State of the Planners March 2019

Monday’s post on Tuesday this week, because that’s how the week is starting out, but Tudor offers two red roses (filing that one away for a future novella title, maybe a second chance at love sort of historical thing) to welcome the new month:

Tudor has brought you roses…

First Monday post of the month now belongs to a dedicated post on planners and/or planning, so let’s have a look at what’s doing it for me this month:

Pouch, sticky notes, and notepad by Papaya Art
Binder and Traveler’s Notebook covers by Webster’s Pages

One thing I have come to learn about myself, and this applies to planning, reading, and writing, alike, is that, if a page is not working for me, that means there is probably not enough on it. This all coalesced earlier this week, while I was turning over my dissatisfaction with the current everyday carry…or everyday not-carry, because what I had thought was going to be smooth and streamlined, and all of the stuff that I go through periods of thinking stripped down is going to be easier than giving in to my natural maximalist tendencies. One would think I would have learned by now, but apparently not.

I like the idea of traveling light, and there is a practicality to that, but, for me, it’s not enough. I like to have a lot to look at, which carries over into my preference, especially in historical romance, both reading and writing, to have lots and lots of details, and lots and lots of layers. Give me lots and lots of colors and lots and lots of layers, and I will stay on that page, and the ones that come after it, all the livelong day, which is kind of the thing we want to have happen when writing, or planning for writing. . This is where I am currently learning that I need to bottle this kind of thing, or stick a (literal) sticky note on it, and add it to the metaphorical toolbox.

Right now, the picure below is the setup I have for the weekly section of my writing planner. I am fast coming to the end of the stickers that came with the planner kit, which means time to hunt down some more stickers and ephemera that have the same aesthetic. This part of the hunt also serves as some delicious nibbly treats for my idea hamster. Links to or recommendations for Etsy shops, Instagram accounts, etc, where I might find unusual, pretty things for my planners, are greatly appreciated, so drop them in the comments.

Planner kit by Heidi Swapp

While I love having one binder dedicated to writing schedules and writing schedules only, having a separate notebook for more in-detail writing notes, as in actual writing about writing, listmaking and such, does not have the same appeal. What feels much  more natural, though, is putting the blank monthly and weekly pages, and pages from months past, in some other sort of storage, and using that space for abovementioned notes.

This means that I have some work to do. First, I need to decide how I am going to divide that space. Fortunately, that was easy. I need four categories:

  1. Historical Romance
  2. Contemporary Romance
  3. Future Projects
  4. Blogging

Incidentally, Li’l Pink happens to have four inserts right the heck now. Hm, could this be an answer to my question above, even if it isn’t in the same binder? Only one way to tell on that front, and that is to jump right in, throw things at the page, and see how it goes. Which is kind of like writing, which is very often a sign that I am headed in the right direction.

TLDR (Too Long, Didn’t Read) version: The most-most natural way for me to go about planning, and about writing, and about keeping track of how things are going with both planning and writing (reading, as well) is to notice to what areas/themes/flavors/etc I find myself naturally drawn, and then go toward that in the way that feels most natural at the moment. Of course, this is also where discipline comes into play, which, again, is a lot less tedious when the page has lovely things on it already. Maybe the first layer isn’t enough on its own, and that is okay. Let’s add something else, and see where that takes us. Soon enough, it’s less thinking and more instinct, and hey, look how far we came. How’d that happen?

How do you figure out what sort of planning suits your individual purpose? What’s working for you right now?

February Planner Post, Part Two

Wednesday’s post is here on Thursday, because it’s that kind of week. Nothing as exciting as a new planner to explain the change of posting days this time, but minor domestic tornados, mine and others’, and the second round of edits for Chasing Prince Charming landing on my and Melva’s desks. Our goal is to get those changes -there are not many- back to our wonderful editor, and move on to the next phase. That would be third round of edits, then galleys, then The Thing (aka real, live book.) Squeeze in filling out some information on cover art and such (It is a strange delight to be doing this again, after all this time) and looking at things like a joint website (Melva has a website. I have a website. Melva-and-I need a website.) Also, with setting up a new website, there are questions like what information we want it to have, what it should look like, what’s our brand, and other concerns that don’t cross one’s mind until they do, and then, well, a writer’s got to plan.

Smooth segue, huh? The image in today’s picture comes from my daily carry traveler’s notebook, which is not at all what I had expected it to be, but it’s working. I still have plans to make or purchase the inserts I originally wanted, for later in the year, but having a motley bunch of outcasts (aka most of them are from clearance sales) in my daily carry gives me the freedom to try different things, make mistakes, and step outside of my comfort zone. Which is not all that far removed from things like trying a new subgenre, writing with a partner (which I have tried before, with a different outcome) and stepping into the world of a more mainstream publisher, when my prior experience has been more boutique.

I can’t say I have a favorite amongst all that yet (maybe wait for the first royalty checks, and I may have a different story, pun intended) and I can’t say for sure for sure for sure (repetition most definitely intended) that I have a favorite planning system as of yet. My daily carry is still an A5 traveler’s notebook, though my personal size ring bound planners, for keeping on track of my daily tasks for both writing and domestic warrior queen duties, are exactly right for what I need. I still have pocket sized traveler’s notebooks waiting for their destinies, and if you notice a woman in a bookstore, placing a gorgeous premade planner back on the shelves, amd marching resolutely away from it, announcing firmly that she does not need a planner, she has planners, then that is probably me. (If in doubt, look for long, dark hair, a brown leather hobo bag, and black rimmed glasses. Red lips extremely likely.)

The page setup in the picture above is copied from the Dylusions Dyary insert that I love, but isn’t right for a daily carry, and it’s also very similar to the layout of both of my ring planners, which is one of the reasons I chose them in the first place (the next biggest reason being that they were both on tremendous discount, as well as being gorgeous.) Having the same calendar format across different planners makes it a lot easier to coordinate everything, when I need all of my information in one place. No matter where I go, in other words, I’m still me, and that applies, as well, to writing in different genres.

former writing planner, now domestic planner

Before my current writing planner and I found each other (she’s going to need a name, but she hasn’t divulged what it is, yet) I used my white Webster’s Pages personal size planner, and the setup was easy and natural, because I knew what worked for me. If, okay, who are we kidding, when, I acquire any other planner, (hopefully only for next year) odds are I am going to set up the weekly calendar pages the same way. That way, i have enough room to put in all my needed information, make my checklists, probzably on stickers or pretty paper that I glue into it, and a space to put something pretty/silly/my brand of inspirational/etc. This is what works for me, and it’s feet on the ground, when I am entering new territory.

Like a new genre, to loop things back around. Before Melva and I put our heads together to create Chasing Prince Charming, my only contemporary outings were in fanfiction, writing group exercises, and an ill-advised attempt at YA, when I actually was a YA, myself. No evidence of that last one remains, which is the best for all of us, trust me, but I consider it a badge of honor. The modern age, though, was an inherent part of the story we wanted to tell, and it’s Melva’s story home. Since mine is historical romance, that made it easy to know that historical romance would need to be part of the world in which our characters’ love story took place.

Part of the reason for this post was to share planner pron, I will admit that much up front. There’s also the fact that I am super duper tired, and promised myself some downtime after the post goes live, so that’s also incentive. It’s also to share a bit more about the writing process, and perform a virtual happy dance that Chasing Prince Charming is that much closer to being available for readers. Knowing that, soon, Melva and I will need to deal with things like cover reveals ans swag and reviews and such, not only how we handle this with a new publisher, and in a new genre. Not only how does she do it and how do I do it, but how do she-and-I do it, as two bodies with but a single mind? We are still figuring that one out. Maybe I do need another planner, after all. What are your favorite calenders, planners, agendas, and such?

February Planner Post: Part One

Normally, I would say that Monday’s post on Tuesday was the result of some domestic tornado, but, this time, it was a planner. (Note: this is not a sponsored post. I babble because I love, that’s all.) Sunday night’s weekly Michaels stroll led to the discovery of possibly the most Anna-est personal size planner I have seen to date, on serious clearance. Meet Magnolia Jane, from Heidi Swapp (I think the planner is discontinued, but look at those gorgeous other things in the line) I tried to reason myself out of it, as I already have my Webster’s Pages planner, which was also on serious serious clearance, but I have come to recognize this as The Sign. Planners find me. I don’t fight it anymore.

Needless to say, a bunch of Monday was spent putting this beauty together, moving into her (yes, my planners have genders) and us getting to know each other. Mostly. I still have no idea what I want to do with this page, that starts off every month:

Suggestions always welcome…



The black washi tape is my addition, but, from top, left, we have a blank section, a dot grid section, and bottom left, gridded section, then the stripey section. Right now, I got nothing, but Housemate, who was actually the one to find this beauty, said it looked like my historical romances, and I have to say she is not wrong. So, home it came, and it is now my writing planner. The white Webster’s Pages is now for household use.

Bare bones, again

The washi tape is my addition (also another serous bargain; it’s from the three rolls for a dollar bin at Michaels) and I do want to find some prettier way of marking off the days than bare X marks. Possibly a good place to track progress on various projects, once I figure out a decent legend for that. I’ve found these things work best when I let them happen organically. Carry it around naked (the page, not me; it is winter in NY. I will be wearing many, many clothes) for a while and then, bloop, I’ll know what belongs where.

weekly planning spread

This section, I have mostly figured out. I clicked with this sort of weekly layout in my Dylusions agenda (repurposing as an art journal, now) but wanted some better use for the extra space, as I tend to write vertically. These are better suited to how I work, with half blank, and half gridded sections on each day.

This planner is only for writing tasks/habits, so the weekend, which is not a workweek (not to say that I won’t write on a weekend, and my CRRWA meetings are always on Saturdays) gets blocked off. I’m still figuring out what I want to use to record the daily tasks for the rest of the week. Right now, scrap paper “stickers” are fitting the bill, and the circular sticky notes are for writing related dates/appointments. Both the white circles and pink flags came with the planner kit.

UniBall Signo pens, Recollections pouch 

For this planner, I will be using the Uni Ball Signo pens in blackened colors. Very, very dark versions of red, brown, violet, blue, and green, make my heart happy. The outside pocket of the pen pouch has white, gold, and rose-gold pens, for writing on dark backgrounds, so I am set to go on that part. I have not yet figured out the highlighter situation, but probably will use Zebra Mildliners. in curated colors.

This does not by any means imply that I have the whole thing figured out, or that having certain planners or pens or ephemera will magically make me a better writer (cool if that would happen, but that’s not how it works.) For some, a plain ballpoint pen and blank white paper would work much better, and, for them, I say an enthusiastic “go for it!”

What does make me a better writer (yes, of course, writing; I’m getting to that) is that, since I’ve become involved in the planning community as a whole, I want to write more. Playing with the pretty paper and pen toys combines beautifully with wanting to play with my imaginary friends, and, if I am going to be spending hours a day staring at a page or screen, they may as well be pretty pages and screens. This may have something to do with why I like writing heroes and heroines who are creative in some way; write what you know and all that. After all, I’ve already had one hero spring to life (Bern, from Her Last First Kiss) thanks to my fountain pen obsession, and his heroine, Ruby, would be all over the whole bullet journal thing. Maybe she was actually there first, because, hey, she’s in the eighteenth century. Who knows who else may be lurking in my stationery stash?

Watch this space for part two, and a closer look on how I actually use these pretties.

Typing With Stuffed Paws: It’s Beginning to Look a Lot Like Planning Edition

Greetings, foolish mortals. Sebastian Thunderpaws Hart-Bowling coming at you with all the stuff on the week that was. I wanted to call this edition “It’s Beginning to Look a Lot Like Sebastian,” but Writer Chick says this blog is about her writing, not my handsome self. Go figure. 

Anyway, best to get the compulsories out of the way first, so let’s get to it. As always, Writer Chick babbles on about something, over at Buried Under Romance, every Saturday, and this one is no exception. Last week, she talked about when a reading slump really isn’t one. What’s that all about? Hop on over here, and find out.

Who can say no to that face?


This leads directly into our other update, that of Writer Chick’s Goodreads challenge. Getting down to the wire now, and looks like she might actually make it. As of this writing, she has read eighty-six books out of ninety, which puts her at ninety-six percent of the way there. Four more books, three more weeks; will she make it? 

Writer’s favorite read this week was a surprise. It was also How I Live Now, by Meg Rosoff.

Writer Chick says the S mug in this week’s book picture is for Skye, but Sebastian also starts with S, so I’m claiming it. Not right now. Right now, it’s full of tea. The box of lights is mostly there to block out the view of what’s behind the box of lights and the mug, but it’s also a sign that we are moving into a different time of year, and that would be Christmas. Writer Chick loves Christmas. I’m okay with it. For all I know, I was a Christmas present (the exact circumstances of me ending up with this bunch are a little fuzzy. Heh. Fuzzy. Classic Sebastian.) and a first Christmas in a new place is definitely important.

None of the decorations are up yet, but there is a tree, and there are ornaments. I have heard it is traditional to gift the family cat with their own presents on Christmas, and I am going to assume that extends to Cats Regent. It better. 

current and future planners, covers

I am going to go out on a (Christmas tree) limb here, and assume, also, that Writer Chick will be receiving planner and/or art journal stuff for Christmas. She is definitely going to use the tucked-away week between Christmas and New Year’s, to get her 2019 planning stuff in order. This includes moving essential stuff from the stripey planner, to the big eyes planner, as well as starting a separate planner that is only for writing. Possibly one for her co-written contemporaries with Melva Michaelian, and then another for her solo historical romances. These are the everyday planners, in which she will be planning how she plans the new year. 

Current and new planners, guts

Blah blah, different sizes, blah blah, aesthetics, blah blah, DIY, etc. Whatever. She went over the specifics, but I wasn’t listening. Long story short, do what works. Even if it looks weird. Maybe especially if it looks weird. There will be more updates on where Writer Chick is, in her ongoing WIPs, as soon as she figures out how to measure that progress, and updating the Coming Soon section would not be a horrible thing, just saying. 

So, yeah, that’s basically what’s going on here at Stately Bowling Manor. Waiting on confirmation, but looks like Writer Chick and Other Writer Chick have cleared a milestone in their draft of Drama King, and are already talking about what they want to do for their combined author website (this one is staying right where it is) so there will be updates on that as they come along. 


Peace out, 

Time of the Season

Welp, we are officially in the Christmas season around here. Thanksgiving is in the rearview mirror (and it was a good one) and the question of where the heck do we put a Christmas tree in this new apartment has started to bat itself around, especially as I am in a moving furniture around phase. My pillow pile is probably on its way out, as it’s not quite the same with the bookshelf-turned-desk here. Also, Real Life Romance Hero likes to keep the bedroom toasty (as in thermostat. The rest is nobody’s business.) so this may be me moving to winter quarters. Probably.

There is most of a huge (I am not exaggerating on this) pumpkin pie In the refrigerator. In a household where one person is watching their sugar intake, and another isn’t that keen on sweet things in general, this pie may outlast us. Any Albany area friends want to come over for pie? We also have tea, and I will let you play with my colored pencil, while we talk about books. Reading or writing, I’m good for both. There is also tea.

Anyhoo, it’s Monday, which means that I am getting ready for a 7PM Skype chat with Melva, where we talk all things Chasing Prince Charming, and plot the next week’s work for Drama King. Odds are very high that I will be having my end of the conversation here, at the kitchen/dining room table:

261118tableread

This is also where I do the majority of my planning, though it’s sometimes on the other side of the table. Feel free to mentally flip the image for an idea of what that looks like, because that would be accurate. The planner I’m using right now is going to go down for a long winter’s nap, maybe in December, definitely in January, to come back in the spring, with all pastel colored inserts, standard size instead of the current A5. It will most likely be succeeded by this one, which I had no intention of getting until I saw the whole line on clearance, and then, well, things happened:

20181126_102450261118planner

The art isn’t exactly my style, but I like to mix things up, now and again, and I love the feel of the fabric cover. I like the challenge of trying something new, and diving all into it, but not completely on my own. I like to have some sort of guide I can refer to, when I feel uncertain. (Everybody say it with me now) It’s like that with writing. I don’t think I would have ventured into contemporary romance on my own. (We will not speak of my first time travel effort, which is still burning off its half life.) Writing it with Melva, though, that’s a whole different animal. Though we come from two different backgrounds, we know each other’s voice, and things kind of fall together. I have not, as of yet, given any thought to trying to lure her over to the historical side (come to the historical side; we have comfits?) but never say never. The future stretches ahead.

That future does include getting back to my solo historicals, and that’s both exciting and scary. On the one hand, the longer one spends away from a manuscript, the longer the road back may be, but, at the same time, time and distance can also offer perspective. How that works, I am not exactly sure, but I do know that switching between being two different writers (or one and a half?) does give writing a sort of hybrid vitality. Focusing on one genre can make the other one seem fresh and exciting again, when I get back to it, and there are benefits to both going it alone, and having a writing partner, ready to pick up the ball and run with it, when I’m not sure where to go next.

This time of year is my favorite-favorite, for a lot of reasons, and this year is extra special. This year, I have a book contract again. This year, I am working on two novels at the same time, one with a partner, and one on my own. To be fair, I was doing that last year, too, but this time, I have the added boost of knowing that I can do both. I love the idea of figuring out what Melva’s-and-my brand is, setting up our website, and connecting with our readers, who may not be the same as my readers or her readers, though I hope there will be some crossover.

When I set up the new planners (yes plural) for the coming year, there will be a section of the writing planner that is dedicated to future projects. There will be workshops in the works, and I look forward to going forward as an author and a half. Right now, a lot of it looks like utter chaos, but making order from chaos is kind of my things. Spread everything out in front of me, see what wants to go together, and then make it happen.

I am one thousand percent sure that the coming year is going to have its fair share of surprises. Hopefully, most of them will be good.

Writing Lessons From My Art Journal

Happy Halloween, and/or day before National Novel Writing Month, to all who participate. The extrovert in me loves the community of NaNo, and the competitive side of me loves the pounding toward a goal, hell-bent for leather, as my Aunt S used to say, but anxiety is not as thrilled about the pressure, so, for me, doing the slow and steady thing works better, so I will cheer on all who are participating from the sidelines, and keep on going at my own pace..

Once again, we have Monday’s blog on Wednesday, and I am okay with that. Domestic Tornado Season is, hopefully, winding down, fingers crossed. In the meantime, butt in chair, fingers on keyboard and/or pen to paper whenever possible.

Lately, I’ve been using my art journals to destress, and, as usual, they’ve taught me a few things about the writing life. I don’t know how I settled on it, but, in the middle of one of the bigger tornado surges, I took out the nearest art journal to hand, and turned to a fresh page.

First of all, I did not draw anything on these pages. Both pages are stencils, by Jane Davenport, whose art supplies I love, love, love. The notebook cover and insert are both from her collection, as well. No compensation here, just a fan, sharing what works for me.

I’ve tried to start this blog entry many times, and I always get in my own way, so I am going to go ahead and throw whatever is in my head onto the page, which is generally how the best stuff happens, anyway.

Earlier, this week, I grabbed the art journal, pictured above, some face stencils, and a Pitt artist pen, and started throwing stuff down. These stencils have options as to what features I can put, and where. Usually, I start off placing the eyes too high. Moving them around before I actually set down any ink helps, and keeping a small notepad next to my art journal also helps, because working with art stuff is a great way to get my story brain on the back burner, which is when my imaginary friends often do some of their best stuff, while I’m looking at lines and shapes and colors.

Right now, it’s already after 3PM, which means that the ideal posting times have passed for the day, and I could call myself now two entries behind and promise that I’d take care of it tomorrow. I know this is bull, because tomorrow is already booked (no pun intended) and a post written after the ideal posting times is going to get more hits and reach more readers than the post I’m going to write, eh, sometime. This is also the first thing that my recent art journal experience has taught me about writing:

* Put Some Stuff On The Page. 

This is important, because, without that, nothing gets done. The idea stays in my head, and, no matter how many people I tell about it, nobody will get the full experience. Including me. As long as the idea stays in my head, it stays perfect, and I can’t fail. Once I commit ink to paper (or the digital equivalent) the ball is actually in play. If I don’t like what I made, A) nobody has to ever see it, and B) I can open to a new page and start again.

*Use What You Already Have. 

I love going to art or craft stores, looking at all the pretty stuff, imagining what I can do with it, and petting the packaging. Sometimes, some of it even comes home with me, which means I can actually use it. I can also actually let it sit there and taunt me with its un-touched-ness, but I don’t get to find out what it can really do, unless I bust it out of the packaging and put it on the page. See first point, above. Those craft store displays and online adverts are very tempting, buuut know what? That box of stuff is right here, and everything in there was the shiny new thing once. It came home for a reason. Time to actually let it fulfill its purpose, or, at the very least, see what it can do.

*Experiments Are Good

When I first started using the traveler’s notebook system of covers and inserts, I was very adamant that I only wanted one particular size, about five by eight inches, because that was the size of notebook I already liked. Two sizes, if we count pocket. Then, I had to have this particular cover, which came with this particular insert, which is standard size, eight inches square, folded in half (my brain is not going to do the math) but this was the insert that came with the cover, and it was marker paper, and I have markers, and what’s the worst that can happen?

In this case, I can fill the entire thing in a record amount of time (I am one spread away from filling the whole insert) and then start making my own, from paper I already have on hand, because I love what my brain does when I am art-ing, which leads to the next point.

*Take Notes

This one, I cannot stress highly enough. My story brain works best in a fertile environment. If I’m making art, I have a pen in my hand already, so, if there is a pretty piece of paper (or the back of an old envelope) nearby, it’s ready to catch any thoughts that pop into my head. I am also usually listening to something while I art, and, recently, that’s included a lot of You Tube videos on writing and/or reading.

This is normally where I want to wrap the post together and relate it directly to writing, but I’m not going to do that right now. I’m going to leave it where it is, hit “post,” and grab a notebook or two.

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Use It If You’ve Got It

Yesterday, I picked up a new notebook for my morning pages, as I am rapidly nearing the end of my current notebook. Current book has a unicorn on the front, pastel rainbow pages inside, and I usually go for glittery gel pens when writing in it, because what else is one going to use in a pastel rainbow unicorn book? There is a lot of pink, purple, and turquoise.

211018morningpagesoutside

In contrast, the new book is by Punch Studio, who have the key to my maximalist heart, now and forever. I knew, from the moment I first saw this book, in a bunch of other books on a shelf, that I would need this one fo rmy next round of morning pages. I already know which pens belong with this book, and there will be some purple involved, but a blackened purple. All of the pens that go in this book will be blackened versions of their colors: red, brown, green, blue, purple. That feels welcoming and comfy and right. What comes after that book is finished? Ask me when this book is full.

211018morningpagesinside

Contrast with the other book I picked up last night, which is almost definitely going to be my new traveler’s notebook/bujo setup for 2019. For the last year and change, I have been drawing my own planners, which, while I love the result, takes a whole lot of time that could go toward writing, so a purchased planner really is in my best interest.

That may have something to do with why and how the entire Dylusions Dyalog system fell into my cart, when it was on clearance at a well known craft store. I thought I’d saved pictures of the one spread I have completed so far, but there were technical difficulties. I’ll add those later. Point is, the aesthetic of this creator is not my usual thing, but there’s an energy about it that keeps drawing me back, and, equally importantly, I already have it. Never mind that it’s a size of notebook I’ve never used before, and I am not sure yet what pens go with this paper. I need an agenda, this has an agenda, and, if I don’t use this system, why to I have it, hm? Hm?

Now. Writing. You knew this was going there, right? I have characters and plots and settings and tropes, all tapping their collective feet in the waiting room of my imagination, and I am wracking my brain for new ideas? Some of that stuff is so old, it could vote, on its own, without me. I am letting it gather dust, why, again? Right now, I am having trouble finding an answer, which is probably an answer in itself.

What am I saving them all for, anyway? The pretty notebooks, the fancy pens, the star-crossed lovers, the family saga, all of that good stuff? I am waiting for what, again?  A special occasion? Define special. When I am good enough? At what?  By whose standard? When the constantly changing market is right? Right by what standard? Is there some criteria I haven’t mentioned? Probably. It’s probably a complicated question, but the answer could be an easy one.

Maybe writing romance novels, and writing morning pages aren’t that different, after all. Maybe it’s as easy as finish one book, and start on the next. If they seem like complete opposites, or strange bedfellows, at first glance, that’s perfectly okay, as long as there’s that core of love there, that feeling that I’m exactly where I’m supposed to be, and the thought of getting up every morning, to face these particular pages for months at a time, fills me with enthusiasm, rather than stress.

Maybe that’s too facile a comparison, but, for today, I’m going to go with it. Not that this is going to stop me from acquiring new notebooks, or new ideas. That is flat out not going to happen, because A) I have a birthday this week, and B) writers spontaneously generate ideas, a lot of the time. Neither ideas,  nor notebooks, however, do much good if they aren’t put through their paces. Not everything is going to be a winner, but we never know until we try.

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Number One With a Bullet (Journal)

For a long time, I resisted the term, “bullet journal.” I know one reason is that the word, “journal,” has always squicked me out, and I have no idea why. Ito does, though, but that’s what the thing I had already been doing for years before I found out that it was a thing, is called, so using the commonly accepted term means that I get to find more resources, and other people who share my interest. That’s not the point of this post, though. That’s me, babbling my way through a first paragraph, because a first paragraph means there is something on the page, and it is no longer blank. Boom. Writered.

The above paragraph is also me, not wanting to get up and retrieve the longhand notes I wrote for this entry while doing laundry yesterday, so I am relying on my undercaffeinated memory to get me through. After I’d stuffed a load of wet washing into the dryer, I asked myself what I could talk about, right now, that made me happy. The first thing that came to mind was this stuff:

270918Bujoneeds

My forever loves

In the past, I’ve always set up binders the way I thought they should be formatted. I’d put together pretty papers, scrapbook paper to cover the section dividers, and have sections for story, hero, heroine, villain when needed, and miscellany, and then, the one thing that was uniform across the board. Never. Use. Them. For. Embarrasingly. Long. Periods. Of. Time. Sometimes, forever. Obviously, this approach Does Not Work. For me. It probably works perfectly for somebody else.

For me, instead of a useful tool, I get aesthetically pleasing monuments to failure. I love setting up the notebooks, and looking through them, and thinking of what I could put in there, which actually does a lot for y creative process, but using the books themselves? Not so much.

When I first stumbled upon the traveler’s notebook system, aka a bunch of smaller notebooks inside one unifying cover,, bells rang, angels sang, and the same thing clicked as the thing that clicked when I hid under the brass bed in the guest bedroom, with the copy of The Kadin, that I’d filched from my mother’s nightstand. Yes. This. So what’s the difference?

I’m still trying to figure that out. The main physical difference is that the traveler’s notebook inserts aren’t held in my brings, but by elastic bands, and all I have to do is slip in notebooks that are already made, in whatever format and configuration I want. Now that we are at almost-October, I am looking at setting up next year’s notebooks, which has me thinking about how I can use this with my writing, as well.

For 2018, my writing tracker consisted entirely of one question: did you write? I would tick this box immediately after writing my morning pages. Achievable goals for the win, pun intended. For 2019, I want to go farther, do more. The question is, how? What do I want to track? Okay, that’s two questions, but still, that’s been on my mind. Do I want to track word count, which is the usual thing, or so it seems, or do I want to find some other method that might work better for me? Number of pages per day? Time spent composing and/or editing? Percentage of the way toward my goal, be it word count, page count, chapter count, calendar date? I may start with all of them, and see what sticks.

One of the beauties of the traveler’s notebook system, is that it’s perfect for frustrated perfectionists.  For added flexibility, I prefer using erasable pens and highlighters. I have heard that Frixion also makes erasable markers, but if I fall down that rabbit hole, I may not be heard from again in the foreseeable future.

I’m looking at how I want to track my inspirations, as well, For this past year, I’ve logged pages read, and titles/authors, but, for the year ahead, I think I want to do more. I’m not sure in what sense, but I like the idea of following the bunny trails of things I like, and to see what elements of the books I keep coming back to, time and again. I have some time to figure thig out, try a few different layouts, for both content and aesthetics.

More information is always good, and keeping track of what’s going on, and how it’s going, allows me to notice patterns that I might not have noticed before. When do I do my best writing? When do I need to refill? What refills me the best? The idea of starting some sort of notebook setup for ongoing projects, so that I have everything in one place, gets me excited. As in can’t wait to get to it, excited.

Which is where I like to be, especially when I need a creative kick in the patoot. Does it mean this is a magic shortcut? Not by ay means, but it feels like me, and I will take that, any day of the week.

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Butt in Chair, Pen to Paper

There aren’t a lot of articles out there on how to get back into the swing of writing after the loss of a pet. Personally, I haven’t found any. Hence the left foot right foot approach of putting butt in chair, and pen on paper. I work best in longhand. I always have. Still, there are times when it’s going through the motions. Writers and cats have a special connection, and Skye was, and is, my mews forever. At some point in the next couple of weeks, we will brig her ashes home. When we move, in time, to a pet-friendly apartment, we will add a new cat, or cats, to our family. They will be their own creatures, and I can’t say, before getting to know them, whoever they are, whether or not they will agree to blog for me. I have no earthly idea what Friday’s blog is going to look like, and I am okay with that. Maybe it will take a break for the week. I don’t know yet.

Last night, I had my weekly Skype session with Melva, to talk about Chasing Prince Charming‘s adventures in submission (we racked up a really good “no,” this week, so I count that as good) and where we are going next with its companion book, Drama King.  I have a rough scene to smooth out, as soon as the immediate fam sorts out a domestic tornado, and, after I get Melva’s next scene, I get to rough out the scene that comes after that. Those whom I have tasked with needling me about Her Last First Kiss, you are doing a splendid job. That kind of thing works well with me.

For the first couple of days after Skye passed, I didn’t have any energy to do anything but cry, or stare at the bleak, cat-less future. Losing a pet sucks, no question about it. I found myself scrolling mindlessly through the internet. Cat videos have been extremely calming, and looking through all of Skye’s photos also helps. I have spent more time than I would care to admit, scrolling through ranked lists that pertain to a daytime drama I followed avidly in high school and college, but haven’t watched even one episode, since. The teenagers I remember are the parents now, and there may even be a grandparent or two; I haven’t looked. There are some things I do not need to know, especially when I am emotionally vulnerable.

Other things, though, have risen to the surface. Over the past weekend, I had a lot of time to myself. Housemate made a trip to Camp Grandma, Real Life Romance Hero was at work, and I gave myself assignments with a stack of new art supplies. I put pens in a new pen case. Playing with pens is always a sure soothing method, which, for a writer, is also one that is readily at hand.

I read some. Not a lot. Some, though, and there were, in fact, more reading-related activities. I’d been following the worksheets N and I are using to connect ourselves to the projects it’s high time we get out there, when I heard about Skye. Things had been going pretty darned well, actually, and then, in an instant, BOOM. Life will do that to a person.

Melva, also, recently lost a pet, and, in our weekly chat, we tossed around the idea of our two cats on the other side of Rainbow Bridge, plotting something together. Could happen. Who’s to say? We commiserated, gave each other a little more time, and made plans to move ahead.

Which is why this disjointed entry is up here. Melva and I talked about how we need to take our own advice, on writing when dealing with real life plot twists. Adjust expectations. Do what you can, when you can, and, maybe most importantly, remember why you’re doing it.

Those of us writing for publication would like to see a royalty check, sure, but I’m talking now more about capturing that initial spark, the one that turned “I wish I could do this” into “of course I can do this.”  As is often the case, thoughts became more clear when I sat myself down with pen and paper, and let the whole matter leak out onto the page.

Back when I was but a wee princess of eleven, I stole my mother’s copy of a seminal historical romance novel from her nightstand, and scurried to my hidey-hole under the big brass bed in the guest bedroom. My mom followed the flashlight beam, but too late. In the first few pages, while the heroine was still an even wee-er (more wee?) princess herself, I was sold. I’d found what I wanted to read and write for the rest of my life.

Big, thick, epic historical romance, that spans miles (sometimes continents) and years (sometimes decades) and drags both hero and heroine through one heck of a lot of trouble, before the triumph of their HEA…that’s my jam. I want to inhale that now, like oxygen. It won’t fill the Skye-shaped hole. I’ll have to heal around that one, and, when new felines come, they won’t fill it either, but make their own places, on their own terms.

There is still grieving. Other cat people understand that. There is also the steady, inexorable need to make story. Writer people get that. Sometimes the two things happen at the same time, and sometimes, they take turns. I am not in control of how they work that out. The only thing I can control is butt in the chair, and pen to paper. It can’t always be gold, but it can always be. That’s good enough.

Breaking Out the Good Stuff

Stuff is going down today. I can tell because A) I am the one who planned said stuff, and B) I broke out the fancy pen. Full disclosure, said fancy pen was broken out for photographic purposes, as a quick test proved that it’s going to require cleaning and re-inking before I can actually use it. The actual pens used in today’s work will probably be one of my workhorse pens, possibly erasable because I know me, and perfectionism is the big boss to defeat before I can get into reconnecting with the meat of Her Last First Kiss, which is my assignment for the day.

Tomorrow morning, N and I will have our weekly breakfast and go over our homework, aka the pages that will enable us to kick each others’ posteriors into gear on our chosen projects. For double-digit years, I was part of a weekly accountability/critique group, that included my contemporary cohort, Melva Michaelian, and I was the only person who had something to read, every single week. There were more times than I’d care to admit, that my pages for that week were written in a white-hot burst, down to minutes before my ride came to ferry me there. There were times when I wrote pages that didn’t have anything to do with a current project, but they were pages, goshdangit, and that was what mattered.

When I moved from CT, to NY, obviously, that was the end of that. I missed it, and still do. I haven’t found a local group yet, though I’ve tried a couple, and I do have local writer friends, whom I meet with individually. I miss the group dynamic, though, so still working on that one.

Writing is often a solitary pursuit. I am an extrovert, meaning that I gain my energy from being around other people, and spend my energy when alone. Communing with other writers is a great way for me to refill that energy reserve. The internet is a great source for that. I will never, ever turn down a chance to have tea and writerly talk, face to face, with a local writer buddy, and have been known to travel, to see writer friends who are farther away than public transportation can connect.

That better have pages thing, though, I’ve been missing that. Last week, when N and I had our first regular breakfast after we both went to separate RWA events, we admitted we could both use some accountability. Hence the homework. Hence the excited skip of my pulse as I write this, glancing over the top of my monitor, at the real life version of today’s picture, only a few feet away. A new cup of tea, a pen in my hand, and it will be time, once again, to dive headfirst into Georgian England, and Bern and Ruby, and all the reasons they shouldn’t and can’t be together, which are nothing compared to the fact that they must. Are they going to admit that, though? Not without a great deal of difficulty, and that, for me, is where the fun lies.

Since I’ve already written the first draft, I know how things are going to turn out. This is for going deeper, for making the book more itself. Making Bern Bern-ier, Ruby more Ruby-licious. This is going to mean finally breaking down and setting up the printer, because I need reference pictures, and family trees, and cheat sheets, and all of that good stuff. This means ripping apart the binder I made over a year ago, that I set up in a specific arrangement, then never used.

Obviously, that arrangement didn”t work. Difference between theory and practice, and all that. This is time to fly into the mist, albeit with a general idea of what I’m doing, and the boundaries of the previous draft and a half, to bump me back when I drift too far afield. I’m excited (if you haven’t picked up on that by now) and am about half super pumped to get back to this story (a huge thank you to those writer friends who have needled me about this, because it super duper helps) and half running around in circles, arms flailing, but at least they are controlled circles.

My table/desk is not going to look this neat by the end of the day, when it’s time to clear away the writing stuff and set up for dinner with the fam.  I am okay with that. Probably, at some point, but probably not today, I will do battle with the fountain pens that were last packed when I had a different address, and bring them  back into everyday use. That’s another topic, though, for another day.

For right now, it’s time to brew some tea, pick out pens, and make a cover page for the second half of Big Daddy Precious, then start digging.

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