books on audio, so sometimes, it is both) and there are some excellent ones in YA at the moment. Some of her favorites are: John Green, Rainbow Rowell, and Gayle Forman. Alongside the voice, the other thing she found that the books she likes have in common is the intense emotion involved when young humans first fall in love (with other humans, that is, not with kitties, although some of these books do have kitties in them.) These are both things she would like to see more of in historical romance as a whole.

Anty will do this from time to time, latch onto some seemingly random source of information and study the, um, word Anty says is not nice for kitties to type. We will say “stuffing” instead. She studies the stuffing out of it and then she has a new tool to put in her toolbox and tell her stories even better than before. Some of these sources come up after big life events, and Anty can trace this to last year, around this time. She took Fangirl, by Rainbow Rowell, out of the library and read it while in the waiting room of the people vet, and something clicked.

Authorial voice is difficult to explain for a human, so I, who am a kitty, am not even going to try. Basically, you will know it when you hear it. Or read it. If Elvis Presley, Luciano Pavarotti and Justin Beiber all sang the same song (not at the same time, please) it would not be neccessary to announce who was singing when. It is the same with writing. Each writer has a distinct way they tell their stories, a combination of everything they have ever heard, seen, read, done, etc. The really good ones cannot be imitated, but can inspire others to find what they recognize within that voice and let it fuel their own.

That is what Anty is looking for here. Strong voice, intense emotion and also how to use some Very Hard Things in life within an emotionally satisfactory love story. Not all of the love stories end happily in YA novels (but that is okay, because the humans are very young and have lots of time to find a mate that is right for them) but some of them do. Some even take more than one book to tell. Where She Went, for example, is the second installment of another book, If I StayThe first book was told from the female human’s point of view, and the second from the male’s, a few years later, after A Bad Thing Happened. This author has done the same thing before, in a different pair of books, and Anty finds this extremely interesting. Romance novels usually do have both points of view, but they are all in one book and take turns in different chapters. Having all of one point of view in one book and all of the other in another is new and interesting.

She is also listening to a lot of music by a band named Fun, which also gets into some intense emotions, so do not let their name make them sound fluffy. Right now, she is looking at me and tapping her foot, so I think that is all of my computer time for today. I will be back tomorrow with my regular post. In the meantime, you can see a list of some of the YA books she has liked here. If you know of any other books like this Anty might like, let her know in the comments.

See you Friday....

See you Friday….

Until then, I remain very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Flipping the Switch

Some days, the writing comes easy. Other days, it’s not. Then there are the days where getting to the writing place is a bigger challenge than making the story happen. This may be one of those days. It’s been one of those weekends. Possibly weeks. Hard to tell, sometimes. Things like this are going to happen to every writer, at one time or another. If it hasn’t happened yet, wait.

Real Life Romance Hero is back home, and we’re settling into the post-hospital, get-back-on-feet phase. Funny thing about that phase, it’s rarely the same twice, and yet it’s consistent. Caregiving is a different mindset from writing historical romance, though both are fueled by love.

On the caregiving front, there are medications to dispense, things to watch for, ways to help the loved one get back in their game. Some are physical, some are emotional. A lot of them take a lot of energy out of the caregiver, even when it’s given gladly. In most cases, things are more orderly in story world, the characters (usually) exactly where the writer has left them, and if they move, most times they will leave a forwarding address. Funny thing about the times when writing has to go on the back burner; sometimes, story problems work themselves out while the writer is tending to other things. Sometimes this has something to do with those other things, and sometimes, all the story needed was some time and space to do its own thing.

By now, I’ve found there is a pattern, at least for me, to switch between the two modes. No big surprise, it involves stationery.

My park boyfriend?  (considering that he swam away, probably not :P)

My park boyfriend?
(considering that he swam away, probably not)

One of the best pieces of writing advice I ever received was from K.A. Mitchell:

  1. Change your seat.
  2. Open the file.

Okay, that’s two, but they go together. This morning, after not enough sleep and too much stress, the fact remained that it was still Monday, and nobody else is going to write my stories, blog entries, etc. So. This means writing must happen, even if brain wants to crawl under the covers and pretend it is eight years old. That’s where the sage advice comes into play. I filled my purple cup with ice and water, loaded my hobo bag with notebook, pen pouch and camera and headed for the park. No idea what I was going to do when I got there, but:

  1. Change your seat.
*not* the view from my recliner

*not* the view from my recliner

It’s been said that time + distance = perspective, and I do find that to be true. In this case, a walk around the lake (lack of mallard boyfriend notwithstanding) puts me in a different head space than the same four walls I see every day. I also noticed that I saw only the male ducks, which lets me know the gals may very well be tending their nests, which means bebeh duckage in the not too distant future. That alone is a mood booster, and the physical act of walking around the lake and peeping at blooming things does get the mind in a different frame.

boys, boys, boys

boys, boys, boys

Which is the right place to be for:

2. Open the file.

In this case, the notebook. I’ve learned that, for me, when I’m staring at a blinking cursor, or don’t know what file to open first, the answer lies in good old pen and paper. Big notebook is by Papaya Art, small notebook is Moleskine. There’s something special in touching the smooth paper (will probably do another post on the Papaya Art books later) and deciding which color gets to come out and play when I freewrite.

i1035 FW1.1

Part of the freewriting is making lists. What projects do I need to work on this week? Which ones are time-sensitive/have a deadline? Which do I feel most capable to take on in my present state? Which ones need some time and distance? What specific tasks do I need to complete to make progress on said projects?

Breaking it down that way is a lot more manageable than looking at the big looming wall of Things To Be Done. I’m intuitive, but like order, so sometimes, it’s asking myself which task feels like it wants to be done first. Things usually look like this:

  • make bullet point outline for scene X in Project A
  • blorch (aka babble on paper) for scene Y in Project B
  • visit sites C, D and E to research Project F
  • respond to latest email from Collaborator on Joint Project

Maybe research is what I can do at the moment, or maybe I want to dive into the wilds of a blorch, where it’s gloves off and anything goes, where getting it all down as fast and true and messy as possible is what’s needed. Putting things down in pen and ink can be like putting a cage around the Tasmanian Devil whirling at will through my brain space. Contained, he’ll tire himself out, settle down, and we can have some fun together. Thing by thing, what do I need to make each thing happen?

Not that different, after all, from caregiving. Maybe some of this is taking care of those voices who live in my head. Maybe not, but what I do know is that it’s a pretty reliable way to flip the switch that opens the door to story world, and I’m glad it’s there.

Writer friends, how do you flip your switches?

Conference Recap, Part the Second: Saturday

Note to self: take more pictures next year.

view from our room

view from our room

Spring is absolutely on here in the northeast, and perfect atmosphere for day two of NECRWA 2015. Though Friday certainly has its share of workshops, Saturday has always felt like Workshop Day to me, and this year did not disappoint. First, though, allow me to state that conference breakfasts with endless tea are basically Extroverted Morning Person Disneyland. Caffiene! Breakfast food! People who want to talk about what I want to talk about! Free book on my plate! :runs about room, trailing streamers:

breakfast food breakfast food breakfast foooooood

breakfast food breakfast food breakfast foooooood

By this time, the usual suspects had formed an entourage, and most of us ended up at the same table to continue the conversations of the night before, with some new blood injected, business cards handed around and schedules compared. If I’d had a parrot on my shoulder for this weekend, a) that would have been an awesome icebreaker, and b) the first phrase he would have learned would have been “how many seats am I saving?” because traveling to workshops en masse is fun.  I will not mention at which workshop somebody I have hung out with at more than one conference spilled coffee on me, but no staining occured, so all is well in that department.

First workshop of the day was Susan Vaughn‘s presentation on the conflict box, which was a new concept for me, and an intriguing one. Biggest takeaway there was to have hero and heroine’s actions each drive the other’s conflict. :rubs hands together and cackles with glee: I think I can have some fun with that.

I’ve seen Megan Ryder‘s presentation on storyboarding before, and jumped at the chance to see it again. Okay, the use of sticky notes was a big draw. I bought a trifold board for this exact purpose after seeing Megan present this a while back, and was interested to see if there would be any new information this time around. Sillly Anna, of course there was. The mere idea of drawing a permanent chart on the board gives me the heebie-jeebies. I’d rather slap the sticky notes up there willy-nilly and then put them in order as they start to make sense, which, as it turns out, is a perfectly fine way to handle things. Of course I knew that, but it’s always good to have reinforcement. Also, I need to buy more sticky notes, because shapes and colors.

After that, it was time to hear from Jackie Horne, another NECRWA chapter sister, on using the Meyers-Briggs personality typing system to build not only characters, but plot romantic arcs. I love any sort of personality typing, as I’m definitely character-led, so hearing how to use this to enhance the love relationship kept me on the edge of my seat. Breaking down personality types into four different functions, ranked from lead to least got my idea hamster running like crazy on its wheel. How to use each character’s personality to find out what both attracts them to their true love and how their true love drives them crazy? Right up my alley. I’ll be using this a lot.

As the lovely Melva was in high demand and her presence required at another engagement, I was not able to attend Gail Eastwood‘s presentation on author voice, another topic I could talk about endlessly, but, through the magic of networking, my luncheon seatmate happened to be a friend of Gail’s and asked if I’d like her to ask if I could have the notes. Mention angels and one appears – Gail happened by to say hi, we explained things, and she graciously agreed to email me her notes and the handouts. Very much looking forward to those.

All too soon, it was time to go, but, as so often happens, a seed was planted. Melva and I had started talking while waiting for breakfast, and before too long, a novella idea had formed. I haven’t collaborated with another writer in a very long time, but once the ideas started, they kept on coming. Melva and I would both blurt out the same thing at the same time, and that’s how I come to today’s featured picture. My first assignment was to write down all the stuff we’d brainstormed at meals and the car ride back. As the plethora of sticky notes shows, there was quite a bit. Stay tuned for updates.

Now, how long until next year?

Traditional post-conference sundae

Traditional post-conference sundae

Conference Recap, Part the First: Friday

In more ways than one, but we’ll get to that. NECRWA’s annual Let Your Imagination Take Flight conference was this past weekend, and while I’d planned to blog about my experience immediately, life reminded me there is more going on than writing – but it does remind me how much I want it, so that’s all good.

Robin Sparkles, in action

Robin Sparkles, in action

Every conference starts with a road trip. Since my move to NY, this now means two hours with Housemate, en route to MA, where I make the switch to my longtime conference roomie, the lovely Melva Michaelian, who writes on the cozy side of romantic suspense. Two more hours on the road, nattering about works in progress and life in general, and then we get to walk the red carpet (only the literal one, more’s the pity. There was a carpet. It was red. No press, though. It was only a color. :hangs head: We strutted anyway, luggage in tow.)  Technically no traffic jams, and we did not get lost, so this was a successful journey.

Since we had forgotten (whoops) that the workshop with Lauren Dane was actually the master class and had needed to be registered for in advance, Melva and I ensconced ourselves in the bar, where we ran into Laurie Gifford Adams, who writes YA, and is a former chapter sister to both of us. Laurie brought along her critique partner and our new friend, Dorothy Callahan, who writes time travel and paranormal. Melva, Laurie and Dorothy headed off soon after for the first workshop of the afternoon, but I had other plans.

Offices happen anywhere

Offices happen anywhere

One of the reasons I was excited about bringing the new tablet to the conference was exactly this; writing. A scene pounced me, and since writing is kind of the whole point of being a writer, I sat out the workshop and settled into this lovely hot spot to dip into story world for the next hour. I like the office program that came with the tablet, except for one tiny omission. No quotation marks. None. I only found this out when I opened the document. Curious, that. A hotel full of writers is probably the only place where one will hear, “oh, are you writing? Sorry, catch you later,” in a genuinely happy voice. I think I could get used to that.

Bringing Robin Sparkles (yes, I name my electronics, so will be using her name and the word “tablet” interchangeably) to the conference was like bringing a new baby. Lots of coos over how tiny and pink she is, what she can do, how we found each other, etc. Some good advice from more experienced tablet users on life with tablet, and a good deal of trial and error, though I think we did all right for our first time out. The onscreen keyboard is a lot easier to get used to than I thought it would be, but my fingers are still gigantic, and there is probably a stylus in my future. If you hear any salty language from this corner of the world, that’s me trying to get Spotify to load.

But enough about me. There was, indeed, swag. Pens, bookmarks and postcards abounded, as well as some other creative ideas. I love the small book of sticky notes, and the stress cube is sure to get some use. Letter opener is always useful (for contracts, checks, fan mail, etc, right?) I will never say no to lip gloss, purse-size pack of Band-Aids is essential, but the star of the swag for this year? Flash drive. I’d needed one anyway, and bloop, there it is. Mini size, so it fits in my coin pouch. Perfect. Honorable mention to the pen shaped like a paintbrush, front and center below:

The requisite photo of swag

The requisite photo of swag

Just the books:

TBR

TBR

Megan Frampton gave  a wonderful workshop on the changing rules of the romance covenant. I really wish there were recordings of the workshops available, because there was so much information and discussion that I’d love to be able to go over it again. Does anybody else remember when athlete or rock star heroes were verboten? Now they’re hot. Age gaps, in either direction, characters with histories (or without) and persons of color in various subgenres, and more. An hour really wasn’t enough to cover the topic, but “you can’t do that in romance” can usually be rephrased as “depends how you do it.” If stepsibliing romance can be a thing, I think I’m not that far out there with my historicals (which do not contain romances between stepsiblings, fwiw.) Word is that Victorian settings have now overtaken Regency as the most popular era for historicals. I’d be interested to see the figures on that. Non-19th century historicals are still a harder sell (Challenge accepted!) though there was some discussion of medievals being on the rise. :pets Ravenwood:

Keynote speaker at dinner was the fabulous Sabrina Jeffries. I’m always excited when there’s a historical author as one of the speakers, and was doubly so this year. Her tips on writing through the hard times are a huge part of what kept my head above water when caregiving, grieving and settling relatives’ affairs (not the romantic kind, trust me) threatened to engulf everything else. The woman does know a thing or two about this business, and she has a great attitude. Her talk on creativity and how marvelous it is that we can make up stories and people and worlds all from our own imaginations was a lovely boost of encouragement. I had to give back, and let her know, when I bumped into her at breakfast the next morning, that I actually loved her historical set in Siam, lo those many years back. She said she’s looking to reissue it in ebook form, and I told her I hope she does. I’d love to read it again.

Friday evening wrapped with the second annual fireside gabfest in the lobby. Last year, it was me and Jodi Coburn (that’s us from last year, below,) whom I met over a crowded dinner table when we found out we had the same all time favorite historical romance novel. If that’s not an instant bond, I don’t know what is. This year, we were joined by Melva, Laurie and Dorothy.

photo

There was much chatter about what we were all writing and reading. I drooled over Jodi’s story binder (so stealing her spreadsheet idea) and at one point, we all whipped out our mobile devices to share photos of our furbabies. All too soon, it was time to head to our respective beds, because there was still Saturday ahead of us. Tomorrow, as they say, is another day.

Theoretical Schoolbusses

“Hard is trying to rebuild yourself, piece by piece, with no instruction book, and no clue as to where all the important bits are supposed to go.”
― Nick Hornby, A Long Way Down

Sometimes, I feel like there’s a bus. A schoolbus, more specifically, one of those long yellow ones that roll from September to June, look bright against the greys of a rainy day and fit in with the explosion of red, yellow, orange and brown on bright autumn afternoons. The bus is one of those. In pretty good condition, I’ll allow, with the seats inside clean black leatherette or pebbly vynil or whatever else they might be made from these days. It’s been a while since I’ve been on an actual schoolbus. This is a theoretical schoolbus, you see, because I am going to tell you a story.

Kind of. this is one of those loopy, off-leash days, where I am going to get some kind of structure from the loopiness, and blogging and discipline and yeah yeah yeah, working on book, put the pizza outside the door and slowly back away, please and thank you. Still with me? Okay, good. So, there’s a theoretical schoolbus. It came by my dad’s house lo those many years ago, when frustrtated extroverted writer me was stuck out in the no man’s land between suburbs and rural area (seriously, the neighbor behind that house was a dairy farm, yet the town also had a private school, and I’m drifting. This is what comes from too much caffiene and not enough structure. Focus, Anna.) and it picked me up on the day when I decided that was it; I was going to write that book.

I had no idea what I was doing; I wasn’t in RWA yet, didn’t know any other writers in person, apart from a dear family friend, who was very kind with my rambles and questions. I had one writer friend with whom I bonded through snail mail, and my heart hammered against my ribs as though it was trying to bust out. Looking back, I think it probably was. So, I set up three TV trays around the living room chair that reminds me still of the captain’s chair in Star Trek: The Next Generation (chair long gone, but I remember it clearly) put a vynil record (cast recording of Camelot) on the record player, programmed (this was a fancy-for-its-time player) and dove in, armed with a fierce love of historical romance and the need to do this thing. As I said, I had no idea what I was doing. That was probably a good thing, because that let me scamper at will, off-leash, higgledy-piggledy, wherever the story took me that day.

Do I remember which of two possible books I was working on that day? Nope. They kind of blend, and I can’t say I’m not mixing some memories here, but that’s an occupational hazard for us ficiton writers, and not always a bad thing. Anyway, let’s say I wrote one book (that now lives safely in a storage unit, where it can’t hurt anybody) and after I knew that one had to be put aside, wrote …hmm…a pretty good deal of another. How many of us remember every stop our school bus made on the trip to school and back, lo these many years later? Doesn’t matter. What matters is that I rode that bus. I learned. I made mistakes, fell down, got up, dressed bruises, kept going. Knew when to walk away from a book that wasn’t going to work, figured out what I can do and what I can’t. You know, the usual. Fast forward a few years. Sold a book. Sold another. RWA. Critique partners. Groups. More writing.

Then the bus dropped me back off. Huh wuh? :blinks: :looks around in utter confusion: What the heck was I doing back in front of the metaphorical house in the middle of a metaphorical school day? Detour to full time caregiving, and then, as it usually does, another bus, bright yellow against the grey, came chugging down the road once more. Flashed lights. Stopped in front of my house, now several years and a different state away from the first one. Opened the doors. I put one foot on one step, hoisted the backpack I’d been scared to look into onto my shoulder and climbed aboard.

My magpie self is still devouring inspiration, its appetite that of a starving creature. Cover versions of songs I know, done by singers who take a completely different take on an old favorite, realistic YA novels that deal with mental illness and suicide (n.b. – I have so far started two of my published works with characters about to take their own lives; I did not plan that, nor are the two stories in any way related. Points to anybody who knows which two.) endless searching for desktop wallpapers with the right visual feel, going on movie binges where the connections between movies make no sense to anybody but me, analyzing favorite fannish OTPs (One True Pairings) to see if I can spot patterns, making lonnng lists of reading jags to go on once I’ve finished this current reading jag. That’s for a start. It does feel like I’m taking myself to school, and, like a dog following a scent trail, I don’t know exactly where this is going to end up, but I do know that it’s taking me where I want to go.

Going Off-leash

Mostly, you probably need to go deeper. Deeper, deeper, deeper. You should know everything there is to know about your characters and your settings.
–Barbara Samuel

The new tablet came home on Friday. I’d love to say that I’ve been hauling her (yes, my electronics are gendered) everywhere and been writing tons more, but there are a couple of things I have noticed before that can happen:

  1. Those keys are tiny.
  2. My fingers are gigantic
  3. I think part of the port where the cable plugs in to connect the tablet to the keyboard came out with the plug itself and I’m not sure how to get it back in there.
  4. The onscreen keyboard isn’t that bad, actually, and I am a technological wimp.

But I have been taking baby steps. First public wifi outing after church on Sunday, and things went smoother than I had expected. Still haven’t found the best place in my favorite coffee house to sit with the really short power cord, but then again, the battery is all new and powery and shouldn’t give me any problems in that regard. So far, I’ve mostly watched YouTube, checked my email and swiped my gigantic fingers around (and oddly enough, I have pretty petite hands when I’m not holding the tablet, so I am thinking this is situational) the screen, usually with some variation of “wait, what, were are we going? This thing is fast.” and/or “Where do I tap?” No doubt that I’ll figure it out through trial and error and possible desperate appeal to any tech-savvy collegians hanging out in the same coffee house, but there is a learning curve.

Learning curve as well with Her Last First Kiss. For a long time, writing had felt like trying to move a boulder up a hill by beating my head against said boulder. Now, I’m letting the characters lead, and the places they take me…where they want to go, they don’t have maps, or at least no maps I’ve ever read. It’s both exciting and scary. Imperial Russia? Colonial Canada? Madhouses? Hero who is basically the eighteenth century equivalent of a former child star unable to reconcile himself to life as an adult (and let us not forget self image issues, because that’s a biggie) and a heroine trying to treat intensely personal things like business matters because that’s easier than facing the Big Scary Feelings? I’m not sure I signed up for that.

It’s fitting that this book is being written at the same time I have this tiny pink piece of technology in my posession. They both scare me a little. Both big responsibilities but also tickets to an awful lot of fun. It’s the off-leash part of the writer park (which I imagine would be like a dog park, but for writers; the water fountain would likely dispense caffienated beverages, and there would probably be more chairs) – no more excuses. Even if I only have the touchscreen keyboard, boom, transcribing anywhere. I can have my story playlists with me without lugging the whole laptop and external keyboard with me everywhere. (Though if I end up having to plug this external keyboard into the tablet…actually, I probably wouldn’t mind that, because normal sized keyboard, so never mind. That one’s good.) Check research online in the park? No problem. Edit at the laundromat? Easy. So what’s stopping me?

One foot in front of the other, bend down, thumb the clasp on the leash and let that puppy run. Let the characters lead. I don’t know a thing? Well, look it up, Sherlock. This isn’t a history textbook. This is a romance novel. It’s a love story. It happens to take place in Georgian England. That’s their Now. That’s their Here. That’s their Normal, so it has to be normal to them, and painted so that it reads that way to the reader, but the love story is front and center, where it belongs.

It’s not a nice story, because I don’t want to write a nice story. I want my heart to break, along with my hero’s and heroine’s, because I know that it’s going to be put back together in the end. I want to take two star-crossed lovers who have given up on love and help them find their Happily Ever After, after all. Chuck off all the lies they’ve believed, for far too long, the ones that have held them back and become who they were always meant to be, as individuals and as a couple.

There are risks to take when trying something new, but once I catch the scent of a place where I can dig in deeper, I want to shove my hands elbow-deep into the soil of character and story. Why are they like that? What secrets are they hiding? How can I bribe these very private people to give up what they most want to keep hidden? Becuase it’s worth it all, I promise, promise, promise. Getting to the heart of the story, the heart of the characters, that’s where the life is, for characters and writer both. For the readers, I hope, as well, but that’s a way aways yet. For now, I’m letting this (figurative) puppy -and myself- off the leash, to run as we will.