Welp, we are one quarter of the way through July. I did not expect to be gone so long. It’s definitely summer here in New York state, and I am once again handling some caregiving duties, which should hopefully do the trick soon. Melva and I have some very good news as soon as I have the go-ahead, and we are both hard at work on joint and solo projects.

Today is more temperate than it has been, so I am able to drag myself out of the bog and post. This is definitely a low hanging fruit day. Sometimes, figuring out what that low hanging fruit is can be a whole thing on its own. For me, when in doubt, A) blabber, and B) journal (which is kind of blabbering, but private blabbering and I get to play with art supplies.)

my first custom palette

I have wanted a custom watercolor palette for far longer than I care to reveal, so this is a win. My colors, picked by me, squeezed from teeny tubes, into teeny squares in a teeny box. I do have a way to go when it comes to neatness, but this is a watercolor palette, so that doesn’t count. I made this so that I could take my chosen colors on the road, and fiddle with the paints at odd moments out in the wild. When I am next out in the wild, I will give it a spin. For now, caregiving. I could play around with it her, but I have regular palettes and I want this to be for the road crew.

I gobbled an audiobook this week, Where Lost Girls Go, by Kody Keplinger. I won’t say much, as it’s best to go into this taut thriller blind, but we have our narrators, one before her captivity and one after, by one of the best crafted villains I have read in some time. What will a victim of narcissistic abuse do to keep what they have been taught is normal? I think I want to pick up a historical romance next.

Speaking of which, I also finished The Last Lady B, by Eloisa James. If you love James and want something a little different, grab this one. First person, gothic overtones, a delightful supporting cast, and maybe…ghosts?

I am staying hydrated, because summer and certain medications are not besties, so this is a good time to stay inside, drink water, and do book related things, both consuming and creating. Journaling fits here as well, both words and images. Usually with something in my earbuds. I have listened to two audiobooks in a row, and having a full book is a lot less labor intensive than having to find You Tube videos or podcasts when the current one finishes.

Storm is very much on the case when it comes to making sure I rest/she gets cuddles. Sometimes, she helps me watch videos. Usually of the journaling variety, or people reading Reddit threads. Fan edits for favorite ships from favorite shows are also a big part of my viewing. I am fumbling my way back to listening to music, which is something that has always gone with my best writing. I consider that a good sign.

How is July treating you?

as always, Anna

Sketchybooks

Right now, the thing holding my brain together is a sketchbook. Technically more of an art journal, which I already have, but this one is different. This one is dedicated to filling as quickly as possible. I grabbed the closest notebook to me, and the closest art supplies, and went all the way through, making frames around every single page in the darned thing. No thinking at all, just frames with liquid watercolor daubers that are mostly on their way to the great supply closet in the sky. Forget concerns about paper weight. Forget asking if it would be good enough. Nope, watch sketchbook videos on YouTube and continue until every single page had a frame.

This picture is actually from a different sketchbook, but it’s mine, and the idea is the same. This was me trying out a soft pencil and blending stump. The “help” text is mostly there because it fit in the box. Still, it’s pertinent. I don’t have pictures of the sketchbook I’m talking about at present, and probably won’t until it’s all full. I am thinking maybe a flip through at a later date.

Improv session ended a couple of weeks ago, and the next one will be, I think, in August. Right in time for Real Life Romance Hero’s birthday, which I will appreciate. Next month will see the six month mark of his passing, and it’s taken me that long to figure out what I want to do for a very private memorial. It will involve some of his favorite foods and fond memories. Nothing formal, but it feels right.

Some of the lessons from improv are finding good use in my current sketchbook practice. Housemate shows me the cool tag from her new clothing item. Do I want that for my sketchbook? Yes, please. Straw wrapper from a local diner that has “biodegradable” printed on it? On the page. Random papery bits I find while I excavate the doom piles? That’ll do. No overthinking, very little thinking, and actually very few words. That both surprises me and doesn’t.

Time moves differently in grief. An hour can take forever and then three weeks can whoosh past so quickly that they knock a person off balance. I don’t make the rules. The practice of throwing images and colors and shapes on the page does things for the story part of my brain. I’m not sure how that works. I’m not sure I need to know. What I do know is that this new sketchbook lives in a hard shell case that travels with me, at home and outside. Spare minutes? Sketchbook. Waiting in line? Sketchbook. No idea what to draw? No problem. Not great at drawing? Shapes. Lines. Squiggles. Colors. Textures. Slap it down and move on along.

Do I know how this is going to carry over into writing? I do not. Am I confident that it is getting me where I need to be? Yes, I am. As with improv, blurt. Say the next obvious thing. My challenge for this sketchbook is that I have to use things I already own, preferably only things within the case, plus found objects, such as the straw wrappers and clothing tags.

That’s where I am going to leave it, because it’s late, and I have commitments in the morning. This, too, is blurting. Plopping whatever is in my head into the blog, slap a picture down and hit “post.”

What’s your next obvious thing?

as always, Anna

Art Caddies Then and Now: Curated Possibilites

Back in the 1980s, this right here was the pinnacle of my art supply dreams:

I don’t remember if the jar pens were acrylic or tempera, but I think acrylic. Classic crayons (with sharpener) a basic set of markers, and a basic set of watercolors. I think I went through a couple of these, and am still chasing the thrill. My father was a fine and commercial artist, so I had been borrowing his supplies since I was tall enough to reach them. His father was also a fine artist (and structural engineer) and fine artists abound on his side of the family. Since I am adopted, I don’t share their DNA, but the art love came from somewhere in my genes.

Lately, I have been turning to my art supplies and journals to help me navigate the big life changes that come with a huge change in family dynamics. With all the chaos that comes with that sort of change, I crave order even more than I usually do. The caddy came to mind easily and I suspect that memory is going to stay. I don’t have one of these caddies right now, and it seems to be among the retired products, which is fine. Crayola is still The Stuff when it comes to crayons, according to me, and while my watercolor horizons have expanded, I still like the basic Crayola watercolors for casual journaling use. As soon as my great-niece is big enough, I plan to be the auntie who shows up with cool art supplies and is happy to join her in exploring them.

In the meantime, the complete overhaul of my living area includes room to spread out my art supplies and organize them in a way that makes sense. Some supplies are staying, others are going, and yet more are moving from the “maybe someday” to “burning daylight here, let’s try them.” I like working in art journals because I don’t have to show my work to anybody. There are no expectations, and if I don’t like the result, I can gesso over it, glue pages together, or collage on top. I would say tear out a page, but I don’t do that with bound books, which are normally what I use for this purpose.

What, you might ask, is this purpose? Isn’t this a writing blog? Well, yes. Writing, reading, pens and paper, journals, planning, mental health, grief, and all that stuff. It’s a multimedia experience right now. This week, I am writing scripts to relaunch my YouTube channel, where I can blabber about the things I do with ink (and other things) and paper. That about covers things.

mood tracker and mental health journal bag

Enter the modern variation. Well, one of them. These days, I like making kits for specific purposes. Above, is my mental health journal bag. The pink book is my mood tracker, with a year’s worth of inserts. The green book is therapy notes. I like being able to pick up one thing and have all I need for that purpose with me, no looking for needed supplies. Having a limited selection of supplies helps me focus not on the things, but what I can do with the things. For me, that shifts the focus from the tools to the expression, and that carries over well to writing.

For those wondering if I have considered looking for the OG Crayola Caddy on the secondary market, I have indeed, and let’s say it’s a collector’s item. That’s okay. My chosen art supplies have evolved, and so have I, so it makes sense that my storage needs will be different. What I use isn’t as important as how I use it.

illustrated image of a redheaded woman writing in a journal as her calico cat observes.
as always, Anna

Snowy Days and Journaling: Embrace the Indoors

I can describe the weather around here can be summed up in one word: snow.

view from our landing window

This means it is perfect weather for tucking in and fully committing to the great indoors. Normally, reading would be great, but depression and grief say otherwise. Thankfully, journaling is an option. I have been watching a bunch of You Tube videos on analog bags (or, in this case, Anna Log bags, and yes, the videos will resume soon) and how to use items I already have, I am very interested in using what I have before I acquire much more.

The video that lit a fire under me on this latest endeavor was this one from Abbey in Archive on You Tube. For bonus points, she has a page about Empire State Plaza in Albany, which is a familiar sight. She includes pastel pages, which is definitely relative to my interests. Right now, I am loving Morandi colors, a dusty pastel palette and making kits for individual projects, so I can pick up one thing and take it wherever. Bedroom, kitchen, cafe, library, etc.

I am writing longhand, a lot, in different journals, on a few different projects. Melva and I will have good news on Drama King very, very soon. We have seen and approved the final cover, and the only thing left is uploading. Then we are officially indie published. A Heart Most Errant will not be far behind. This is exciting and a little scary.

Anyway, back to the particular journal at hand. I am not sticking strictly to commonplacing, as in a place to collect information, but still close enough. I have one section started to create wiki-like pages for the leads in my current projects, for easy reference, so people don’t change eye color, age, or place of origin willy nilly, as has been known to happen. This can be especially useful when collaborating.

this looks much brighter than it really is

The actual pagers are not this cyan in real life; more of a soft, powdery periwinkle. Ditto with the highlighter used for the bands at top and bottom. Stickers are from a kit by Cora Crea Crafts.

That’s about it for this week. Hoping to have good news about Drama King very, very soon.

as always, Anna

Embracing the Summer Slump: Morning Pages Tips

Can you believe it’s June? Summer is not my favorite time of year, but a) we have air conditioning this time, and b) I am reframing this as a precursor to fall. The season, not of society.

the real star of the show

Storm is well aware that she owes blogs, and should be back to regular posting after this weekend’s events (I and Housemate are traveling; Storm is staying home with Real Life Romance Hero.) She has most certainly not authorized me leaving the house this much, and I must pay damages in belly rubs and catnip. Also Temptations.

Blue journal is just finished, ivory just started.

The picture is a lot less vibrant than the covers are in real life, but here are my old and new morning pages notebooks. These are both B6 size, with lined ivory paper in 120gsm. This seems to be my ideal morning setup. Pens vary, but usually Pilot G2 or zebra Sarasa Clip in various colors as the mood strikes.

Inside pages look similar to this

Setup inside is easy. I like having a visual anchor, so washi at top and bottom (this from Cora Crea) and a lovely person sticker (this from Amazon) and use a Tim Holtz stencil to write the date in the lower left-hand corner. From there, it’s whatever is on my mind at the moment. Total brain dump, bullet points if needed because life is like that sometimes. I can add color with pastel highlighters, Mildliners preferred, or colored pencil. I could use watercolor, but that would make the paper crinkle and buckle and, for this purpose, that’s a no.

Sometimes, these pages don’t make a lot of sense, but that’s okay. That’s why they exist, to prime the pump and get me started on the day.

What do you like for morning pages, if you do them?

as always, Anna

Watercolors and Me: a Love Story

Lately, I have fallen in love with watercolors. I’m not sure how it happened. Maybe it was part of my resolve to use my stash, but however it happened, I’m in and in deep. Do I know a lot about watercolors? No. Am I especially good at them? Also no. At the moment, I am mostly at the stage of figuring out how it all works, swatching paints, making pretty blobs, and watching endless YouTube videos on palettes and brushes and what sorts of pens work with the medium.

Right now, I am mostly planning on adding watercolors to my journal arsenal. There’s something almost meditative in plopping the colors on the paper and mushing them around. I even like when I flood the page too much for a wet on wet and paint goes places I didn’t intend. This reminds me strongly of writing. It’s alchemical, especially since I serendipitously found out that a book I wanted to read was included in my Spotify plan, so now I can listen to voices read me a story full of emotion and angst and hope, splash colors around and then boom, the next lines for a scene I’d been stuck on slipped in under the fence.

Apparently, I have found something that helps me get where I want to go. Therapy Dude will probably have something to say about that. Probably good things. My educated guess is that being in that space where I am new. where I don’t know all the rules, bypasses the perfectionist in me who, like a character in one of Melva’s and my upcoming books would say, you can’t fail if you don’t play. Technically correct, but not good for the long term.

At the moment, I am filling this journal with things like this. Squares, circles, rectangles. Squiggles on some pages, one turned into a worm or snake (could go either way) and then using the result at the base for more journaling in whatever form feels right at the time. Hopefully about the current WIPs, but we will see. In any case, it needs to be that raw and genuine and focused, but not pressured. Unless that’s pressure. In any case (augh, I said that already) the end product probably won’t look very much like it does at this stage, but I most likely will go back through it, several times, getting something new from it each time.

Sometimes a swatch is just a swatch. Sometimes it is a stepping stone to getting back in the groove. Last night, I put together a small watercolor kit, with a travel palette, water brush, mister bottle, and tiny pad of watercolor paper. I can take it anywhere. I don’t know that I plan on making “real” art (but isn’t all art real?) or sharing it at all, but I do know I want to do it more, and the more I paint, the more stories I want to tell. I call that success.

as always, Anna

Celebrating Birthdays and Indie Publishing Updates

New week, new blog post. I voted early this year, by mail, and that was wonderful for my anxiety. Wonderful Therapist suggested I may want to avoid news and social media today, or keep it to a minimum, so that is what I am intending to do. (By literally posting on social media, ahem?) My reading nook is up and functional, though not yet ready for a photoshoot, but it’s there and it’s mine, and it’s a comfy place that is only for relaxation.

Skelly Mousepad says hello.

Updates on A Heart Most Errant:

I have final cover art, though I want to wait a little while to share it, Suffice it to say it is gorgeous, and captures exactly the scene I wanted for the cover. I have submitted the manuscript and formatting form, and the formatter has assured me it is in her work queue. All I need to do is decide on a publication date (looking at 2025, either January or February) fill out the uploading form and then that will be that. For anyone looking for indie publishing services, I highly recommend the Killion Group. I look forward to working with them again, which I will be doing because next up is Drama King, the second Love By The Book title, contemporary romance co-written with Melva Michaelian.

foliage outside my birthday lunch

Birthday was really fun this year. Housemate took me out to lunch, and Real-Life Romance Hero had my all-time favorite local food, pizza from Paesan’s, and pressies that made me feel exquisitely loved. Nothing like when your family gets you. Subbed coconut cream pie for cake, and settled in for a comfy evening at home.

This past weekend, out of state friends visited to keep the party going, starting with a visit to the New York State Museum. I will probably go back later in the month, as I want to take advantage of the special exhibits and talks for Indigenous People’s Month. A talk on contemporary Indigenous art was starting as we arrived, and I’d like to catch that another time. I did get to peep some of the art, and it is gorgeous. The big attraction for friend, Housemate, and I was an exhibit of early 20th century wedding attire (was that made for a historical romance writer or what?)

also, I caught a (vintage) cab.

Currently, I am endeavoring to forget that one of the bikes in the antique bicycle exhibit was made in 1978. #genxproblems. Also, the gift shop was closed, which was a bummer and another reason to go back ASAP. Double also the fact that I got pictures of my friends in the vintage train car which is probably my favorite permanent exhibit, (okay, apart from the forensic reconstructions of skulls from centuries past) the vintage train car. The trains my mom and I rode into the city were a little after the time of this exhibit, but I never get tired of visiting it.

Storm does owe a blog, which she will get up this week. She has lots to say about all that’s gone on here, including some exciting holiday news. For now, here’s her review of the new weighted blanket cover :

looks like it’s a hit

That’s about it for this week. How are things going for you?

as always, Anna

Meat Loaf, Muscle Memory, and Writing Romance (Also Sims)

Most importantly, the Meat Loaf of which I speak is the singer, not the food. I did get to meet Meat for about five seconds, at an autograph signing. I blurted out that he broke my creative block. He immediately lit up like a Golden Retriever at hearing “who’s a good boy?” and asked which song, and how, and what genre did I write, which was when his handler gently apologized to both of us and said he had to move the line along. That stuck with me, though, and cemented my love of the Loaf. Which brings me to last night.

I was not listening to Meat Loaf last night. I was listening to a Sims 4 Let’s Play video, which is probably my current favorite viewing material. Even so, I had no intention of writing-writing (cue amused chuckles) as I listened, and managed custom content, and fiddled with my Sims journal, shown here in the charge of my co-worker:

That thing is packed full of altered index cards, because a) they are sturdier, and b) with my vision, dot grid only works if it’s about an inch from my face, and crooked writing is a big no. Every card is a Sim, their aspirations, goals, traits, spouses, children, and ultimately, when they move to the “graveyard” section, causes of death. No overthinking on this stuff, because it’s a game. So, there I am, thinking that I’m going to have to cut down and punch more cards, because we’re moving into the next generation, and then I’m grabbing one of those discarded dot grid pages, to make notes for the cards I’m going to want to make for the Sims 2 and 5 versions of what I’m doing.

Still no Meat Loaf. There was, though, at some point, a frantic pat through the dark (ah, the joys of motel writing when Real Life Romance Hero is asleep) for my writing-writing notebook. After that, a lot of ink came out of the pen in my hand, as notes on a long-overdue scene from Drama King filled the formerly empty pages. Pages. Plural. When I am done with this post, I will transcribe and send the scene off to my long-suffering contemporary writing partner, Melva.

Still not listening to Meat Loaf while I wrote that, but as soon as I set down notebook and pen to try and get some sleep (my brain throws slumberless parties on a regular basis) the first notes of this song trickled into my subconscious:

this song is relevant to my interstes

One thing that has stuck with me was a tidbit from an interview, where Meat talked about his songwriter, Jim Steinman. He said that what audiences need to remember is that everything Jim writes is part of a universe in his head, that is basically an epic vampire opera. I believe some of it was produced as an opera, in Germany. Possibly in German, which does not sound out of the realm of possibility.

What does this all have to do with muscle memory or romance writing? Actually, a lot. In the midst of custom content and screenshots and Let’s Plays and other things that are still creative but not focused on producing pages, my brain gets to free-float and do its story stuff wihout me getting in its way. Ad the facilitator of a long-ago writer’s group often said, once we put pen or pencil to paper, we were not allowed to stop it moving. The process would beget the product.

With things like this, my brain goes “storystorystorystorystory” and “atttttmosssspheeeeeeereeeee” until I am darned near besotted with it. When that happens, oh look, how did all that writing get on the page? I better get more paper. Not just for one book, because while I was furiously scratching out dialogue for Drama King, Bern and Ruby, from Her Last First Kiss were at the edge of my vision, tapping their feet, and next to them, Cornelis and Lydia from Plunder. All of them with lists grievances….uh, adjustments I need to make so that they look the say they do on the page as they do in my head. Not only physically, but you get the drift.

One of my Sims notes is to set aside time (after writing) to learn Reshade (lighting editor…ish?) and fine tuning presets I didn’t even know could be fine-tuned but make all the difference from bright and cartoony (which is fun, too, when I have the taste for it) to…my people. It is like that with reading and writing, too, as recent conversations with bookish friends have confirmed. Keep at it, when it’s possible. Put the pen on the paper. Keep it there. Sooner or later the muscle memory will kick in, and therein likes the tale. Literally.

Anna

Typing With Stuffed Paws: Anything That Doesn’t Look Like An Umbrella Edition

Greetings, foolish mortals. Sebastian Thunderpaws Hart-Bowling coming at you, with some of the stuff of the week that was, with special guest, Writer Chick. Why is Writer Chick here on Friday? Easy. She went to what Skye’s notes refer to as the people vet, and there was apparently medicine involved and she forgot what day was what day, and here we are. Anyway, what that means is that she did most of my work for me, so I will drop her link to last week’s Buried Under Romance here, and hand it on over.

Read it here.

Writer Chick also read this book, and will be reading these:

Current library TBR

I will pause (or paws) here for some fur-sonal maintenance, while Writer Chick has her say. Here’s the picture she had as her header:

The header that would have been….

Interior, coffee shop, day.

Two women, A and N, sit in a booth, with hot beverages and various art materials. Both hold pencils in hand, blank pages in front of them. A traces around the base of a plastic to-go lid, then sections the circle into pie-like sections.

N: (peers at A’s page) Is that your umbrella?

A: Hopefully.

N: Do you know how to draw an umbrella?

A: (deadpan) Yes. Erase everything that doesn’t look like an umbrella. :flips the lid, to add small arches to the inner edges of the circle, then erases parts of outer circle that do not look like an umbrella:

Annnd scene. :curtsies:

This scene, as you may have guessed, comes, as the best dramas do, from real life. Real life, in this case, meaning my real life, and my weekly breakfast with N. This week, it was an artist’s date (artists’ date, as there were two of us?) N brought the wrong paper, so ended up doing her sketch on regular notebook paper (spoiler: it looked fabulous anyway, and I want real versions of the dresses she sketched, please and thank you.

I, as promised, brought my new water=soluble crayons and watercolor paper, along with a pack of baby wipes (for the smushing around of colors) and mechanical pencil (for the drawing of things,) metal ruler (for the drawing of straight things) and fancy eraser (for erasing of drawn things that are in the wrong place.) The umbrella thing was a passing mention. IT’s for the cover image of my April monthly planner section, so, really, all I needed to do was sketch, and N wanted to see how the water-soluble crayons worked, and the background kind of happened on its own. The black blob in the corner was supposed to be another umbrella, but that didn’t work out so well, so now it’s…a shadow? Ominous cloud? Artistic license? Yeah, I’ll go with that.

We both drew, as we talked about writing, and both put some color on the pages. N had woodless colored pencils. These are new to me, and I am guessing they are colored pencil guts without the usual casing. I paid attention to the way she held the pencils (she is an artist of some years’ standing) and how she lay down the color, while I scribbled and glopped crayon onto my paper, then attacked it with baby wipes, turning aimless scribbles into soft washes that built on each other. We talked about stories we’d both like to write, vague terms for me, more specific ones for her, and the domestic tornadoes whirring through both our families, thankfully at lower levels.

When Mr. N came to retrieve us, he asked, as he always does, if we had a good meeting. N, as she always does, said that we did. She waxed (pun intended) rhapsodic about the crayons, and the store at which they might be purchased. Mr. N is, himself, an artist, so this is relevant to his interests as well. In time, they dropped me home. I touched base with Real Life Romance Hero, then dug out marker paper, to try the same design on another surface. Yep. Still works.

N did suggest that I could tilt the umbrella, to show it from an angle instead of straight on, and I may try that, later, but, for today, I am content to say that yes, I do know how to draw an umbrella. At least this umbrella, and that’s all I really need to know. Okay, except for the size of the monthly divider, but I can tackle that one another day.

TL:DR: Yes, I can draw an umbrella. Yes, this applies to writing. Yes, I am being purposely vague because I have to be out the door in five minutes. I have a picture of an umbrella, though, even with color, and a mood, from a certain perspective, and I am confident that I can draw it again. I can also write books. This is very useful, because I am a writer. Tell the story and don’t worry about all the fiddly other stuff.

Yeah, so that’s about it. I will direct Writer Chick back to one of her multiple calendars, and, hopefully, things will be back on track next week.


Peace Out,

Writing Lessons From My Art Journal

Happy Halloween, and/or day before National Novel Writing Month, to all who participate. The extrovert in me loves the community of NaNo, and the competitive side of me loves the pounding toward a goal, hell-bent for leather, as my Aunt S used to say, but anxiety is not as thrilled about the pressure, so, for me, doing the slow and steady thing works better, so I will cheer on all who are participating from the sidelines, and keep on going at my own pace..

Once again, we have Monday’s blog on Wednesday, and I am okay with that. Domestic Tornado Season is, hopefully, winding down, fingers crossed. In the meantime, butt in chair, fingers on keyboard and/or pen to paper whenever possible.

Lately, I’ve been using my art journals to destress, and, as usual, they’ve taught me a few things about the writing life. I don’t know how I settled on it, but, in the middle of one of the bigger tornado surges, I took out the nearest art journal to hand, and turned to a fresh page.

First of all, I did not draw anything on these pages. Both pages are stencils, by Jane Davenport, whose art supplies I love, love, love. The notebook cover and insert are both from her collection, as well. No compensation here, just a fan, sharing what works for me.

I’ve tried to start this blog entry many times, and I always get in my own way, so I am going to go ahead and throw whatever is in my head onto the page, which is generally how the best stuff happens, anyway.

Earlier, this week, I grabbed the art journal, pictured above, some face stencils, and a Pitt artist pen, and started throwing stuff down. These stencils have options as to what features I can put, and where. Usually, I start off placing the eyes too high. Moving them around before I actually set down any ink helps, and keeping a small notepad next to my art journal also helps, because working with art stuff is a great way to get my story brain on the back burner, which is when my imaginary friends often do some of their best stuff, while I’m looking at lines and shapes and colors.

Right now, it’s already after 3PM, which means that the ideal posting times have passed for the day, and I could call myself now two entries behind and promise that I’d take care of it tomorrow. I know this is bull, because tomorrow is already booked (no pun intended) and a post written after the ideal posting times is going to get more hits and reach more readers than the post I’m going to write, eh, sometime. This is also the first thing that my recent art journal experience has taught me about writing:

* Put Some Stuff On The Page. 

This is important, because, without that, nothing gets done. The idea stays in my head, and, no matter how many people I tell about it, nobody will get the full experience. Including me. As long as the idea stays in my head, it stays perfect, and I can’t fail. Once I commit ink to paper (or the digital equivalent) the ball is actually in play. If I don’t like what I made, A) nobody has to ever see it, and B) I can open to a new page and start again.

*Use What You Already Have. 

I love going to art or craft stores, looking at all the pretty stuff, imagining what I can do with it, and petting the packaging. Sometimes, some of it even comes home with me, which means I can actually use it. I can also actually let it sit there and taunt me with its un-touched-ness, but I don’t get to find out what it can really do, unless I bust it out of the packaging and put it on the page. See first point, above. Those craft store displays and online adverts are very tempting, buuut know what? That box of stuff is right here, and everything in there was the shiny new thing once. It came home for a reason. Time to actually let it fulfill its purpose, or, at the very least, see what it can do.

*Experiments Are Good

When I first started using the traveler’s notebook system of covers and inserts, I was very adamant that I only wanted one particular size, about five by eight inches, because that was the size of notebook I already liked. Two sizes, if we count pocket. Then, I had to have this particular cover, which came with this particular insert, which is standard size, eight inches square, folded in half (my brain is not going to do the math) but this was the insert that came with the cover, and it was marker paper, and I have markers, and what’s the worst that can happen?

In this case, I can fill the entire thing in a record amount of time (I am one spread away from filling the whole insert) and then start making my own, from paper I already have on hand, because I love what my brain does when I am art-ing, which leads to the next point.

*Take Notes

This one, I cannot stress highly enough. My story brain works best in a fertile environment. If I’m making art, I have a pen in my hand already, so, if there is a pretty piece of paper (or the back of an old envelope) nearby, it’s ready to catch any thoughts that pop into my head. I am also usually listening to something while I art, and, recently, that’s included a lot of You Tube videos on writing and/or reading.

This is normally where I want to wrap the post together and relate it directly to writing, but I’m not going to do that right now. I’m going to leave it where it is, hit “post,” and grab a notebook or two.

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