Shying at the Jump?

Wouldn’t you know the one time I leave my phone at home, it’s the time I bust out the super cool printed legal pad? That’s why, instead of a picture of my workplace, you get a picture of what my workplace sees. Apparently, I now have a signature taking-pictures-with-the-computer pose. Could be worse.

So here it is, Wednesday, time for Wednesday’s post, which was meant to be a) a late version of the Top Ten Tuesday post, and b) a video blog, but life happened, and so you get this. I almost chickened out of today’s post for a handful of reasons. It’s stinking hot out, which makes me crabby (I will spare you an encore of crabby me picture, because you get air conditioned me, which is much less likely to cause harm to self or others.) Yay for comfy coffee house in the nice, cool, brick-walled basement of a historic building. I’m tucked away at a new-to-me table in the back, close enough to my favorite seat to still count as being in the general area, with the added benefit of not being directly in the glare of the sun. Comfort, check, can see screen, check, tasty and seasonally appropriate beverage, check. Also important is presence of people who do not share my address, but are not trying to talk to me while I am writing.

Normally, this time of day on a Wednesday, I’d be having a regular chat with Critique Partner Vicki, but, apparently, she has a life or something, so I am on my own. Were I home, I would be singing the Song of the Lonely Extrovert. Real Life Romance Hero is pretty sure that whatever the words are, it would be backed by Kenny G. He’s probably right. Thanks to the internet, though, there really isn’t such a thing as alone, and since there are now over 400 of you who occasionally pop in here (had to count the zeroes there) it does give me the impetus to get something up here, even if all I do is babble. Since babble generally ends up going somewhere at some point, I am okay with that. I wasn’t always.

They don’t call it a writing process for nothing. Critique Partner Vicki and I started having these talks to help pull ourselves and each other out of the slough of despond and get real about why writing got so hard that we were avoiding the very thing we love to do the most, and figure out what we can do about fixing that. One thing I’ve noticed is that things can be going fine, and then, seemingly out of nowhere, I become amazingly skilled at avoiding working on a certain project. The usual modus operandi in the past was to continue avoiding, scamper off to something new and leave a trail of broken stories in my wake. That’s kind of not conducive to a writing career, oddly enough. That means I need to face what I’ve been avoiding. Face that sucker head on, see what it wants from me, and figure out if we can come to some sort of agreement.

This week, it was Her Last First Kiss. Oh, I was good at this. Work on other projects, do housework (a sure sign of avoidance, but it’s needed and I like doing housework; it counts as organization, and things are nice and clean and in order and…yeah, yeah, back to the book. I get it.) pay assiduous attention to social media and the like. We’ve all been there. If you haven’t, wait. We’ll save you a seat. I’d ripped out the first scene, made notes on how to fix it, which means the whole first section, aka everything I have written, had to be ripped out and redone. I did not want to do that. Needed, but didn’t want to.

Okay. Fine. Since I now accept that I do have to write in layers, it’s less scary to look at a page and know that something is missing. That’s fine. Time to make the literary baklava. What else does this scene need? In this particular scene, my heroine is super-focused on this hurricane of a man (not that she’d know what a hurricane was, but that’s okay, this version of stuff goes down exactly the way it comes in my head, modern idioms, comparisons the characters wouldn’t know, etc. I can fix all that later.) tear through her nice, orderly world without even noticing she’s there at first. She hates that. Still, there’s that even more disturbing fact that she does not mind the view, not one bit. Which is bad for this chick, oh so very bad.

Mmhm. Methinks she’d prefer I not know that, not only does she notice this person she’s never met before can barge into her sanctum and start spreading wet papers all over everything, even moving her stuff -and nobody moves her stuff- but that he’s pretty darned nice to look at, even soaking wet and tracking water and mud on her floors? Okay, we’re going there. This is going to involve more than skating on the surface. This is going to involve putting on the metaphorical scuba gear and diving down deep. What, specifically, does she notice about him? The fluidity of movement? the fit of his clothes? That it’s really none of her business what color his hair is when it’s dry, but she still wants to know? That’s good for a start. I can feel her sweats and fidgets now, which is a sign I’m headed in the right direction.

Every writer is going to have their own ways to deal with these things, but as with horses (and my entire experience with same is limited to always picking the black horse on carousels, a few toys and a seriously strong crush on Black Beauty dating back to preschool) sometimes, we shy at the jumps. When that happens, we have two options. Go back to the barn and figure jumping isn’t for us, or take another look and devise another approach. Get some more momentum. Come back and try it again. For me, that’s babbling, either to another writer, or on paper. Earlier today, I went through my legal pad stash, to see which one felt the most like this project. Sure, I have notebooks, three of them, and still use those, but a legal pad feels more open to the free form rambling that lets me get to the place I need to be to get the details. Maybe it’s visual. :shrug: Anyway, that’s where I am now. Climbing inside my heroine’s skin, and seeing what she sees, rather than sitting back and telling her what to do. Like she’d listen. Characters are funny that way.

It works for reading, too. In my morning pages, I started listing things I’d been avoiding. Apart from books for review, I’ve been avoiding historical romance in general, and avoiding the Bertrice Small reread I’ve wanted to do since February. One guess what I’m doing with my TBR and keeper shelves later tonight. Get back in there, Missy. There’s no crying in Romance. (Well, except in mine. There is crying in my books. Also a lot of my favorites. I am an angstbunny from way back, and as long as there is that guaranteed Romance HEA, may as well have some fun along the way.)

Allrighty, Liebchens, back to Century Eighteen I go. Talk to you soon.

Another Week, Another Journey of Discovery

Another Monday begins another week. This one is going to have some logistical challenges, and that’s okay. Still battling the cold sore here, temperatures are going to be hovering near ninety degrees for at least a week (no, the weather does not care that it is practically September) and today is a full house in Stately Bowling Manor, all humans with some degree of crankiness, so this could get interesting. Already, I’ve wrangled with getting a carefully photographed shot up here, which was not working out for some reason, so we adapt. Go with the all purpose Typing With Wet Nails banner, which I love, and on with the show.

Today, I am ensconced in my office, travel mug filled with ice water at the ready, disposable straw stuck in it to minimize contamination. First things first, and today, that’s getting a blog post up before noonish. Any idea of what to talk about? Not yet. Let me consult the scribbled notes on the page from my paper mousepad.

Lists are always good when stuck for something about which to blog (yes, I do have to be grammatically correct; my blog, my rules.)  Top Ten Tuesday, which I only figured out was a thing in the last few days, is tomorrow, though, so that’s probably going to be that, which may do double duty as a unicorn chow post.

There’s the matter of handling a sick day as a writer (hint; it’s like any other day) and the fact that I still haven’t reread any Bertrice Small novels since her passing and the acceptance that I am flat out not ready yet. When I do, it will probably be a single title, though, instead of an installment in one of her series. I did not do a lot of reading this weekend, though I’d planned on it. Instead, I wrote most of the time, which really is relaxing for me, as long as I do it my way, and shut out the shoulds..

What my way is can change from time to time, and it’s by doing a lot of that writing, that I can see the shifts in patterns. Right now, I’m not as concerned with finding one perfect method to get things done, as I am with getting things done and then figuring out how I did them. I am not ready to turn in my plotter hat entirely (the black netting does marvelous things for my complexion) but I have come to accept that I am more of a puzzler. This goes along with something that surprised the heck out of me when I was in college, studying early childhood education (the biggest surprise was that I did not like early childhood education, which is a big part of why I am not doing that right now) While I had always thought I would learn best (and what I was told by pretty much all of the grownups in my life up to that point) was that, because I liked to read and write, that I would learn best by reading. Following written instructions and all that.

Good in theory, but not in practice. What I found out, while supposedly learning how to enlighten very young minds, was that I fit better in what’s known as kinesthetic learning. TLDR version – I learn by doing. Let me get my hands dirty and mess around and in the messing around, I will figure things out. Discovery learning, some  call it, and I like that term. Sitting outside of the story and telling the characters what they are going to do doesn’t work all that well for me, although I spent far too many years trying to make it be so. Darned old shoulds. What works better is knowing who my story people are, and then putting them where they need to be and letting them do what they do.

In a way, it’s like playing Sims (which I really really super miss, as my gaming laptop is making ever faster circles around that metaphorical drain, so I don’t play as often as I’d like.) One of my favorite things to do, besides legacy play (following one family through several generations) is to make an asylum. One dwelling, with specified resources, a certain number of Sims, but I can only control one. The others will pick what to do, depending on the traits they were assigned. Sloppy Sims don’t care if they’re giving off green stink fumes and the house is littered with dirty dishes, where neat Sims will become very unhappy in the same circumstance and ignore their own needs to get those dishes done. Shy or antisocial Sims won’t like being in close quarters with that many other Sims, while outgoing Sims will be thrilled by having all the company and want to talk to everybody, even if their energy is in the red (very very very tired.) Get the drift?

Once I’d figured out that Her Last First Kiss had started in the wrong place, and I dumped the major players in one room and let them do what they do, then things got interesting. My heroine like things planned out and in order, and the story now opens in her most sacred and personal space, into which the hero bursts in with all the force of a tropical storm, drenched to the skin and spreading out papers that are vitally important to him on every even remotely flat surface, while all heroine sees is the huge mess he’s making. Pretty indicative of how things are going to go between these two, and it also solves a quandary I’d had about how heroine is going to come into possession of one particular paper hero really would rather not have anybody, especially her, see. I knew the paper had to get from him to her, but smashing my head against a brick wall trying to figure out how that could happen didn’t work, but letting them do their thing did.

That came about, not in precise typing in any program, but messy, free-form scribbling on a legal pad (which still gives me the willies that it doesn’t have margins, so definitely switching) and it didn’t even feel like work. That was pure play, but darned if it didn’t get all those ducks happily in a row and me knowing exactly what has to happen next. Which means a new scene and POV switch, and, y’know what? I’m fine with that. Onward.

Typing With Wet Claws: Begin as We Mean to Go On Edition

Hello, all. Skye here, for another Feline Friday. This week, I have on my metaphorical nurse hat, as Anty is not feeling well. She did not do a video blog this week, although she wanted to, because she got a cold sore the night before she was going to make her video blog. Cold sores are not very pretty, and they make Anty cranky. This is probably because she cannot have tea or pizza or wear lipstick (I have built in permanent lipstick. It is black, which goes nicely with the creamy fur around my mouth. I also have built in eyeliner. Anty says I am lucky that way.) and because she has to replace all lip products that touched her mouth for two weeks before the cold sore. On the plus side, this means she gets to buy new lipsticks, so that is  the good thing in all of this. Anty loves to get new lipsticks.

This is what Cranky Anty looks like. It is fearsome.

This is what Cranky Anty looks like. It is fearsome.

The rest of it is not as fun. It is very bright and sunny today, so Anty has even less energy. She will probably spend more of the day in her nice, dark office or go to the coffee house, which is in a basement and has brick walls. It is also very cool in there on summer days, so it is a plus. Either way, Anty will probably be bringing legal pads, because she is at the legal pad stage of things.

The legal pad stage has begun...

The legal pad stage has begun…

Anty first discovered legal pads while she was helping Uncle, her papa, and her own anty while they were all sick at the same time. She did not always have room in her lap to hold a notebook open, and legal pads fit nicely in her tote bag. Anty likes pretty legal pads. She will use the plain yellow ones if she has to, but the color is not good on her eyes, and plain white is glare-y. She thought neon colors would be too harsh, but with the right pen, they are actually soothing. Paper, in general, is more soothing to Anty than looking at a screen, especially when she is already feeling less than her best.

The day before yesterday, Anty talked to Anty Vicki, her critique partner, on the computer, about how the book was not moving along the way it should (I think it is because there are no cats in it yet, but does she listen to me on this one? No. I do not understand humans sometimes.) Anty Vicki said that it was because the story did not start in the right place.

Anty did not like that answer at first. She already wrote the opening scene. It gets important information out there, introduces the hero’s conflict and his goals and his backstory…and Anty was avoiding it. One thing Anty has learned over her study of her own creative process is that, if she is actively avoiding something, then she knows she has made a wrong turn and does not want to admit it. That is okay, though, because she has friends like Anty Vicki. Anty and Anty Vicki can tell each other when they are not doing the best thing for the story, and not get offended or upset by it. Which is why, when Anty came to Anty Vicki with a sneaking suspicion that the story did not start in the right place, she already knew, deep down, that she was right.

Anty Vicki asked Anty what was going to happen next after that first scene Anty has been avoiding. Anty told her the next scene, and went on for a  while about how that had to happen and it feels like that’s how it should..aha. Anty Vicki knows that when Anty hits a should, what Anty needs to do is punch it in the face (they actually say a different body part that only boys have. Not-fixed boys, that is. I do not know if all shoulds are actually boys, though,  so I will say face.) and do what is best for t he story. This is still a hard lesson to learn, because when Anty has written something, it has been written, and she would like it to stay there and be part of the book. (I told you she was cranky.)

Things do not always work that way, especially for writers who work in layers, like Anty does. Anty Vicki told Anty that no writing is wasted. Yes, Anty did work hard on that scene, and it did happen, but it will come out in a different way. Instead of the readers being there first hand, the hero can tell his version of it when he bursts in on the heroine’s calm, orderly world, while she is having an important conversation with another character. Anty Vicki says this also gets all three sides of the triangle in the same room in the first scene and gets the hero and heroine interacting right away. Anty admits that Anty Vicki is right about that one, so she is now taking the old opening out and putting the new one in. That is going to affect chapters that come after, which is a lot of work, but it is not as much work as avoiding the whole book, so it is okay.

This week, Anty also discovered the Discover Weekly function on Spotify, and found some new songs that she very much likes that way. This one, “Welcome To Wherever You Are,” by Bon Jovi, is going on her Go To Work playlist. She says it is appropriate for what she has learned this week. What do you think?

Anty also gets cranky when I use the computer for too long. I had better give it back to her now. Transcribing the new scene should make her feel better, and we all want her to feel better soon, so that is about it for this week. Until next week, I remain very truly yours,

Until next week...

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Rambly Ramblings on Writing, Reading and Feeling Like a Unicorn

“Trying to write about love is ultimately like trying to have a dictionary represent life. No matter how many words there are, there will never be enough.”
David Levithan, The Lover’s Dictionary

Not sure what I want to talk about today, so you’re going to get a freeform ramble, and I am going to trust that I am going to make some sort of sense by the time I’m done. This has been not exactly a domestic tornado day, but it has been a day with a full house, interrupted by Real Life Romance Hero and Housemate heading out a deux on a grocery run. Insert Rant of the Lonely Extrovert here, because even though grocery shopping with the whole household (minus Skye, who stays home because she is smart and also a kitty) can make me crabby at best and anxious at worst, it’s still out of the house and being around people. Alas, being sun-sensitive won out, because it is blindingly bright out there for those of us (aka me) who are pale and not suited to summer, so I am rambling from my favorite seat at the coffee house down the block from our own abode. It’s nice and dark here, within the exposed brick walls, I have an iced smoky chai in front of me, am functioning remarkably well for someone who has been Mentos-free for over a week and it’s time to take a look at the week ahead and what I am going to do with it, writing wise.

At the moment, I’m at the “staring at the twenty-foot high blank white wall” stage, which is not at all uncommon for a Monday, and I know that it does, indeed pass, so not going to stress about that. Note to self: writing about things that do not bother me all that much does not make for sinctillating interesting reading. If I am making myself yawn reading it, then it’s probably going to elicit the same response from readers. Which is not at all what a writer of commercial fiction wants, by any stretch of the imagination.

Had a train of thought there, but lost it. I hate when that happens. I am going to blame the upset to routine. My ideal method of attack is to make a list over breakfast, prioritize, then do all the things, crossing them off as I go. That did not happen today, and I am feeling the lack. I am also feeling vaguely unsettled that three passes through the main library’s romance section did not yield anything I had to take home with me right that second, but I was able to cull an armful of fresh voices and intriguing situations from the YA shelves in a matter of minutes. Under one, actually. I wasn’t counting. After devouring the realm of possibility and, earlier, How They Met, and Other Stories, both by David Levithan, which were a master course in romance (even if some of those romances don’t end well) and emotion, I had decided I’m going to have to devour everything he’s ever written and see what I can mine from it. If this guy can tell a love story entirely through dictionary entries, that definitely counts as innovation.

That innovation was what I found myself hungry for when I scoured the romance shelves. Historical romance is still my genre. It’s still what I love to read most, and what I love to write, and, at the moment, it has me somewhat itchy. Not sure what this is, but acknowledging this itchiness is important. Today, looking at the shelves, I saw, with the exception of older titles, almost exclusively series. I get the popularity there, I really do. There’s a built in following for many writers that way and many readers like the comfort of returning to a known community with familiar characters and such. I do follow some series, but not because they are series. There has to be something else. When I write, I naturally think in standalones, which can make me feel, at times, like a unicorn.

I see a lot of Regency settings. I’ve tried to write Regency. It did not end well, for anybody involved. My critique partner, Vicki, summed it up best. “You hate writing Regency.” She’s pretty smart that way. I do. Perfectly fine historical era, but where other writers get excited about Almack’s and, um, Empire waists, I get nothing. Dial things back a couple of decades to the Georgian era (yes, yes, I know, the Georgian era technically goes up to the coronation of Queen Victoria, but my blog, my rules) and we’re talking a whole different story. Wigs, high heels, embroidered satin, painted fans, makeup that would make Kat VonD jealous, and then there’s the women.

The historical fiction shelves (and boy howdy, do I love that our library system has a special sticker for book spines to designate historical fiction) get my interest from time to time, but my problem there, and I do love historical settings best of all -plop me down anywhere from the end of the Wars of the Roses to the end of the American Revolution and I am one happy camper- is that fictionalized biographies are a very hard sell for me. (Unless the topic is Anne Bonny, in which case, give, and back away slowly, mama’s reading) I’d rather read about original characters living in that world than the actual figures, though the actual figures can serve in supporting roles. I saw a few titles that looked mildly interesting, and I do know that some older historical romances of a few decades past have had second lives repackaged as historical fiction, as have some of the authors of such, but…

…that’s where things get unicorny. I want something new, within my favorite genre. Give me one hero and one heroine, in a fully realized historical world, make them people of their time, take me on an adventure and deliver on that big happy ending. Along the way? Carte blanche. (Yes, yes, I know, technically Regency term. Refer above; my blog, my rules.) The best way to make that happen, I know, is to write it myself, and I’m working on it, but there are days when I wouldn’t turn down the opportunity to stab things with my sparkly horn for a while.

This may have been one of them, but that’s where the discipline of routine comes in. Monday’s post goes up on Monday. So, here it is. It’s okay if I ramble, because rambling will take me somewhere that stewing will not (and also, I hate cooked carrots, which stews often contain.) I don’t think I’m done yet, but I do have a date with my plotting board and some sticky notes, so wrapping things for now. See you Wednesday,

Typing With Wet Claws: Sensitive Topics Edition

Hello, all. Skye here, for another Feline Friday. This has not been the most comfortable week around here, on more than one level, but that is okay. Anty said I can tell you all about it, so I will.

First, the weather was not good for anybody. None of the humans like hot weather, and neither do I, because I have a full length fur coat. It is built in, so I wear it all the time. On the other paw, I do have full time bare feet (and four of them) so it balances out. Anyway, this whole week up until today was very hot and very humid, so everybody was cranky. The sun was also very bright. Yesterday, Anty tried to go for a walk to the coffee house so she could write, but it was too bright, so she had to come back home for a little while. That meant she got to spend more time with me. That made it better. Okay, it made it better for me. She fed me.

Uncle has started taking pictures of the places I flop when it is too hot. He puts some of them on Facebook so that Anty can see where I flop when she is not at home. The humans have started calling me Speedbump  when I flop in the hallway. It is not my fault. The linoleum is cool, there are no windows, and it is nice and dark there. Frankly, I do not understand why the humans do not flop there when the weather is that oppressive.

Sometimes, Anty puts ice cubes in my water bowls (I have two of them) but I do not lick them, like she says other cats do. I look at them funny and wait for them to melt. I have water bowls, not ice bowls. Anty is silly. I think the sun and heat have got to her brain. That is not good, because she needs her brain for writing.

This week, Anty had her first article published on XOJane.com. That is a website for humans to read about a lot of different things, from clothes and makeup to relationships and interesting things that happen to humans. That is where Anty came in. This next part may be hard for some readers, so it is okay if you do not want to read much further or click on the link.

Before Anty’s papa went to Rainbow Bridge, he was very sick, and he could not do everything that he wanted to do when he was healthy. That meant that other people had to help him, while he was sic and after he went to Rainbow Bridge.  Anty wrote about that in her article. It is here and it looks like this:

Not for gentle readers

Not for gentle readers

Most people who commented on the article said kind things, that they were sad Anty had to go through that, or that they were going through a similar experience. Some said that this helped them make some choices or talk to people they loved about making things easier. Those comments made Anty happy. One person, and probably other people, who did not comment, had a different opinion.

That person ( and probably others who did not comment) thought that Anty should not have written this article, and that she should not have used her real name when she did. Anty can see where that person is coming from, and she did put a lot of thought into what to write and whether she should use her name or not. Anty’s intent was to help other people going through something similar. Sensitive topics like this are not pleasant, but they are part of life.

Anty finds the whole spectrum of life very interesting, and she likes to have that in her fiction as well as her personal experiences. Uncomfortable parts of life are still part of life. Take me, for example. I was born in the wild, so I did not learn how to cuddle or play. Some bad things happened to me before the shelter people rescued me (I got hit by a car, and shelter people took me to the vet) and Mama and Anty found me and brought me home. I was very scared and did not know how to be a pet, but Mama, Anty and Uncle were gentle and patient with me. Now I am a pet. I have a happy tail. I love to play with crumpled Post-Its. I get treat in my purple bowl, and I get to take naps in sunbeams. Everything turned out pretty good, but I did not know that would be the case before I got rescued. It is still part of who I am, and I cannot change it.

It is like that with Anty’s characters. They make mistakes, and they have been through some things that are not entirely happy or nice, but they still get to find somebody who loves them and get a forever home by the end of the book. No matter how hard the road may be to a happily ever after in a romance novel (and it can get pretty hard in Anty’s) it always ends in a good place. I think that is a very good thing. If we are going through difficult times, that means we are in the middle of the story.

Speaking of the middle of the story, Anty needs the computer back because it is writing time, so that is about it for this week. Until next time, I remain very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Until next week...

Until next week…

How Did We Get Here?

Still technically morning,as it’s ten minutes to Skye’s treat (aka noon) so, technically, I am posting on time. Besides posting on the scheduled days, I’m giving myself the added goal of posting in the morning, when my brain is the freshest. If, that is, any brain can be fresh during a streak of humid, hot weather. I was not made for summer. Whatever whichever distant biological ancestor of mine did, back in merry olde England or Ireland (my birth mother’s last name puts her ancestry at southwest England or County Cork, most likely, and that name is very common in a part of Virginia where convicts were transported, so I think drawing conclusions is not that much of a stretch) to get booted from the British Isles to American shores (and the south, no less) I hope it was worth it.  Not that they likely had any say in the matter, unless it was a choice between transportation or hanging.

Maybe I’m reading it wrong. Maybe they worked hard, bought a ticket to a new life and were happy to make the change. Maybe it was a long haul of indentured servitude before they got freedom, a change of clothes and a mule. (Yay, colonial research, I use you yet again.) Who can tell? Since I was adopted at birth and don’t know any of my biological relatives, I’m probably not going to know, so I can fill in the blanks at my leisure. To this day, I remember the lovely white-haired Virginian gal at our church back in the old country, throwing her head back and laughing when I told her the name of the hospital on my birth certificate. “Oh, honey, that’s redneck country. You’re white trash.”  Lovely gal was part of an adoption triad of her own, and we had a long, illuminating conversation that day about what it was like to be where the other one was, searching and not searching, and coming to terms with some questions not having answers. I laughed, too, not because any group of people are intrinsically funny (except for comedians; they kind of have to be) but because that answer felt right.

It’s not a concrete answer, not a specific, but it’s close enough. I’ll take it. Going from rural Virginia to a one bedroom apartment in Manhattan at the age of three days must have given me a taste for adventure at a very early age. Moving, at the age of nine months, (okay, my parents were the ones who actually did the moving; I pretty much lay there the whole time) to a town steeped in colonial and Revolutionary history (oldest Catholic church in NY state, oldest burial ground, British burned the town to the ground but for one lone house, stone walls built by Dutch settlers and still in use, thankyouverymuch, library that was where John Jay’s kids went to school, etc) must have imprinted a love of the eighteenth century in me, so I’m not surprised that it’s turning out to be my default setting when writing fiction these days. I can live with that.

Ugh. Brain drifting, which is normal in August humidity, but I kind of need my brain for all that writing stuff. Putting a book together requires brain cells. It also requires notebooks and legal pads and Spotify and inhaling other books and period dramas, and the occasional ice cream soda (replace with hot cocoa in winter, thanks) and a mountain of gummi bears (Swedish fish also acceptable and possibly more conducive if writing a Viking story. I am not currently writing a Viking story, but that would be really cool someday.) Add in a thousand other things, as I am a magpie, and collect various bits of shiny to add to my stash until it all comes together in something that actually looks storyish.

The last couple of days, I inhaled the realm of possibility (sic) by David Levithan. and am nursing a serious book hangover. The depth of emotion, the brilliant beauty of language, the voices of twenty different students at the same school, telling one cohesive story that asks the readers to do some filling in of blanks – :happy sigh: I want to hit the snooze alarm on this one, spend five more minuteshoursdaysyearscenturiesmillenia there, and see what I can take away and put into my own work. It will be something different when put through my own filters, but that’s what it’s meant to do.

I was going to say something here about writing being a sort of alchemy, but then my brain drifted off, and my time for blogging today is done so I am going to leave it at that. My characters need me, and it’s really not in my best interests to leave them unattended on days like this.

Random Monday Blatherings – Jump in and Do It.

In my continued determination to keep blogging on the days I have blog entries planned, I am here. Random picture of moi as your image, taken in afternoon light at my favorite seat in my favorite office away from office, Hudson River Coffee House I love that place. Love it. Cool in the summer, warm in the winter, exposed brick walls, friendly staff, excellent tea, excellent food, the owner sometimes brings his dog (can it be considered a pub dog if it’s not a pub but a coffee house?) My tablet still doesn’t want to connect with the internet there, but my phone and my laptop do, so I think I can deal. Not heading there today, because it’s approximately a thousand degrees outside and my pale, sun sensitive self has already been roasted, including my brain, which is why you are getting this ramble.

You are getting it in text instead of video because humidity has not been nice to hair or makeup today, and because I want to make sure I get at least one non-Skye text post per week. Goals, people. They work I like organization and planning. Getting a big furry mess of chaos into shape and  ranked in order of importance always makes me happy. Having a plan means less uncertainty, and gives me a road map.

So why, then, is this a post about jumping in and doing stuff? Doesn’t that go against the whole plan thing? As it turns out, nope. As I’ve said before, my favorite pieces of writing advice from K.A. Mitchell never fail.

  1. open the file
  2. change your seat

Those have not failed me yet. When I don’t know where to start, that places all options as equal (at least in a certain regard) so the first thing to do is make a decision. I am doing something. I am doing this. What the “this” is can vary from day to day. Today, it’s jump in and write a blog entry. Write a blog entry on writing. What counts as writing? Well, writing, duh. That thing I do with my brain and English and some sort of method for preserving what my brain does with the English. Right now, at my desk, I’m looking at the colored index cards I used to give my On Beyond Fanfic presentation, because I’m going to need them for Play In Your Own Sandbox, Keep All the Toys. Which may need some sort of abbreviation. PIYOSKATT? Sandbox? I’ll get there.

I also have the neon green legal pad with similarly eye-searing but different-hued sticky notes on which I am figuring out the layers of a love scene from the hero’s POV. Love scenes are hard, y’all. Up until recently, I didn’t write them. Call it a case of the “shoulds,” but then I had two characters (Angus and Summer, from ye olde time travel) who blew right past me and wouldn’t let me turn the camera away, because that was some character development going on during that intimate moment and that changed things. When I do get back to Angus and Summer’s story, I’ll be starting pretty much from scratch (have to sweep out all the pesky shoulds) but I know that scene will stay, and probably stay pretty much intact, because it feels like them.

Every couple, and every story is going to be different, because they have their own histories, backstories, insecurities, wounds, hopes, how they’re reading and misreading the other. There’s what’s going right and what’s going wrong, what else is going on around them both internally and externally, and that’s not even taking into account who has what where and when. I use a lot of sticky notes, and I prefer to concentrate more on emotions than body parts, though those certainly do come into play. Like I said, there’s a lot here to choreograph, both physically and not, and maybe the sheer amount of things going on could be one of the reasons I held back on this front at first.

Not to say that all romance novels have to have explicit sex. That’s certainly not the case. Inspirational, sweet, YA, (most) traditional Regencies, etc, prove it’s not a prerequestite. I don’t like the term “clean,” because I don’t think a book that does keep the camera rolling during intimate moments is automatically  “dirty.” I think there’s a lot more to it than that. Authorial intent goes a long way. For me, it’s a matter of staying true to the characters and their stories.

In the end that’s all we can do. Tell our stories, and tell them the way they come to us. For me, that’s usually in longhand, with bullet points, lots of crossing out and layer upon layer.  Sometimes, the first thing that comes to me for a scene is something in the middle, so I go with that. What happened before and what happens after, I can figure out. Hero has a limp now when he didn’t before? Okay, how did he get that? Heroine can read and write in a language I never planned for her? Fine, where did she learn? Instead of fretting about fitting things into somebody else’s system, I find what works best for me, at least right now, is to pick a point to jump in and then splash around. The order will present itself, as long as I show up and get my hands dirty. That, I can do.

…and we have blog entry. Looky there. See you Wednesday, Liebchens.

Typing With Wet Claws: Historical Versimilitude Edition

Hello, all. Skye here, for another Feline Friday. Things are taking a definite swing toward fall this week. The sidewalk part of the construction is finished in front of our house, so it is not quite as noisy and the floor does not shake as much. Anty is very happy that there is actual sidewalk now, so she can wear heels when she leaves the house if she wants to, without risking ankle death. Construction is not completely done, as they still have a giant pit in front of the house next door, and we still have new trees to be put in where the old trees used to be. New trees means birdies will come back. I love watching birdies in the morning, so I am excited about that.

Anty does have a funny story about the day they poured the cement, and she said I can tell it, because it is really about me. Uncle was home until dinnertime that day, so Anty went to write at the coffee house. When left the house, she noticed that there were big mesh things laid out in a grid pattern on the gravel in front of our door. That told her they were probably going to pour the cement soon. She did not know how soon, because, when she got home a couple of hours later, there were men in big rubber boots almost to their knees, spreading the cement around. I should mention again that I am an indoor kitty, and Uncle had already left for work.

Anty was very concerned about being able to get in and take care of me. There was cement everywhere, and the workers were not happy about having to find a way for her to get across. One of them asked if she could please use the back door (I do not think he said please.) Anty said that she could, but she would have to go into the back yard (it is really tiny, because we live in a city) to get to the back door and the gate to the back yard is right next to the porch, so she would have to get across the wet cement sea anyway. The workers grumbled about having to put boards across it, but then she said the magic words. She had to get inside and feed the kitty (I am that kitty.)

Well. The workers put two boards up, side by side, and let her hold their hands so she could keep her balance as she walked across them. Anty thanked them and came inside. I got my meal (it was cat food, which is my favorite) and Anty got some more writing done. I love a story with a happy ending.

So does Anty, which is why she writes romance. She started reading romance when she was still a person kitten, only eleven. That first book was The Kadin, by Bertrice Small, and she knew right away that she had found what she wanted to read and write for the rest of her life. She says so far, so good. Anty may give the humans in her books a lot of problems, but, because it is romance, she fixes them by the end. Reading romance novels written by other humans is something that Anty loves  do, but has not had a lot of time for this summer, but now it is almost fall, so she is looking at reading more romances, especially historical ones.

Anty says recommendations are welcome...

Anty says recommendations are welcome…

Some humans like their historical romances to be what they call ‘wallpaper.’ This term confused me at first, because I thought it meant that they took the pages out of their books and covered their walls with them. I guess that is one way to go, but that is not what it means. A ‘wallpaper’ historical romance means that there is very little detail given about the period in which the book is set, only enough to give some flavor. Anty does not do that.

For Anty, the best books to read, and the ones she likes to write, are the ones where the historical world and the romance are intricately intertwined and one could not be the same without the other. This does not mean that she writes about humans who actually lived in those other times, but things those humans do did affect the people around them, including the ones who live in Anty’s head. She wants to know what it is like to slip inside the world in which her story people would have lived, and see the world the way they would have seen it.

Since Anty has not, to my knowledge, mastered time travel (but Uncle says it is okay if she gets in a blue police box if it comes) this means she has to find other ways to know these things. Some humans like reading books (that are not fiction) to learn more, and Anty does that to some extent, but what she likes to do the most is get hands on experience. Living history museums and historical reenactments are her favorites, as she can pick up on details that books may miss. She likes to know for herself what a shipyard smells like, for example, or how heavy a musket is in her hands. She once talked a blacksmith into letting her come right up to the forge, which most guests do not get to do, but Anty has special writer powers. Watching period dramas is also good, because watching people move around in the clothing of a different time tells her more than looking at a still picture, even though portraits from a particular era are the most reliable source of how clothes actually looked. She also is quick to point out that, while things like white wigs and high heels on men look funny to modern people, in the times they were worn, those things were hot stuff, so her book people would probably like them. Then again, it all depends on the characters.

Anty is now making throat clearing noises, which means that has to be about it for this week. Until next time, I remain very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Until next week...

Until next week…

Play in Your Own Sandbox, Keep All the Toys?

Wednesday’s post on Wednesday – I’m on fire here. Okay, maybe a little cheat-y, doing another video blog, but that’s how it goes sometimes.

Many thanks to those who have asked about my From Fan Fiction to Fantastic Fiction and On Beyond Fanfic workshops. I love running those, and am working on an updated version I call Play in Your Own Sandbox, Keep All the Toys. In today’s video blog, I’ll take you through an introduction to the live version of my workshop, and will be making the handout available in the near future.

This goes along with my longstanding interest in authorial voice, which really does have a lot of similarities. Our voice is the sum total of everything we’ve done, seen, been, heard, tasted, experienced, heard about, enjoyed, not-so-enjoyed, etc. The common types and tropes that fire our imagination can be found in media that we already love, from music to TV and movies, books, computer games, and a whole lot more.

I know that all I have to hear is that a historical romance has even one scene in Bedlam or Newgate Prison, and I am there, baby. Shut up and take my money. This probably says something about me, but the journey of hero and/or heroine, from that cell in madhouse or prison, to reclaiming their own lives and seizing that happily ever after, gets me every time, and I will never get tired of it. Will I write my own stories including such? Whee doggies, yes. I do have some prison scenes in Orphans in the Storm, where I got to play with some of my favorite aspects of the above, and my heroine’s mother in Her Last First Kiss is in a madhouse when the story begins.

My love of TV shows such as Highlander, New AmsterdamMoonlightForever, and Sleepy Hollow,  all featuring extremely long-lived gentlemen struggling to find their place in the modern world, inspired me to try my first time travel. All I’ll say on that front is that I am still looking for the right angle on that one, but when I find it, watch out. I know Angus and Summer aren’t going to let me leave them idle for too long. Maybe I need to do some more research, hm? Hard task, I know.

What tropes, archetypes or situations will get your interest every time?

Monday’s Blog on Monday and Video Blabber

Hi, all. Monday again, and, this week, I am determined to stick to my ideal blogging schedule of Monday, Wendesday and Friday. Hopefully more, but at least those three. It does get easier when one can outsource one day of blogging to one’s pet. Definitely worth the extra treats that added service will cost, at least that’s been my experience.

Since today is a lot of stuff in a little time on my to do list, I’m going to leave the bulk of today’s post as a video blog. If there’s something you’d like to see in video, drop me a line in the comments or at annacbowling@gmail.com.

Today, I’m focusing on starting as I mean to go on for the week, which means I need to put in some solid work on Her Last First Kiss (you’ll get a tidbit on that book’s hero in the video) and read over the latest chapter from my critique partner, who is making some awesome progress on her current ms.

I will probably give myself a break to go talk to some ducks in the park later, but work comes first.

Thanks to those who asked about From Fan Fiction to Fantastic Fiction recently. Things are in the works there, so stay tuned. I really appreciate the interest, and if you can write fan fiction, you can totally write original fiction, though it is more than merely filing off serial numbers. You know you’re up for it, though, right? I believe in you.

Okay, I am in full on babble mode now, so will turn you over to the video portion of our show.

See you Wednesday, Liebchens.