Fifty-Nine

That’s how many pens I now carry with me on a daily basis. Fifty-nine pens. No, you may not borrow one. I probably need to keep a couple of decoy pens on hand for when the question inevitably arises. It always does. Real Life Romance Hero knows to come to me first when it comes to office supplies, before heading to Staples or Office Max. He knows well enough not to ask, “do you have an X?” but “do you have a spare X?” Smart man. For those wondering if this is a post about pens, the answer is: partly.

To give some context, this is the latest addition to my daily carry:

01pencasecover

 

The first time I saw it, I thought it was a planner. Easy mistake. It was in with a bunch of planners, the only pen case of its kind in the entire display. It even had a bunch of assorted gel pens already inside, in case the rows of pink elastic loops inside were not indicator enough. Three compartments. Ten loops on each side of each compartment. I did some quick math. If I played my cards right, I could carry sixty pens with me, every single day. Um, yes, please. Sixty pens, literally wrapped in motivational soundbytes? Double yes, please. Triple yes, please, because it coordinates with Big Pink.

Immediately, my mind swam. Sixty pens, yes, but what sixty pens? That’s the important question. Pencils? No, not in here. I love the pale pink interior too much. Pencil smudges would be a distraction. Pens, then. Also highlighters. Ooh. I have that set of pastel highlighters that has been, so far, hiding in a pouch, along with some fineliners. The workhorse pens, the ones I reach for the most, those could go in there, too, but what about the rest of the spaces?

01pencaseworkhorse

There were a lot of attempts at filling those slots before I finally figured out that the highlighters were more substantial than regular pens, and an empty loop is not going to be the end of the world. Originally, the highlighters and workhorse pens were going to be on the side where the Stabilo fineliners (yellow barrels and colorful caps) now sit, because it took me a while to decide what had to go where.

Not what I wanted to go where; there’s a difference. My initial idea was that all twenty slots in the first compartment would be for workhorse pens/highlighters, the second for a set of markers, and the third would be my special pens that people who are not me better not even think about borrowing. The problem there was that I do not have twenty workhorse pens/highlighters. I’m not using bright highlighters right now, and I very rarely use ballpoints. (Purple Hannah Howell promo9tional pen, excepted) and I like to have pens next to each other look like they belong together.

The markers were the easy part. I had twenty Crayola Supertips, and twenty spaces in each compartment. Bam. Not too difficult at all.

01pencasecrayola

(Mostly) rainbow order, like with like, as my mother would say (that phrase drove me bonkers when I was a kiddo, but I now see its use) and everything where I need it. This is a color coder’s dream. Never mind that I had to move everything over into the third compartment a few minutes later.

Part of that was because A) I didn’t want to carry twenty of my favorite pens around where anything could happen to them, and B) I counted my Stabilo fineliners, sitting next to my desk, in their original packaging, which I love, but rarely use (the pens, not the packaging, though that, too.) There are thirty of them. Hm. If I moved a few things around, I could have thirty spaces available, and then I could have them with me, literally all the time.  Cue image of me shuffling pens around (also of dropping package of fineliners between chair and wall, then crawling around, searching for them, and counting to make sure they’re all there) and then slipping thirty pens into thirty slots.

01pencasestabilo

“Um, Anna,” I hear some of you saying, “this post is literally all about pens. Or pen cases. Kind of a niche. That stationery blog might be something to think about, mkay?” I hear you, and I get it. Thing is, getting these pens in order, while simultaneously gearing up for Camp NaNo helped me notice that organizing writing implements and organizing writing have more than a few things in common.

What’s most important to me? What do I want to carry with me on a daily basis? Does it all flow together in a way that feels comfortable to navigate? Does what I want to fit in this space, actually fit in this space? Exactly what do I need to accomplish what I want to accomplish? Do I know how I want to use what I already have? Do I need anything that I do not currently have, and, if so, how and when do I intend to obtain it?

This case is for pens, and pens only (I count markers as pens.) I also love pencils, but those go in pencil cases, not a pen case. I also love sticky notes, but there’s no place for sticky notes in this case. No place for gummi bears, either,  no matter how much I love them, so stuffing them in there would make no sense (and result in gross pen case and potentially inedible gummi bears; nobody wants that.) Maybe this is merely an excuse for me to play with  art/office supplies, but maybe it’s more than that. Maybe it’s all part of getting closer to being the writer I want to be.

Typing With Wet Claws: I Do Not Play In Sandboxes Edition

Hello, all. Skye here, for another Feline Friday. It is currently snowing here in New York’s Capitol Region, but I do not know if we will get as much snow this time, as we did a couple of days ago. On the one paw, I am an indoor kitty who sleeps in front of the heater (except for when I am sleeping near my humans’ beds, to make sure they are only sleeping and not actually dead, but on the other paw, weather can be unpredictable this time of year. Either way, it is good weather to stay inside and write, if you are a writer, or read, if you are a reader. I, personally, am a kitty, so I like taking naps in front of the heater, and listening to the sounds coming from Anty’s glowy box.

Before I talk about anything  else, which is usually Anty’s writing anyway, I have to tell where to find Anty’s writing, besides here, on the interwebs, this week. As usual, Anty was at Buried Under Romance, this past Saturday. Since March is International Women’s Month, Anty will be focusing on heroines in romance fiction. She starts off the month by asking what makes a romance heroine. That post is here, and it looks like this:

BURromanceheroine

Now is the part of the post where I bring everybody up to date with Anty’s Goodreads challenge. Her goal is to read ninety books this year, and to have at least fifty percent of that be historical romance. I have decided that I will allow historical fiction with strong romantic elements, and time travel romance, where at least some of the story takes place in the past. As of today, Anty is at nineteen percent of the way to her goal, having read seventeen out of ninety books. So far, six of those are historical romance. Still a ways to go, but that is good progress. Keep going, Anty.

The books Anty read and reviewed this week are:

 

 

Anty’s workshop, Play in Your Own Sandbox, Keep All The Toys, is in full swing, and Anty hopes that the people taking the workshop are having as much fun as she is, giving it. Personally, being a kitty, a sandbox is not something I would like to play in, and I do not want to keep or play with anything I might find (or put) in there,  (certainly not my toys)but I suppose it is different with humans. I prefer playing my mousie game on the glowy box, and batting at strips of paper that are left over from when Anty cuts fancy paper for her art things. Those things are the best. I get on my hind legs and then I  lift my paws and go batbatbatbatbatbatbat, Sometimes, I bite the paper strips, and, sometimes, I can even get the strips away from Anty. I am not that interested in the strips once I get them away from her,  because they stop moving, but, until then, it is super fun.

Do you know what else is fun? Reading is fun. Writing is also fun. Anty has been doing a lot of both lately, and she has figured out, more or less, what she would like to work on for her Camp NaNo story in April. By more or less, I mean she has a trope, and it may be more of a New Year’s story than a Christmas story, but she will have to do some research first. She also has to figure out what the setting of the story will be, and who, exactly, the characters are, but at least she has the seed of an idea, so we will see how that goes. It is probably about time for her to create her project, so that she can get into a good cabin. I will share more details on that as they become available, and keep readers apprised of Anty’s progress. We are almost halfway through the month, so the clock is ticking.

Today, while Anty washed a lot of laundry, she did not bring a book to read. Okay, she did bring her Kindle, and there is a Kindle app on her phone, but she did not read any of those things. Instead, she took out Big Pink, and a fineliner pen, and she wrote part of a scene for Her Last First Kiss. It was an out of order scene, but that is okay, because Anty is what writer humans call a puzzler. She likes to work on one bit of something over here, one bit of something over there, something else in this other place, and then smush them all together, in the right order, when she is done. Because she did this writing on the detachable pages from Big Pink, she will need to tear those out and attach them to the pretty legal pad she wrote the start of the scene on, and then transcribe it all into her glowy box, then print it, so that she can show it to Miss N. That means that one of the humans has to get the printer working again, since it was on the old modem, and we now have a new, faster one. This may have exciting ramifications for my mousie game, but the humans are more concerned with printing things like Anty’s stories.

That is about it for this week, so, until next time, I remain very truly yours,

skyebye2018

A Camping I Will (Possibly) Go

The last day of the month is exciting for us bujo types, because that means new month. For those of us starting a now notebook/journal/planner (no, this is not a post about notebooks. I promise it isn’t; read the title) it means we get to break out all the good stuff: pens, pencils, rulers, stencils, stamps, washi tape (oh so much washi tape) and look at our vision of the ideal month ahead. Looking past that month, to the month that follows, only makes sense. In this case, that next month is April, and April, for many of us writer types, means Camp NaNoWriMo or at least it could.

Normally, I don’t do NaNo anything, because, although I like the idea in theory, if I focus too strongly on word count, I get paralyzed, and every day, fall farther and farther behind, which means everybody else is a better writer than I am, why did I do this, oh woe, etc, etc. You know the drill. So why is it, this year, that I had the thought float into my mind, “I think I might like to try camp this year.” The April version, specifically. Jury’s still out on July. I don’t remember when the idea first slipped in there, but, yesterday, at my weekly breakfast with N, I put it out there, to test the waters.

Me: I’m thinking for doing Camp NaNoWriMo in April this year.

N: (after ascertaining that I had not A) been replaced by an alien doppelganger, B) somehow managed to get my hands on a funny bagel, or C) sustained a head injury: Will you be working on Her Last First Kiss, or Drama King, or something new?

Me: :deer in headlights stare: Um, I don’t know.

Because I didn’t. The hazy idea never got that far. Now that I actually accidentally signed up for this session, while trying to see if my account was still valid, I still don’t. This is not like me. I am the opposite of a pantser. One would think that would mean plotter, but not always. I, personally, identify as a puzzler; this scene over here, that idea over there, this kind of character would be fun, I’ve always liked that other thing, so let’s put them all on the table and see how they fit together. I want to know where I’m going, how I’m going to get there, and when I should expect to arrive.

Now that I am apparently in for April, I should probably figure out a few things. Which project I want to work on, for one. The dreaded word count for another. My best guess is that I will set the bar low, so it’s an easy “win,” because these sorts of things awaken my competitive side. When I belonged to a once upon a time RWA chapter, we had an annual NaNo-ish exercise, where we competed to see who could write the most pages in that month. Challenge accepted. I think the month could have been January. I don’t remember, but that feels right-ish. Every year that I participated in that venture, I either took second place (said chapter had some very prolific writers while I was there; probably still does) or won, and it was never any problem. I felt energized, not paralyzed. I’m not sure why that was.

I have a few theories, though. It’s much less intimidating to count pages than words. Any pages counted, and it didn’t have to be a brand new project; ongoing works were fine. I do know the rules for Camp are looser than for NaNo proper, and the ability to set my own goals very much appeals. What I’m looking forward to most is the community. At some point (after I have created a project, because I have no idea what my WIP will be for the duration) I will be sorted into a cabin, whether by choice or by chance, and I can talk to other people as neurotic about the whole process of shooting for a specific number during a specific calendar month.

This is dependent on me not finding a way to delete my account in the month before Camp starts in earnest, but I think I want to go ahead and see what happens. Probably. Possibly. In a way, it feels like being a little kid on the edge of the high dive, my toes curled around the end of the board, taking a couple of experimental bounces, and looking at that water, far below.

:gulp:

:bounce:

:bounce:

:sounds of polite throat clearing from people behind me:

Sure, there is the possibility of climbing back down the ladder and getting a cherry popsicle from the snack bar (which, to be fair, one still can do when one gets out of the pool, after diving: but that would A) tick off all the people waiting in line, one of which may already be climbing the ladder, even though the lifeguard is blowing their whistle and advising against premature climbing, and B) if I don’t try, I won’t know.

So, maybe I won’t dive. Maybe I’ll jump. Jumping is fine. Jumping can be fun. The important part is coming back to the surface. The important part is swimming. Which, oddly enough, is an activity often associated with going to camp. Maybe I’ll see you there.

If it’s (Almost) March, These Must Be Llamas

Spring and I have a complicated relationship. We don’t like each other much, but I live with two spring-lovers, Real Life Romance Hero (for him, spring is tied with fall for his favorite) and Housemate. I’m happy for them, that their favorite season is almost here, but for me, it means my lovely, cozy autumn and winter are done, and the season of avoiding the burny orange thing in the sky Is right around  the corner. On the other hand, spring is also baby ducks season, I have my upcoming online workshop starting March 5th, and, though it looks like I won’t be able to make NECRWA’s conference this year, plans are in place for some out of state writing besties to converge upon my domicile (and possibly the Schuyler Mansion) later in the season.

Said writing besties are the same critique/accountability group I had been in for coughty-cough years, the same one where I was the only person who never came to the table without some sort of pages, the same one where I would feel like I was flying on the car ride home, full of, well, pure, top grade love of writing. Plus, they’re all pretty darned nifty in their own rights, and write in genres as diverse as historical YA fiction, cozy romantic suspense, and picture books. I can promise there will not be a dull moment, there will be hugs, and at least one of us is going to cry when it’s time for them to go home at the end of the day.

The other bright spot that comes from staring a new season in the face is that I get to start a new planner.

WAIT A MINUTE! YOU’RE TALKING ABOUT NOTEBOOKS AGAIN! WHATEVER HAPPENED TO THIS SO-CALLED “WRITING BLOG?”

Oh hey, there, Hypercritical Gremlins. It’s been a while. What’s up?

NOT YOUR WORD COUNT, THAT’S FOR SURE. ALSO, NOTEBOOK TALK, AGAIN?

My blog, my topics. It’s writing related, I promise.

WE’VE HEARD THAT BEFORE.

As I was saying, I finished my last February pages in my current planner, last night, which means time to start a new one, at the start of March. As a true Leuhtrumm convert, I planned to get another notebook by the same maker, but there was one small problem; I did not get anywhere near the one store, locally, that sells them (to my knowledge.) Quelle horror. That’s when my eyes drifted to my unused notebook shelf, and spotted the orange Exceed book I didn’t end up using last fall. Love the pages, sturdy book, but it’s orange.

NOTEBOOK POST. CALLED IT.

Ahem.  Anyway, I’d been vacillating on the theme for March pages. I’d originally wanted gray, but then remembered there’s St. Patrick’s Day. I’d feel weird having an orange planner in a month when Irish heritage and culture is at the forefront, and, besides, orange and green, together, remind me of peas and carrots, specifically the canned variety, and, um, nothankyouplease. I will cut through the craft shop trawling for washi tape for another, unrelated project (my O’Malley saga reread; have to prepare for something of that magnitude) and go straight to the moment I saw these puppies on an endcap, at one third the usual going rate:

01llamatape

Cue heart-skip. Yes. This. Black, white, gray, and red, smidgen of green, a few sparklies. Also, llamas. Llamas make me think of my friend, H, whose favorite animal is the llama, and who is always great for some tough writing love. Other tapes include elephants and hippos, both gray, some flowers, some geometric shapes, some glitter. Boom. Perfect. Layouts unfolded in my head, and I couldn’t wait to get home and put those plans into action. One of the tapes even says “wild and free,” over and over, in different fonts.

:COUGH; NOTEBOOK POST :COUGH:

Did I ask for your input?

NO.

What did you say?

NO, MA’AM?

Better. This morning, I had the same heart-skip while scrolling through Facebook. A post from Susan Elizabeth Phillips showed on my feed, asking for recommendations of genre romance novels, happy ending and all, with elements that broke away from some of the conventions of the genre. My mind raced. Simple Jess, by Pamela Morsi, with a mentally slow hero, Morning Glory, by LaVyrle Spencer, with an ex-con hero, and, shall we say working class heroine, who is already pregnant with baby number three when they meet, in the years around WWII. Laura Kinsale’s heroes who survive strokes and PTSD and the heroines who see the whole person, not only one aspect. Yes. This.

This kind of thing gets my motor running. Granted, exactly what the “norm” is, will differ from person to person, depending on whom one asks, but that kind of thing gets me excited. Do my characters and my stories fit under that umbrella? Right now, Drama King has a grumpy actor-turned-line-cook intent on emotional self-flagellation, and the optimistic literary agent who is sure she can turn almost any mess into something beautiful. Her Last First Kiss has a heroine who is already another character’s mistress when the story begins, and a “portrait painter” hero (the air quotes are important) with family issues, plus the mutual friend caught in the middle. Chasing Prince Charming, which Melva and I are preparing to resubmit, has a hero who is a passionate advocate of the romance genre, and a heroine who may need some convincing. A Heart Most Errant has a jaded knight-errant, and the extroverted (and possibly delusional) baker whom he has to escort to a destination that may or may not exist. It also has a monastery that is not as abandoned as they thought it was. (Oopsie.) Did I mention this is after the Black Plague knocked out half the population of the British Isles in around twenty years?

NONE OF THAT HAD ANYTHING TO DO WITH LLAMAS.

:Ah, but it does. There are, as of yet, no llamas in any of my stories, historical or contemporary, solo or co-written, but the spirit of the llamas is there. Bullet journaling has taught me a few things that carry over into the writing of commercial fiction. Mistakes happen. Inspiration will lag. When it does, it may be time to take a long walk through a favorite craft or office supply store. Stop and smell the Post-Its (or maybe just look at them. The vast majority are not scented.) Stroke the creamy ivory pages of notebooks far outside your pay grade. Quickly grab an awesome roll of clearance washi before anybody else gets a chance to know it exists. Be open to new ideas, and, when all else fails, go back to the well. Re-read old favorites. Play with an idea that always seemed like fun. Do what you need to refill the well, so that you can draw from it. If the method of choice involves llamas, well, that’s a bonus.

OKAY, THAT KIND OF FITS TOGETHER>HMPH.

Thank you, it does. Now back in the basement, you go. I have writing to do.

WE LIKE THE CLOSET.

You can’t have the closet anymore; I keep my bullet journal stuff there now. Out the back door, all the way down the stairs, to the room with the dirt floor and the hot water heater.

HEY! THAT’S WHERE YOUR STEPPER NEIGHBORS REHEARSE, WITH ALL THE STOMPING AND THE SHOUTING.

I know. :puts in earbuds, opens document:

 

 

 

Of Notebooks and Novels

Today, the temperature may get as high as seventy degrees. The votive candle on my desk is burning low, in a funny shape, because of all the months it spent stashed in a place it shouldn’t be (I’m sure sticking it in one of my art supply boxes made sense at the time, but do not ask me how, now, because I have no earthly idea.) Hipster Kitty is still on my desk, even though I’m still not sure how I want to use him, (this notebook is apparently a boy) and don’t want to put him away quite yet, either. This morning, I finished my current morning pages book, and am down to the final two candidates for its successor. This also reminds me that it is crunch time for my daily planner book, because the month will be ending soon, and I need to set up March, though I am still seeing candidates for the next planner notebook.

There’s a second decision related to starting a new daily planner book, more important than whether I want dot grid paper, kraft paper (but then what about my already planned pastel color scheme for the start of spring?) or admit to myself that I am a Leuctrumm 1917 convert, and that’s what I really want, even though I am trying to be good and use what I already have. Do I want to use my daily planner as the fourth insert in Big Pink, or do I want it to live on my desk? If I want it to live on my desk, then my options are wide open. If I want it to be insert number four, then it needs to fit inside the notebook cover, and will change the weight and heft of Big Pink in general.

“Um, Anna,” some of you may be saying right about now, “this is all very interesting for notebook people, who would totally follow you to a notebook-only blog, by the way, but some of us are writers and/or readers, who are not into notebooks, and could you please talk about writing or reading now? Kthanx.” I hear you, and I can bring this around. Right now, as a matter of fact.

Yesterday, at my weekly breakfast with N, N made me write. Okay, technically, she said she was going to write, which I knew she was going to do, and she took out notebook and pen and started doing exactly that. Well. I can’t resist that sort of thing. I had debated bringing along a variety of notebooks and/or one legal pad, for when this moment came, but it was also one of those mornings when getting out the door was complicated by a fuzzy shadow that thought everything I was doing was A) extremely interesting, and B) might possibly involve cat food. What I had on hand was the current fourth insert of Big Pink, a Moleskine Volant, which has detachable pages, and is, theoretically in Big Pink for exactly that reason, so I can write on the fly and then remove pages to go where they actually go, or transcribe and recycle.

Well, okay then. I put pen to paper and worked on a scene for Her Last First Kiss, making notes of opportunities to go deeper in an early chapter. I ended up having to prep more pages than I thought I would (prepping, in this case, means a bold line of marker or washi tape (this time, it was marker) at the top and bottom of the page. This gets around the blank page problem, because voila, the page is no longer blank.) Is it perfect? No. Is it written? Yes. Do I get to transcribe it today, and take those pages out of the book? Yes, sir or ma’am, I do. Longhand works best for me, and longhand under pressure, with an audience, works even better. Clearly, this insert needs to stay, but is it maybe making the other lined insert, which does not have detachable pages (okay, it has a few, but only in the back) redundant? Maybe so.

The evolution of a notebook system is kind of like the evolution of a writer, especially the writer who is using the notebook system. Trial and error is a big part of the process, and there are going to be times we get halfway through a project, or even make that first mark on the paper, and get the immediate “nope,” or that zing of recognition. That “Yes. This,” that picks us up from uncertainty and carries us until we’ve got our bearings. For the first time, or again; it works well both ways.

Starting new books, and redoing Big Pink feel appropriate for where I am, writing-wise, these days. It’s kind of like the back to school feel of new school supplies, which never gets old, even decades after any sort of connection to any sort of school. The fact that it hits around the same time as spring cleaning, well, that’s kind of one of the big holidays for us organizational types. Organizing writing makes perfect sense. It feels right. I’m excited to reclaim tools and space and energy. I’m excited to be reading historical romance again, and keeping my focus where it belongs. Not on the market (although of course that’s important, for those of us doing the whole writing career thingyboo) or what anybody else is doing, but what I’m doing, and what works best for me. If that involves stationery, all that much better.

The Queen’s Lady, the Hipster Kitty, and Me: A Love Story

Today does not feel like a Monday. My planner says it is, so we’ll go with that and get at least seven hundred words of blabber into this text box, within the next hour, because crossing a task off my to-do list is one of the very best ways to kick off a Monday (or any other day, come to think of it.) Maybe I’m still riding on weekend fumes, because this was a pretty good weekend, especially for my focus on reconnecting with historical romance and growing the blog.

Friday nights are BFF nights, which means Housemate and I grab some sort of dinner, then trawl craft stores for geeking out over art supplies. Watercolor pencils for her (though she has yet to actually use them as watercolors) and anything bujo/art journal related for me. This week, that included picking up a copy of Artful Blogging magazine. Articles on connecting with one’s creative side and particular bloggy “voice,” be that writing or photography, resonated. I actually started petting the magazine while still in the store, so that’s a sign that the issue had to come home. This has a few different levels to it; there’s the drooling over pictures level, the taking in advice I probably already know but have made excuses not to act upon, because acting on such knowledge would be scary level, and the actually applying what I’ve learned to my actual blog level.

Saturday meant sneaking in more craft store trawling in the midst of errands (Housemate has a life goal of owning all the watercolor pencils in the world. I support her in this, because A) I want my friend to be happy, and B) I have permission to use them when she is not using them.) Saturday also meant that I got to take out the magazine and lay it on the table between us at lunch, and natter endlessly over how gorgeous the pictures are, and how I want to get to that level with my own blog, or possibly blogs, as I’ve been thinking of starting a second blog, devoted to all things pen and paper, while this one would be reserved  for writing talk. We will see how things go.

Sunday found me, along with Real Life Romance Hero, and Housemate, at our friend, M.P. Barker‘s annual book swap party. The most important thing about these parties is that the bacon-wrapped figs are mine, mine, mine. Okay, maybe that is not the most important thing, but it is a strong contender for the number two spot. They are stuffed with goat cheese, and are delicious, and I would happily pay whoever makes them, to make me a small batch. A truckload or two would do. For starters. I would say I am digressing here, but these are extremely good bacon wrapped figs. Or maybe they’re dates. I get the two confused sometimes.

Enough of that. The really important thing about this party, every year, is that it gives me a chance to reconnect with my best writing self. M.P., my contemporary co-writer, Melva Michaelian, and I spent many years’ worth of Wednesday nights, gathered around the same dining room table where, yesterday, I scarfed bacon-wrapped figs (or dates) and gabbed with Mona, a reader friend, about our shared love of reading historical romance. What we like, what we don’t, how we had each finished reading (two different) Harlequin Historical romances within the last twenty-four hours, and needed to choose our next reads pretty darned quick. This is where my love of reading and my love of planning come together and make beautiful reading plan babies.

Before the start of the new year, I made a list of books to re-read, and books to finally read, all historical romance. First up from the TFR list is The Queen’s Lady, by Barbara Kyle:

BarbaraKylethequeenslady

 

Tudor era, start of a family saga, plot that unfolds over years instead of months or weeks, and a heroine name to make me sigh with happiness. Honor Larke. Yep, I’m sold. I’m not sure why I haven’t read this before, and I’m intrigued that it was, IIRC, originally published as historical romance, though the spine on this edition classes it as historical fiction. We shall see how this goes.  After that, it’s back to the well, and a small detour from my TBRR list, as I plan to reread the entire O’Malley/Skye’s Legacy series, by Bertrice Small. That’s twelve books, with both series combined, so picking out historical romances to read is not going to be that difficult a task for me in the foreseeable future.

My heart is already going a little pitty-pat at the reading journey ahead of me, and what it’s going to do for my writing, this spring. (Can you believe it’s almost spring already? Has to be, though, as, in the next two weeks, I will be starting both a new morning pages book, and a new daily planner book.) That’s where the Hipster Kitty comes into play:

1902hipsterkitty

See how perfectly he fits with the rest of my “me” stuff? I normally don’t seek out things that are yellow, or books with white pages, but this book has me completely heart-eyes over it. I already know I want to write with black pen, and use yellow highlighter, and, since I want to take notes o n my epic O’Malley re-read, well, this seems like perfect timing. There’s still a chance I might end up using a different book for that, but even if that’s what happens, this is for something special. Maybe it’s for notes on the proposed cyber-revival Melva, M.P. and I talked about, of the weekly critique/nag group meetings that got us all through multiple manuscripts.

The weekend just past was wonderful, filled with re-filling, and re-connection, bringing me to the start of a new week, with the challenge of putting all that good stuff into practice. That’s still a little scary, but scary in the good way. I did get an offer of beta-reading from my reader friend, so I have to give her something to read, don’t I? Thought so. time to make another cup of tea, and slip back in time a few centuries.

Valentine’s Day Rambles (of the writing variety)

So, it’s Valentine’s Day, which means built in blog topic for romance writers. Woo hoo.  On hour, seven hundred words, let’s go. Okay. No big plans for the day, as such. I’m writing, which is worthy of celebration, because my brain is returning from the fog of Martian Death Cold, and it’s time to write some of the rust out of the faucet, so to speak. This also means I get to spend some extra time tucked in a comfy chair (probably my office chair, which is plenty comfy and has great back support) and snuggle under a fuzzy blanket, with a cup of tea (pink skull and crossbones mug today) and the day’s soundtrack is a mixture of my Spotify daily mix and Real Life Romance Hero doing dishes on the other side of my office door. Heck yes, romance heroes wash dishes.

Okay, maybe not medieval knights or nineteenth century English noblemen. Probably not pirates, either, but, y’know, everybody does what they have to do on a pirate ship because there are only so many people to do a lot of different jobs, so maybe pirates, after all. Who can tell? Me, next time I write a pirate book? Maybe so. We will see. The point is, romance heroes do a whole lot of things. Heroines, too. That came out wrong, but I’ll let it stand, because I am in that sort of a mood.

Romance gets a lot of jabs this time of year, often from people who aren’t fans of the genre, often because they haven’t tried any recent romance fiction, or classic romance fiction, or fiction with romantic elements (though, let’s be real, that romance stuff is everywhere, and gets into many different genres, to varying degrees, but I digress.) Think pieces of this sort (of which there often does not seem to be a whole lot of thinking going on) have become commonplace enough that I can look at them, and, meh, another one of those? Okay. Whatever. What I’d really like to see is the excited discovery of a new romance reader – hey, look at all these great stories, where the focus is on the relationship and there’s history and suspense and sex and faith and it’s funny and it rips my heart out and puts it back together, and, seriously, anything can happen to these characters, as long as they end up happy and together, and, y’know what? They do. Every single time. How amazing is that?

Pretty darned, is all I’m saying. Yesterday was my weekly meeting with N, and we talked about reconnecting with what we want for our writing careers, about reconnecting with what makes a story, be it read or written, special. For me, this means a concentrated effort in reconnecting with what I love most about historical romance. If I’m going to go back to the source, the moment I fell in love with the genre, it would be when eleven-year-old me snuck a book from my mother’s nightstand, and cracked it open, by flashlight, under the brass bed in the guest bedroom. It also takes me back to countless used bookstores, where I would crawl around on the floor, inspecting the lower shelves for stories set in the sixteenth century, scanning for keywords that would catch my attention. Any mention of larger than life, or epic, or sprawling, or…:satisfied sigh:

Yeah, that. When I think of historical romance, that’s my happy place. I’m sure there’s something to be said about the role of the floor in all of this. The floor of the guest bedroom, under the big brass bed, the floors of countless bookstores, usually ending up in a tucked away corner, books spread out around me, so I could whittle down the selection to fit within the budget for that trip. To a lesser extent, there are the countless spins I made of the spinner racks in the fiction section of the library closest to my dad’s house when I was in high school, checking for fat paperbacks that meant historical romance, and the distinctive, slim spines that meant traditional Regencies, or gothics. As long as there was history, and there was romance, I was happy.

Am happy, because, decades after that first filched paperback, which now has a place of honor on the bookshelf behind me as I write, the same bookcase which once held the picture books of my preschool days, I still get that thrill. Give me two lovers who have to be together, but can’t, and I am there. If I am the one entrusted to making sure the lovers’ stars un-cross, that’s another level of fun. Frustration, sometimes, because story people can be tricky little badgers, making choices of their own, the second they hit the page. That only means they are real and alive in the sense that it becomes a collaboration between the writer and their imaginary friends. In that way, no romance writer is ever truly alone,  no matter what day it is.

Over the magic seven hundred now, and time to wrap this puppy, which can get tricky when I go on this sort of ramble. As N and I discussed, sometimes it takes a while to write the rust out of the faucet, and putting down anything is better than putting down nothing, especially when putting down anything runs smack into a wall of resistance. Even so, keep at it long enough, and the faucet runs out of rust. That’s a happy ending right there.

TheWriterIsOut

Blabbity Blab, Theory and Practice

Helpful hint: going out to do laundry and run errands in the freezing rain does not hasten Martian Death Cold out the door any more quickly. Even so, I think I’m going to live. Right now, I’m at my desk, the too-bright sun that comes after yesterday’s lovely greyness, poking through the slats in the blinds. Wind is whipping the branches outside. The big candle is pretty well burned down, which means it is probably time for a new big candle, or at least a nice votive or tealight. My mug is empty now, and I am debating whether it is time to put the kettle on for more tea, or to grab my water bottle.

In short, it’s a winter Monday. Outside my closed office door, there are cat and Real Life Romance Hero. On today’s schedule: this blog entry, then work on the second batch of edits/rewrites for Chasing Prince Charming. I have my weekly Skype conference with Melva tonight, and breakfast with N tomorrow, so I need to get some Her Last First Kiss in there somewhere. The temptation to burrow into a blanket nest and binge watch the remaining episodes of Les Revenants (creepy French drama, on Netflix, which I deeply love, and will probably gush about in more detail at a later date) is strong, though not as strong as the biggest lesson I took away from this past weekend’s CR-RWA meeting; treat writing like a business.

That means that writing time is writing time, and nothing else happens during that time. New rule for this week: blog entries get one hour of my writing time, maximum. This may result, at least in the near future, to an increase in free form rambling, but that kind of stuff tends to sort itself out in time, with the right amount of practice.

My original plan was to have a defined topic for this blog entry, but I got to sleep at the lovely hour of four in the morning, because Martian Death Cold does not respect circadian rhythms, and I am burning too-bright daylight here.  I am looking forward to seeing what Melva has don e on this next chunk of Chasing Prince Charming, and what notes she’s made on my segments, so I can do my share in making a good thing even better. I actually like rewriting. Sometimes, I like rewriting more than writing. There’s less pressure, and I’m not as concerned about making everything perfect, as I am when creating a first draft.

That seems somewhat backward, as the whole point of revising/rewriting is to make the writing better, but go figure. Writers are weird. Granted, we are at the part of the book where there are not a lot of changes to make, and we are likely approaching the section that is going to need the most work. Stay tuned for that one, because there will probably be much to say on that matter.  There may or may not be muffled sobbing at some point, but we have our sights set on the end of March to get the whole thing spiffed and back to the lovely people at The Wild Rose Press, and we’ll see how that goes.

For today, I have fewer than two hundred words to get to my magic seven hundred, which, thanks to some scheduling math, figured out in the margins of my notes from Saturday’s CRRWA meeting, now means at least seven hundred words in sixty minutes, tops. This is where preparation would come in super handy, So would another bag of sugar free cherry cough drops, because I recently squeezed said bag, and the cough drop count has gone down to three. I am good on tissues, though, which may come in handy if I hit on any especially emotional parts of the manuscript this afternoon. I would give it fairly high odds, because I know this story, I know Melva, and I know me. It’s pretty much a sure thing, and I am more than okay with that.

Almost to the magic seven hundred. I want to promise that Wednesday’s post will be more structured (unless anybody actually looks forward to my free-form rambles, in which case, today is your day. Break out the bubbly.) Blabbity blab, theory and practice, hey, look, there we go, enough words now. Time to open the file and see what wonders may be wrought.

TheWriterIsOut

 

 

 

Typing With Wet Claws: Tough Fuzzy Love Edition

Hello, all. Skye here, for another Feline Friday. Anty is down with what the humans call Martian Death Cold, which is pretty noisy with all the coughing, and smells a lot like cherries. Cherry cough drops and cherry gelatin are big features around here right now, and Anty just finished some cherry blossom body wash. Anty also has a lipstick called Cherry Picking, but she has not been wearing much lipstick this week. That is how we know it is Martian Death Cold. I cannot get Martian Death Cold, because I am a kitty, and it is a people thing, but the one upside that I can see is that Anty gets some extra napping time, usually next to a good book.

Before I am allowed to talk about anything else (which is usually Anty’s writing anyway, let’s be real) I first have to tell you where you can find Anty’s writing on the interwebs. Besides here, that is, because, if you ate reading this, you are already here. As usual, Anty was at Buried Under Romance on Saturday. This week, she talked about the think pieces humans wo do not read romance often write about romance, this time of year. Writing about books a human does not read does not make sense to me, but then again, I am a kitty. Maybe you should read Anty’s post, instead. It is here, and it looks like this:

BURinlovewithlove

Anty would like to thank Sabrina Jeffries for recommending Anty’s post to her (Miss Sabrina’s) readers, on Facebook. Anty considers this high praise, as Miss Sabrina is a well established romance writer, who knows whereof she speaks.

Now is the part of the post where I bring you up to date on Anty’s Goodreads challenge. As of today, Anty has read ten out of ninety books for the year. This puts her at eleven percent of the way toward her goal, and one book ahead of schedule. Well done, Anty. Keep reading. Sick time is very good for reading time, and it is perfectly okay to nap in between chapters, especially when there is a fuzzy Maine Coon kitty nearby.

The books that Anty read and reviewed this week are:

GRforever

Forever, by Judy Blume

 

GRrecoveryroad

Recovery Road, by Blake Nelson

 

GRthelastforever

The Last Forever, by Deb Caletti

As you can tell, all three of those books are YA, which brings us to the meat of today’s post. (I like meat. Tuna is the best, but beef is also good, as are most kinds of birdie.) One of the most important duties of a mews is to keep their writer human on the right track. Last night, it was time for some tough, fuzzy love. Right now, Anty has one hundred YA novels logged on her current Goodreads account, and ninety-one historical romances. This does not count historical fiction with romantic elements, so the two may not be that far apart when we include the second cat-egory (sorry, I could not resist) but it is enough that I could not let it pass without addressing the issue.

While it is purr-fectly (sorry, again. That is the last one, I promise. For now.) fine for readers’ preferences to change, and that does happen, including switching genres, I did not think that was what was happening here. I have seen the way Anty looks at her TBR shelves, so we had a discussion. That discussion was about historical romance, and the point of the discussion about historical romance was that Anty needs to read more of it.

Part of the discussion was asking Anty why she has been avoiding her favorite genre lately. We kitties, especially those of us with big green kitten eyes (I am really good at big green kitten eyes. By that I mean that the eyes are green, not the kittens. Kittens should never be green. If your kitten is green, please go to the vet, or at least the groomer.) can say a lot with the right look, and we are very good listeners. I can understand Anty’s reasons, but, because it is my duty as a mews to keep Anty moving in the right direction, I could not leave it at that. Those reasons are hers to tell, and I made her write them down in a notebook, so she can refer to that the next time something like this happens.

Earlier this week, Miss N gave Anty the assignment to reconnect with historical romance. Well, Anty’s own, specifically, but reading more historical romance and remembering what it is about that genre that Anty loves enough to write her own, well, that’s important, too.  Anty agreed with me (and with Miss N) but I could still tell she was a little scared and/or confused about where to jump back into the whole pool. That is where having a mews comes in handy. At times like this, the only thing that can be done is to head straight toward the loved and scary thing and jump right into it.

For Anty, this meant taking one of those books off her TBR shelf and actually reading it. For this venture, we picked Captive of the Border Lord, by Blythe Gifford. Anty has read many of Miss Blythe’s books, and liked them a lot, so it is a very good bet that she will like this one, too. It is the second book in the Brunson Clan trilogy, and Anty has already read the first one. We tried to find a standalone book, but those are kind of rare these days, so second out of three is kind of close to that. It is also a Harlequin Historical, which means that it is not a very thick book, and Anty should be able to read it fairly quickly, without feeling intimidated by a big, thick book, with a lot of pages. For bonus points, this book is set in the sixteenth century, which is one of Anty’s very, very favorite eras for historical romance.

This goes along with the philosophy of not saving the good stuff for “someday.” Read the good stuff now. Write the good stuff now. If not now, then when? The practice begets the product. We kitties would not lie about this sort of thin.

That is about it for this week, so, until next time, I remain very truly yours,

skyebye2018

 

White Space

This is the view from our balcony this morning:

0702snowscape

I don’t know what it is about this season that snow days and sick days tend to fall on the same day, but, as the sugarless cherry cough drops on my desk indicate, that’s what we’ve got. Domestic tornadoes are not gone, but are slowing, and coming farther apart, which does leave more wiggle room, and time, for that writing thing I have heard I do.

On Monday’s Skype session with Melva, we went over our plan to revise and resubmit Chasing Prince Charming. If things go according to plan, which they should, we should be done by the end of March. That seems both very soon and very far away. We also decided that we were having too much fun with Drama King to truly put it aside while we work on the revisions, so we will continue, albeit at a more relaxed pace, until the revisions are done.

At my Tuesday breakfast with N, we both set goals for getting our current (solo) projects in gear. For her, it’s mapping out exactly what’s needed to tie up all loose ends in her contemporary romance, and, for me, it’s getting back to serious work on Her Last First Kiss. We talked, a lot, about what it takes to bring a story from okay to special. It’s not only words on a page, though that is obviously important, but the life in the characters, so that readers care about their story, what happens to them, if they’ll get what they want. Even though we’re both writing romance, which means that yes, our lovers will absolutely end up together at the end, and be happy about it, the very best books have that moment of “oh crap, maybe they can’t.” Getting them from that point to “heck, yes, they did,” that’s the best part. That’s the goal.

With all of the above, March is going to be full, with not only a lot of writing, but my online workshop with Charter Oak Romance Writers, Play In Your Own Sandbox, Keep All the Toys, but Eryka Peskin’s free workshop, 31 Days and 32 Ways to Jump-start Your LifeLi’l blurb on that one, in Eryka’s own words, here:

Find out how transforming your relationship with your health, money, activism, spirituality, love, mindset and more can jumpstart your LIFE and change the world. For more info and to sign up, go to http://eepurl.com/bAQ0jf

It starts March 1st, so make sure you sign up right away!

I’m not sure yet, if the NECRWA conference is going to be possible this year, but I am (mostly) okay with that, because there’s no way to sell a book that isn’t written, and very few first drafts are ready to make the cut. This may require figuring out other ways to see my conference people, which is not a bad thing.

That’s all the future, though, and, since the snowstorm and cold have teamed up to nix plans for the afternoon and evening, what I have for the present is a large supply of tea, warm, fuzzy blankets, and a fully stocked Kindle, along with a TBR shelf that mocks me, from its space behind my office chair. Since I know me, there will also be a notebook or legal pad, and a handful of pens. The only big question I have today, is “what?”

Sick snow days are perfect fro TV/Netflix bingeing, but my search for something braimless I could background watch, and possibly nap through, led me to Les Revenants, a French drama that is, you guessed it, in French. Also, not dubbed. I do not speak French. I can pick out a few words, but that’s it. Thankfully, there are English subtitles, but that means actually looking at the screen.

Okay, there’s reading, then, and I do not lack for books, nor, specifically, historical romance books, but I want a particular sort, and I don’t feel like sifting through the TBR shelf or doing internet research. This may mean that a chunk of the day is spent curled under one of aforementioned fuzzy blankets, with aforementioned cup of tea, pen and paper within reach, and staring at Skye, the living room in general, or the insides of my eyelids. I call this white space.

Sometimes, the best thing we can do is nothing. Not exactly nothing, obviously, because blanket and tea and kitty who loves playing computer games, but the hitting pause on the plan to get from here to there, and letting the brain settle. Letting it sift through all the stuff that is rolling around in there, pushed out of the way by things like trash day and rescheduling doctor appointments and crunching numbers, and what and how much to make for dinner, depending on who’s going to be home and/or awake.

White space is quiet. It’s still. It’s snow falling outside, and the voices in my head (aka characters, aka story people, aka imaginary friends, aka fill in your own term here) wandering about at will. Sometimes this focuses on the current project, but usually not. It’s touching the past and the future at once, and it may result in a few notes, or a few pages, or a few dozen pages, but that’s not a requirement. white space usually comes to a natural end, stuff sorted out, and ready (perhaps after a nap, or reading a few chapters, or watching an episode or two of subtitled TV) to take on the next adventure. Not a bad journey to take from the depths of a comfy chair.