Notebooks

The (Quasi) Bujo and Me (Sort of)

annabowling 4 Comments

First off, I don’t technically keep a bullet journal, as per the actual system, and second, the term, “bujo,” is one of those nails on a chalkboard words for me. Third, if we’re getting into a list format, because it’s Monday and why not, what actually inspired me to get the nifty item I’ll be blabbering about today is the Midori Traveler’s Notebook, which is not what I have. My cover is by Molly and Rex, and it will probably go through some form of customization, once I can stop petting it, because this thing is soft.

I’ve joked for a long time about needing a notebook notebook, and this isn’t that, not exactly. What it is, is this:

BujoCover

 

I’ve wanted, for a long time, some way to get all my various notebooks that leave the house with me, in one place, so, when I saw this cover, with four elastics inside, that would allow me to do exactly that, I jumped on it. I didn’t know what I was going to fill it with, at first, and what I have at present will probably change, but here’s the tour of the current arrangement:

Plain pages cover
Plain pages

 

Plain pages come first, for idea mapping, whiteboard or Scapple-style. This notebook is handcrafted, no marks on it, a gift from a friend, and I do not know the kitty on the cover, but kitties make everything better, so I have no complaints. Okay, one. White paper is glare-y, but this was what I had on hand for unlined pages. When this book is filled, I plan to replace it with a Moleskine Volant, because A) ivory paper, and B) perforated pages.

Lined pages cover
Lined pages

 

Lined pages come next, in a Moleskine cahier. I have a lot of notebooks in this size nd format, (from this maker and others) so I am well prepared for this section. The lined pages are for freewriting/brain dumps, so perforated pages are not needed (though the last…I want to say sixteen…are. These books are for me, to get the rust out of the faucet. Similar to morning pages, but at any time of the day, and more mobile.

Graph pages cover
Graph pages

 

Third section is a gridded page Moleskine Cahier, for checklists, goals and tracking. I’m still not sure how I’m going to organize this, but having one place to keep lists of movies to watch, art techniques to try, future character names, etc, feels very stable, so we will see how this turns out. As with the lined Cahier, last few pages are perforated, so I can use them to experiment before I do anything irreversible to the permanent pages.

Volant Cover
Volant Pages

 

Last segment is the Moleskine Volant, with lined pages, that has become my latest all purpose notebook. I still don’t entirely appreciate the feel of the cover, as opposed to the cardboard cover on the Cahier, but where the Volant has it over everything else is that all the pages are detachable. All. Of. Them. What is this madness? Perfect for a notebook-loving writer person who has several things going at once, likes to make notes on the go, and then wants to file them with their appropriate notebooks/files/ephemera. Make the notes, rip them out, put them where they actually belong. Genius.

This setup feels right, and it’s much easier to pick up one book and transfer it into the tote of the day, as well reference from one book to another, than search for the right book or try to remember where I put what. This doesn’t take into account my morning pages, planner, or notebooks for individual projects, but, when I need to get something down when away from home, this seems the most efficient, not to mention sanest, way, to fill that need. Plus, it’s pretty, and if it’s pretty, I’m going to want to look at it.

Still not an actual bullet journal, as there’s no key, none of the system symbols or such, but I know what’s where, I can take it all with me, and I will figure the rest out along the way. I’ll know what I need, and find a way to make that happen. I don’t know if intuitive planning is a thing, but maybe I can make it be. Having all this stuff in one place should save time that would be spent looking for what I need, and I can use that time for playing with my imaginary friends instead.

Now if only there were the same sort of cover for my actual office space….

 

If Not Now, When?

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In two more days, I will be at the Let Your Imagination Take Flight conference.  Between now and then is laundry, packing, about elebenty bajillion emails, and some furious keyboard pounding, as the Beach Ball reaches endgame. This year, I’m pitching again, after a couple years’ break, and I am co-presenting for the first time ever. There’s no time to be nervous. There’s only time for doing what has to be done, and figuring out the time in which I can do it. This entry is getting pounded out in one go, because I have pages to fill, and there is the aforementioned laundry to be done, with the help of Housemate, because I have, according to Housemate and Real Life Romance Hero alike, sustained the most Anna-y injury ever. I hiccupped too hard, and now my back thinks it’s digging-Housemate’s-car-out-of-the-snowbank all over again. Good thing my work involves sitting in a comfy chair.

Every three months, a new issue of Art Journaling magazine comes out, and I pounce on it as soon as I possibly can. Every time, I scan it quickly, then take a longer look later, with beverage of choice, possibly a nibble or two, and drink in all the inspiration. I wish I could make pages like that. I wish I could layer colors and make backgrounds and figure out where to put stamps, and knew the best kind of white pen to write on paint or magazine images, and not look like a third grader on the first day of art class (even though pretty much every artist ever has been a third grader on the first day of art class, at some point in their creative journey.) I look through, and I want to make those pages, and I make some pages, and some of them are kind of okay, but nothing more than that.  At some point, I throw my hands in the air and wander off, leaving scraps of waxed paper and blobs of gesso in my wake.

This past weekend, while doing my regular grocery shopping, I made my ritual pass through the notebook aisle and found something I’d never seen before. Cahier style notebooks, with multicolored bright pages, plain black cardstock covers, but -BAM- color explosion inside. I am pretty sure that the package of three notebooks jumped into my cart of its own accord. This is not a bad thing. I hate blank white pages. Hate them. They’re…blank. They’re…white.  They’re…:gestures vaguely: there. Daunting. Where the heck does a person start on a plain, blank page? This is exactly why my morning pages have to be done in a pretty book, or one I make pretty with my own embellishments. I knew as soon as I saw these, I had to take a crack at using them to make those pages.

Yesterday, I needed to get out of the house, so I threw a few long-neglected supplies into a bag, grabbed my new toy and headed for the coffee house I hadn’t seen in over two weeks. No overthinkings, only making marks on the page. I’d started at home, with an ink test on the last page of one of the books, and then…I printed. I doodled. I squiggled. I made notes on things I had bought but never tried, or tried once and wandered off because it didn’t work perfectly the first time. I put in my earbuds, put on some Netflix, and I put stuff on the hot pink page.

artjournalHRCH

Here’s a better look at the supplies I used:

artjournalstuff

I didn’t use the glue stick, because I didn’t bring anything I could glue onto the page, but it’s in the bag, so it’s there when I need it. When it was time to go home, I had a couple other techniques I wanted to try. I slapped some gesso on the next spread of pages (okay, first, I slapped some matte gel medium on the inside cover first, because I didn’t read the label before I opened the jar) and then, when that dried, thought I’d have a go at another thing I’d always wanted to try, and always looks foolproof. It is not foolproof. I am referring to the green blobs in the corners.  Those green blobs were meant to be gentle washes of different shades of green. Maybe next time.

artjournalbackground

Even so, I think I did okay. This is only two layers on one substrate. I still have stamps I’ve been too nervous to try, because they are special stamps, from a favorite creator, and I don’t know, or have forgotten what I did once know, about inking those images and getting them to do what I want. Still, the way I see it, I have two options here. I can leave the special stamps safe in their packaging, or I can rip off the cellophane, slap some ink on those suckers and see what they can do.

In that respect, it’s not all that different from writing. When I sat down with the contents of my travel pouch, and a pristine, hot pink page, with its subtle contrast of lines, I wasn’t going for perfect. Nobody ever had to see this. Nobody would ever judge this (that only applies when one does not slap it on the interwebs, btw) and my only goal was to explore and have fun doing it. I knew I would create imperfect pages, and that took all the pressure away. What did this tool do? What kind of mark does this pen make? Let’s find out. Let the movie play and slap things down on the page and drink tea, censors off.

As the first draft of the Beach Ball bounces its way to the finish line, I’m keeping that in mind, and that’s also the plan for draft two of Her Last First Kiss. Create imperfect pages, on purpose. Let the movie play.

AnnaSelfieComment

 

Morning Pages Have Broken

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Okay, not actually broken. More like adjusted, but we’ll get to that. Lots of pictures for this entry. You have been warned.

This morning, I headed outside at six in the morning, to shovel the sidewalk in front of our house. This is what I saw:

Snowpocalypse2017

Good Morning, Albany.

This morning, I filled the last two page spread in my most recent morning pages book. Normally, I like to plan ahead, and have the next book all ready to go, so I don’t lose any momentum. This time, that was not the case. I love the Paris-themed book by Punch Studio, that I’ve been using; so much so that this is the second copy of that book I’ve bought. I did some online searching, and Ebay shows me that there are three other designs in that line: a different Paris-themed book, one themed around Italy, and another around New York City. Insert sound of angels singing here. Perfect. Only problem is, that I wouldn’t be able to get any of them shipped in time to start the new book.

I didn’t want to have any gaps. The longer away from any creative project, the harder it is to come back, and morning pages have been such a big help that I had to do something. All of the books I’ve had so far have rotating designs, so spread A is different from spread B, different from spread C, and so on, repeating after a short sequence. My visual brain likes that, so it’s a must when I look for a new morning pages book. This time, I couldn’t find any in stores, so I had to get creative. I had a deconstructed Studio Oh book that I’d originally intended for Her Last First Kiss notes, but book and notes were not a good fit, so I put it aside. Plain lined pages, but a lovely, slightly mottled ivory color. Add selections from my collection of design tape, et voila:

front cover
altered pages

It’s not Punch Studio or PaPaYa Art, but it will do for now. What’s important is that it feels like the right place for me to start my day (as opposed to, say, shoveling knee-high snow. That is not a fun way to start a morning.) I’ve found that priming the pump with whatever my brain dumps out in the morning is usually effective, and from there, I go to planning. Here’s the current planner setup:

PlannersMarch17

The small book is my eighteen month planner. Technically an academic planner, but I grabbed it because it is gorgeous and it feels like me. That’s where the day to day calendar things go; appointments, deadlines, RWA chapter meetings, etc. The larger book is a gridded page leatherette Markings book. I struggled to find a use for that one for about two years, lots of false starts and different formats, until I tried the design tape trick. Voila. Now it’s my daily tasks book, in bullet point form on one page per day. In two months, I’ve used more pages than I did in the two years previously. Think I’ve found something that works here, so sticking with it.

Which brings me to Big Daddy Precious, the Papberblanks book that holds my HLFK notes. Few false starts there, as well, but, once I figured out the single line of copper marker at top and bottom of each page, the notebook clicked with me. I started out writing in ballpoint in this book, because fancy book needs fancy pen, but it wasn’t until I switched to mechanical pencil (I do a lot of erasing) that it really clicked-clicked. The ability to erase is incredibly therapeutic, and makes it a lot easier to climb into my characters’ skins and look through their eyes. Will definitely be carrying this practice over into other projects.

Front cover
Inside pages

The fancy twinkle lights are not on the actual page, but are an accurate representation of how it feels to be writing Hero and Heroine’s story. Which is an extremely good way for a writer to feel about the current WIP. I don’t know what it is about the visual connection that does it for me. Maybe it has something to do with being an artist’s kid, and making art, myself. When things in the really real world look similar to what’s in my head, that makes the connection stronger. Not going to complain about that.

 

Breathing Room

annabowling 1 Comment

Yesterday, I played Sims 4. All day. That was it. No regrets. I’m playing this current (game) world rotationally, or, more accurately, pinging back and forth between households, to  ensure that each of my families makes it to the next generation. We will not mention the one Sim I forgot about since he was a teen, and stumbled across, living by himself, as an elder, with none of my created or born in game female Sims of childbearing age unattached. I had him adopt a child, then married a widowed elder female Sim, merely because I want to see how many husbands she can go through before her own time runs out. This dude is her third. I played long enough that a teen aged up to young adult, solving the dilemma of my second adult aged bachelor. The third one is still on his own, but he has two older sisters who have descendants, so I’m not worried about him. He can meet a nice townie, or adopt.

bottleofink

Saturday, I picked up my first bottle of fountain pen ink. I’ve had samples before, and cartridges, but having a whole bottle feels different. It’s a commitment. I am a Fountain Pen Person now. I was before, because I wouldn’t have had a need for the ink if I didn’t already have fountain pens in need of the same, but I have a bottle now, and a box that’s probably going to find itself, at least in part, stuck in an art journal, because it’s beautiful in its wornness. This also means I am going to have to buy some converters, and possibly a syringe (to refill the technically disposable Pilot Varsity pens I hoard like a dragon hoards treasure) but that is for another day.

Today is time to get pages of Her Last First Kiss ready for N’s critique. Tuesday is Wednesday this week, which does not help  my disorientation regarding what day it is but I am glad to have the extra breathing room, to make sure I turn out the best pages that I can. Breaking the habit of holding back can be difficult, though I am up for the challenge. Hero and Heroine have to live out their story the way that it goes, and that means I have to write what happens in the movie in my head. If this means putting stuff on top of stuff, then I need to make sure that’s what I’m doing.

morningpagesaltered

This weekend also brought a trip to the craft store, which meant Tim Holtz stuff is probably going to come home. This time, it was a canister with several rolls of decorative tape inside it. That’s two different tapes used in the frame on the pages above. This particular book had several false starts before I figured out what its true purpose was (my daily task list.) The original pages were too plain, even with the grid lines. Meh. Nothing to see here. Add some interesting borders, though, pattern on pattern, color on color, and now we’re talking. With two weeks left in my current morning pages book, I’m thinking I might consider taking an existing book with ruled pages and adding the interest myself, with tape and a few other mediums.

Which is basically what I’m doing with this draft of HLFK. The basic pages are there already. What they need are the extra touches that make this story unique. Time to climb inside Hero’s and Heroine’s skins and look at the world through their eyes. Sub out any other character for either of them, and we would not be having this story, because those different people would do different things. Those richly textured historical romances, dripping with atmosphere, are the things I love to read the very most, so they need to be what I put out there in the world.

I don’t like veering from schedule very much, but there are times, like this one, where even a smidge of breathing room comes in handy. That gives room to stretch, to observe, to pick out patterns, layer together things that might be two great tastes that taste great together, or they could be a colossal mistake. Thing is, with that breathing room, there is time and space for course corrections when needed. Time to move things around and make sure all is well with the fictional world. It’s not an excuse to slack off, but a chance to make sure things are done as well as they possibly can be done. At least that’s the theory. We’ll see how practice goes.

Pilgrimage

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Yesterday, my Beach Ball collaborator, Melva, and I made our meant-to-be-monthly pilgrimage to the NECRWA chapter meeting. The topic this month, appropriately enough for January, was beginnings. I did not take  any notes during the presentation, because I spent the entire time working on notes for the Beach Ball, in the detachable pages of my all purpose Moleskine, with my newest favorite and now indispensable tool, a mechanical pencil. Melva and I talked out a couple of scenes we didn’t fully have a handle on, on our own, but when we put our heads together, boom, there they were. So, I wrote stuff.

Melva and I agreed that we both do our best work on the Beach Ball on these drives, two hours there and two hours back. We both talk fast, ideas pinging off each other like the silver ball in a pinball machines, flashing lights and bells going off all around us. She drives. I write notes on what we create, together, transcribe them when I get home, and I send the neat, orderly pages her way.

The pages I write in the passenger seat are not neat or orderly. they are a swath of bullet points, scrawled in mechanical pencil, with smudges from erasures and the odd eraser crumb wherever it falls. I have only recently discovered the joy of mechanical pencil. When I use pencil, I can erase instead of cross out, which means I don’t have to lose any space when something better comes along. Yesterday, I ran out of lead before we ran out of road. I could go on with some other writing implement, but I couldn’t reach my tote with my seatbelt still in place.

Melva said there might be some pencils in her purse. My left hand curled nervously around the red Bic Cristal I keep in my raincoat pocket for dire emergencies such as this one. I hadn’t wanted to use ballpoint in this particular Moleskine, my first ever 8×5 Volant, moss colored cover, perforated pages, so that I could write on any project on the go, take out those pages, and transcribe/file them where they actually go, but we were on a roll, and I didn’t want to break the flow.

Thankfully, Melva was right. She did have pencils. The first, I snapped the lead three or four times, as I put pencil to paper, but then I changed to the other. Cue choir of angels. Melva informed me that said pencil was school issue (she is a college professor) and not sold to civilians. Figures. I will purchase others.

We covered a lot of ground on this trip, both literally and figuratively. We joked that we should rent an RV, drive to California, from NY, where I live, or MA, where she lives, and by the time we reach the other coast, we’ll have a first draft done. Then we’d turn around and revise on the way back. Either that, or we drive around in big circles until we have a book. What matters is that we filled  a bunch of pages on this trip. Today, those pages rest.

Today, I write on Her Last First Kiss, a scene that was not in the original draft, but makes narrative sense. Maybe more importantly than that, it will be fun. I hope it will be fun. It’s got Hero, it takes place in a sort of setting I always find fun to write, and I know N is expecting that puppy, so I had better get it written today, but that doesn’t mean there has to be pressure.

What it does mean is that I unplug, settle in with open notebook and take pencil or pen and word-doodle. No, that’s not right. Story-doodle. I’m doodling story, even though I use words to do it (using interpretive dance would require rearranging the furniture and possibly obtaining proper footwear.) I need to make a few wrong turns, double back, get the lay of the land, before I can finalize my map and then follow it to my destination. There may be a few side trips and loop-de-loops while I get my bearings, make sure this scene feels/sounds like Hero, not some random placeholder character. I definitely don’t want him sounding like Guy, who made himself very much at home in my head for most of yesterday. I think that makes my brain their time share, but I am fine with that.

 

 

 

Wrong Turn, Right Path

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I am a planner. I like to have at least some idea of where I’m going, or I’m going to feel edgy (and not in the good way) until I have some sort of boundary clearly marked. Once I know, okay, good. That’s settled. Now I can go nuts within those boundaries, if desired. This is one of the reasons that I have added planning to my morning routine, after morning pages. Two pages of whatever is in my brain, with the right pen for the right page spread (this is an important part of the process, trust me on this one)  then open my planning notebook.

The notebook I use for this purpose, a magenta leatherette Markings notebook, with grid pages, has been through a few wrong turns itself, before it found its true use. I’d originally purchased it to be my all purpose notebook, the one that would go with me everywhere, catch the brain droppings as the came to me, and I had every expectation that it would. After all, I’d used three other notebooks with the same format, from the same maker, same sort of pages, one after the other. Burgundy leatherette was first, then black, then turquoise, and I was most excited to try the pink one. The cover felt all buttery soft in my hands, I loved the grid pages, soft grey on a soothing ivory, and I’d used those three notebooks prior without a hiccup, so this one had to be the best of them all, right?

Wrong. El wrong-o. Nicht, nein, nope, no way, nuh-uh, sorry, Charlie, not going to happen. To this day, I have no idea why. I did everything “right.” Hacked it to a fare-thee-well, with color coordinated end papers, the proper sizes and colors of sticky notes, even put pertinent information on the front and back pages, so it would be right there when I needed it, but, within days, my enthusiasm stopped dead in its tracks. As in pining for the fjords, the whole deal. This was not how things were supposed to go.

I tried drawing black and white top and bottom borders on the pages, hoping that would give me the structure I needed. Still boring. No connection. I tried drawing zentangle-ish dangles from the top border, adding a dash of color. Who was I kidding? Not me. I tried steering into the skid…er, grid. Break up those pages into boxes, I said. That would fix everything, I said. More boundaries, I said. It would be fun, I said. Once again, nope. Le sigh. Though I hated to do it, I put the book aside. It wasn’t happening. No reason. It wasn’t, and that’s all I needed to know. I can’t tell you what book took that book’s place, but one did, and another, and another, and, in time, I moved it to the special area for notebooks I wasn’t feeling anymore.

The books that were still blank, I culled. Moved them on to new homes, where they could be loved and written in, or at least used for grocery lists and doctors’ appointments. Anything would be better than sitting there, mouldering in resentment. Having cleaned out my dad’s house after he passed, I don’t want to hoard. I want to use. I want to love. The notebooks that already have writing in them, well, they aren’t as easily passed along. Those, I taped together the already-written-in pages, and set them aside. The magenta Markings book was among those, until last week. That was when I wanted a place where I could keep my daily tasks, check them off, and move along, while, at the same time, keeping a record of what actually got done, what got modified, what got carried over to another day.

At first, I looked at the shelf I have of pristine new notebooks. All right, case. All right, cases. I really, really, really love notebooks. Yes, I do plan on using all of them. Yes, I do still need more. Nothing felt right. Then I looked through the stash of notebooks-at-rest. Grid paper? Check. (Pun unintended, but I’ll take it.) Buttery soft cover I have loved and missed, with added benefit of a crack along the spine (notebook wabi-sabi; it’s a thing) and…yes. I took a black fountain pen and wrote the day’s date at the top of one page, which had a two-colored border I’d already drawn, back in that long-ago phase of thinking maybe I could salvage the book for its original purpose. I couldn’t, back then, but this time? Yes. I wrote the date. I drew my swirly-cornered box around the date, set down my headings and bullet points, and yes. Yes. This is what it was supposed to be, maybe all along. Now it’s an essential part of my daily routine.

This is the part where I bring my ramble back around to writing. There are ideas, stories, characters, places, all the flotsam and jetsam of a writer’s brain, things I had hoped at one time would work out, but never did, still floating around, and, now that I’m at a place in both WIPs that I’m comfortable and ready to ask “what’s next?” those floating bits may be arranging themselves into some semblance or order.

I kind of like that, and I kind of don’t. I like it because I like knowing what’s going to happen before it happens, and knowing that there is some sort of writerly primordial ooze in my head is actually an encouraging thought. I don’t like it, because it’s not in my control. That’s not how it works. If that was how it worked, I would not be writing the story of a practical-minded mistress, who is half Russian, and a second son turned not terribly successful portrait painter. If that was how it worked, I would not be co-writing my first category romance, and I would not know that historical-adjacent is a thing (partly because I am making it a thing, but more on that later.)

Time to wrap this, because I’ve gone on long enough already, and the rest of the day will soon be demanding my attention, but there it is. Blog entry written, albeit slightly behind schedule. I can now check it off the list and move on to what’s next. That part, I absolutely do like.

Cold Day and Another Week Begun

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Second week of 2017 underway over here. Well, underway everywhere, but I can only talk about my own experience. This was a full weekend, with volunteer training, domestic warrior queen duties, one of which reminded me why I do not do laundry on Sunday evenings. The alternative to Sunday evening laundry, in this case, was naked family. Since we live in New York, and it is January, outdoor nudity is not an option, so Sunday night laundry it was. I had my phone and my Kindle, and a couple of hours, more or less, to let my brain get things somewhat in order for the week ahead.

On Saturday, I had my (first) fierce cheerleading session with Eryka Peskin, which I would highly recommend. It’s kind of weird to have an appointment where the entire purpose is to have someone tell one how awesome one is and point out what one is doing right, and it’s kind of weird that it’s kind of weird. Yes, I did take notes, and yes, I did post them on the back of my office door, where I can see them any time I need a reminder. If I write something down longhand, it’s much  more likely to stay in my noggin than if I try to remember without, or if I go directly to keyboard. I’ve been learning a lot more, lately, about how my brain works, and how going with that, rather than fighting it, is going to work better for me in the long (and short) term.

This morning, I got up at six, which is about right for me, still wiped from the weekend -I’d intended to use it to rest, but that is not what happened- and determined to get the most out of my day. There’s a ticking clock on one important task, that of my Her Last First Kiss second draft, the scene where Hero and his brother…well, we’ll save that for later. What matters is that I need to show these pages to N at 8AM tomorrow. I know myself well enough that I have to pump the handle a few times before thing start flowing, and I know that I’m going to have to get this draft done by about 3PM, because that’s when I can bribe Housemate to ferry me to the library to get things printed. I still haven’t figured out where the heck the printer is jammed, so printing on the road is how it is until we get that sorted.

One of the first things I did was jot down a list of tasks for the day, on a piece of grocery list paper, but that didn’t look right. It had all of the information, but the visuals? Meh. I can do better. I rescued a magenta softcover Markings notebook, with grid pages, from limbo, and laid out what has to get done today. Is this bullet journaling? Am I doing it already? I’ve tried reading explanations/instructions, but my eyes glaze over and/or I get confused. I’ve been doing whatever this is for a while now, and if a thing is on the list, the thing is going to get done.

isthisbujopage

Mini legal pad is not part of the notebook, but it’s pretty.

I keep the office door propped open if it’s okay to talk to me. This was my view for a good chunk of the early morning:

We start on the linoleum…
…and onto the hardwood

 

Skye hates my office carpet. Hates it. I’m pretty sure she wants me to get rid of it, so she can come all the way into the room and sit next to my feet. There is one sliver of hardwood available for kitty bottom, when the door is open, and she has found a way to wedge herself into it. Normally, she’ll sit in the kitchen, on the linoleum, and stare at me until I get the message (that I should pay attention to her, not the glowy box or my papers) but, this morning, she crossed the line. Over the threshold and onto the hardwood. Not a single toe on the carpet. She has her standards.

The clock is ticking down now, and time approaches when it’s going to be me, Hero, and Hero’s Bro. There’s a small  hand squeezing around  my heart, with pointy fingernails, a whisper in my ear that this is scary stuff, but there’s also a list on my door of things that I am doing right, to remind me I’ve been here before, and I did it okay. More than okay. Awesome. No, I do not want to go out in sixteen degree weather to print pages, but N needs pages for tomorrow, and, more importantly, Hero needs this scene to get to second draft, so that’s what’s going to happen. I mean, I can’t leave him there in first draft land. Besides, when I get on the other side of this, I get to talk about what I’ve written, get feedback, and move on to the next scene. But, first, this. Clear the decks of the other tasks so there’s nothing cluttering my mind when it’s time to dive into century eighteen, and turn the metaphorical thumbscrews on Hero. He’s not going to like that, not one bit, but it has to be enough to send him out of everything he’s ever known, and on the path to his future. Kind of like the writing of same. At least I’m in good company.

 

Waiting on Wise (Wo)men

annabowling 2 Comments

Technically, it is still Christmas until January 6th, but it’s the first Monday of the new year, and that seems like the perfect time to jump back into the daily routine, beginning as I mean to go on. New year, new chances, and all of that. I like the idea of a clean slate. It fits into my clean sweep/more layers mindset, and now it’s time to draw from that well that the tucked-away week filled.

This time last year, I did not have a new planner to move into on the first of the year, and I don’t have one to move into this year, either, but for a different reason. This year, I picked up a seventeen-month planner (how have I managed to ignore these things until now?) so I moved into the new planner in the summer, and am starting the year off by using the stuffing out of this one. The pen for this book is actually a Sharpie liquid pencil (another thing I had no idea existed until recently) and, so far, it’s working. I have long since accepted that I am a planner. I want, even need, to know what I’m doing, and when I’m doing it. Then, within those boundaries, I can run wild. Hey, it works.

So, what does the new year hold? For one thing, lots of historical romance. Actually, that would be two things, as I mean both reading and writing my favorite genre. Last year, I set my Goodreads reading goal at fifty  books. I actually read eighty-nine, so this year’s goal is ninety. I have one down so far, and should be finishing at least one more in the next day or two. The way I figure it, if I read two books each week, allowing two weeks for dry spells/rest/deadline crunches, I’m going to be sitting pretty in the reading department.

Writingwise, this is the year. The last ten have been a wild ride, which could be a book in itself, but I don’t write horror. What I do write is historical romance, and, with Melva Michaelian, historical-adjacent romance. Since I work best with regular feedback, it’s my responsibility to make sure I get exactly that. Today, I will work on the next draft of chapter two of Her Last First Kiss, which I need to turn in to N tomorrow morning. She, in turn, will have pages from her WIP to show me, and the plan is to read and comment on the spot. N asked me to bring printed pages rather than sending in email ahead of time. This is out of my comfort zone, as it will require me to A) figure out WTF is jamming my nifty awesome printer that will not print, or B) hie myself to library or office supply store to print on their devices. Probably B) and then A, but the point is that this is stretching, which is what I want.

Thanks to the RWA critique partner matching registry, I have a good lead on a historical romance critique partner. Not only do we share common interests within the genre, but in other things as well, and even prefer similar historical periods. Next step is exchanging sample chapters and seeing if we are indeed the good fit it looks like we may be, and then onward we go. If I’m being held accountable and receiving regular feedback, it’s a lot harder to tell myself nobody cares, or I’m not making a difference. Maybe the benefits of external validation have something to do with being an extrovert, maybe not, but this feels good. It feels right. It feels as though a piece of the puzzle that got knocked loose during the last ten years is fitting back into place. I like that.

While I was writing this entry, I got a notice I had new email, which, of course, I had to check, because A) I am me, and B) email fits into my social media time, and I am darned shooting sure going to stick to what’s on my schedule on the very first day of having said schedule (seriously, this planner works with the way my brain works, but more on that later.) What was said email? Notice that I had won a Fierce Cheerleading session with abundance coach, Eryka Peskin (who is super awesome, and if you have a chance to be in on one of her challenges, I highly encourage you to take it.)

This morning, I had another notice, on Goodreads, that a new group had been formed, dedicated to the love of historical romance and fiction set in one of my favorite eras, the seventeenth century. That’s the setting for my Orphans in the Storm, and one hundred percent a setting I plan to use again, maybe soon. That’s because my next goal, after finishing both Her Last First Kiss and the Beach Ball in 2017, I need to look farther down the road and decide what’s coming next. Sitting down in front of a blank screen doesn’t work for me, so that means I need to put some feelers out there and see what I’m going to be writing next, after these two couples find their happily ever afters. Because writing historical romance? That’s my HEA. Okay, that and Real Life Romance Hero, because he has truly earned the title, but this is the year to be a little (or a lot) less  “Grace Kelly” (though the party in the video does look awfully fun):

and more in the spirit of this ditty below (language may not be for gentle readers or little ones in the room):

This year,  I don’t feel a letdown at the end of the tucked-away week,  like I have in the past. 2017 is the year I get to cross  “present at NECRWA’s annual conference” off my bucket list, and I could  not be in better company than my co-presenters, Corrina Lawson and Rhonda Lane. It is still Christmas until January 6th, what my father called Three Kings’ Day, which others may know as Epiphany, or the celebration of the wise men arriving at one very special manger. This year, my planner has “ornament harvest” where “take down tree” used to go, because, this year, I’m looking at the new season differently. I think I’m going to like the view from here.

One Way or Another

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This morning, I finished filling my fifth morning pages book, so I think it’s safe to say that I’ve found something that works to keep me writing every day. Even on days when morning pages are the only thing I write (and there are some of those, especially when in the grips of the Cold That Will Not Die) I have written two pages, first thing in the morning, and my mother was right – the more I do, the more I want to do.

Yesterday, Real Life Romance Hero asked me what I was planning to do for the day. My first answer was “figure out how far behind I am, and make a plan on how to get current.” My second answer was “That or watch Netflix from a blanket fort.” RLRH said something along the lines of “you can’t write anything if you’re dead,” which I took as a vote for the blanket fort. In the end, I split the difference. No Netflix was watched, alas, but I did have a nap, and I did write. I also found out that the options for getting Internet connection on my office computer are:

 

  1. Move the modem.
  2. Move the computer.
  3. Get a wifi signal booster.

 

The first two options crossed themselves off the list in an astoundingly short amount of time:

  1. This house was built around 1890, when the Internet was not anybody’s top concern, because the Internet did not exist. Therefore, there are a limited amount of outlets, which means the next available outlet to which we could move the modem was :drumroll please: about five feet in an office-ward direction, but also took it out of the living room, where all the rest of the devices get the majority of their use, and it made absolutely no difference in the signal in my office, which is to say none.
  2. Moving the computer would defeat the purpose of having the computer in my office, which is where I want to be doing the majority of my work. I prefer using my desktop for big chunks of work, in my comfy office chair, behind my closed door, because family knows that closed door = working. Also, my poor, beleaguered eyeballs are much happier with the big monitor, and, with the closed door, I am far less likely to fall prey to distractions. The only places I could move the whole setup to, if I had to move it, under protest, would be A) the dining room, and B) the living room. Dining room could be possible if absolutely needed, but there is the matter of prewar ceilings and burned out overhead lighting. Also, the dining room is tiny and has only one outlet. Living room would put me in the same middle-of-everything spot I am with the laptop, so no.

Clearly, the wifi booster is the obvious winner here. Part of me is curmudgeon enough to want a plan B, in case my office truly is a dead zone and even the booster doesn’t do the trick. As a once-upon-a-time friend once said, I would need a tech manual to operate a butter churn. I am not the most technologically minded person on this (or probably any other) planet. I am also reminded of a writer’s workshop I once attended, where the presenter asked everyone in the room who considered themselves an optimist to raise their hand. I was literally the only person who did not do so. So, the presenter asked, would I identify as a pessimist? I took a third option: realist. A thing might work, or a thing might not. Both outcomes are possible. If I plan for both outcomes, then I’m prepared for either. In this case, the booster will pinch the pocket a bit, but I will be able to do everything I want behind my office door (Virginia Woolf really was on to something with her whole room of one’s own thing) or it will be a noble experiment, and I will find some way of moving the entire setup into the dining room when I want Internet.

The realist in me does not mind either outcome. I’d prefer the former, but if it’s the latter, then so be it. Whatever gets things done, gets things done. Those who have been reading this blog for a while know I’m ansty. Getting back on the horse can be one hell of a ride in and of itself, but, when one is finally back in the saddle (mine happens to be a very lovely office chair) one wants to actually have something to show for it. In my case, books.

I’ve called my office my Hobbit Hole in the past, and that still pretty much rings true. Get inside, shut the door, music on, notebook or computer file (or both) open, and watch me go. it took long enough to get to this place that I want to stick my flag in it and go full steam ahead. If that means moving machinery around, then that’s what I’m going to do. I’d prefer not to have to do it, but if that’s what it takes, well, okay, then. Hero and Heroine, and Guy and Girl want to meet all of you, and the only way that can happen is if I write (or co-write) their whole stories.

One of my favorite memories of my From Fan Fiction to Fantastic Fiction (now called Play In Your Own Sandbox, Keep All the Toys) was when one student shared her experience of co-writing her long form fic with a friend who lived 200 miles away. Every Friday night, she would dismantle her big early 80s desktop computer (this was long, long ago, obviously,) pack it in her car, drive 200 miles to her friend’s house, where she would unpack it, set it up there, and she and her friend would spend the entire weekend writing. Then reverse the process, go back home and do the responsible adult thing from Monday through Friday night, and do it again the next weekend.

I don’t know what happened to that student, though I hope she’s still writing. What I do know is that if she can do that, I can do this. The walk from my office to the dining room is not as far as the journey from sobbing my guts out because writing wouldn’t come. Tomorrow, i start my sixth morning pages book, interestingly enough another copy of the same book that inspired me to start writing morning pages in the first place. Kind of feels like leveling up, in a way, with both of these things happening at the same time. This spring, I will be co-presenting a workshop on blogging. I am writing one book I love, and co-writing another. I have a nice queue of posts for Heroes and Heartbreakers that I can’t wait to share, and we are in the Christmas season, which is my favorite-favorite time of the year. All pretty decent, all things considered.

 

 

 

Typing With Wet Claws: Picking Up The Pace Edition

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Hello, all. Skye here for another Feline Friday. It is a beautiful autumn day here in New York state, with many interesting things outside my window. but I take my duties as a mews seriously, so I will make my blog post before I go back to watching very important things like birds and cars and leaves. Everything is moving outside my window, and things are moving in Anty’s writing life, as well. I had better talk about that first.

First, as always, Anty’s post at Buried Under Romance, about unusual settings for romance novels, is here: http://www.buriedunderromance.com/2016/10/saturday-discussion-unusual-settings-yea-or-nay.html and it looks like this:

bur

What counts as an unusual setting, anyway?

 

 

Now that the regular TV season is back on the air, that means Anty is back to telling people who kissed, are probably going to kiss, or do other romance-related things on the big glowy box. This week, Anty covers some big Shamy doings on The Big Bang Theory.  That post is here: http://www.heroesandheartbreakers.com/blogs/2016/10/next-steps-the-big-bang-theory-10×04-shamy-heart-to-heart and it looks like this:

 

shamy

Sheldon and Amy under one roof? What is the world coming to?

 

Back when we lived in the old country, Anty belonged to the same RWA chapter as a writer human named Corrina Lawson , and they had many interesting talks. Recently, Miss Corrina asked Anty if Anty would be interested in participating in a workshop about blogging, that Miss Corrina wanted to present at this year’s NECRWA conference. Anty said yes, and so Miss Corrina sent in the proposal. The conference humans liked it, so that means Anty will be co-presenting her very first workshop, “Blogging Isn’t Dead,” at a conference. Anty finds that very exciting, and will share more when she knows more.  If you would like to know more about the conference, you can find that out here:

http://necrwa.org/blog1/conference/ and here is Miss Corrina’s website, if you would like to find out more about her: http://corrina-lawson.com/.

Anty and Anty Melva also have a workshop that they created together, called Save the Writer, Save the Book, which is about writing through the tough times in life, but that one will be presented at another time. Anty and Anty Melva had meant to submit a proposal for that one, but, as you can imagine, life happened, and they are now looking at other opportunities. Roll with the punches, that is one of their lessons right there. Also, do not punch other humans. It is hard to write with a broken hand. I would imagine. I only have paws, and it is hard enough already. I do have special toes, though, so that might have something to do with it.

Beyond that, Anty started a new morning pages book this week. It is her fifth one, and it looks like this:

 

PaPaYa! Art spiral notebook
Stathmore Visual Journal Watercolor

 

All right, that is really two notebooks. The purple notebook is by PaPaYa! Art, Anty’s favorite, and you have seen some of the pages in her desk shots this week already. The other one is for an art journaling class she is taking. Pictures from that class have to stay in that class, so she cannot share those here, but she does have to get a second copy of this book, because the one she has does not have enough pages to complete all the classwork.  Okay, technically speaking, it does, but not if she uses the pages the way she wants to use the pages, which is to put the picture on one side and then write notes about it on the other side. That is what works best for her in this format, and so she will need a second book. That will give her some extra pages once the class is over. She does not know what she wants to do with those other pages, but she will figure it out.

When Anty first got the watercolor book, it was because she inherited some Very Nice watercolors from her papa, who had been an artist. I mean Very Nice watercolors. Professional grade (because her papa had been a professional artist) which kind of intimidated Anty. She likes to make art for fun. (She used to sell altered lunchbox purses, but that was when Olivia was the kitty in this family, so I do not know about any of that.) Using the Very Nice paints to mess around felt like a waste. When her papa got these paints, he probably had plans for them. Anty does not make the same kind of art that her papa did, and she will be the first to admit she knows less than nothing about how to use watercolors, so she did not have any business using these Very Nice paints.

Except that…she wanted them. They come in glass bottles with eyedroppers, and the colors are very, very pretty. Like super pretty. Anty also used to steal her papa’s art supplies when she was a people kitten, basically all the time, and she knew enough that watercolor paints need watercolor paper. She had used the Strathmore books before, with different paper in them, but never the watercolor paper before. She did not even know what she was going to do with it, but then there was the class, and then there was the book, and the paint, and…why not? Right now, pretty much all she does is lay down some color for the background, but that is the way to get used to trying a new thing; slap something down on the page and see how it behaves. It is like that with writing, too, which may be one of the reasons Anty is okay with buying another watercolor book and seeing what happens when the class is over and the training wheels come off.

That is about it for this week, so I had better let Anty have the computer back. She has a post to write for Heroes and Heartbreakers, and she wants to play with her imaginary friends, so, until next time, I remain very truly yours,

skyebye

Skye O’Malley Hart-Bowling
(the kitty, not the book)