Typing With Wet Claws: Happy Cat-nada Day Edition

Hello all, Skye here, for another Feline Friday. Because this is a holiday, I am allowed to wish all who celebrate a happy Canada Day. We are not Canadian, but we live far enough north in New York, that some of the street signs tell us how to get to Montreal.  At the bodega across the street, we can buy Canada Dry ginger ale (well, a lot of other places, too) and once, we got all dressed potato chips there, which are popular in Canada. Anty probably knows more about the Degrassi franchise than an American of her, um, vintage, should, especially the original cast version. She also likes reading books by Canadian authors like Mary Balogh, Virginia Henley, Marsha Canham, and the late Jo Beverley. Maybe she needs to do some remedial reading of said authors, in celebration. Maybe while eating poutine, because some local restaurants have that on the menu. We have some Canadian neighbours (note Canadian spelling, please) we could invite to join us:

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I think some of these birdies are bigger than me.

 

Holiday wishes conveyed, Anty’s latest post on Buried Under Romance is all about the covers on romance novels. This can be a very heated topic, especially as trends in cover art, and the mediums in which said trends are executed, are constantly changing. What kinds of covers do you like or not like to see? Anty would love to know. Her post is here, and it looks like this:

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What does your ideal romance cover look like?

Even though Anty is not Canadian, she is celebrating vicariously today. It is always nice to be happy for one’s neighbors, so there is that. Besides being close enough to the border for some things to dribble down, Anty has a writer friend she talks to through the glowy box, who is Canadian, and she would like for her friend to have a nice day. Hero and Heroine have a Canadian connection, too, which means that Anty has to learn new things about what Canada was like in the time Her Last First Kiss takes place.

One thing she already knows ties in with her rabid Anglophilia, and her own connection to the Revolutionary era. The part of New York where Anty spent her people kittenhood had a lot of British sympathizers still living there when the war was over. As you can imagine, that was not the best place for them to be, so going someplace else was in their best interests. Many of them made the trip north, and began new lives in Canada. That is something some of Hero’s relatives do, in Her Last First Kiss, and something Anty has always found very interesting. She has visited a museum that has (probably a replica of) a document that announced the date all British subjects/sympathizers needed to be gone from that town (since the British army did burn down the whole town at one point during the war, I can see where there might be some bad blood going on there.)  That was one of those moments that sent a jolt of electricity through her writerblood. Anty says it was like touching history, to read that. She can only imagine what it must have been like to actually see the notice nailed up  in person, and know that the people the notice addressed would mean her and her family. Maybe that will be in a story someday.

Anty actually has been to Canada, once, when she was a tiny people kitten. Anty’s mama’s anty (and several other relatives) lived in Dunkirk, NY, and Anty’s parents took her there for a visit. Since they were close enough to the Canadian border, they took a day trip to bring Anty to the Canadian side of Niagra Falls. One of Anty’s mama’s relatives thought it would be funny to tell Anty (remember, she was a very tiny people kitten when this happened) that visitor to Niagra Falls had to go over it in a barrel. Suffice it to say that Anty was not entirely on board with this idea, but her parents got her into the carrier anyway. She had never been to a different country before, so crossing the border was a new experience.

Seeing Niagra Falls in person was also a new experience. Anty loves waterfalls anyway, and her mama’s relative was wrong; the vast majority of people stand on land and look, although some get to go in a boat (Anty’s family did not; they stayed on land.) Getting Anty back in the carrier to go back to Anty’s mama’s anty’s house was another matter, because A) being in a different country is very, very interesting for a very tiny people kitten who has never done that before, and B) giant waterfalls. Giant waterfalls are also very, very interesting to a very tiny people kitten. Anty’s papa had to bribe her with a toy canoe made of real bark, and a doll dressed like an indigenous Canadian girl. Anty is not sure to which people group that doll’s character belonged, but it was probably Algonkian or Iroquois. Since it was already a very long trip to see Anty’s mama’s anty, they did not get to visit Niagra Falls again, but that does not mean the story is over.

Anty and Uncle would like to visit Anty’s friend from the glowy box someday. Anty’s friend does not actually live inside the glowy box. She lives in Montreal, which is a big city, with many interesting things Anty and Uncle might like to see. I, of course, would stay home, because I am a kitty.

Now, it is time for Anty to work on her books, so that is about it for this week. Until next time, I remain very truly yours,

 

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Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

Technically, this is last Wednesday

Technically, this is last Wednesday’s post. I’m not comfortable with a backlog like that, and I’m still figuring out when I’m going to fit in the post that should have gone up yesterday (I keep track of this sort of thing) because Friday is Skye’s day to post. It will happen, though, because I’m antsy when I have a backlog, so pushing through and filling that space with something -most likely nonsensical babble, and maybe even a video post if I’m truly stuck for material, which I may well be. It’s been one of those weeks. Couple of weeks. I’d planned to come back from the conference, fresh out of the gate, ready to implement the tools gathered at the conference, and…life happened.

I’ve started and deleted this post more times than I care to count, because I’m not sure what the story is that I want to tell on this Thursday morning. The work for Her Last First Kiss, that I know. That’s one of the good things about having an outline. I do have to bump back the date for finishing my bullet point draft, because the last two weeks were full of domestic tornadoes. These are new patterns forming, as life in general goes into a new season. It’s only natural that this is going to carry over into the writing life as well.

Right now, it looks as though the new-to-me desktop will be arriving at some point next week, and I am looking forward to that. I have plans to move one of the bookcases from my office, into the living room, to make room for a computer desk that we need to get out of storage, along with the good office chair. That would be one with back support, though I do have the ergonomic chair (the sort where one doesn’t sit, but kneels) that I love, but when used with my secretary desk, rather than  regular desk, does not work at all. The current plan is to put a regular desk in the bookcase’s place, office chair on wheels in the middle, secretary desk on the other side, so that I can swivel from one desk to the other.  This means that a good chunk of the weekend is going to be spent getting the office ready for the new arrival, which should be an experience in itself.

Okay, about halfway into the magic 700 here, well, more than that, and I still have no idea what I want to talk about. Which means that I plow onward, babbling without purpose, because that’s purpose enough, getting my fingers moving on the keyboard and priming the pump. Some days, that’s easier, some days, it’s  harder, and some days, like today, it’s neither. The groove I want to get into is there, somewhere, but it’s not going to let me know where it is or how to get there. I will, though. Been here before, gotten through it every time, so odds are that I’m going to make it out this time, too.

On Sunday, when the optometrist attempted small talk whilst poking me in the eyeball, he asked me what I wrote. I answered that I wrote fiction, blogged about romance in books and TV for a publisher’s blog, led book discussions on another, and maintained my own blog about the writing life, his answer was, “wow, you write a lot.” Cue sound of record player needle skidding along some vintage vinyl. Huhwuh? It doesn’t feel that way, sometimes. Sometimes, it’s all too easy to do the math when the Hypercritical Gremlins gleefully circle the date of my most recent novel release in glaring yellow highlighter, and get stuck there. Those times, thankfully, are getting shorter and farther apart.

It’s been said we shouldn’t look backward, because we aren’t going that way, and in this case, I’m going to say I agree with that. I can’t move that date on the calendar, but I can take the yellow highlighter away from the Gremlins and toss it out the window. I can take a big black Sharpie and mark off, instead, my goal date for finishing this draft. I can track my progress in a way that makes sense for me, and that makes me excited to open the notebook or file every day, instead of dread it, because look how far behind I am.

Since it’s not yet been a full week with the new glasses, I’m still a wee bit surprised when I catch my own reflection, because that’s not what I’m used to seeing. That’s not the way it’s always been. The new hair color, I’m used to that now, and hey, looking pretty good on that one. It’s the same with writing. I’m not used to the new schedule yet, the new tracking, the new support system, and even the new media. It’s not yet been a year with the new laptop, but enough of the keys now have no letters on them to make me kind of proud when I look down at the keyboard. I don’t need them. My fingers know where the keys are, and I’m looking at the screen, anyway.

There will be a learning curve with the new desktop, the new office configuration, the new schedule and all of the rest, but what’s most important is something that isn’t going to change. My love of the story is going to be the same, no matter what else is going on, and I can’t wait to see what Hero and Heroine’s love story looks like in its final form. The only way to get there is butt in chair, fingers on keyboard, pen on paper, left foot, right foot, left foot, right foot, no, I can’t, I’m writing. Lather, rinse, repeat until the tale is told. Then on to the next one.

 

 

 

Spring Sicko

Yesterday morning, I woke at my regular time, feeling like I’d been run over by a truck. No energy, sandpaper throat, hot and cold running nostrils. I decided to drag myself out of bed and do laundry anyway, because A) I am a big ol’ stoic, and B) I was convinced that a couple of hours in Laundromat B (Laundromat A is the one kitty corner from our house, Laundromat B, a few blocks away) with its calm atmosphere and the promise of clean clothing would make me feel better. I was wrong.

The near-weeping-with-joy moment when I found a forgotten licorice cough drop in the bottom of my bag should have been a sign. I am not always good at reading this kind of sign. I used the time to make some notes on the current writing and make some headway on reading a book pertinent to an upcoming Heroes and Heartbreakers post, washed, dried, folded, and headed home. I should have known something was up when Real Life Romance Hero met me at the door. He and Housemate were going to run a few quick errands, and did I want to come, or stay home and get some work done? I elected to go, because extroverted me would rather die in misery around people than die in misery alone.

Errands ended up taking a solid eight hours, six if we don’t count the two I insisted on spending in Panera, because I had a scheduled conference with Critique Partner Vicki, and was not going to miss that. To my surprise, I actually got something done, but did pay for it later. Today, I have no voice, am going through tissues at an impressive rate, and consistent awake-ness is not one of my strengths. I am vaguely amused by all of this.

 

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Real Life Romance Hero provided French toast therapy.

 

 

There’s still writing and reading to do. The ink cartridges for the Jinhao pen (currently using a converter on that one) arrived, and I want to see if they would fit the MontBlanc. The Pilot cartridges should be here any time now, and you bet I am stopping whatever I am doing at the time, to stick one of those babies in my Plumix and take it for a spin. A new friend asked me for a short story for her birthday, which is next week, so there is that. I am rambling here, and that’s fine, because it still counts for the blog entry. I still have my morning pages to write, and then it’s time to visit with Hero and Heroine, puzzling my way along to that bullet point draft in June, which now seems super close, yet still do-able.

While writing an email a few minutes ago, it hit me that the NECRWA conference is…next week. I’m not pitching this year, because I have learned we do not pitch books that are not completed yet. Head down and eyes on my own paper with HLFK and novella, and then, next year, I will have two projects to pitch, if they haven’t found homes already. Three, if I want to dust off Ravenwood and see what I want to do with that. I think I still need some time and distance there, but one never knows. One of the best things about a conference is that there are people there who are as excited about the types of books I love as I am. There are people there who want to buy what I want to sell.

Conferences are a place where a stranger can become a friend in an instant, when the answer to a generic “what’s your all time favorite romance novel?” asked of everybody at the table gets a joyous squeal from a few seats down, because that’s my favorite book, too, and we must now discuss it at length, quote favorite passages, compare and contrast with other books by the same author, by different authors in the same setting or subgenre, and detail how it affected our overall reading and our own writing. Free books and swag don’t hurt at all, either.

Where am I going with all this? Immediately, a nap. I’m thankful that both writer and domestic warrior queen duties mean I don’t have to get out of pajamas when I feel like road kill, and that I can go at my own pace, even when that pace is mostly “pause.”

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Top notch nursing staff makes sure I get my proper rest.

It Happens

Winging it today, because I’ve tried three different openings and none of them stuck. I was going to blog about pens, but I’m waiting on that one until the ink cartridges I ordered arrive. They were due yesterday, so my optimistic side want to say they should be here any day now, and my pessimistic side wants to know when they’re going to get here already. The there’s the suspicious side that wonders if the mail carrier put them in our neighbor’s box instead (I’ve had the pen I ordered at the same time for over a week now) by mistake. Odds are fifty-fifty that I will find them on my doorstep when I arrive home.

Today, I ran a scene from Her Last First Kiss by Critique Partner Vicki, and got back the tough-but-useful sort of response that first stings, but, dangit, does make things better. So, I’ve been doing that, and I like this angle better than what I’d originally had, which may be why it’s harder to come out of the story space to write a blog entry. These things happen. It’s not that I mind, exactly, (the redoing of a scene, that is; I do mind waiting for the ink cartridges, because I am a newly converted fountain pen lover and I want to play with my inky toys, dagnabit) but that, sometimes, getting to The End of a book feels very far away while firmly in The Middle.

Breaking things down into manageable bites helps. All I need to do is focus on one scene at a time, and put them all together in my bullet point draft. It’s messy-ish, may not make sense to people who are not me (or Critique Partner Vicki; N has yet to see one of my bullet point drafts, so we will see how that goes. One day at a time, one foot in front of the other, and we get there. That’s how it works. I’m not nervous about Never Having Another Book Released Ever Again, because that’s not the issue. There will be a next book. There will be next books, plural. I got this. I’ve written books before, I’m writing books now, and will be writing books in the future. I got this. If I don’t find the right fit in traditional publishing, I can go the indie route, and I don’t have to please Every Reader Ever (pretty sure that’s not even possible) – only my readers, so that’s a lot of pressure off, right there.

Finding my readers, well, there’s a thing we can talk about if we want. In publishing years, I’m basically dead starting fresh, it’s been that long since my last release. Life will do that sometimes, and even in the times when I feel like it might be easier to just stay down, as it were, the stories don’t stop coming, the desire to see them published doesn’t go away, so okay. This is what I’m doing. The stories are going to be told. The books are going to happen. That’s not the question here. I certainly hope that readers who like my blog and my articles and other posts would like my fiction as well.

Some won’t, and that’s fine. As the late Eugenia Price once said, not every writer can please every reader; that’s why there are so  many of us.  There’s a lot of truth there, and it helps keep things in perspective. It’s not an “if” in my mind, but a “when.” When the draft is done. When the next draft is done. When the book goes out in the world, to meet a nice publisher and make beautiful book babies, or stride boldly into the teeming throngs on its own, seeking readers where it may find them.

My goal, when I began this iteration of Typing With Wet Nails, was to be honest about the writing experience. It’s rough sometimes, fun other times, sometimes both at once, and every point in between. It’s not something I can put down or turn off (I’ve tried; it did not go well.) It’s something I am. These are the stories I have to tell, and they are the stories that are going to get out of my head and into the hands of readers. Every step in that direction is progress. Including this one.

Typing With Wet Claws: Z is for Zoomies Edition

Hello, all. Skye here, for another Feline Friday. My day started early this morning, and, because of that, so did Anty’s. What happened was that I had a case of the zoomies. That means I had too much energy, and I needed to run. A lot. Very fast. I needed Anty to know that I was running, so I would run up to her, chirp, and run away again. I kept that up until she knew it was time for up, which means time for feeding me. As you can imagine, I worked up quite the appetite with all that running. Uncle thinks it is cute when I get the zoomies, but he is not the one who has to deal with the aftermath, which is usually my, um, stuff. Needless to say, Anty required more tea than usual to get her brain into gear after a start like that.

In case you missed them, Anty has two posts at Heroes and Heartbreakers this week. Her post about the second-to-last episode of this season of Sleepy Hollow is here, and her post about the first book in Charis Michaels’ Bachelor Lords of London series, The Earl Next Door, is here. They look like this:

 

There is a new member of the family that joined us this week. The Jinhao fountain pen Anty ordered online came in the mail. She was super excited, because she did not know it came with a converter, which meant she did not have to wait for the cartridges to arrive. She could ink it right away, which is exactly what she did. The ink is purple, which is very good for writing in Anty’s daily pages book. Here is the pen, resting on that book. Anty gets grumbly when she reaches the end of a two-page spread, because she usually wants to keep going, but that only means she is ready for the real writing of the day.

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deskscape, with new pen and daily pages book

 

Yes, that is Henry VIII peeking out of the top of the Paris notebook. Anty likes to live dangerously. This is one of the perils of being a historical romance writer with various interests. Although Anty does not write her books in her daily pages book, sometimes, she writes about them. That is kind of like zoomies of the brain, when she has so much in her head that she has to dump some of it out on paper. It is fitting that she does that with a fountain pen, because filling those can sometimes be messy, the same as it is putting things down on the page for the very first time. Also, going over the same thing multiple times, exploring new layers, from different angles, until Anty gets what she needs.

Another way of getting things out of her head and onto a page is with her art journals. Those do not always involve words at all, and the supplies smell very interesting, so I like to stay close when she is working on those. This is a current page in progress:

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Anty says that the Picadilly paper is not very good at taking wet media, so she probably will not use it again in this book. That only means she can get a different book, with watercolor paper, so she can use wet media in that one. Pencils and stencils and magazine papers are better matches for this sort of paper. Anty has put more things on this spread since this picture was taken, but we do not have pictures of that new layer right now. There will probably be more by the time she is happy with it and ready to move on to the next spread. She also needs to find stencils that can make different shapes from the ones she used here.

It is kind of like that with writing. In the stage where Anty is with Her Last First Kiss, the bullet point draft, it is only when Anty drops things onto the page and mushes them around, that she can tell what the story still needs. This week, she found out she misplaced a certain character for several chapters, so that, when she needed that character later on in the book, she had no idea where that character would be. This will involve reading through what is already there and finding out how fast that character’s injury would heal, so she knows if they would be able to move around on their own or not. She also is working on a scene where she knows the beginning and end points, but does not know the middle of the scene. She has worked both ends against the middle before, so that is not a new thing, even if it can be aggravating at times.

Anty is also getting ready for the Let Your Imagination Take Flight conference, which will be at the end of the month. If you are going to be there, Anty would love to talk to you. She will have pictures of me on her phone, if that is an incentive. Maybe even some videos.

That is about it for this week, so, until next time, I remain very truly yours,

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Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Typing With Wet Claws: Posts and Bacon Edition

Hello, all. Skye here, for another Feline Friday. Anty is a little out of sorts this morning, so it is a good thing that I am the one writing today’s blog. She will settle soon (it is only her second cup of tea, after all) and all will be well. Usually, I am the one who gets unsettled before thunderstorms (we are probably going to have some) but this time, it is Anty. A while back, thunderstorms used to be bad for a condition Uncle has, but people vets got that settled, so I do not think there is anything to worry about on that front. I think it is probably that spring and summer make Anty sad, because they are too bright and the temperatures are too high. Thunderstorms, and rain in general, though, make her happy, and so does writing, so I am sure things will even out fairly soon, especially since Uncle made Anty some bacon and toast, without being asked.  He’s that good.

 

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yes, it did smell as good as it looks

 

 

Anty has been at the glowy box a lot this week. Her recap of last night’s The Big Bang Theory is up at Heroes and Heartbreakers. Anty was surprised that a sitcom addressed a serious issue like what Sheldon reveals to Amy (she said I cannot spoil this for people who have not yet seen the episode) and that they did it in such a caring, sensitive manner. Anty is very impressed with  this episode. Her recap is here and it looks like this:

 

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No shame, all Shamy.

 

Anty is also keeping an eye on tonight’s Sleepy Hollow, in case there are big Ichabbie doings. Anty thinks Abbie kissed the wrong human on last week’s episode, but there is still time to rectify that mistake. She hopes. She also hopes there will be another season, and is keeping eyes and ears open for news of that. In the meantime, she is working on two more posts for Heroes and Heartbreakers. Both of these are about books, and that means she can curl up in her comfy chair, read, and honestly say she is working. I will, of course, be curled up at her feet so that I can lend support. That is one of the duties of a mews. That, and making sure she takes enough cat feeding breaks. Those are important.

 

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Anty’s novella notebook and notes

 

 

This week, Anty had her first video chat, on Skype (which, apparently, is not short for “Skye Pee.” You can imagine my disappointment.) with Anty Melva, so that they could figure out the next part of the novella they are writing together. Anty thinks she may hack the cover of this notebook with maybe some text from the story, but she is not sure yet. During this chat, Anty and Anty Melva had to decide some things about the book one of the characters has to write (well, finish writing, because the first writer passed away before the book was finished) and the best way for them to do that was face to face. Anty thought that was fun, and they will do the same thing again next week, to see how they are doing with what they had planned. Anty sat down immediately afterward, and filled several pages in the notebook, so I think I can say that is going okay.

Anty also talked to Critique Partner Vicki about Her Last First Kiss. It had been a while since Anty gave her any updates on that project, and Critique Partner Vicki was surprised at how much Anty got done. There was a whole character arc that was not there before (Anty thanks N for pointing that out, and suggesting how to connect it.) and Anty feels confident that she is going to make her goal for the bullet point draft. Now that it is April, June feels a lot closer than it did in March, but that is okay, because Anty is not looking at the big picture right now.

That does not mean that Anty does not have the big picture in mind. What it does mean is that she gives her attention to the scene at hand and trusts herself that she knows how to do this writing thing. She’s written and sold books before. She’s moving toward two new books every day, and she has her posts about romance in books and TV to keep her brain busy and her name out there. She’s got this.

Since it is now time for my lunch, that is going to be about it for this week. Until next time, I remain, very truly yours,

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Until next week…

 

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

Adieu, Daily Pages (Book)

On October 26th this year, I decided to start writing my own version of daily pages. One two page spread, every weekday, no matter what. If I was late, or missed, I had to make it up. No skipping. No censoring. Whatever was in my head went on the page. Domestic tornadoes, family stuff, existential angst, my Hewig and Hamilton obsessions, books I’ve been reading, thoughts on books I’ve been writing. Sims. Tea. Random thoughts. Writer things. Domestic warrior queen things. Me things. Yesterday, I started on the last signature of this volume. It’s taken me seven months. So, what did I learn?

A few things. One, setting aside time to record my thoughts is essential for anchoring myself in the work of writing. Nobody is going to see this, except for whoever goes through my stuff when I have completed my life cycle (not planning on that anytime soon, so there will be many more of these volumes) so Hypercritical Gremlins are not allowed. This is for me, and me alone. This is putting on my own oxygen mask before tending others. I remember dragging my Martian-death-flu-riddled body into my office because I needed to fill pages, dagnabit. I’m not going to guess how much sense those pages made (probably not a lot) but getting the discipline in there was and is key.

When I realized I was on the last signature, I remembered that I hadn’t taken any pictures of the blank pages, in what is, hands down, my favorite notebook I’ve ever used for this purpose. I’ve attempted others, but this is the first one I’ve come this close to filling, and, as the habit is now entrenched, I don’t see anything coming between me and that.

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Since yesterday was a domestic tornado day, I didn’t get to my pages until after 5PM, but even with groceries to be put away, all family members arriving home at the same time, and Skye needing to collect on back food and scritches for the time we were away, my first priority was – pages. Also pictures, because I wanted to save some record of what the book looked like before I got my hands on it. My lobster friend, Dashing John, (thanks, Mary) wanted to help out, because this book does not open flat.

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I still don’t have any ideas for Paris-set stories, but as soon as I saw this gorgeous Punch Studio specimen, I knew this one was special. It became my morning pages book, and I’m going to miss it. I have candidates for its successor, and at least one of them is also Paris-themed, but it won’t be the same, and that has me feeling nostalgic.

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This particular book has seen me through a lot. New relationships come into my life, and old ones gone out of it. The ups and downs of Real Life Romance Hero’s health and his move to a new job. The aggravation of my Sims 3 installation going wonky, and ripping the whole thing out and putting basegame back in, because yes, I do need gaming. Physical things. Spiritual things. Writing things. It’s a time capsule, and now that Friday will mean it’s time to close that capsule, and put it on the shelf of completed notebooks, I don’t want to let it go. I work a lot of stuff out on these pages. Some of it, I’m still working.

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But back to things I’ve learned. The visuals on the page anchor me. Even when I don’t know what I’m going to write on a given morning, there’s an image right there. I can write about that. Do I like the colors? The art? Do I know what that landmark is? What ink do I want to use on this page? What kind of pen? The visual connection matters, and, since the designs cycle through the four shown, I’m not tempted to keep on going when I reach the end of my “assignment.” Different picture, different ideas, different day. Close the book, put it back on the shelf and get thee to some novel work.

Some days, novel things do find their way into my morning pages, and that’s okay, too.  Whatever is in my head is what goes down here, and I can move things to my novel books later and/or continue them there. There are days when Hero and/or Heroine poke their heads over my shoulder and want to talk, and there are days when I write a bullet point list of what’s in the refrigerator. Most days are somewhere in between.

I’ve loved watching the bookmark (a piece of paper from a Punch Studio notepad) move from the front of the book, to the back. I’ve loved the harmony of the art not being the same, but page and marker agreeing with each other, and I will probably tuck that notepad page into the back cover of this book when I’m done. They’ve bonded by now. The next book will have something else as its marker. I don’t know if any of the candidates have built in ribbon bookmarks, or I should say, I don’t remember. It doesn’t matter.

What does matter is that I’m excited about starting the new book, deciding what pen(s) I will use, what color(s) of ink, probably intuitively when it’s time to plunk myself down on Monday morning and begin the new adventure. This new book will know Her Last First Kiss as the current project, not a pile of angsty possibilities. This new book will know the me that I am now, evidence of the me who lived in the past seven months tucked away with the sheet from the notepad. Some months from this coming Monday, I will tuck that book away, too, and start on another. Circle of stationery? Maybe so, but what I do know is that I’ve found something that works for me, and isn’t that the whole reason we try new disciplines in the first place?

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Typing With Wet Claws: Reading Room Edition

Hello, all. Skye here, for another Feline Friday. Right now, Anty is focused on getting the other humans settled in their tracks for the day so that she can get on with hers, so it is a good thing I am the one who is blogging.

Anty has a lot of reading to do this week, and I mean a lot.  Here are only three of the books on her TBR shortlist. You have seen them before, if you read Anty’s entries and not only mine. She needs to get them read so that she can write about them, and have time for the next three that come after them.

 

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so it begins..

That is not all Anty has to read, because there are still other library books, for pleasure (that she does not have to write about, but probably will, because she is Anty) and she has chapters from Critique Partner Vicki that have been sitting in her inbox for long enough that she is ashamed. For one of them, she is really ashamed, but she is very happy Critique Partner Vicki is making such good progress toward The End. That is a very good thing.

 

Anty also  has to read her own work, because she somehow managed to delete a whole section of her Scrivener file. That is okay, because that section was one she had originally written in longhand, in her Big Daddy Precious notebook. Anty says longhand has saved  her um, writing, more than a few times. Plus, writing with a fountain pen helps her feel more connected to her historical characters. I would mention that using a dip pen would be even more accurate, but that might give her ideas.  I have heard the words, “pen cull” around here recently, so I do not know if bringing new pens, and even a new kind of pen, into the house is a very good idea. We have seen what happens when Anty is trusted with bottles of ink. In case you missed it, this is what happens:

 

She will probably get one anyway, because once she gets an idea in her head, it usually stays there. Also, they sell them at the art store sometimes, and we are talking about the human who has been known to burn wine and fireplace scented candles at the same time, to make sure she knows what that smells like when it is important to a scene. Uh oh. I think I may have inadvertently given her an idea.

Living with a writer human has its occupational hazards. One would think that a writer human would be reading all the time that they are not writing. Anty says she only wishes it were so. Even with books on  her e-reader, tablet, phone and laptop, not to mention paper books from the library, Heroes and Heartbreakers, bookstores, and rereads and new reads of books she already owns, there are still other things to be done to help keep the household running, and, sometimes, reading gets pushed to the periphery. (Anty is very proud that I am a kitty who knows how to properly use words like “periphery.” That is one of the perks of being an author’s kitty.)

Besides reading novels and manuscripts, Anty also has to read for research. Here is where I can give you an interesting piece of trivia, in case it ever comes up: Anty does not use research books for the majority of her research. That is not how her brain works. Her favorite method is to talk to experts and pick their brains, and if she can get into a living history museum that is pertinent to her needs, that is the best. Yes, she will play along with the interpreters, and have a persona on hand. Mama knows that, when they find themselves in a living history museum together, Mama is Anty’s um, employee. Mama is fine with that, which is a good thing, but I think Anty would probably do it anyway, because Anty loves living in other times for a little while. (She likes living in our time, for things like the Internet, central heating/cooling and gummi bears.)

Sometimes, these worlds blur. Earlier this week, when Anty was on her way back from her meeting with N, she walked through the park, and found herself caught in the middle. Since Hero in Her Last First Kiss is an artist, Anty needed to know more about what it was like to be an artist in the late eighteenth century. She would get bored reading a big nonfiction book, and does not know any experts in that area right now, so she hit the Internet, to look up artists who actually lived then. Well. On her walk home, and on her next few walks through, it all looked like a Gainsborough painting. The trees, the water, the light, the colors, all of it.

Even when she saw a gentleman sitting on the grass by the lake, her  mind translated things back a few centuries. The pose would have been right at home in an eighteenth century portrait, the expression, and the power paunch was hot stuff back then. (Anty says do not worry, Hero does not have a power paunch.) All Anty’s brain had to do was translate the modern suit to a period-appropriate one, and imagine a powdered wig on the gentleman’s head. She had to remind herself to keep walking and not stare, because nonwriters (and to be fair, there is no way to know if said gentleman fit into that category or not; writers can be anywhere) usually do not understand that sort of thing. That also reminded Anty of an interesting tidbit that will be useful in Hero doing his job; portrait painters often bought premade backgrounds with figures already in them – except for the faces. Those, they had to put in themselves. I suppose that saved a lot of time, when they had to get portraits made quickly, because they did not  have cameras back then.

Anty says I have been very blabbery  and she needs the computer back, so that is about it for this week. Until next time, I remain very truly yours,

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Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Signs of (Writing) Life

Right now, I am in my comfy chair, next to a soon to be opened window, cup of tea at the ready, headphones in, blog window open. I had a post typed out, but accidentally trashed it when I got up to take pictures to go with said entry, so I’m going to babble here, stick the pictures up anyway, and see where that takes me.

Today, our temperatures here in upstate NY should top 70. The waterfowl are back in the lake at the park. On my walk home from my meeting with N yesterday, one of the male Canada geese (should I be calling him a Canada gander?) rather pointedly strutted his stuff for the benefit of the Canada goose ladies. Waterfowl romance season, it would seem, has begun. It feels early for that, but if goose love is in the air, it must be spring.

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In less than two weeks’ time, I will have filled my morning pages book. I started this one on October 26th. I’m looking forward to writing the last word on the last page and starting a new notebook (I have a few candidates in my stash already) but I’ll miss the gorgeous pages inside this one. Pretty pages make me want to write more, and knowing there is a set place where I must stop helps me focus on what I want to say in that space.

 

 

Hacking my plain cardboard binder for Her Last First Kiss clicked like wildfire. I love when colors and textures suggest themselves, and it’s easy to see where one choice flows into the next. This is my story bible, with all pertinent information gathered in one place, easily accessible. Times and distances between locations (and noting when our historical people would need to change horses matters, people) and who went to school where, owns what, and employs whom. My best way into this sort of thing is to let myself blunder blindly ahead and, after I smack into a few (dozen) walls, I’ll find what works, and then get to it. Housemate has threatened me with bodily harm if I attempt to use a regular binder again, though there is still some hacking to do.

I need to Mod Podge the cover that slipped oh so easily into the plastic pocket of the old binder (but then I never wanted to use the old binder because the plain white bothered me, so tradeoff there) and there are no pockets to hold loose papers. I can buy those at the office supply store, though, stick some coordinating paper on them, and glue the kraft envelope on the inside of the back cover, to hold smaller ephemera. I blame Moleskine for giving me a need for back cover pockets on pretty much all notebooks, including binders.

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I’m working, I promise

 

These babies are all set to be my constant companions for this week, as I’m prepping for a post at Heroes and Heartbreakers. I did want to increase my reading for this year, and to write more book related posts for H&H, so I’d say I’m doing all right on that front. Who needs sleep when one has books? Seriously, if that could be worked out, I would be a very happy camper. In the meantime, blocking out reading time as though I were studying for a college class is the best way for me to make sure the work gets done. Family has been informed that, when my nose is in these books, I am working.

 

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Reading that is not related to any posts (as far as I know) also needs to happen, because that also fits under the umbrella of “study.” I’m very curious about Kerrigan Byrne’s The Highwayman, and have heard wonderful things about it, so can’t wait to start that. Elizabeth Hoyt’s latest Maiden Lane novel is an auto-read, so that’s going to happen, especially since it fits with my immersion in all things Georgian. I’m still determined to get back on the Bertrice Small horse (and the fact that the book I picked, The Border Lord’s Bride, is number two in its series means I will have to go back and read book one, A Dangerous Love, because that’s how I roll) and I’m still devouring  realistic YA like a starving hyena. Seeing notice of an upcoming David Levithan release in the current issue of Romantic Times Book Reviews magazine made me literally squeal (Skye is used to this kind of thing) when I read it in the upcoming releases section.

Okay, there’s the magic 700 word threshold to call this blog entry good enough and traipse off to century 18 with Hero and Heroine. See you later, Liebchens.

In a Bind(er)

Sticking with your own style is incredibly important. It’s exactly what you should do. You should never allow someone to talk you out of your natural style or water down your writer’s voice.
Nat Russo

 

Right now, I am in my comfy chair, duck blankey in my lap, cup of tea at the ready, disposable fountain pen now empty. Maybe I’ve been using it more than I thought I was, or maybe I hadn’t checked how full it was when I bought it, but there I was, this morning, in the Laundromat, furiously scribbling notes for a scene for Her Last First Kiss in my pocket sized Hero notebook, with a ballpoint pen. One scene I knew had to happen pushed itself to the front of my brain this morning, and “something has to happen here” turned into a heated exchange between two characters, which may end up getting physical, (I did not see that coming, but Hero’s berserk button gets pushed, and yeah, he might) and propels him into Heroine’s path at a critical moment.

This is what I’ve been going after with all those miscarried stories, all the methods that didn’t work, for the times when the story takes on a life of its own, talks to me, pushes through the whispers of Hypercritical Gremlins and tells me “this is how I go. This is what I look like. Here is what you do next.”

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Part of that is moving my binder materials into the right binder. They’re in a white binder right now, which may possibly bother Housemate more than it bothers me, and plain white anything usually does bother me, so that’s saying something. While I do hold with the old Japanese proverb that a poor workman blames his tools, there’s something about having the right visual setup that clicks with my brain.

Scrapbook paper is for covering the section dividers in my story binder. Pastel sticky notes match the paper that is color-coded for each section. Index cards are for listing scenes and shuffling them around. Sticky index cards? I’m not sure what I’m doing with those yet, but they are super cool and I will find a use for them at some point.

I love the visual component of writing. If I know what the story looks like, not only the faces of hero and heroine, their clothing and such, but the story itself, there’s a thrill that goes with that. While I’m putting together this new binder, Hero and Heroine are over my shoulder, giving advice (Hero is an artist and Heroine likes to manage things, so they have a lot to say) and the story itself simmers on the back burner of my brain. I love that.

Later, I’ll add pictures as needed, maybe song lyrics, maybe lines of poetry or favorite quotes. I’m not sure yet. The physical act of setting up the binder, moving from the plain white temporary binder (Housemate has informed me she is taking said plain white binder away from me once I do transfer everything, so I can’t use it again.) to its permanent binder that has never belonged to anything else. This  new binder, plain cardboard, is a blank canvas -the clean sweep I thought I would find in the white binder- ready to be personalized -more layers- and it feels right.

Last week, N asked me if I would write a second book about Hero and Heroine. That’s a tricky question. First, I write romance, so a direct sequel with Hero and Heroine would need to provide some new obstacle for the love relationship, by that time, the marriage. For the second, I’m so in love with this story right now that I don’t want to think about any others. That’s a good place to be. Then there’s also the question of what the market will bear. I don’t see a lot of direct sequels with the same couples, though there are some serial stories. This doesn’t feel like one of those. I naturally think in standalones anyway, and always have. Do I have ideas? Yes, but this book now. The date is on my calendar, June first as my target for my bullet point draft. Let me get there first and then we will see.

Right now, when I spend time with this story, my heart leaps. The papers and stickies and all the rest are part of the puzzle. I love touching them, moving them around, throwing everything down in haphazard fashion and then making order out of chaos.  I like structure, and I like intuition. This way, I get both. Onward.