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I Will Go Down With These Ships (Non-Paranormal Edition)

annabowling 2 Comments

Romance Appreciation/Awareness Month is drawing to a close, (but it’s always romance appreciation month as far as I’m concerned0 and National Matchmaker’s Day is tomorrow, so now it’s time for me to gush on some of my favorite regular-people ships. No ghosts, no vampires, no super powers, only flesh and blood people. Whittling this down to only a few was even harder than the previous version, and I may have to update these posts with an additional post for honorable mention, because, when one is a romance aficionado, that stuff is everywhere, and picking favorites is not as easy as it sounds. So, I am jumping in, in no particular order, with the first couples who come to mind. As before, all links go to my OTPs (One True Pairing) page on Pintrest, where you can see a more comprehensive list.

First up, Max and Kyle from Living Single. Kyle is smooth, fashionable, self-assured, very much in love with himself, and torn between corporate life and his buried musical aspirations. Max is also self-assured, brash, impulsive, a lawyer with a strong sense of ethics (even if those ethics may be particular to her; she still hews to them) and it’s pretty much hate at first sight. These two cannot stand each other, and it is very much a case of when both lady and gentleman doth protest too much, because egads, the chemistry. They fight, they love, they break up, Kyle moves an ocean away, Max totally goes off the deep end, and makes an impulsive decision to become a single mother through IVF (which is not as easy in real life as in sitcomland, but stay with us on this one.) The donor she picks, blind? One guess, romance fans, and when Kyle finds out, oh my my my. The moment when these two finally decide to go for it and admit their true feelings gives me the down-deep shivers. The only thing better than that scene is a brief cameo in another sitcom, a few years later, when we find that Max and Kyle are still happily married, with a mini-them who has the best and worst of them both in one sharply-dressed package. The rare canon HEA, with epilogue.

I could not make this post without one historical couple, and (sorry, Jamie and Claire, you’re in a time travel, so you count as paranormal) Ross and Demelza from Poldark have no competition. From the second we meet Demelza, disguised as a boy, desperate to save her dog from a dogfighting ring, and Ross steps in, the chemistry crackles. Demelza is a scrapper, who gives as good as she gets, and she and Ross do not get off to an easy start, especially as he’s still hung up on his cousin’s wife, Elizabeth. Demelza, however, isn’t going anywhere, and not only because her only alternative is to return to her truly horrible family. Their marriage starts out as convenience, but, somewhere along the way, a true, deep, and abiding love forms between these two strong-willed people, neither of whom wants to give an inch of ground. We see them go through the joy of welcoming their first child, the grief of losing her, and, my favorite scene so far, Ross racing off to drag Demelza back from her, um, freelance fishing job while she is in active labor, only to find that she saved her own self while he was on the way, daft man. They bicker, they clash, they stand by each other when the worst happens again and again and again. Though season two ended on an extremely unheroic note for Ross, these two see each other through the most destructive of storms, so I have faith they’ll get through this one as well. How? No idea, but they’ve always found a way so far.

The couple that caught me most by surprise, in all of ship-dom is Barney and Robin, from How I Met Your Mother. Finale denier for life here; I reject all of it. Barney and Robin are still out there, still together, still living awesomely ever after, until death do them part. Where to start with these two? Even though they’re in a fairly bright and bouncy sitcom, the backstories grabbed my heart and refused to let go. The always nattily dressed corporate shark, Barney, has a secret past as a chaste hippie, hopelessly devoted to the college sweetheart who broke his heart and shattered his soul? (Not to mention the troubled childhood he and his brother endured with their groupie mom and absent dads.) Robin is his best friend’s dream girl (well, off and on, for a while) and grew up with a father who insisted on raising her as the boy he’d always wanted, instead of the girl she really was, and her secret shame is a teenage popstar career that went down in flames, in an extremely public venue? I am there for that, forever and always. Watching two people who didn’t even believe in true love, marriage, or anything of real substance, slowly fumble their way to each other, through breakups, other partners, an infertility diagnosis (hers) to combine a deep, abiding friendship and powerful attraction, well, :happy sigh: That’s the stuff. I’ll take the alternate finale if I must, where it’s strongly implied that things work out at long last, but these two giving up on each other? Nope, not buying that, not even with a coupon.

When I teach my workshop, Play in Your Own Sandbox, Keep All The Toys, one of the first exercises I give is to ask students to list their favorite shows/ships/characters, then ask the question – what do they all have in common? What’s the common thread? What do we find in each one of these cases, be the stories set in the past, present, future, or otherworldly realm? There’s a core story there. While any factors from cancellation, actors’ departure, bad writing, etc, can derail even the most outstanding TV couples, in romance novels, the HEA is a dead solid guarantee. No matter what life or the writer throws at the couple in question, by the last page, they are going to be on their own personal mountaintop, together, and happy to be there, and so are we.

What are some of your favorite ships that deserve the romance novel treatment?

I Will Go Down With These (Fictional) Ships (Paranormal Edition)

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Time to blab about some of my favorite OTPS. That’s One True Pairing, for those not versed in the intricacies of fan fiction, and/or shipping.  This has nothing to do with transporting goods by water, but is fanspeak, derived from ‘relationship.’ In honor of Thursday apparently being National Matchmaker’s Day, The Happy Ever After blog asks select author who some of their fanfic couples are, which I find very interesting reading all on its own. Since I need a topic for today’s entry, I am going to hop on this particular wagon and blabber about such matters here.  Links go to my OTPs Pinterest page, for those meeting these couples for the first time.

My first ship that I remember having was Wonder Woman and Steve Trevor, from the Wonder Woman TV show. I even subscribed to a fan club newsletter. We moved after I received the first issue, and the second (and subsequent) were never forwarded. Still salty about that. I remember that having to choose between an 8×10 glossy of either Wonder Woman and Steve Trevor or Diana Prince and Steve Trevor was agony for my ten year old self. I finally settled on the Wonder Woman option, but still am not sure if I made the right choice. I was always waiting for Steve to figure out Diana and Wonder Woman were the same person, or for her to make the revelation, but never could figure out how the HEA I wanted, even then, would work out, because Amazon, super hero, mortal, dude, all that sort of stuff. I’m still not sure how I would work something like that out in any of my own writing, but I did love that the heroine had two identities, and she was the strong one, and that the hero admired her for that. No, I have not yet seen the new movie version. I know what happens to Steve.  We’ll see if the sequel changes that.

I’m not sure if it’s me, if it’s the shows I watch/have watched, the whole romance writer thing, or what, but I have had a record of falling hard for TV couples that, well, don’t get the same treatment on TV that they would in a romance novel. I came to  Highlander (TV show, not movies) fandom late, as in  after the thing that already happened in season two, maybe even in season three. Whenever it was that the grieving Duncan first met his would-be second canon love interest of the series, Anne, an emergency room doctor, and I wanted to ship them. I really, really did, but it never quite took. Neither did Anne, even after Duncan basically built her a house with his own two Immortal hands, and I thought he deserved better. Which is when I finally, and do not ask me how, stumbled on the first season, and his original love interest, Tessa, a French sculptor, who owned her own blowtorch,  and the chemistry floored me. Duncan and Tessa forever, and I do mean  forever. Any detractors can shush about her being dead. It’s a fantasy show. Anything can happen. There was Fake Tessa, Alternate Universe Tessa (and even that ended badly, but I can accept the tragedy as long as it’s only alternate) so the next logical thing is somewhere, somehow, Real Tessa. Again, fantasy. Dead doesn’t count. They could figure something out.  My one and only attempt at a Regency may or may not have been inspired by their dynamic, no paranormal elements involved. I may resurrect the core of it as a Georgian. We will see.

Most recent members of this club are Ichabod Crane and Abbie Mills from the dearly departed Sleepy Hollow. These two. Seriously, these two. Eighteenth century visionary and twenty first century cop may not be the most traditional couple, and sure, there was the complication of his being still technically married (even though his wife lived 200+ years in the past, buried him alive, and didn’t tell him that A) she was a witch, B) she was pregnant) that gave their explosive chemistry a wee bit of a challenge (until Ichabod had to kill wifey to save Abbie’s life.) When Abbie had to venture into Ichabod’s time to right a great wrong, and he met her there, not knowing he’d already met her in the future, oh my word, oh my word, do you know what this does to a historical romance writer? Then the show bungled the whole deal, Abbie got killed off, and all we shippers got was Ichabod placing a single kiss  on Abbie’s ghost’s hand. Her hand. Her ghost’s hand. Yeah, not good enough. I quit watching the show after that. In my mind, they beat all the monsters, and their reward is that they get to be happy. I don’t really need specifics.

Maybe falling in love with fictional couples is par for the course when one is a romance fan, and especially when one is a romance writer, which means one is actually both. As for falling for the couples that get shafted on their HEA, I’m still not sure what that says, but I do know that the urge to barrel into the story, announcing that it’s okay, because I am a romance writer, is not something I can shut off. Every couple on my OTP Pinterest board, whether canon gave them their HEA or not, has at least one part of their dynamic that goes into the idea soup, combines with something from some other couple, a bit from this book, that song, some bit of historical tid, a what-if from current events or daily life, the cover design of a new notebook, or a whiff of scent, and then, when I’m not looking, new characters are born, with new love stories they want me to tell. Who am I to argue with that?

 

 

 

Marrow and Bone

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When I was but a wee little princess, my father built me two bookcases. My parents filled them, first with picture books, and friends and family members added to the collection as I grew. I remember sobbing inconsolably when I pieced together that Morte de Arthur meant that King Arthur was actually dying and not living happily ever after with Queen Guinevere. The whole Lancelot thing went over my head at that tender age, and I still have mixed feelings about the whole triangle. Maybe I’ll explore a similar dynamic in some future novel of my own, someday. I did not take the fall of Camelot well, either, despite my father’s attempts to explain how noble and tragic it all was.

Fast forward a few decades, and those very same bookcases now live in my office, and they are stuffed with romance novels. The top case (one stacks on the other) holds my Bertrice Small collection, while the other holds various keepers, and books on writing, some of them (my favorites) specifically on the writing of romance. I have two copies of How to Write a Romance and Get it Published, by Kathryn Falk, the brains behind RT Book Reviews, and they are both tattered. Granted, a lot of the information is obsolete now, with the e-publishing revolution, the advent of independent publishing, and whole subgenres have come and gone since the first edition first hit the stands, but I still treasure those books, and still refer to them, because the most important part of each entry has no expiration date.

The inspiration I get from reading the words of those who have gone before, some of whom are now retired, some now gone to the great library in the sky, some of whom are still with us now, still bringing their A game, book after book, is new every time I dip into that particular well. It’s there, too, when I dive into the books that gave me my love of historical romance; big, epic stories of love that could conquer impossible odds – and always, always did. Always will, as a matter of fact. That’s not a cliché. That’s the foundation of the genre. No matter what else happens, or doesn’t happen, by the end, our two lovers will be together, and happy about it.

That’s the skeleton of the genre. With that in place, we can hang anything on that framework. Once I took my first step into the genre proper, I read love stories that took place in medieval times, the Gilded Age, and everything in between. Heroes and heroines were titled nobility, gentry, dirt-poor, outcasts and pirates, bondservants and performers, and a thousand other variations. Through the pages of books, found in used bookstores, flea markets, libraries, and the then-king of chain bookstores, Waldenbooks, I fell in love a million times over. I knew, not hoped, knew that I had to tell stories of my own, in that same vein.

I can’t say it was a choice. More like I came pre-programmed for romance fiction. I don’t know if my biological mother read romance, but I wouldn’t be surprised if she did. My real mother did, mostly from paper sacks filled with big, thick, glossy historical romances that came with my Aunt Lucy, every time she visited. My job was to take the bag of books to the laundry room, de-bag them, and put them where Mom wanted. I wasn’t allowed to read them, a rule I did not, at the time, think to question, apart from stealing the Small titles, which did not come from Aunt Lucy, but I did study each cover, read the back blurbs, breathe them deep into the very marrow of my bones. Yes. This.

I assigned my own characters to the people on the covers, made up my own stories to go along with them. It didn’t occur to me to write those down, not then, but I would turn them over in my head for days or weeks, paint pictures in my mind, and feel the stories as vibrantly as I did what is generally called real life. When real life got stinky, I went to that story place more, not as an escape -I always had to come back, after all- but as a respite, a place to go and remind myself that things get better after they get worse. That’s what the heroines in the books, both real and imaginary always did. They kept going. They fell down, they got back up. They fell down again, got back up again, and became all the stronger for it. In the end, they got all they ever wanted, and more. They got a hero who loved them exactly the way they were, who always had their backs and knew they could count on the same thing in return. Sometimes, back then, if there was a connected book, it could be the child of the first couple, all grown up, and ready for their own adventure. I loved that kind of thing. Still do. Who knows? Maybe I’ll write one of those, myself, too. If there’s one thing romance fiction teaches us is that, with love, all things are possible.

When I look a little ways down the road, and think about what to write next, after the current WIPs are out in the world, I’m not worried. I have the core of my stories already in my marrow and bones; two imperfect people will find their broken edges fit into a cohesive whole, and the love they share means that nothing life throws at them even stands a chance. I think that’s a pretty good place to start.

Planning for Motivation

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Today, I have the brain of an unmotivated squirrel. Outside, the weather is wonderfully cool, after a solid week of humid high eighties and even nineties. I am on my third mug of tea, rather than sitting on an ice pack and alternating water with sports drinks. We have off and on rain, which means I get one of my all time favorite sounds, car tires on wet asphalt, outside my office window. My most natural desires at the moment are: A) take a nap, B) scroll mindlessly through Facebook, C) Netflix all day, and D) probably should do something about getting some pages for tomorrow’s critique session, but :points to A, B, and C.: See the problem here?

We’re verging on midday, when I want to be several pages into the day’s work, but I’m writing this blog entry, which is close enough. Once I get going, I’ll want to keep at it.  It’s the getting started today that’s getting me. Today, I started the first full week of spreads in my new daily pages book, this time a dot grid, soft covered Moleskine. The format works well for me, but the visual part of my brain says it still needs more pretties.

Bujodailytasksmoleskine

Copied from my own Instagram, because I am that unmotivated today.

 

Right now, I have my Go To Work playlist on the earbuds, and my brain answers each song with a resounding “meh.” This is not an auspicious start to the day. I mean, seriously, nothing. Nada, zip, zilch, empty, dry barren plain, which is not at all the plan. I worked on that plan yesterday afternoon, at my desk, with pencil and ruler and markers and fancy seltzer with pink polka dot straw for added snazz. Planning has become an important part of my Sunday afternoon, and it should be part of getting my brain into work gear, because these books are not going to write their own second drafts, especially when said second drafts veer off into uncharted territory.

Aha. Uncharted. See? I knew that, if I kept with this, I would find the source of the meh. Last week, N pointed out areas where I could crank up the volume on the emotional connection for a certain scene, and I know that I’m not going to be able to go further into what happens next, without feeling like I’ve been dropped off a ship in the middle of the ocean, with naught but the Styrofoam donut shaped floaty of my kindergarten days to keep my head above the proverbial  water.  I don’t like that feeling.

What I do like is knowing what I’m doing, so, after I babble my way to the magic seven hundred and get this posted, I will step away from the computer, grab my pages from last week, with N’s notes, and then mark said pages further, note where I can cut, what needs plumping, etc. Then I take notebook and trusty green pen and sketch out what I’d like to see in this scene if somebody else were writing it.  I have no idea if this is going to end up being another marathon day, or if I will pull it off in spurts, but I do have the rain outside my window, so that’s a point in the day’s favor,

I’ve been writing a lot about planning on this blog, because planning is fun for me, and an instant way to raise my interest. Maybe I can add an E) to the things my squirrel brain would like to do today, which would be aimlessly play with notebooks and things that make marks in notebooks, possibly combined with aforementioned Netflix, but, as fun as that would be, and relaxing, and possibly even good for unsticking some of those cranky gears, it’s not going to get pages written.

This means that, if I’m not motivated (and I’m not, at the time of this writing,) I need to get motivated.  Since I want this draft done and the book in the hands of readers, instead of lingering in my hard drive, that means I’m going to have to keep moving forward. Make a list of the things that need to be fixed, and then fix them. Somewhere along the way, inspiration will show up, and my mood will improve.

Right now, I’m edging out of the meh. I have Skye in my doorway. My toes are tapping, because I’ve hit the Right Said Fred part of my playlist. Soon, it will be time for lunch, when I can indulge myself in a short break for Netflix or Sims, or, even better, a chapter of a historical romance novel, to remind myself what it is I love the best about what I’m doing in this whole writing novels thing.  Then it’s a once-over of pages and the notes I made on the last few pages of my old daily tasks book (because what else am I going to do with pages that would otherwise sit there?) that turned out part doodle, part checklist, part what-mark-does-this-mark-making-thing-make. I’ll take that.

TheWriterIsOut

 

Typing With Wet Claws: Refining Focus Edition

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Hello, all. Skye here, for another Feline Friday. There is big news this week, and it is about me. I will get right to it, because it is important. I am in shed. That means I am getting rid of my summer coat, so my winter coat can come in. Fair warning for those readers who are new to this blog: I will get super fuzzy in the winter. I am already super fuzzy all the time, because I am a Maine Coon mix, but, in winter, I get even fuzzier.  Anty has to bribe me with food to let her brush me, because I am a very sensitive kitty, so brushing is not always my favorite thing, but I like food more than I dislike brushing. Anty is smart. She says it is so that I will not eat the fur I shed, but she does not have to worry. If she likes the fur I eat so much, it is not a big problem if I do eat it. She will see it again. That is kind of how cats work. It is also how hairballs work. Hm. I do not like the hairball medicine I will get if I have too many hairballs, so maybe brushing is okay.

The way this blog works, if you are new (and even if you are not) is that I have to talk about where to find Anty’s writing on the interwebs (besides here) every week before I am allowed to talk about other things, which are usually about Anty’s writing anyway. This week, as always, Anty was at Buried Under Romance. This time, she talks about playing a game called Never Have I Ever. I do not think it would be fair for me to play, since I am a kitty, and have not ever read any books, unless being in the same room when Anty listened to an audiobook counts. That post is here, and its link on the main page looks like this:

BURneverhaveiever

Next, we come to Anty’s activity on Goodreads. Right now, her reading challenge looks like this:

GR072117

I may need to check with Anty to see if this is correct. She may not have updated everything with the hot weather this week, but that is okay. Reading is a very forgiving thing, and books will always still be there. Anty did read a novel about almost-grownups (or very new grownups; it is hard to tell with humans, sometimes) and it is called Lovely, Dark and Deep. No cats in it, but it is set in Maine, which is where Maine Coon cats come from (the breed, I mean, not me, specifically. I was born in Massachusetts.) Her review of that book is here, and it looks like this:

GRLovelyDarkAndDeep

Anty thinks the cover is very pretty.

 

Other than me being in shed, another sign of autumn coming (it is almost August, after all. Uncle’s birthday is in August, which makes it a very good month.) is that back to school supplies are everywhere. I do not mean only in Anty’s office, which is true (it is always true; Anty is kind of nuts about notebooks) Autumn means that Anty will get her super powers back, but they did not really go away this year. That is kind of new.

Part of that, I think, is that Anty has been taking a critical look at exactly what she wants to do, and set specific goals. Meeting with Miss N every week, to get feedback on Her Last First Kiss (as well as give Miss N feedback on her book) keeps Anty accountable, as does talking over Skype with Anty Melva about their book. Anty does very well with goals and accountability, so those are going to stay. She is still looking for a critique/brainstorming partner and/or writing friend, whose focus is historical romance, so putting that out there. Payment is you get to talk to Anty and possibly get extra pictures of me.

I will let Anty tell you how she is refining focus in her reading, which can help refine the focus in her writing. I think it is interesting how those two things feed each other.

 

In case you are wondering, her shirt says “Lovers Gonna Love.” I find this very interesting, not only because it is an appropriate shirt for a romance writer, but because “gonna” is probably Anty’s number two pet peeve in general speech. It is not actually a word, but two words, “going to,” mushed together. In case you are wondering, her number one pet peeve in general speech is “just.” It can usually be taken out wit no change to meaning, unless it is used as an adjective, as in “the court’s decision was just.”

Knowing Anty, she is probably going to make a to-be-read list to keep in her planner, and she will probably want to show that list, because she is probably going to make it pretty, or at least interesting, visually. Anty is kind of into this making pretty notebook pages thing, which I guess is for the greater good, if it helps her brain stay more organized and focused. I, personally, like the way the markers smell when she takes the caps off, so I am not going to question her motives. Maybe this desire to make pretty pages will make her want to learn how to draw cats. One cat in particular. I will give you one guess as to which cat that might be. (Hint: it would be me.)

That is about it for this week, so, until next time, I remain very truly yours,
skyebanner01

skyebyefancy

Until next week…

 

 

Sprints vs. Marathons

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It’s Monday once again, but not, this time, a marathon. Nope, done with those, after last week’s events, so if I’m not doing that, then that means I have to do something else. Easy logic. Thankfully, the weather forecast has flipped from its previous brutal high eighties all the time forecast, to a more moderate lower to mid eighties deal. That, I can handle more easily. I’m stocked with sports drinks as well as water, planning smaller, more frequent, lighter meals, there’s a second fan in my office, aimed at my feet, and a new ice pack at the base of my spine. Quite comfy, really, which means there’s only one thing I need to get the second draft of this chapter done, which would be…the first draft of this chapter.

There is one, I should mention, but it’s short, and, now that I know more about Ruby, her Hero, and their story, these scenes are going to require something more. I don’t mind that; it means that the story is real and alive, and it’s going places. That’s all good stuff.  What is not so good is the old  “oh crap, what am I doing, I was supposed to work this all out over the weekend and now it’s Monday” feeling. Which would normally turn into “welp, guess it’s an uber-marathon in that case. Put the previous versio aside, start from scratch, keep pushpushpushpushing no matter what, even if it takes all night.” Which, after last week, no. Not doing that.

Which means new approach needed. Long term solution, better time management, enforcing boundaries, and keeping track of what environmental factors are in place on especially successful/productive days. Looking back at the time, a few weeks ago, when I shot far past my page count, the habit that sticks out to me most is that I took short, frequent breaks. So, this time, sprints instead of a marathon. Marathons are necessary sometimes, and there are days when I don’t want to stop and would happily chug on long into the night, and into the wee hours, but that’s the difference, and it’s an important one.

This past week, I got current on season two of Poldark, and I have a lot of feelings about that. Mostly, impatience, because I want season three to begin now, thankyouverymuch, but also anger at Ross, and the very firm decision that, if things come to that (no spoilers, please) I am firmly on Team Demelza about the thing Ross did at the end of Season Two. There will always be a part of me that will forever blink at the screen in disbelief. but A) Poldark is not a romance novel, B) the story isn’t over yet, and C) while I hated what happened, I loved being surprised.

Though I’m currently reading a YA that has my attention, Poldark gave me a thirst for historical romance with the same flavor. That sort of story that could not possibly take place in any other place or time, or with any other people. It’s not comfortable, and bad things most assuredly do happen to good people, but that’s what makes it interesting. Doesn’t hurt that the story takes place in the same era as Her Last First Kiss, so, in a way, it was pretty darned close to a trip back into HLFK world. I love to drink in the use of light, the subtle differences in clothing, not only between classes, but the more traditional styles and those more fashion-forward. The social interactions, how characters behave differently among their intimates from how they behave to newly met acquaintances, the modes of transportation, the way they use their leisure time, family celebrations both big and small.  That’s what I want to see in a historical romance, both those I read, and those I write.

Which brings me around to the sprints vs. marathons thing.  Rather than have a “must get at least x amount of pages ready,” focus on this scene. Take the time to feel the temperature, not in my room, but the room (or outdoor location) where my characters experience their “now.”  What can they see, hear, smell, feel, taste? How do they move through the space? I connect best when I write longhand, so this translates well to the non=marathon way of tackling a bigger section at once; break it down into smaller bites. Write longhand, away from the desk, break, transcribe and tweak, break, next bit, bit after that, and so on.

Is this going to be a foolproof technique that will work forever and ever and ever? I have no idea, but I don’t expect every book or every day to be exactly the same, so I expect variations. I expect interruptions. I expect some therapeutic housework, to sort out whatever it is on the back burner of my brain, and know that these things have a way of working themselves out. I know where my characters are going, and I know where they came from, and, since we’ve been through the initial draft with each other already, we’re going to figure out this slight detour. Not because pages are due for critique meeting, but because it’s fun.

The writer of commercial fiction, by and large, are in a funny place. We know what readers of our genres want from a story, we know what we, personally want to read in such a story, so writing the story we want to read should be a blast (and often, it is) but then the market has its requirements, and there are production schedules, and and and…. Which is why there are headphones and playlists, and a list of rewards I get for completing, not onebigmonsterthatMUSTBEFINISHED by a certain time ORIANDTHEBOOKWILLBOTHBEDOOMED, but a collection of shorter bursts. In eighteenth century terms, a turn around the garden. (Spoiler: nobody takes any turns around any gardens in this book. Maybe next time.)

Right now, I can cross “blog entry” off my list, and then I get to noodle with my art journal for a few minutes, then take one of those turns about the garden. If that means I end up taking something rougher than I like to critique meeting, that’s fine. Still counts. The same amount of ground gets covered either way.

 

The Art of Being a Tease(r)

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This past Saturday,  author Marianne Rice was our guest speaker at our monthly CR-RWA meeting.  The topic? Book teasers. What I knew about them? Zero. Okay, not really zero, but close enough. I knew they were pretty, that I liked seeing them, and the Greek chorus in my head, this time comprised of my dad, a lifelong artist, retired commercial art director; and cover art queen, Elaine Duillo, would not remain quiet. Here’s what they said:

Dad: Advertising is the art of telling people what they want.

Elaine Duillo: A cover’s job is to get the reader to cross the store to pick up that book (paraphrased, from a phone interview that I still fangirl over,  coughety-cough years after the fact.)

It’s not possible to think of those two bits of wisdom, without also thinking of the anecdote that prompted the Duillo quote/paraprahse. I’d been perusing the new releases in the romance section of the Waldenbooks (see, I told you this was ancient history) down the street from where I lived at the time. Two little girls arrived about the same time I did, far too young to be romance readers themselves, as in write their ages in single digits young. Girl A pointed excitedly to one cover. “Ooh, I’ll be her,” she squealed. Girl B pointed to another cover. “I want to be her.” Over and over again, through the selection, picking out their favorites, until their big person summoned them, or they ran off on their own; I don’t remember which.  I wanted to pick out my next reads, so their ultimate destination wasn’t my concern, though I suspect they may well have become romance readers, and I hope that they are.

What I do know is that I was those girls when I was their age, and my Aunt Lucy’s visits always included a big brown paper grocery bag full of historical romance novels, as a gift for my mother. My job was to take the bag to the laundry room and de-bag the books, for Mom to look through later. I was forbidden to read them, as I was too young, but those covers were fair game. I spent a lot longer than I strictly needed on that job, crafting stories in my head, based on the cover images and back blurbs, even if I didn’t know what all of the words about the more, ah, intimate, sides of the story, meant. Fast forward coughty-cough years, and I am not only a romance reader, but a romance writer and blogger. I write romance, and about romance, and, though it’s been a while since my last release, I do still have a backlist and several projects in the works, so this workshop on teasers was more than relevant to my interests.

Because I learn best by doing, I was angry at myself for not having brought my laptop to the workshop, as Marianne Rice gave us the opportunity to create a book teaser on the spot, and I love that kind of thing. Both the nifty playing with graphics, and the chance to make something at the drop of a hat, and showing off one of my book babies wouldn’t hurt, either. I tried. Canva is not compatible with my Android phone, so I seethed, then took out a Post-It and sketched a layout. As soon as I got home, I put the new knowledge to the test, and made my first ever teaser:

QueenOfTheOceanTeaser

Now I want to read this again.

Not bad for a first time at bat, if I do say so myself, and there was a very similar feeling when I hit “save” as the first time I saw the first version of the cover. It’s real, or, in this case, it’s still real. My baby is still pretty, and I still want to pump a fist in the air when I think of Mateo and Frances sailing off into the sunset, for real. Okay, the sun was already down, but give me this one.

Queen of the Ocean gave me the chance to play with one of my favorite tropes, reunited lovers, which works super well for novellas, and dip my toes into the waters of one of my favorite eras, the sixteenth century. No Court intrigues in this one, but I still get a delicious shiver when I think of the opening scene, of Frances at the water’s edge, staring down the only way she saw to escape the grim reality of life among a family of wreckers. She clings to the memories of Mateo, her childhood best friend and first love, spirited away by his seafaring father, out of her life forever…until the same sea that took him from her dumps him at her feet when his ship runs afoul of her family’s plans.

All of that came rushing back when I browsed through images free for commercial and personal use.  Add a small blurb, the title, pop the cover in there, and there we have it. My name was the last thing I added, because it hadn’t crossed my mind to do so before, but it’s mine. I wrote it. I’m proud of this story, and if doing something I’d do for fun anyway (playing with pretty graphics) could get Frances and Mateo into the hands of new readers, well, that’s a win for both counts, from where I’m sitting.

For today, my trip back in time takes me not to sixteenth century Cornwall, with Frances and Mateo, but eighteenth century London, with Hero and Heroine, and Her Last First Kiss, because critique meeting is tomorrow, and if I want N’s feedback, I have to have pages to show her. Even so, making the Queen of the Ocean teaser reminded me that I have this lovely graphic, by the amazing Sandra Schwab (who also wrote my favorite gothic, Castle of the Wolf) still waiting for the right text:

rubyrenderschwabplain

Image by Sandra Schwab

The first time I opened the email with this image in it, my first thought was, “there she is,” and there I was, in the scene where she takes out her pistol and aims it at…well, that would be telling. It would also be writing, or in this case, re-writing, because we’re on draft two of this now, Ruby and her hero and I, and every day’s work brings us one step closer to getting that story in the hands of readers, too.  Seeing a visual representation of that journey, even while it’s still in progress, can provide a much needed creative boost. If it whets some reader appetites along the way, well, we’ll take that, too.

What do you like to see in a book teaser?

TheWriterIsOut

 

From Back Burner to Front

annabowling 6 Comments

Right now, it is eighty-nine degrees. I am at my desk, having lunch (chicken sandwich, for those keeping track of these things) and food is helping my mood somewhat. There is an overhead fan in my office but I haven’t turned it on yet, because it’s also connected to the light, and I haven’t figured out yet if I want the moving air more than I want the extra heat from the lightbulb. Probably negligible heat, but still a factor.

I don’t do well in heat.  I had heat stroke when I was twenty-two, and, ever since, I’ve had to take precautions when the temperatures soar. Normally, my Mondays are the days to tuck in and make sure everything is ready for critique meeting with N. I love those mornings, enough that, if I need to make Monday a marathon writing/revising day, I will do that. I can always nap on Tuesday afternoon, and there will be enough of a caffeine buzz from the endless cups of tea (hot in cold weather, iced in hot) to carry me through the meeting, and the feeling from a really good critique is enough to put an extra perk in my steps. That’s all normally.  This week isn’t normal.

Early last week, I made note of the weather forecast. Three days in a row, ninety degrees or above? Definitely worthy of notice. Since the weekend, tightly scheduled, overlapped with the first of those days, I knew, even last week, that Monday was not going to be a good day to get a lot of work done. I’d be tired (yep) and stressed (yep) and walking through the park in over-ninety degree temperatures would not be in my best interests. I asked N if we could meet on Thursday, and she agreed. Okay. That’s some breathing room. Not an excuse to slack off, but breathing room, to take into account that I’m going to have the brains of a bowl of butterscotch pudding during the heat of the day for Monday and Tuesday. Much better to use that time for taking in, rather than putting out.

Today, I have Season Two of Poldark. I have my travel mug full of ice water, a fully charged Kindle, and a hardcover book club edition of Shanna, by Kathleen E. Woodiwiss. There’s a box fan in the living room, next to my comfy chair (and the window seat) and another in the bedroom. Skye will hang with me, wherever I am, and, if I need some white space in my brain, I can play in an art journal, which might play nicely with Poldark or other viewing.  I have my first draft pages and notebook at hand as well, and it’s more likely than not that I will pick them up at some point in all of this, my brain moving things from back burner to front. Not that I’m turning the stove on in this weather. I’m not a masochist.

Yesterday, when I walked home from Panera (after four hours of quality time with a friend I need to see more often) the sun had begun to dip below the horizon, and the temperatures had fallen to a brisk eighty-five degrees. Condensation from my cold drink seeped through the napkin I had wrapped around it. My friend and I walked together as far as the park, where our paths diverged. Her apartment was in one direction, mine in the other, and we each headed home. My path took me along the lake. A female mallard paddled out from the shore, followed by six fuzzy baby ducks. There are few things more peaceful than a bunch of baby ducks paddling after their mama, on a summer night.

I did not get a picture. Mama duck headed back for her hideyhole, and the babies followed. I’m okay with that. Now I know where they like to hang out at that time of day, when the sun goes down and is no longer trying to kill me with its fiery blaze. It’s like that with taking a rest day. Even if I don’t get to Hero and Heroine today (though I suspect I will, even if not at a Marathon Monday level) they’ll be there. I know where they hang out, and they know where to find me. We can’t quit each other, and I am more than okay with that.

 

Do What You Love

annabowling 1 Comment

I’m going to thankblame Rose Grey for this one. I first met Rose a few years back, when we ended up at the same table for one of the meals at NECRWA’s annual conference. The entire table clicked, and we became the Last Call Girls, after the time we shut down the dining room at another meal, because we’d been so involved in our conversation that we did not notice that A) the meal was over, and B) we were literally the only people in the room not employed by the hotel. The staff hadn’t wanted to disturb us because they thought we were having an important business meeting, which we totally were. I’m not going to say what kind of business, but that’s the story we’re sticking to on this one.

Anyway, Rose is delightful in person, and I jump on her new blog entries like a starving hyena  would chow down on an unattended plate of Kobe beef.  Besides blogging and providing fascinating dinner conversation, Rose writes contemporary romance, and she does it at a desk that sounds a lot like mine.  Before I read Rose’s  blog entry on writing rituals, I hadn’t thought much about not having my secretary desk all the way open, all the time. That way, I could always be ready, wouldn’t have to set up anything, but then there were those words about adding a sense of ritual to the writing process, and hmm.

If I closed my desk at the end of a session, I’d be free to do other things. Leave the office, go home, as it were even though my office is already in my home. If the desk were closed, then I could open it at the start of the day. This wasn’t possible with the monitor in front of the cubbyholes,. and I do love my cubbyholes. Combine that with my other friend, H, getting used to her contacts and our resulting discussion on being nice to eyes and how it is a good thing for writers, and double hmm.

Because this desk predates my time on this earth, it has developed a few idiosyncracies over the years. One of which is that the chains which had always held the work surface open finally gave their all, about the time we moved back to New York, and, if I wanted to have a work surface, period, I had to find some other way of supporting it. The answer was close at hand; the drawers beneath it. Open one. Boom, support. You’re welcome. I am not proud that it took me until Monday (as in the Monday that is two days ago) to figure out that, if I opened the left drawer instead of the right one, I would have somewhere to put my legs. Hopefully, I will be quicker on the uptake next time.

Having somewhere to put my legs makes both computer work and handwriting a lot easier, which makes the whole process of writing my morning pages that much easier. Since I’m still early pages into my current morning pages book, I boost the writing surface on the facing page with another notebook, so it’s at the same level as the pages with hundreds of others to support them. This morning, as I put said notebooks away, I noticed I had a theme going on, that I had not intended:

DoWhatYouLoveNotebooks

Do we see a theme here?

Okay, okay, I get it. Message received. This does not surprise me. Since today is #1lineWed on Twitter (I love #1lineWed) I had that on my daily task list, and figured that was as good a time as any to pop the pages from my Monday marathon session into the master document, and then search for my lines that fit this week’s theme. Figured as well, that it was probably a good time to make sure the font is uniform (writers are excellent at finding plausible reasons to procrastinate) and so did a select all so that I could do exactly that. Normally, I don’t count words at this stage of the game, because that is a guarantee that my focus will shift to playing a numbers game, sweating over every keystroke, and, if left unchecked, end up in creative paralysis, which totally sucks, and I do not recommend it. This time, however, the count was there, and…well, the actual word I said was, shall we say, colorful, so I won’t use it here, but the result did surprise me. I’m further along than I thought. A lot farther.

So, how did I get there? It wasn’t that long ago that the bulk of my novel-related writing was me  filling an endless stream of Moleskine Cahiers with some variation of “I can’t do this, why can’t I do this?” My writing soundtrack was my Hypercritical Gremlins singing me the song of their people. While I’m not saying the Hypercritical Gremlins will never find their way back to my office closet, they have been quiet in recent days.

The difference, I think, is in forgetting the shoulds, and doing what I love.  If that means reading decades-old books rather than the new, hot thing, okay. If that means futzing around with my desk, if that means taking the time to pick out pretty paper and the right pens to write with on it,  while my imaginary friends perform their own rituals so they’re ready to meet me when I open desk and notebook, I am fine with that.  I can close the desk at the end of the day, tuck my imaginary friends into bed (often with each other, because, hey, romance writer here) and know we’ll both be in the right place when it’s time to open for business once again.

In the meantime, the ducks in the park probably have babies by now.  I could maybe go look for them, once today’s work is done.

TheWriterIsOut

 

Accidental (Story) Babies

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This wasn’t the deskscape I intended to post today. The deskscape I intended to post was the usual sort. Desktop wallpaper, cup of tea, couple items in front of the screen. Pink notebook, because I’m going to be making use of that for this session, and Happy Bunny, because, well, Happy Bunny.  It looked, without editing, (except for size) like this:

Deskscape053117a

Meh…

I didn’t want to change out the Union Jack desktop, same as I didn’t want to change out Ichabod and Abbie (refresher below, for new readers)

WritersDeskAug012016

Hey, guys.

but A) it bugs me when all my deskscapes look too much the same, and B) look at that nifty shelfie background, that reminds me of some of my favorite authors, and the sort of books I want to get on to other peoples’ shelves. It was an okay picture, and I fiddled with it some, in editing, but it wasn’t the right picture, because it didn’t tell the whole story.  It didn’t talk about Monday night all-nighters, when it’s me and my imaginary friends, because the rest of the world is asleep, and we slip back into 1784 together.

This header picture comes from me pushing back my chair to either refill my water bottle (not pictured) or feed Skye (probably both) and thinking that the desk I’d been working at for hours looked pretty cool. I took the picture. I didn’t intend to share it.  I couldn’t. I shouldn’t. It was too messy. People would see. There’s a character reference picture on the screen. People will think I “cast” my stories, and I don’t.  They’ll be able to read the text on the screen. They’ll be able to read the text on the pages, both printed and handwritten. They’ll hate it. (My dad’s voice, in the back of my head, whispers, “they’ll steal your ideas.” Thanks, Dad, but that’s not how it works.) They’ll hate me. I’m doing it wrong. Dooooooooooooom.

Uh, no. No to all of that. This is the picture that had to go with today’s blog, because this is the real picture. This is what my working desk looks like. Her Last First Kiss is not the book I intended to write, but it’s the right one. It’s not nice. It’s not comfortable.  It’s late nights and marked-up pages, and more surprises than I had expected as I embark on chapter ten of the second draft, which is what I’m doing today. It scares me.

But, Anna, another, more rational, voice in my head reminds me, you already wrote the book. Thanks, Past Me, but this is different. Now that I have written the first draft, I know Hero and Heroine better, and I know not only what they’ve already been through, but where they still need to go, and it’s…sticky. It’s messy. It has scribbled notes in two different pencils and green Marvy Le Pen ink, sticky notes both Post-It and PaPaYa! Art, and, somehow, “Accidental Babies,” by Damien Rice, became one of this story’s theme songs. I did not plan it that way, but, the first time I heard it, boom, there it was.

The lyrics are very much grownups-only, and may not be a gentle reader’s cup of tea, but, as soon as the opening notes found their way through my earbuds, I-don’t-remember-how-long-ago, the connection was instantaneous. Yes. That. It’s raw. It’s honest. It’s imperfect. It hurts. It’s right. It’s right for the story, and right for the characters, and, as I get myself ready to take that irreversible step into the next part of the book, it’s a big moment for all of us.

The scene I’m tackling now is one I’d always wanted to write, before Hero or Heroine ever showed up in my head, before the idea for Her Last First Kiss ever existed. It was one of those “hm, wouldn’t it be fun to do X, but flip the genders?” Yeah, you’re cute, Past Me. Past Me did not know Hero and Heroine when she came up with that scene idea, and she certainly didn’t know that the nameless jeweler in the last couple of chapters was going to get elbowed out of the way by an actual character, who knows other characters. She didn’t take into account that said characters will be talking to other characters, which means that Hero and Heroine are not exactly as alone as she thought they were going to be. Keeping all of that in mind goes a long, long way towards banishing the characters blinking at me from a blank white background.

Kicking Character X out of the previous scene did, in fact, turn out to be exactly what the scene needed to come alive, and now has me awash in a sea of eighteenth century underwear,  lots of virtual old-timey window shopping, fully aware now, that the walls do have ears. I get a shiver when I remember that, and it reminds me that this kind of thing can’t be manufactured. It will, however, show up if I do, and so, I’m here. Well, there. Back to 1784 I go.