Her Last First Kiss

Accidental (Story) Babies

annabowling Leave a comment

This wasn’t the deskscape I intended to post today. The deskscape I intended to post was the usual sort. Desktop wallpaper, cup of tea, couple items in front of the screen. Pink notebook, because I’m going to be making use of that for this session, and Happy Bunny, because, well, Happy Bunny.  It looked, without editing, (except for size) like this:

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Meh…

I didn’t want to change out the Union Jack desktop, same as I didn’t want to change out Ichabod and Abbie (refresher below, for new readers)

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Hey, guys.

but A) it bugs me when all my deskscapes look too much the same, and B) look at that nifty shelfie background, that reminds me of some of my favorite authors, and the sort of books I want to get on to other peoples’ shelves. It was an okay picture, and I fiddled with it some, in editing, but it wasn’t the right picture, because it didn’t tell the whole story.  It didn’t talk about Monday night all-nighters, when it’s me and my imaginary friends, because the rest of the world is asleep, and we slip back into 1784 together.

This header picture comes from me pushing back my chair to either refill my water bottle (not pictured) or feed Skye (probably both) and thinking that the desk I’d been working at for hours looked pretty cool. I took the picture. I didn’t intend to share it.  I couldn’t. I shouldn’t. It was too messy. People would see. There’s a character reference picture on the screen. People will think I “cast” my stories, and I don’t.  They’ll be able to read the text on the screen. They’ll be able to read the text on the pages, both printed and handwritten. They’ll hate it. (My dad’s voice, in the back of my head, whispers, “they’ll steal your ideas.” Thanks, Dad, but that’s not how it works.) They’ll hate me. I’m doing it wrong. Dooooooooooooom.

Uh, no. No to all of that. This is the picture that had to go with today’s blog, because this is the real picture. This is what my working desk looks like. Her Last First Kiss is not the book I intended to write, but it’s the right one. It’s not nice. It’s not comfortable.  It’s late nights and marked-up pages, and more surprises than I had expected as I embark on chapter ten of the second draft, which is what I’m doing today. It scares me.

But, Anna, another, more rational, voice in my head reminds me, you already wrote the book. Thanks, Past Me, but this is different. Now that I have written the first draft, I know Hero and Heroine better, and I know not only what they’ve already been through, but where they still need to go, and it’s…sticky. It’s messy. It has scribbled notes in two different pencils and green Marvy Le Pen ink, sticky notes both Post-It and PaPaYa! Art, and, somehow, “Accidental Babies,” by Damien Rice, became one of this story’s theme songs. I did not plan it that way, but, the first time I heard it, boom, there it was.

The lyrics are very much grownups-only, and may not be a gentle reader’s cup of tea, but, as soon as the opening notes found their way through my earbuds, I-don’t-remember-how-long-ago, the connection was instantaneous. Yes. That. It’s raw. It’s honest. It’s imperfect. It hurts. It’s right. It’s right for the story, and right for the characters, and, as I get myself ready to take that irreversible step into the next part of the book, it’s a big moment for all of us.

The scene I’m tackling now is one I’d always wanted to write, before Hero or Heroine ever showed up in my head, before the idea for Her Last First Kiss ever existed. It was one of those “hm, wouldn’t it be fun to do X, but flip the genders?” Yeah, you’re cute, Past Me. Past Me did not know Hero and Heroine when she came up with that scene idea, and she certainly didn’t know that the nameless jeweler in the last couple of chapters was going to get elbowed out of the way by an actual character, who knows other characters. She didn’t take into account that said characters will be talking to other characters, which means that Hero and Heroine are not exactly as alone as she thought they were going to be. Keeping all of that in mind goes a long, long way towards banishing the characters blinking at me from a blank white background.

Kicking Character X out of the previous scene did, in fact, turn out to be exactly what the scene needed to come alive, and now has me awash in a sea of eighteenth century underwear,  lots of virtual old-timey window shopping, fully aware now, that the walls do have ears. I get a shiver when I remember that, and it reminds me that this kind of thing can’t be manufactured. It will, however, show up if I do, and so, I’m here. Well, there. Back to 1784 I go.

 

 

Want vs Need

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I had wanted, no, needed, this past weekend to be one of relaxing and well-filling. That was not what happened. Right now, my mind is scrambled, I have one eye on the clock, because, maybe, if I can get all my morning stuff done by noon (it is almost eleven-thirty now) then maybe I have a shot of getting this day back on track, even though what I want to do most at the moment is unplug from everything, go eat an entire pizza and dig into my towering historical romance TBR pile. Also maybe go to the park and look for baby waterfowl, because we are getting to that time of year. Baby waterfowl make pretty much anything more manageable. Do not ask me how; they probably don’t know, either.

Today, I am in the chair out of sheer stubbornness, and the fact that routine is a big help when things get domestic tornado-y. Butt in chair, check daily task list, put in earphones, select “Go To Work” playlist, and forward we go. Real Life Romance Hero is now chasing down Option C for our lunch date, as Options A and B fell through. There will be food and there will be RLRH, but that, at this point, is all I know.

After that, and after any more work needed on this blog post, if I’m not done by then, it is Her Last First Kiss time, which means rereading the chapter I brought to last critique session, which turned out to be me stuffing a ten pound cat into a two pound bag (that never ends well for anybody) and really needs to be two different scenes, one taking place before the last couple of scenes…arrgh. I’d planned to use the weekend to immerse myself in historical romance, but this weekend turned out to be one of those areas where theory and practice turned out to be two different things. I don’t like when things like that happen, but I dislike not-writing even more, and I dislike postponing critique session, so  my only option is to get the danged pages written. Which means I have to get in the mood. I’m not sure I’m going to get the chance to tuck in with a seasonally appropriate beverage and a few chapters of historical romance, because it’s Monday now, and Monday is back to work.

Last night, I gave Melva the thumbs up on our partial manuscript for Chasing Prints Charming, so today or tomorrow, she will send that on out. That will mean we have our first co-written story under consideration with two distinct entities. That’s a little scary.  It’s been a while. If I were listening to another writer tell me this same thing, I would make a game show buzzer sort of noise and tell them the fact that it’s been a while means it’s high time, and yay, them. That’s not the way I always talk to myself, though that may be a useful skill to acquire.

Only two hundred-ish words to get through this entry, and then I can talk to RLRH about lunch. After that, ready or not, it’s back to 1784, and splashing about in the shallows of a scene that is not in the first draft, but clearly needs to be (this is what second drafts are for, after all.) It’s not going to be perfect. This bothers me, but imperfect pages are a necessary evil. Comparing draft pages to pages in a published book, that has been through multiple editors, packaged, promoted, etc, is an exercise in futility. They can’t be the same, and they shouldn’t be. Where’s the fun in that?

Today, I am tackling this scene because I need to tackle this scene. Heroine needs me. She’s going to be ticked if I don’t spend the time with her today, and she’s not going to move forward if we don’t have this scene, which would mean a lot of her getting all grumbly and glaring at me and nobody is going to have any fun with any of that. I could put things off, but I think that would only make both of us grumblier. Time to put on our big girl panties and wade on into this sucker.

Lately, I’ve been making a concentrated effort to connect with what it is I love most about historical romance, and the historical romance authors who helped me fall in love with the genre. Those are the books and the authors who got my pulse pumping, and had me, on more occasions than I could count, sitting on the floor of a bookstore, either new or used, with a pile of books that I absolutely had to have, but could only take home a limited number. That meant I had to make some decisions. More often than not, those decisions weren’t based on which book was next in whatever series (as most of them were standalones, still my favorite format, and that is a whole other subject) but a gut reaction. Which ones did I need?

Sure, I wanted all of them, but which ones did I need? Which ones would hurt if I put them back on the shelves? Which stories could I not live without until the next time I could come back and comb through the treasure trove on the shelves? In a used bookstore, which books did I not want to take a chance on not being there the next time? Those were (and are) the ones that came home.

On days like this, that’s where I want to get back to; that need. What does Heroine’s scene need to be? What is she going to come out of the book and punch me if I leave out? For those who have not seen the gorgeous image by Sandra Schwab, this is Heroine:

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image by Sandra Schwab

She’d do it, too. I love Heroine (Ruby; her name is Ruby, but I still want to call her Heroine when I write about her here) more than I thought I could ever love another heroine again, so I owe it to her to make sure she gets everything she needs. Which means, today, this scene. If I blow off this scene because I’m tired or cranky, I’m going to regret it, and it’s going to follow me into the supposed relaxing I’d be doing instead, which would only make me crankier and less restful. Time to bust open Scapple, throw down the essentials, and start making connections.

Typing With Wet Claws: Back to Business Edition

annabowling Leave a comment

Hello, all. Skye here, for another Feline Friday. It is now one week after the start of NECRWA 2017, conference hangover mostly worn off,  but inspiration still in full force. That is how it works with Anty and conferences. Her back is feeling better, which means that she can bend more easily, to feed and pet me, and also sit in her office chair without pain. These are all good things, because going to conferences and being with other people who love to do what she loves to do gives Anty a big burst of wanting to do writing stuff. It has not yet inspired her to get rid of the office carpet, but I think that a workshop on how to make a writer’s office pet-friendly would be an interesting topic for next year’s conference. In the meantime, I have found a way to curl up on the small sliver of hardwood so that only my fuzzy parts are on the (ugh) carpet, and my feet are on the hardwood. That is an okay way to be in Anty’s office with her, but I still want the carpet gone. We will work on that one.

Before I am allowed to talk about anything else, I need to talk about where you can read Anty’s writing on the interwebs this week, apart from here. First, as always, she was at Buried Under Romance this past Saturday, and will be there again tomorrow. Her most recent post asks readers to share what they think makes for a good series. That post can be found here, and its link on the main page looks like this:

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This week, Anty actually finished reading a book. That is progress. Her review of Untie My Heart, by Judith Ivory is here, and it looks like this:

 

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There are sheep and horses in this book, but no cats.

In case you were wondering, finishing that book means that Anty is now only nine books behind in her Goodreads challenge. Still single digits, so go, Anty. If you are interested in following her challenge, it is here, and it currently looks like this:

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We will see how she does in the coming week. Since she will spend part of today planning for next week, I hope she will put some reading time in there, so that she does not get to the end of the day and then find that she is too tired. That happens far too often for her liking, but I have my treat by then, so it does not affect me very much.

Thank you to those who asked if there was a Feline Friday last week. There was, but I made a mistake. I meant to schedule the post to go up on its regular Friday time, but it is very difficult to hit the schedule button on WordPress, when one has paws (special paws, at that) instead of hands, and I posted it on Thursday, by accident. If you did not see it, that is probably why, and I am very sorry. That post is here, and my picture on that post looks like this:

 

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Me, from last week.

Okay, I think that is everything about that.  Time to move on to the meat of the post, which I hope is tuna. I really like tuna. Beef is also good, and I can appreciate turkey in gravy, but I do not get food with gravy very often. I do not think that is the kind of “meat” Anty means, which disappoints me. Did I mention that I really like tuna?

Now that Anty is back from the conference, she has some new perspective on writing and writing related things. First, she and Anty Melva need to get their material together for the two requests to see more of Chasing Prints Charming. When an editor or agent wants to see part (or all) of a manuscript at a pitch session, it is smart for the writer (or writers) to get that out as soon as possible, so that the editor or agent remembers who they are and what they liked about the book, because they will have seen many more writers and many  more books between the time they heard the pitch and the time they get that material. So, Anty and Anty Melva want to get a move on with that.

The other big thing for Anty is reconnecting with Her Last First Kiss. Since she and Anty Melva spent a lot of the conference talking about Chasing Prints Charming, and getting ready for the next book, which they will call Drama King, Anty needs to get her mind back in the eighteenth century so that she can get Hero and Heroine’s story all the way through the second draft. Right now, she is still working out how she is going to manage that balancing act. I do not think it can be easy to be a writer and a half (because Anty Melva is the other half of that partnership) but I am sure that Anty will find a way. Maybe reading more historical romance will help. I think that it might. I will do my duty as a mews and sit very, very close to Anty while she does, for extra inspiration.

That is about it for this week. Until next time, I remain very truly yours,

skyebanner01skyebye

 

 

 

 

 

Post-Conference Recap, Part Two

annabowling 2 Comments

Conference hangover is a thing, and it comes in stages. Today’s stage, after an involuntary two-hour nap, is the second half of the recap, which brings us to Saturday, when things actually happened.  Not breakfast, however, as we were on our own for that meal, usually my favorite of the conference, and Melva and I, despite our best attempts, found nothing around the hotel, so settled for Starbucks. There’s a picture of that, but my computer won’t let me post it, so we will move on to the big stuff, like my first conference workshop as a co-presenter.

We’re in the program!
Me and Rhonda Lane

I did not manage to get a photo of this workshop’s mastermind, Corrina Lawson, because she is a ninja, but I am sure there was a photo of the three of us taken at some time.  For now, moiself and the fabulous Rhonda Lane. I think this was the most picture-filled conference yet, which I take as a challenge for next year. Speaking of which, I take you now to the room where it happened:

View from the podium
View from the back of the room

 

Actually, the room where two things happened, because my first and last workshops of the day both took place in the same room. Corrina, Rhonda and I had a decent turnout, alert and attentive women (no dudes in this workshop, at least not this time) who had specific questions about blogging, and made the whole experience fun for presenters and attendees alike. Fingers crossed that the pitch to NJRWA is successful, because I would love to do this again. The fifty-minute hour was over all too soon, and we capped it by giving away an analog blogging starter kit. Here’s what one lucky person took home:

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If you missed out on the workshop, or are curious about what actually went down in that magical hour, we have a PDF of the PowerPoint presentation, which you can download here: BloggingIsntDeadHandout

The other thing that happened in that room was that Damon Suede presented a compressed version of his workshop on character building. This was a surprise addition, as the presenter who had been scheduled to be in that room for the last workshop, had a flight delay, and Damon graciously stepped in. Despite back pain, I made tracks the second the previous workshop, across the hall finished, because there was no way I was missing this one. No regrets. The room was packed to capacity, and well worth it. If you ever get a chance to hear Damon talk about anything writing related, grab it.  We learned the difference between activity and action, and I love the idea of a defining verb for each lead character, preferably verbs in opposition to each other, because friction is what makes, ah, things, feel good.

In between our workshop and Damon’s , there was a lot of learning -from neurophysics to the art of the novella, to the ins and outs of writing with a partner…which I had to leave early (still salty about that, too) because it was pitch time. The newly-named Chasing Prints Charming had three pitch sessions, one from me, and two from co-author, Melva Michaelian. Swing and a miss from me (hint: when pitching your romance novel, do not choke and make the hero a footnote) but two hits from Melva; both of her pitches resulted in requests to see more.

While I did have the obligatory “what’s wrong with meeeeeeeeee?” whinge, the answer is: nothing. Though this pitch got a pass, the person to whom I’d pitched said they’d totally read it for pleasure (I have heard this before, on another pitch, but that’s another story, both literally and figuratively) and the no was based on that particular person placing that particular book. Discussion of how my pitch session went had to wait until after lunch, as the person who had passed on the pitch ended up sitting directly behing me for that meal. Not every work fits with every editor or agent, but two others nibbled, so Melva and I are still calling it good. Time to get the requested material in shape and send it on its way.

As for that lunch, Zoe York, our luncheon speaker, put the text of her speech on her website, so those who want to relive the magic, or those who weren’t able to attend, can get a small taste. Zoe talked about some of the cold, hard facts of the publishing business, and the importance of writing the books we want to read, and how this is not a business for the faint of heart. Like, you know, people who had their pitches turned down and then sat in front of the person who did the turning down. By now, I’m more amused by this particular turn, and, who knows, Melva and I might put it in a future book. As Chasing Prints Charming was born at a prior incarnation of this conference, we also began our pre-writing on Drama King, our next collaboration.

The big event, for me, besides our workshop, and Damon Suede’s workshop, was being in the same room with Joanna Bourne. Not only being in the same room, but hearing her keynote dinner speech, which would cap off the whole experience. Though there were still some breakout sessions after dinner, Melva and I had miles to go before we slept, so this was our grand finale. For those who haven’t had the pleasure, Joanna Bourne writes amazing historical romance, set in the French Revolution, with all the deep emotion and dark places of the heart, and all that other stuff I absolutely love to find in a historical romance. Did she talk about writing outside of the drawing room? Finding the emotional center? How she encapsulated the entire French Revolution, from both sides, with two people surveying a trashed greenhouse? Nope. Squashed hamster, a vet’s waiting room full of falcons (no worries, hamster was fine) and the difference between greatest adventure and “being well traveled in Concord.” For those, like me, who still wanted to hunt down some words on writing from one of the grand mistresses, there is this tidbit, found on her website’s blog.

After dinner, it was pictures and hugs and cheek kisses and promises to email, gathering tote bags and turning in neck wallets, and stepping back into the ordinary world. As much as conference hangover is a real thing, so is the inspiration that travels home with us and spurs us on as we sit back at our desks, open a notebook and boot the computer. This week, it’s back to work on Charming Prints Charming, back to work on Her Last First Kiss, back to whittling down my Goodreads challenge debt, and all the rest that comes with the time in between conferences. I had a great weekend with my tribe; now time to do the work once again.

Rumblings of a Temporal Vagabond, part one

annabowling 5 Comments

Okay. Deep breath. This is one of those days where I stare down the packed to-do list and charge. This past weekend, I came across a post by Isobel Carr, on Risky Regencies, called “Some Possibly Unpopular Thoughts.” My ears immediately pricked. Might this post be referencing the other post, on Smart Bitches, Trashy books? Oh, yes, it did. Oh, good. After a week stuck in the house with my beloved family, a stomach bug, and back pain, I needed something to latch all my frayed nerves onto, and this has been a bee in my bonnet for some time, so here we go.

I don’t get why, with historical romance, if we’re defining it as “anything before living memory,” which, for the sake of argument, let’s say predates WWII, it can seem a Herculean effort to sell a book set outside of one particular era, in one particular locale: Regency England. Strictly technically speaking, we’re talking 1811-1820, when King George III was unfit to rule, and his son, who would eventually be known as King George IV, ruled in his stead, as Prince Regent. Regency = during the rule of a regent. Easy enough. More broadly, the term, “Regency Era,” can apply to 1795-1837, ending with the ascencion of Queen Victoria, for more of a zeitgeist approach. For the smaller definition, we are talking a span of nine years. For the larger, forty-two years. Bit more breathing room there, even room for a generation or two to pass. All well and good there, but for those of us who write (and read) stories set outside of this era, it can be rough going at times, and yeah, my dander is up on this one right now.

There’s art and there’s commerce. There’s the book of the heart and there’s the book that sells. Right now, Regency is what’s selling. Especially Regency with Dukes. I get the desire for some fantasy in historical romance (not the elves and faeries sort) but there are also the times when my blood carbonates with the need to poke at whether it is that specific historical period and that specific rank of the peerage that seems to have a stranglehold on the market at the moment (and for more than a few preceding moments.) All the why, why, whys mosh around my brainpan, because that’s what I don’t get.

Before my life took a hard turn into caregiving, and a huge shift in the family structure, I had four historical romances published. My Outcast Heart was set in 1720 New York, with a subsistence farmer heroine and a hermit hero. Never Too Late was set in 1900 England and Italy, the heroine fifty years old when she set out to reclaim the love of a lifetime. Queen of the Ocean, set in sixteenth century Cornwall, and had a Spanish hero. Orphans in the Storm was my English Civil War novel, set on the Isle of Man, and the English Court in Exile, in the Netherlands. (Hey, I had royalty in that one. Impoverished, exiled royalty, but royalty. It’s okay. The monarchy got better.) Those were all settings I loved, that came organically with the stories that I wanted to tell, the ones that were real and alive in my head. I still love them all to this day, and those years when writing was all but (and sometimes outright) impossible didn’t change my love for a variety of historical settings . Call me a temporal vagabond.

When the writing came back, and maybe even before, that had not changed. I had to set aside a time travel I dearly loved, and needed to start something new, something smaller in scope, something I knew I could get from point A to point B. Aha. Road story. I could do one of those. Then I read the then-newest issue of the dearly departed RT Book Reviews, which had two articles, one on medieval romances, and one on post-apocalyptic romances, and my writerbrain perked. Aha! Post-apocalyptic medieval! Yes! I can do that! What would seem like an apocalypse for the medieval world? Black Plague? That, I could do, so that’s what I did.

I wrote the story of a disillusioned knight errant and a woman who refused to believe the end of the world was, well, the end of the world, who offered him the one thing he couldn’t refuse (apple seeds; it works in context.) They meet early on, they’re together the whole darned time, and I literally cried when I had to say goodbye to them at the end. Then I tried to sell it. The last agent I pitched to said she loved my voice, quoted some of my own passages back to me, and said she would totally read this story for pleasure, but was not going to ask for the full, because she could not sell a medieval. Cue sad trombone slide.

This agent advised me that my options were to trunk the story for now and hold onto it until the market changes, and medieval come back into fashion, or self/indie publish. She asked what else I had, and I mentioned I was writing a Regency. Great. Send her that when it was finished. Seriously. No question about plot or characters; just send it. I wish I could say that buoyed my spirits, I ran home, finished it, sent it in, and here’s the cover reveal, but that’s not what happened.

What happened was that characters and a story I loved turned into torture, frustration, sobbing to Critique Partner Vicki, who finally smacked me upside the head with a bat’leth of four words: “you hate writing Regency.” But it had to be Regency! That’s what sells! She didn’t budge. I didn’t have Regency in me. Set the story aside, along with the time travel, until the bad juju burns off, set it in another era, and try again.

Her Last First Kiss came complete with its setting, and, when Melva and I needed a historical period for the book within a book for the Beach Ball, I suggested Georgian, because hey, I was there already, and I knew I’d be doing a lot of the historical heavy lifting on this one. Both times, the setting was organic, not even a question. I/we didn’t pick; they picked us.

Done with blog time for today, not done with the topic, so calling this part one. See you Wednesday; let’s chat in the comments. :jaunty wave:

Grouse

annabowling Leave a comment

The fact that today’s picture is an off-center banner image should say pretty much everything. The calendar says today is Wednesday, though it was also Tuesday, as N and I moved our meeting this week, to accommodate both our schedules. My brain also says it is Tuesday extension, as, thanks to a sinus headache (thanks, barometric pressure,) I did not sleep last night. This may be one of the reasons I am considering going to bed at slightly after 3PM. I thought about moving today’s blog to tomorrow, but my internal calendar is muddled enough already, and tomorrow is Buried Under Romance post writing day, as well as fiction writing, and I know myself well enough to know when I’ve reached my limit in the stuff-on-my-metaphorical plate situation.

Today, when I walked through the park, on my way to meet N, I noticed a green haze of buds on the willow tree near the lake, and, on the lake, ducks swam. The mallards are back. It’s March first. Even a winter person like me has to admit that all looks pretty spring-like. Had to happen sometime. I could do without the sinus headache, though, but I could not do without my weekly critique session.

Quote from my morning pages, on the pages I brought for N to read:

I have nine pages today, and they are not my favorites, but they are a second draft, and I will make them better on the third pass.

Part of  me wanted to tell N straight out that I wasn’t sure about these pages. That I wanted to take them back and do better. Was sending Heroine to a different part of the house to completely lose her, um, stuff, then take another whack at the whole rational adult thing stupid, ineffective, or insert own personal pet fear here? There are few units of time longer than the time between one’s critique partner putting down the pages and their mechanical pencil, saying “well,” and then completing the sentence with “this is the best chapter so far,” or words to that effect. The parts I was most nervous about were the ones that seemed to work the best for her, which means this may be something I want to do more of in the future, because I love that squidgy butterfly stomach feeling. Hopefully, next time, I can manage something more cool and sophisticated than the squeak of “really?” that actually came out of my mouth. Or maybe not. Maybe that’s the appropriate response, and I should roll with it.

What stands out to me most about the difference from this chapter and the previous ones of this draft, is that I didn’t write it, as much as write it down. I don’t mean that I wrote it in longhand, though I did, in mechanical pencil, in my Big Daddy Precious notebook, but that following Heroine was all I needed to do. I handed her the metaphorical reins, and off she went. She did not mind her language. She got mad. She threw things. She dug up old (metaphorical) bones and wanted something she couldn’t have, and got mad about it. She got loud. She got petty, and she knew she got petty, and she didn’t care, because she’d had one of those days, and y’know what, no regrets. Well, not in that scene. There’s still a lot more story to go, but, for right then…yeah. It felt right. For both of us.

Next chapter is Hero’s POV, and he has no idea any of this has happened, though he has his own issues. It’s going to be an interesting contrast, and, hopefully, some time with a mechanical pencil and Big Daddy Precious (along with some extra research into bathtubs of the eighteenth century) I can take what’s already there and make it better. If it weren’t for the headache, I’d probably be doing that right now, but will retreat to the bedroom with caffeine and Ibuprofen and wait for the weather to break.

Maybe I’ll read, or maybe I’ll lie there with eyes closed and a light blanket. It’s in the sixties, so I don’t need the warmth, but  I like the weight of the blanket. As with writing, go with what works.

 

 

 

 

What if I Fall?

annabowling 5 Comments

This week, N and Mr. N picked me up for the weekly critique session, so I wouldn’t have to tromp through the arctic tundra of the park, and risk bodily harm in the ice and snow. Good people, those Ns, but what actually happens? I twist my ankle on my way from microwave (occupational hazard of extroversion; food goes cold while blabbering, and needs to be reheated) to seat. I do not remember exactly what happened, but apparently, I was airborne for a second there.

I do remember my bagel getting some serious air and landing, thankfully, on the table, so no bagels were harmed, but my ankle is another story. My favorite Panera worker rushed over to make sure I was okay and had not hit my face on the table. I had not. I remembered enough to remove my boot in case of swelling (I saw none at the time, Housemate said there was some, when she got home that afternoon) and ask Panera Worker for an ice pack. Panera worker dashed into the back and returned with an impressive bag of ice, and the admission that they live with a nurse, so they know how to make these things. I propped my foot on an empty chair, plopped the ice bag atop it, and returned to bagel preparation. This particular ankle has been noodley since I was but a wee little princess, so this honestly was no big deal for me. Had worse, had wrap for ankle at home, had crutches if needed, I’m there, N is there, we have pages, let’s do this.

Since N and I have been doing this critique thing with each other for a while now, it’s no surprise that we’ve picked up on patterns in each other’s work. The word, “more,” comes up a lot. In Her Last First Kiss, Hero is an artist, and N and Mr. N are both artists, and one of Hero’s preferred mediums is one of Mr. N’s preferred mediums -I did not plan that, it happened that way, as such things sometimes do- so this is an extremely useful connection. In this scene, Hero is one gobsmacked fellow, unprepared for encountering Heroine for the first time, especially in the place and context, and he’s knocked off his axis by the experience.

N marked this passage as one of my “more” places. Hero needed to see more. Sure, it’s nice that Heroine has symmetrical features, but it’s more than that. Her hair isn’t  only “brown,” but sienna and umber and the color a perfect cup of tea is before the milk goes in, and he doesn’t have all his paints with him, but he’s in London, so he’ll have to go buy them and he doesn’t have a painting room here yet and uh, what did the other people in the room just ask him? He wasn’t really listening. Oh crud, she looks impatient. How long was he off in art world? Stuff like that.

This is good. This is stuff I need to know, to bring Hero and Heroine’s story and their world to life on the page. It’s also scary. That lush detail stuff is what I love in historical romance. 1784 people are not 2017 people. They have a whole different frame of reference. Hero is always going to see in terms of lines first and then colors. Heroine is always going to want to make order out of chaos (and Hero is pretty much a whole lot of tall, ginger, misunderstood chaos on two legs) so that’s always going to affect the choices they make, and the windows through which they observe, and participate in, their world. This is why I go for emotionally complex historical romance over, say, funny contemporary (which is a whole other skill set.)

At the same time, it requires silencing (or at least muting) years of “whittle it down” and “make it simple” and “fast, fast, fast” and other commonly heard pieces of writing advice, some of which are not as well suited for this kind of story. There is no writing cabal that has hard and fast compulsories on this kind of things. To put it in terms Hero can understand, I get to color with all the crayons in the box. The good thing about that is that the combinations are endless; I can dive in, go nuts, put hot pink next to red-orange and scribble gray on top of the whole thing. I can work it so that the difference between blue-green and green-blue makes total sense, throw a neon in with a pastel if that’s what the particular picture needs.

The scary thing about that is also that I can go nuts. More combinations means more combinations that could go wrong, and what if “they” don’t like it? Oh, but, what if they do? Ships in harbors and all that rot. I’d rather take the chance than be safe. As Critique Partner Vicki once said, “intentionally go too far.” It’s easier to take out than to put in, very much so. So that’s what I’m doing now. Making notes on where I can do that whole “more” thing, and then moving along as though I had already made those changes. I’ll get those on the next pass. My goal is to get this book out in the world, on an editor/publisher’s desk, or on the road to indie release, before December.

Am I going to fall somewhere on that road? Yes. That’s not what matters. What matters is that I get back up, ice that twisted extremity, and dive in as deeply into the characters and their world as I possibly can. Kind of appropriate that my ankle twisted before the critique session began, in that regard. By the time Mr. N came to collect us, I was ready to see if I could put weight on my ankle (I could) and Panera Worker came back by our table with a big smile and a free pastry ring, to make the day better. I’m pretty sure not all rewards of keeping on keeping on in this writing game come with cream cheese and cherry filling, but, sometimes, they do.

pastry-ring

Real

annabowling 3 Comments

Another week, another blog entry, and the challenge I’ve set for myseslf today is that I can’t work on Her Last First Kiss, until I post this blog entry. Absolutely no idea what to put here, but tomorrow is breakfast with N, and I want to discuss a couple of things, which means I have to write a couple of things, so I’d better get on with this one.

This morning, I sent in a piece for Heroes and Heartbreakers, about Joanna Shupe’s latest entry in the Knickerbocker Club series, Baron. When I first heard there was going to be a series of historical romances set in New York’s Gilded Age, I literally cheered, and the three stories I have read in that world so far have not let me down. I’m now working on another piece, about the Knickerbockers series as a whole, and looking forward to having that to share soon.

Ten days ago, I noticed a new feature on Sandra Schwab’s illustrator Facebook page (she is also the author of one of my all time favorite gothic romances, Castle of the Wolf. Always count the gargoyles. Always. My desk has two.) – a contest for a free heroine portrait. At first, I thought, “wow, that would be cool,” scrolled past, and then scrolled right back, because we miss one hundred percent of the shots we don’t take. I typed a description of the qualities that make Heroine special to me, and hit send before I could talk myself out of it. (I am very good at talking myself out of things like this.) Back to work, business as usual, looking forward to reading about everyone else’s heroines. I have always been a heroine-centric reader and writer, so of course I want to hear about what other writers are doing with their heroines.

Imagine my surprise, later, when my direct message box pops up, with the notification that I won. :Blink: Did I read that right? :blink: Okay, I did. :blink: Oh good gracious, now I have to talk about her. I have to say her name. Well, technically, I already did, and that gave me some nervous tingles, because it’s not like there’s some super secret character naming cabal, and Hero and Heroine’s names aren’t super weird (I hope) or super boring (I hope) but I’ve been guarding them, because they’re part of this whole book baby, and I want to do right by it. By them. I did the only logical thing. Shut the window and paid very close attention to Doing Something Else. I am also very good at Doing Something Else.

Doing Something Else, in this case, lasted only so long before the part of me that screams “Ronkonkoma,” while running down the metaphorical pier at top speed, to cannonball into the water, kicked into gear. My cannonball, in this case, was to look at the information Sandra needed for the portrait, attach a reference picture I’ve been using when I need to describe Heroine, and hit “send.” There. Done. Now Do Other Things.

Fast forward to a few days later, when my direct message box pops up again, and my breath caught at the image beneath Sandra’s “How’s this?” Oh hey, Heroine, there you are. Her face was perfect, the colors exactly right, she had her pistol, and it was her. I’d know her anywhere. Heroine. I knew exactly the point in the story this would have been, and I actually shivered. I couldn’t wait to share her with everybo….wait a minute. There’s her name. On her picture. If I put this out there, everybody will know. Doom will fall. Doooooooooooooom. Writer people, you may identify with some of this.

I took a moment to regroup. 1) since this manuscript’s ultimate destination is publication, that means that I’m going to have to put Heroine’s name out there sometime. Nobody writes “Hero” and “Heroine” throughout the entire book. People are going to know her name. 2) it’s only her first name, and it’s the name she actually uses, not the name that would be on an official document, and yes, the actually used name is indeed a period appropriate pet form of the formal name, so the history police are going to have to shush on that one. 3) this is overthinking and we are cutting down on the overthinkings.

Toward that end, Ronkonkoma:

 
That’s her. That’s Ruby. Heroine. Part of the prize is the ability to use the image as a teaser, so that’s the next thing, selecting a short passage to go along with the image. That will mean I’ll have a teaser to share here. To show writer friends and readers. To put on the Coming Soon page (which needs some serious updating anyway.) I can’t back out if it’s there. If it’s real. The Ronkonkoma part of me already has plans to commission a Hero portrait (hey, baby steps) because they’re a pair, the two of them, and Heroine has good aim. I do not want to be on her bad side.

So. The picture is there. The next draft is in progress. I know where I’m going, how I’m getting there, and what happens along the way.  This is not only back on the horse, but once around the ring, moving forward. It’s real. Of course, it always was. The fact that the stories and characters who populate them exist in our heads doesn’t mean they aren’t real. This only means that, now, other people know it’s real. Small change, but a big one all the same.

 

 

 

 

 

 

Typing With Wet Claws: A Little Help From My Friends Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday. There is a lot going on this week, so I will tell you about Anty’s writing first, right off the bat (nothing happened with bats, but it is October, after all, so I thought that was appropriate) before we do anything else.

Anty’s post on Buried Under Romance is all about identity issues this week. It is here:

http://www.buriedunderromance.com/2016/10/saturday-discussion-disguise-mistaken-identity-and-amnesia-oh-my.html and it looks like this:

bur071016

The crop tool in Paint was not made for those of us with paws instead of hands.

 

Anty is always happy to talk about books that she liked, and, this week, a post she wrote once upon a time, about one of those books, Watermark, by E. Catherine Tobler, got a mention on Alexis A. Hunter’s website to kick off Octoblerfest. The giveaway for that book is over now, but if you like speculative fiction, often with a romantic element, you might want to keep an eye on that website, for a chance at other books. The post where Anty’s post is linked is here https://alexisahunter.com/2016/10/01/octoblerfest-giveaway-1-watermark/. Maybe you will win the next giveaway.

I would also like to say thank you to one of my readers, Mr. Glen, who asked Anty if there had been a Feline Friday post last week. Anty assured him there was, and that I would never let my readers down. I take my duties as a mews very seriously. Thank you, Mr. Glen. In case you did miss that post, it is here: https://annacbowling.wordpress.com/2016/09/30/typing-with-wet-claws-mythical-vuvuzela-edition/ and it looks like this:

twwclastweek

A picture of this blog, on this blog; how meta is that?

For those who do not know, Mr. Glen is mystery author Glen Ebisch. I do not know if any of his books have cats in them, but they do have mystery and romance and you can find out more about them here: http://www.glenebisch.com/.

Okay, I think that is all of the housekeeping for this week. Well, apart from picking up my sheds, that is. I am shedding a lot of fur right now, to get ready for my super-floofy winter coat, which means our floors look like an old west ghost town. This has not prompted Anty to start thinking of western romance ideas, but one never knows. Right now, Anty is focused on Her Last First Kiss, and the Beach Ball. Also her posts for Heroes and Heartbreakers, but her novel-writing plate is full right now, and any other ideas are going to have to take a number and wait.

Last night, Anty and Anty Melva spent three times the amount of time they had set aside for their talk on Skype (I am still disappointed Skype has nothing to do with Skye pee, because I am really good at, well, you know. My once upon a time vet said he never saw so much you know what come out of one cat at one time, in his whole career. That has to be worth something.) because they decided to outline all of the scenes to take them to the end of the Beach Ball, and that is exactly what they did. They both threw their arms up in the air and shouted when they got to the end of the outline. That was loud. I am happy they are happy, though. A happy writer human makes the job of a mews that  much easier.

Now that the smoke alarms are fixed, and the new people litterbox has been installed, it is much quieter around here. Apart from when Anty plays music without her headphones, that is. I do not mind when she plays soft music. Usually, I will curl into a ball and go to sleep when she plays soft music. If she plays loud music, I will wake up and give her a look that says I am Not Happy. She will usually apologize, but she is the human, after all, and the music is part of the way she works, so if it is too loud, I will go hide under the bed until the loud part is over. There are not too many loud parts, but only every once in a while.

Now that Anty has leveled up on both books, my job is a little bit different. It is easier for her to figure out how much work should be done on a given day, when she knows exactly where she is going and how she is going to get there. When that happens, she is excited to get to work each day, and sometimes gets a little grumbly when it is time to stop. She likes to work on one scene at a time, and figures that she’ll know the details she needs to know when she needs to know them. If she has to think too hard about a thing, then it is probably not the right thing. The best stories are the ones that talk to her. It is not exactly the stories writing themselves, but it does not hurt when they carry their share of the load.

That is about it for this week, so, until next time, I remain very truly yours,

i1035 FW1.1

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Sprechen Sie Romance?

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Of course I have to start with the Post-Its. There is no such thing as too many Post-Its. if they come in their own holder, so that I can take them on the road, all the better. This particular specimen comes from a filing crate Housemate hauled out of the storage unit, because I am at the point of needing to print out drafts and mark them with colored pens and sticky notes (hence the Post-Its.) There is also a wheeled cart that goes with the filing crate, which also has file space, as well as storage for other things, so there will be archaeology and probably some paper shredding and then organization. This is all good stuff, and I am looking forward to setting off on this particular leg of the journey.

I already know I am not doing NaNoWriMo this year, though I will happily shake pompoms on the sidelines and cannot guarantee I won’t at least attempt to sneak into a write-in or two over the course of the month, but participating as such isn’t for me. I can count words or I can write the draft. I can’t do both. No guilt this year, no will I/won’t I or should I/shouldn’t I, because I’m doing the head down, eyes on my own paper thing. That tends to work better for me right now, keeps me motivated, and got me through an outline and bullet point daft, so I think it’s safe to say that’s likely to work for this phase as well.

Hypercritical Gremlins don’t seem to find this approach terribly interesting,  which I take as a good sign, because they’ve been quiet as of late, only the faintest muttering from the corners of their closet. This may  have had something to do with my reorganizing the notebooks I keep in said closet, but that’s beside the point. The point is, it’s Monday, it’s October, and my job, from now until lunch, is to look over the very first scene I wrote for Her Last First Kiss, which is now the second scene, first written, then taken out, now put back in, but needing some fairly major surgery to get it going.

I’m okay with that, and I’m not surprised. When I first wrote the scene, I didn’t know exactly where I was going. All I knew was that I had to get Hero onto the page, and I did, but I didn’t know him then, not the way I do now, because I hadn’t spent all that time with him yet. He certainly hadn’t opened up to me yet, so this poking-things-in-the-dark-with-a-long-pointy-stick approach isn’t that bad, all things considered, but there is significant room for improvement. Which is okay. This book is going the distance, so I’m not worried about that. I have my roadmap, I know where I’m going and how I’m getting there, so that makes it easier, when looking at what I’ve already written, to make the course corrections when needed.

One such correction goes into slightly scary territory (though that is kind of a theme for the month, so appropriate.) – I really do need a historical romance critique partner. This is historical romance, because that’s what I write. The love story is the story, and if I took it out of its particular setting, it would fall apart. This means I have to tread into asking for what I want territory, and that’s…I already said scary, so something else. Intimidating, maybe? No, not quite. I have writer friends I am close to, whom I love dearly, but historical romance isn’t their focus. One is on hiatus, for family reasons, another is no longer in my life, another lives two hundred miles away, others,whom I can see or speak to frequently, touch lightly on romance as an element of other genres, and… imagine gif of person flailing in open water here.

There’s a scene in the series finale of the Highlander TV show, where the hero, Duncan, follows one of the bad guys for I don’t even remember how long anymore, running through multiple languages while trying to get them to talk to him. Do they speak English? No? French? No? Spanish? No? Russian? No? Italian? No? How about Mandarin? Gaelic? Klingon? Okay maybe he didn’t try Klingon, I am very sure I got the languages and their orders wrong, and, since it was the series finale, he probably got them to some sort of resolution, because that’s all the time they had to resolve stuff, but I can identify, to some extent. RWA does have a critique partner matching thingityboo, and I will probably look into that, and yet…there’s still the hunger to sit in the same room with someone who speaks my native tongue, preferably same dialect.

Where is this going? Darned if I know, but what I do know is that I have a date with chapter two that was once chapter one, and I’ll figure things out as I go. I do my part, my imaginary friends do theirs. Now if I can only figure out how to get them to pick up the check when I take them out to the coffee house…..