It’s (Almost) Heeeeere….

July 11, 2018annabowling 2 Comments

“It,” in this case, being the fiction edition of the New York’s Emerging Writers anthology, which includes my novel excerpt, “Ravenwood,” and is now available for preorder. Official release is August seventh, but preorders will be filled about two weeks prior. You do the math. Actual physical paperback, this time, It’s a slim volume, about two hundred pages, a smorgasbord of “young talents.” Plus me. I don’t know about the “young” part, but the book is now (almost) a thing, and that’s pretty cool.

If all goes according to plan, Melva and I will be putting this edit of Chasing Prince Charming to bed, and sending it out again, before we turn our attention to Drama King, and the as-yet-untitled third book of the trilogy. I still have some selkies (and the humans who love them) to name, and I still need to figure out the big why of my heroine’s choice in A Moment Past Midnight. Bern and Ruby, of Her Last First Kiss, are tapping their feet impatiently, and N gave me a much-needed nudge, at our weekly breakfast this morning.

August isn’t that far away, and after August, comes September, which means Connecticut Fiction Fest, which means Melva and I get to sing for our supper (don’t worry, we won’t actually sing) and present our workshop, Writing Through The Tears/Save The Writer, Save The Book. Registration is open, which gives me more than a little bit of a squee. For a long time, I’ve been wishing that this whole writing thing would pick up the pace, and, now, it would appear that it’s doing exactly that. I’m not exactly sure how that works.

In a way, it’s like coming out of the movies, on a day when the sun is strong. Blink. Blink. Is this really the way things look? It is? Oh. Okay. I guess. Well, then. Best get on with things, eh?

:rub hands together:

:awkward pause:

:put on tea kettle, because that is always appropriate:

:clear throat:

So this :gesture to expanse of blue sky, parking lot, circling seagulls in search of surplus French fries: is called “out-side,” is it? Oh. One word. Outside. Outside? Are you sure it’s one word, because that sounds wrong. Out. Side. No, that doesn’t make sense. It really is “outside,” then? Huh. Learn something new every day.

:rub eyes:

Granted, I am normally one who prefers the darkness of a movie theater to summer sun, but go with the metaphor. That’s what I’ve got right now, and the clock is ticking on my (hopefully) laaaaaast Chasing Prince Charming scene. Once that’s done, and Melva-approved, I need to give my final verdict on the ms as-is, make any needed changes, and then…then back into circulation it goes. As in other eyes on our book baby.

A book baby, Melva and I agree is not so much of a baby anymore. By book’s end, Meg and Dominic are clearly on their way to their own real-life happily ever after, and won’t be needing us as much as the other books will. We get to put the big kid on the bus, so we can play with the baby, aka Drama King. If I stick with the raising kids analogy (I do not have kids, but I was a nanny, so that counts) I suppose that would make book number three…umm, both of us story-pregnant? Not going to look too deeply into the mechanics of that one.

This morning, over tea and coffee, bagel and quiche, N and I talked about setting concrete goals for the coming (rest of the) year. Her Last First Kiss has to get on that bus, along with Chasing Prince Charming, and I need to figure out what comes next, historical-romance-wise.

That’s when I have to ask the big question: what would be fun? For a full length novel, I am going to be spending at the bare minimum, a year with the people who live in that story world, so I may as well have a good time while I’m doing it. Not that only one book a year is the ultimate goal, because today’s market likes production to be speedier than that, but, right now, it’s a good place to start. Well, re-start, really.

There is the matter of those four other titles that seem, at the same time, like they only came out yesterday, and like a different person wrote them, in another life. I want to say both of those things can be true at the same time, because that’s how it works with these book babies, or at least it is for me. I’ve done this before (but not in hardcopy, and not in an anthology, unless one counts the fanzines from my Star Trek: The Next Generation fanfic days) but I’ve done it, and I suspect there is some form of writerly muscle memory that will kick in sometime between now and the start of August.

It’s like public speaking, in a way. I’ll be nervous, but once I’m in front of the people, and I’m looking at them, and they’re looking at me, and there is that special sort of energy between us -these people want to hear what we are here to blabber about; they picked this over other options, and wow, that is a thrill- and talkative extrovert instinct pushes nerves to the side and copious amounts of caffeine do their thing.

TLDR: Anthology is up for pre-order, will be out in August. Melva and I will be talking at people in September. N is twisting my arm about starting a second blog, devoted to paper and pens.

Good thing fall is coming soon. I’m going to need those super powers.

My Mind Is A Messy Place

July 9, 2018annabowling Leave a comment

Welp, it’s Monday. The heat wave is, thankfully, over, and I have, finally, found out how to zoom the screen so that I can see the words I’m typing without eyestrain. This was a good weekend just past. I spent the better part of Saturday, hanging out with Housemate, our friend, J, and J’s kitties, one of whom wore herself out chasing the red dot from J’s laser pointer. We talked about important things and unimportant things. There was ice cream. I faked out a cat, by not actually turning on the laser pointer, but acting as though I had. The afternoon ended all too soon. Sunday was mostly me napping, once lunch was over. I went to bed early.

I would say that I didn’t think/talk about writing much, but that’s not true. I am always thinking about writing. I should be writing, I should be writing more, I should be writing better, I should be writing something more marketable (that’s a big one) etc. That sort of stuff. There’s also the other side of the coin. I love writing, I wish I were writing, would anybody notice if I whipped out my notebook and started writing right now? What if my characters are doing something without me? What if they’re plotting? (Note: I mean amongst themselves, possibly against me, not actualy helping out with the plotting of the story, because that would be awesome if they did. Some of them do.) My mind is a messy place.

Now, as I am seated here at the tv tray desk, keyboard on lap desk on my lap, with seasonally appropriate beverage at hand, it’s time to get down to the business of writing, which is mainly comprised, right now, of the work I meant to do last week, before the heat tsunami knocked me flat.

This morning, I set up at the kitchen counter, with my planner, washi tape, and an array of colored pens, to plan out my week. What gets done, and when? Anxiety says “all of it, and right now, but never mind. It is both urgent, and too late, bwahahaha.” Anxiety is a jerk. That’s where planning comes into play. If I can see the big looming NEED broken down into manageable steps, that makes it not as intimidating. Realistically, I can get through all the Chasing Prince Charming stuff by the end of the week, and be ready for the “resubmit” portion of “revise and resubmit,” which will then allow Melva and I to turn our attention back to Drama King, and our own individual projects.

If we’d had a parrot with us during the moving process, and the in-between-homes phase, the first phrase he would have learned is “do the thing in front of you.” “Pack the entire house,” for example, is far more overwhelming than “assemble this box.” Sure, “assemble this box” may be repeated elebenty billion times, but focusing on each individual box means that things do, eventually, get done.

It’s like that with writing. My idea hamster is more of a idea horse when it comes to Her Last First Kiss, and is doing the whole pawing at the ground, chomping at the bit thing, because “wow, it’s been a while” bumps right up against “about dang time,” and time and distance can, in the best of cases, provide perspective. I like perspective. I find it useful.

This month, there are no RWA meetings, because the national conference takes place in July. I am not going, but I like knowing it’s there. CT Fiction Fest is almost close enough to measure in weeks, rather than months, and the anthology release is only an eyeblink away. The August meeting of my local RWA chapter will be here before I know it, and I want my shot at winning the goals pool. I’m competitive like that.

Part of me is still salty that I didn’t sign up for Camp NaNo, because I do like the daily page goals (yes, I know I can do it on my own, but refer to competitive comment above.) We’ll see how Actual NaNo looks when we get closer to November.

For now, I have my weiner-dog-printed-shorts-clad bottom in chair, fingers on keyboard, taking care of one thing at a time. First up, look at the last new-new scene for Chasing Prince Charming, then polish my last scene for this draft. If the draft as a whole looks good (which I am sure it will) then back the book goes, for another look. That’s a little scary, and a little exciting. Sometimes, scary and exciting take turns, but, mostly, they hang out at the same time. I can deal with that.

Why Did It Have to Be Selkies?

July 2, 2018annabowling 2 Comments

When I was but a wee princess, my parents, or some well meaning family friend, gave me a book of folk tales of the British Isles. I. Loved. That. Book. I still have it, though it’s in storage right now, so I can’t refer to it, but, when I needed to pick a project to work on for July’s Camp NaNo, I landed on selkies.

Not literally. They probably wouldn’t like that very much, but, once the idea was there, it put down roots, so okay. At first, it was mermaids. There I was, on retreat with Skye, and I had my Jane Davenport Whimsical Girls book out, turned to a page with two female figures. I surveyed my color choices. The faces looked similar, so maybe two versions of the same woman? Realistic and fantasy, maybe? Human and mermaid? Ooh. What if they were half sisters?

I whipped out the appropriate medium, and let my brain do its own thing while I swooped color across the page. By itself, the story formed. It’s a historical romance, first and foremost, (not between the sisters) with some familial conflict, and it doesn’t feel so much “paranormal” as one side of the family happens to be selkies. I was thinking mermaids at first, but there is the mermaid problem, Namely, how to put this gracefully, have intimate mermaid/human relations. This would be essential, so a quick bit of searching on aforementioned folklore of the British Isles was in order.

Which brings me to the selkie problem. Not the same as the mermaid problem, because selkies seem to have it easier in the human relations department. Shed seal skin, have human form. Sorted. Selkies, in many stories, become involved with humans, reproduce, and sometimes go back to the sea. Whether or not they can take their special friend with them varies, and I’m good with that. Works out rather well for what my story people want to do, and gave me a moment of clarity on why sting named one of his albums Soul Cages.

What, exactly, you might ask, is the selkie problem? For this gal, it’s names. Naming a character is an important part of the process, and, frequently, for me, it’s more a matter of them telling me what their names are. They won’t answer to anything else. I still have an outline draft with a hero who didn’t even know his own name until the very last chapter. (I am definitely going back to that one, someday,.) What the heck does one name a selkie? What do selkies, or, in a more broader scope, mythical/legendary creatures call themselves?

Thankfully, I neglected to officially sign up for July’s Camp NaNo, so I am doing it unofficially, with my goal to figure out this whole story, and what the heck I am doing even thinking about it, because I am not a paranormal writer, and the last time I ventured into that realm, my life fell apart, and I ended up ugly crying during a critique group (that had only positive comments, by the way) in the middle of a coffee house. The ugly crying incident had nothing to do with me moving to a different state, but it does give me a sense of security that I never have to face that barista again.

This is the part of the process where I start writing down what I know about the story, telling it to myself. Kind of folktale-y, definitely historical romance, flying into the mist sort of thing. At the same time, Melva and I are thisclose to getting Chasing Prince Charming back to the editor who invited us to revise and resubmit, then will turn our attention back to Drama King. On my own, N is not letting me squiggle out of getting back in the saddle for Her Last First Kiss so there is no lack of things to do. So, why toss another project into the mix? \

Good question. The best answer I have at this moment is “because I can.” Consider it the writing equivalent of physical/occupational therapy. I’m glad I did my May Camp Nano the way I did, and it is still simmering, goal met, so I can figure out exactly how my couple solves their problem. What is it that makes my heroine know what she has to do? I don’t know that yet, but it will come, and likely when I am slipping into a sealskin and taking it out for a spin.

In the meantime, hit me with selkie names. I’ll take anything.

Sheeeeee’s Baaaaack

May 16, 2018annabowling Leave a comment

Or close enough to it. One week and two days ago, we landed in our new apartment, but there is still another move ahead of us. Though the ad that led us to our current apartment said this was a pet friendly location, that was a mistake, so Skye is staying with Housemate’s mother, while we wait for a place that will fit all four of us. We do not expect that to be long, but there is still the question of what to bring into our current abode, and what we want to leave in storage until we are settled-settled, and the adventure continues.

Right now, my desk is my lap desk, my chair is the floor, with an armrest pillow behind me, and a fluffy throw tossed in for good measure. My computer is my phone, desktop to follow, when A) I can find it in the packed to the gills storage unit, and B) I can also find my desk, or a reasonable substitute, in the same unit. What is not under lock and key, however, is the desire, and the need, to write.

Because my life would not be my life without Unexpected! Drama! I am ensconced in my writing corner, waiting for pest control to return and drop off their item, and, at the same time, keeping one eye, and one ear, on a recovering Real Life Romance Hero, sprung from the hospital the day before yesterday, after a four day stay to treat an unfortunate incident. He is responding well and already wants to get back to work. Same with me.

Yesterday, I had my first breakfast with N, since moving out of the old apartment. Most of that time, I spent staring in deer in the headlights mode, due to stress and exhaustion, interpersed with sucking down possibly the largest iced tea I have seen in real life. There was also a bagel involved, but the real meat of the matter was writing, and where we each wanted our focus to be, in this coming season.

We talked of unfinished manuscripts, what makes them that way, and the experience of looking at things we had written in our respective way-back-whens. Sometimes, it’s “hey, this is pretty good.” Sometimes, it’s, “what was I thinking?” Sometimes, it’s “I can do this better/differently now.” Sometimes, there are no words, and the sentiment can be ezpressed only by pulling a sweatshirt hood over one’s head, and puling the drawstring,so that one’s face is comletely consumed by said hood, with possibly only the nose tip even visual to the casual observer.

We talked of how, sometimes, it isn’t possible to go back to a particular project, because we aren’t that person anymore, or we are no longer that writer. We did not speak of projects we mourn, but I have some, and I am sure she has some. I am even surer we are not alone in that, and that adds some substance to the feeling that we are in this together. (Inclusive we, for those keepng track of this sort of thing.)

There are days left, now, until the deadline for an anthology that asked me to submit to them, and, as I told N, at this point, I have no idea what I am going to send. The word count is low — a little more than flash fiction- and the fact that they found me bodes in my favor, so it’s as good a place as any to climb back on the metaphorical horse.

I have been writing, in the interim. Morning pages first thing (or as near to first as I can manage,) Camp NaNo pages, for the win that I needed that badly, and many, many btain dumps in between. A couple of nights ago, I started a bedside brain dump book; evening pages, if you will, as “bed,” right now, is an air mattress. So far, it mostly has notes on my experience of reading two different Laura Kinsale novels at the same time (no complaints) and what this kind of reading does to me (only good thngs) and how I want writing to go in this new phase of life.

I have a new neighborhood to explore, and, in the not too distant future, another one still. I have not been to the park across the way yet, or the corner bodega, but I know two ways to get to the Rite-Aid, and have already got on the wrong bus once, which led me to the right bus, so maybe it was not wrong after all.

While the desk and desktop and related accoutrements may still be in a holding pattern, the essentials are, at last, in place. Something to write with, something to write on, and smeone to write it, aka me. Feels good to be home.

Four Days and Counting

April 11, 2018annabowling Leave a comment

Things I am never allowed to buy more of, ever again, ever:

Mini staplers and/or staple removers
staples for mini staplers and/or staple removers
Pencils
Sticky notes (except for the really big ones)
Paper clips (except for rose gold ones)

These restrictions come from my current packapalooza. All of the above have popped out at me from unexpected places, even, and maybe especially when I have already packed the office supplies, but wouldn’t you know it, there they are. This is where the plasticware I insisted on keeping comes in handy. Random small stuff busting out of nowhere? Pop that sucker into a container with those of its kind, slap a lid on it, label that lid (silver Sharpies are my friends) and we’re good to go. Put smaller things in bigger things, find creative ways to lift the edge of packing tape when it falls back onto the roll, and keep on going.

Yesterday, Housemate reserved a storage unit. Today, we find out how soon we can start stuffing things into it. This move is leveling up, and, at the same time, a small village is taking shape. Not in a sit it down and plan it idea (though I do love planning) but more of a looking around and seeing who’s there approach.

I’ve always been character driven, and the stories almost always start with the characters for me. From the start, I knew A Moment Past Midnight would have a heroine, the two men she loved, and the choice she has to make. The first draft is kind of white-room-y, because I am pantsing this story a lot more than I usually do, but I am okay with that. As long as I get to hunker down in my remote village, and put my imaginary friends through their paces, I’m fine.

Today is the day for packing notebooks that I am actually using, and, effectively, putting my office (or this iteration of my office) to bed. In the next couple of days, we will be putting things in storage, and moving things to different destinations. I am firmly of the conviction that we don’t know exactly what material things we have, until we have to move them. At some point, I will be unboxing the vast majority of this stuff, and setting up a new office, then getting back to novel work.

Working on something shorter makes sense right now, and I like getting into the flow of opening a notebook, putting pen to paper, and letting the story take me where it will. I’m aiming for novella length, because the story problem is a relatively small one (my characters may disagree on the size of the problem, because it’s happening to them, and they were fine before I came along and messed with their status quo. Okay, two of them were doing fine. For the other, their current situation is somewhat of an improvement, though to what degree, is debatable.) I know where this story is going, but how it gets there, that still has a few surprises.

I don’t have a Pinterest board for AMPM, though I do have properly sized page protectors for when/if I do print out any images of people, places, or things, but, right now, the village, and its inhabitants, live only in my head, and on the pink pages I fill every night. I’ve cleared the thirty page mark, which impresses me, because this is one wild ride on the domestic monsoon, but maybe the chaos is part of the process.

There’s a certain amount of free-floating of the story brain while doing uncreative things, like packing (though deciding what goes where, and how things can arrive at their next destination in the same amount in the same number of pieces with which they departed their last one, certainly takes a special sort of creativity.) I wrap things, secure them, put them where they’re going to go, make labels for inside and outside the box, so we know what goes where, and what to expect when we slide the tape and lift out the items we want.

There will probably be some brain free-floating on that end of the move, as well. Since I’ve been reading more e-books lately, there aren’t as many physical books to deal with as there were for the last move, but there’s still a good number of them to place into the little free libraries within walking distance. Donation bins are waiting for clothing items we can no longer use, and other items will be dispersed other ways. I don’t want to blog only about the move, because I would rather talk about other things, but, on the other hand, it’s kind of hard to ignore.

Right now, time for blogging is done for this session, and time to put on Spotify and stick things in boxes is back. We’ll see which imaginary friends drop by to wander around my brainpan while I pack.

Six Days and Counting

April 9, 2018annabowling Leave a comment

Six days now, until move-out day, and the pressure is most assuredly upon us. We’ll be turning in our cable box, which also takes care of our internet, on Friday, so internet access may be libraries and coffee shops for a little while. I still plan to keep as closely to the regular blog schedule as possible, but if you’re following the moving saga, and don’t already follow me on Twitter, you can do that right here.

I will admit to strong feelings when it comes to taking apart my desktop and getting it ready to move to short term storage. This means the laptop will be called back to regular duty, which means tipping it back a wee bit, because the screen goes black if I hold it upright (I have no idea why this is; machine works fine, but needs to be at an angle if I want to actually see anything.) The flip side of this will be setting up my desk in its new home, and carving out my writing space once more. Until then, the world is my office.

This is one way that being a longhand-first writer comes in handy. The notebooks I use most (see picture above) will go in a special bag that will travel with me, personally, because I am not in the mood to have these notebooks go walkabout in the moving process. Entertaining as they might be to any random person who stumbles up on them and can read my handwriting, I’d rather keep them close. I can’t speak for all writers having special relationships with their tools, but, for this writer, the answer is most definitely yes.

Case in point: this weekend, I attended a leadership meeting (say what you will about an organization that allows me to lead anything) and we were all encouraged to take notes. I did not need the offered pen or paper, because I had Big Pink, and my pen case, but I did make a troubling discovery. Said discovery being the kind that trikes terror into the heart of a notebook lover. My notes filled the last pages of my Moleskine Volant, with its perforated pages. Normally, I would swap this insert for another, but (you may want to grab onto something heavy, for support) I had already packed my inserts. All. Of. Them.

Going into a move when I do not have perforated pages is not going to work, and running out to purchase another pack of inserts is not on the schedule, but packing mode has sped up the making connections part of my brain. On that same day, I also had filled the last non-perforated page in my cahier. There was an unopened hardcover Moleskine, lined, in my bookcase-made-from-milk-crates in the living room. Move cahier to Volant’s place, put hardcover where cahier used to be, all purposes fulfilled, back to alternating between calculated confidence and running around in circles, flailing arms and screaming.

More calculated competence, when it comes to packing, and, oddly enough, in writing, as I am on track with my Camp NaNo progress. If I keep up at my current rate, I may very well finish before the end of the month, with room to spare. The story problem is a smaller one (or is it?) – get heroine back with the man she loves, and send her would-have-been second husband off into the sunset, eventually to land in a companion story. We’ll see how that goes.

Novel projects are on pause (or are they?) while we’re in transition, but part of packing includes digging up bones. One of these bones comes in a navy blue binder. Said binder is not the kind with space for me to put my own cover image behind a clear film, so I had no idea what I’d find, when I opened it. What I did find yanked me firmly into novel land. In Nothing Short of Heaven, which initial version was, itself, a NaNo project (though regular or camp version, I cannot say) is, like Her Last First Kiss, set in Georgian England, and I won’t say I forgot about Slate and Melanie (because how could I?) but seeing them again, when I didn’t expect them, well that was something else.

Slate has no sense of self, while Melanie knows exactly who she is. Her theme song is “So What,” by P!nk. Her BS meter is set to zero, which serves her well, because Slate, well, he has some baggage. This book also has probably my favorite villain I’ve written so far, who prefers the title of Master to his actual name. I’m still planning on finishing the second draft of Her Last First Kiss first, but I wouldn’t mind getting reacquainted with Slate and Melanie, at all, when I’m done with this one.

Right now, I’m doing the thing in front of me -which is, apart from my nightly Camp NaNo pages, packing- and, at the same time, keeping an eye on the end goal. New apartment. Finished draft. New release. New notebook. (Hey, small perks can have big effects.) Later today, I’ll be viewing an apartment that is not only basically across the street from our current place, but the next door neighbor would be a takeout calzone restaurant. I will count that as an amenity.

Typing With Wet Claws: Mostly Through March Edition

March 23, 2018annabowling Leave a comment

Hello, all. Skye here, for another Feline Friday. Anty and I would like to say hello to our new readers. If you are new, you may not know that I, Skye, who am a kitty, blog for my Anty on Fridays. This is partly to help her out and partly because I take my duties as a mews very seriously. That means that I have to make sure she is doing what she needs to be doing, to get books written, so that she can share them with readers.

First of all, before I am allowed to talk about anything else (though let’s be real, it is mostly Anty’s writing that I talk about, anyway) I have to tell readers where to find Anty’s writing on the interwebs this week, other than here. If you are reading this, you are already here, and do not need directions. As always, she was at Buried Under Romance on Saturday (that is the day after I blog, if you need a temporal landmark.) This week, she talked about experienced heroines. That post is here, and it looks like this:

There is no frame around that picture, because I forgot. Also, I have special paws, and it is not always easy to hit the right keys. Pretend the frame is there, and that is almost the same thing.

Next comes the part where I bring readers up to date on Anty’s Goodreads challenge. Anty’s goal is to read ninety books by the end of the year, and have at least half of those be historical romance. Historical fiction with strong romantic elements also counts. As of this morning, Anty has read nineteen out of ninety books, which puts her at twenty-one percent of the way to her goal, and one book behind schedule. It is the weekend, though, so there is time to get back on track. I will also point out that, out of the top row of Anty’s read books, four out of the five are historical romance, so good job on that.

The book Anty read and reviewed this week, is this one:

Lady in Waiting, by Denise Domning

Anty liked this book very much, and will start on its companion book, Lady ni White, very soon. Probably later tonight, actually. Once Anty is done with her Skye-athalon (he books, not the kitty) she will then embark on a Denise Domning binge. I think I will call that “Domning-nation,” because I like coming up with names for things. It is part of my job as a mews. Unless that is already the name of Miss Denise’s fan club. Then, I would have to think of something else.

Another part of being a mews is to make sure Anty lays the proper groundwork for upcoming projects. As she will be participating in this year’s April Camp NaNo session, she has about a week to get things ready for that. In case anybody was wondering what Anty’s brainstorms about creating a whole village look like, they look pretty much like this:

Note: work in progress

Anty has added a few other things to the page since this picture was taken, including shading in the letters in the word, “village,” because shading letters is a very good way for Anty to procrastinate and still say that she is actually working. We will see how that goes. So far, she has figured out there is a road to the village (always helpful, for trade and expanding the gene pool, among other things) and some houses (I am highly in favor of living inside) and some natural things, like trees and water and maybe some mountains. She is not sure about the mountains yet.

That is okay, because this is not a story about mountains. Anty has not said, yet, if there are any cats in this book, but it does take place in a village where a lot of people work in grain fields, which means grain gets stored somewhere, which means mice and rats want to eat the grain, which means the humans do not want the mice and rats to eat the grain, so that means cats. If Anty needs a mice-catching consultant, I am ready to fill that role. I think that she might, because a new mousie game was on the glowy box today, and I tried it, and I did So Good that I got head scritches. I know whereof I speak.

In other news, I think one of the reasons Anty only finished one book this week (besides that it is a big book, over five hundred pages, but Anty considers that a good thing) is that Anty discovered a storytelling game on her phone, called Choices: Stories You Play, and she has been playing that kind of a lot. It is a fun game, and many of the stories are romances, or have romances (or chances for romance) in the, but they do not count toward her reading challenge.

That is kind of unfortunate, because Anty likes them a lot, but they also do another thing. They help her with plotting this new story, because, at several points in the game stories, there is a choice that the point of view character must make, and that will change certain things about the story. Sometimes, it is big, like which human the character would like to have as their mate, or it is sometimes something seemingly small, like what clothes to wear, but or where to sit, but they do turn out to be important later. in fight scenes, there are choices to dodge, or attack, or hide (I would probably always pick hide, because I am super good at hiding. Lie super, super good, as long as I remember to tuck in my tail.) These choices remind Anty that, when she is not sure what a character should do next, think of three possible things they could do, and then pick one. Maybe she will change it later, but, for a rough draft, what is important is to keep moving forward. In that, it is like when I lead her to my dish. Keep moving toward the goal, and good things await at the end.

That is about it for this week, so, until next time, I remain very truly yours,

see you next week

It Takes a Village, or, Anna, Creator of Worlds

March 21, 2018annabowling 2 Comments

World-buildimg and I have a complicated relationship. For one thing, I write historical romance,. and the first genres that come to mind when many think of world-building are science fiction and/or fantasy, where one very well may have to build a literal world (or multiple worlds) from scratch, complete with alien species, advanced technology, and/or magic systems that require careful recordkeeping, with checks and balances, governmental structures, possibly changing the laws of physics, and…eep. That all sounds like a lot.

My story people live in the really real world, albeit a long time ago, but I don’t have actual historical figures (apart from a couple of brief cameos by Charles II, in Orphans in the Storm.) in on the action, an the focus is on the romance, so I often feel like I’m in the wrong room when I look at world-building resources that are created for SF/F authors. They’d probably feel equally out of place when it comes to resources geared toward romance authors (who do not write SF/F or paranormal romance) but that’s beside the point. All genres require world-building, even contemporary, which I co-write with Melva Michealian.

Right now, I’m getting my ducks in a row to create a small village, in the North of England, sometime in the eighteenth century, probably corresponding to the American Revolution, but that’s not a huge part of it, and this is not a story about the American Revolution, so, no, it is not like Hamilton, so back off with all the pressure, okay? (Oh, wait, I’m the one with the pressure. Still, back off, me.) In my workshop, Play in Your Own Sandbox, Keep All The Toys, there’s one segment called “Everybody Has to be Somewhere.” Theoretically, that’s the part about world-building, for which I feel at once both optimistic (of course I’ve got this) and completely unqualified (please don’t ask me about magic systems, and I don’t know anything about aliens, nor have I memorized all of the Scottish clan names) but I had the world-building thing on my mind, because, well, everybody does have to be somewhere. “Hogmanay” is not a setting in itself; I have to do more.

The other thing that pushes me into slightly uncomfortable territory is that, this time, I know I’m purposely creating a story world that I will be using for more than one story. I love standalone stories the best, and they are my favorites to read and to write, but series, or at least linked books, sell better, and that feeds into the “commercial” part of “commercial fiction,” and of course the gentleman in A Moment Past Midnight (abbreviated AMPM) the heroine does not pick, is going to go :makes vague gesture: way the heck over there and find the love of his life (who is not at all like the heroine of AMPM) in another story, maybe for the second Camp NaNo of the year. Possibly. We’ll see. That’s the plan. (No, I have not figured out where, as of yet. One story at a time, okay?)

So. I need a village. I need a small village, for that small town feel (but in 18th century England) which means that the village has to be based around something. It needs an economy. Why do people live there? What are its resources? North of England is all well and good for a start, but where in the North? Coast? Inland? Mountains? Forests? What’s the water source? My story people need the same things we all do: food, water, shelter, companionship, but how do they get them? It’s winter, so it’s cold, so how do they stay warm? What do they eat? why did the heroine’s husband, a healthy, able-bodied man, leave the village, and why did heroine’s (second) betrothed, also a healthy, able-bodied man, of the same age, stay? What do the villagers need, that they don’t have, and where and how do they get it?

This doesn’t strike me as much as world-building, but as answering questions. I have a lot of questions. The village isn’t a place as much as it is the people who live there. How many of them there might be is certainly one of the considerations, but it’s the individuals that come to me the strongest. I have my leads, but who else might live there? What are the necessary jobs, and who does them? Right now, I know that, since it’s a small community, some of the people are better identified by bynames, rather than the names their parents wrote in the parish register. Asking after Mary Jones, for example, might have a follow-up question of which Mary Jones one wants. Did one mean Molly Cook, who works in the manor house kitchen, or Big Mamie, who’s taller than all the men in her family, or maybe Mary Smart, who can add any numbers in her head, without chalk or slate. Then there’s Old Mary, Baby Mary, etc.

Once I had that settled, that was when the as-yet-unnamed village clicked, and became “real.” That’s when the real work begins, and where I get to pull out the notebook that will help me make sense out of it all.

I’ve had this pad for a few years now, and no idea what to do with it. It’s typewriter shaped, I obviously need it, but for what purpose? Today, it goes toward world-building. Write down stuff that occurs to me about the village, its inhabitants, its history, and possible future. Things are still nebulous at this point. There will be at least one poorly drawn map, with lots of erasures and revisions, and then…then it will welcome me home.

A Moment Past Midnight (probably)

March 14, 2018annabowling 2 Comments

Yesterday, I had my weekly breakfast with N, at our local Panera. Coffee for her, tea for me, each with our breakfast item of choice. Asiago cheese bagel, with butter, for me, this week, and I have learned that holding the foil cover of the butter packets against the side of the paper cup that holds my tea melts the near-frozen butter much better than tromping over to the microwave beneath the coffee urns. This is not a post about Panera, I promise. (Unless they’d like to make me a spokesperson, in which case I am listening, and being paid in bagels is a viable option.)

The first part of our time together is always for getting current on the other’s life over the past week; domestic tornado management, how real life romance heroes and feline companions are doing, etc. There’s a transition period of geeking out over pens and notebooks, especially if one or both of us have acquired a new toy since we saw each other last. There is the obligatory petting of notebooks, trying out of any new pens, highlighters, or other mark-making implements, and then the talk turns to writing.

Though we both write in different genres -contemporary romance and paranormal YA, as well as general fiction for her; historical and contemporary romance for me- we’re both juggling multiple projects, and both want to increase our productivity this year. We know how to write books. What we need to do is write more books, closer together. This is one of the reasons I’m doing Camp NaNo this April. The other reason is that I accidentally signed myself up for this. The other-other reason is that I need a win, and, since I can set my own goal, I should have a fighting chance.

Yesterday, I gave N the bare bones of my idea for my Camp NaNo project, which I am calling A Moment Past Midnight. I did debate calling it Untitled Hogmanay Story, but that is probably one of the least romantic working titles for a historical romance, ever, at least that I, personally, have almost used. Nobody has any names yet; I am still in the phase of calling them Hero, Heroine, Heroine’s Parent, That Guy, etc. I’ve done some cursory looking around at various name resources, but no names have stuck yet. I fully expect that at least the principal players will tell me what their names are, before I start actually writing. Since this will start on April first, they get one day to tell me they’re joking, and provide actual names, or I’m picking for them. Nobody has faces yet, either, but that’s not important at this stage of the game. I have other projects that need my attention, so I can’t spend too long on one thing. When I do that, I get too far into my own head, and there comes a point when the weeds choke the flowers out of the garden, so to speak. I’m done with that.

Today, I woke to this:

Don’t ask me how long I stood there, head under the blinds, staring out at All That Whtie, but that is a lot of snow. The snow on the actual power lines did give me some pause, but where my eye went, naturally, was all the fluffy white stuff on the bare tree branches, the railing of the balcony on the house next door, the roof of the building across the street. There is every possibility that there will be shoveling today, but this looks like the soft, floofy kind of snow, so it should be possible to move it without back injury, and, besides, this stuff is flat out gorgeous.

I can’t look at a snowfall like this without thinking of that snowy night Real Life Romance Hero and I bailed on our plans, and I navigated unfamiliar, hilly territory in stiletto heels, while a whole world put itself together inside my head. I don’t know if this new story will have any snow in it, because I’ll have to dig around and see what the weather actually was like in the general area where I put my fictional village, in the year when the story takes place (once I figure out what year that is) before I deal with any weather related ramifications, but that will come, in time.

The world of Her Last First Kiss is sliding into early spring at present, and I’ve skipped ahead a bit to when spring is in full flower. That’s a bit different inside my head than what’s outside my window, but I’m not complaining. My mind compartmentalizes that kind of thing fairly easily. For these people, it’s spring, and Ruby’s hero does blow into her life on a cold March wind, so rather timely on that one.

The calendar says really real world spring is right around the corner, so I’m going to bask in this snow while I can. Maybe, if I meet my writing goals for the day, I can byndle myself in knitted layers and waterproof boots and go out to tromp through the white stuff. The park near our house is beyond gorgeous with this kind of snowfall, so it may happen. Even if it doesn’t, I want to harness the feeling of that night with stilettoes in the snow, that feeling that anything is possible, and the rules of how things “ought” to be are, for the time being, suspended. That’s where some of the best stuff comes from, after all.

Typing With Wet Claws: I Do Not Play In Sandboxes Edition

March 9, 2018March 9, 2018annabowling 1 Comment

Hello, all. Skye here, for another Feline Friday. It is currently snowing here in New York’s Capitol Region, but I do not know if we will get as much snow this time, as we did a couple of days ago. On the one paw, I am an indoor kitty who sleeps in front of the heater (except for when I am sleeping near my humans’ beds, to make sure they are only sleeping and not actually dead, but on the other paw, weather can be unpredictable this time of year. Either way, it is good weather to stay inside and write, if you are a writer, or read, if you are a reader. I, personally, am a kitty, so I like taking naps in front of the heater, and listening to the sounds coming from Anty’s glowy box.

Before I talk about anything else, which is usually Anty’s writing anyway, I have to tell where to find Anty’s writing, besides here, on the interwebs, this week. As usual, Anty was at Buried Under Romance, this past Saturday. Since March is International Women’s Month, Anty will be focusing on heroines in romance fiction. She starts off the month by asking what makes a romance heroine. That post is here, and it looks like this:

Now is the part of the post where I bring everybody up to date with Anty’s Goodreads challenge. Her goal is to read ninety books this year, and to have at least fifty percent of that be historical romance. I have decided that I will allow historical fiction with strong romantic elements, and time travel romance, where at least some of the story takes place in the past. As of today, Anty is at nineteen percent of the way to her goal, having read seventeen out of ninety books. So far, six of those are historical romance. Still a ways to go, but that is good progress. Keep going, Anty.

The books Anty read and reviewed this week are:

Letter of Love, by Virginia Henley

Secrets in Time, by Alison Stuart

Anty’s workshop, Play in Your Own Sandbox, Keep All The Toys, is in full swing, and Anty hopes that the people taking the workshop are having as much fun as she is, giving it. Personally, being a kitty, a sandbox is not something I would like to play in, and I do not want to keep or play with anything I might find (or put) in there, (certainly not my toys)but I suppose it is different with humans. I prefer playing my mousie game on the glowy box, and batting at strips of paper that are left over from when Anty cuts fancy paper for her art things. Those things are the best. I get on my hind legs and then I lift my paws and go batbatbatbatbatbatbat, Sometimes, I bite the paper strips, and, sometimes, I can even get the strips away from Anty. I am not that interested in the strips once I get them away from her, because they stop moving, but, until then, it is super fun.

Do you know what else is fun? Reading is fun. Writing is also fun. Anty has been doing a lot of both lately, and she has figured out, more or less, what she would like to work on for her Camp NaNo story in April. By more or less, I mean she has a trope, and it may be more of a New Year’s story than a Christmas story, but she will have to do some research first. She also has to figure out what the setting of the story will be, and who, exactly, the characters are, but at least she has the seed of an idea, so we will see how that goes. It is probably about time for her to create her project, so that she can get into a good cabin. I will share more details on that as they become available, and keep readers apprised of Anty’s progress. We are almost halfway through the month, so the clock is ticking.

Today, while Anty washed a lot of laundry, she did not bring a book to read. Okay, she did bring her Kindle, and there is a Kindle app on her phone, but she did not read any of those things. Instead, she took out Big Pink, and a fineliner pen, and she wrote part of a scene for Her Last First Kiss. It was an out of order scene, but that is okay, because Anty is what writer humans call a puzzler. She likes to work on one bit of something over here, one bit of something over there, something else in this other place, and then smush them all together, in the right order, when she is done. Because she did this writing on the detachable pages from Big Pink, she will need to tear those out and attach them to the pretty legal pad she wrote the start of the scene on, and then transcribe it all into her glowy box, then print it, so that she can show it to Miss N. That means that one of the humans has to get the printer working again, since it was on the old modem, and we now have a new, faster one. This may have exciting ramifications for my mousie game, but the humans are more concerned with printing things like Anty’s stories.