Somewhere Between No and Yes

Lovely grey day here in New York’s capitol region. Lots of clouds, but no rain in the immediate forecast. Laundry is done, candle is lit, tea is made, and I am settled into my office chair, blanket in my lap and pillow I the small of my back. The new pens that came home over the weekend are close at hand, for when I turn off the computer and put pen to paper. Real Life Romance Hero is wrangling domestic tornado tasks, and it’s me, the blog, and my imaginary friends. It’s Monday, the start of a new week.

Right now, the office is quiet. No music yet, but there is the sound of traffic outside, the occasional squeak of door hinges and floorboards as RLRH goes about his business, and miscellaneous kitty sounds from my  office buddy, pictured below.

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Skye O’Malley, the kitty, not the book

I’m writing this entry later in the day than I’d originally planned, and even thought about saving it for tomorrow, when I’d maybe have a more concrete idea of what I wanted to write about than I do today, but carrying two back entries at one time is more than this particular writer is willing to carry, so this is what you get. Later tonight, Melva and I will talk via Skype, to discuss the proposed changes to Chasing Prince Charming, for the resubmission to The Wild Rose Press. I’ll have a better bead, tomorrow, on what we’re doing, but this is Monday, and not writing the Monday post would bother me.

Long ago, in what seems like another life, I submitted my first ever partial manuscript. It was not good. I soon received my first ever rejection letter, which was, in retrospect, good, as rejection letters go. Though the editor did let me know, in a gentle but straightforward fashion, that nothing actually happened in my first three chapters, she did also ask me to send something else. At the time, I skipped right over that send something else part and focused, instead, on the nothing actually happened part. Would thing have been any different if I’d shifted my focus and written something else, instead of believing this was proof positive that no was it for me?

Probably so. There have been more rejections since. My favorite is the first page of my manuscript sent back to me,  in my SASE (self addressed stamped envelope) with the word, “no,” scrawled on it in pencil. I don’t think I have the actual paper anymore, but the memory remains. Also in that category are the small magazines that bought or said they would like to buy my stories and them promptly shut their doors. A once upon a time friend and I used to joke about how I could probably start a side business taking out hits on such publications (this never came to fruition, but did provide some good natured entertainment.) There have been pitch sessions that went down in flames (never pitch after being up  for seventy-two hours straight, and never, never pitch a book that is not actually finished. Seriously. Don’t.)

There have also been sales, one of which I do not remember making, because of the domestic tornadoes that whipped through my life at the time, but I am going to go out on a limb and say that things like that are the exception. The not remembering, not the actual selling of books; new books do come out with great frequency, which is a very good thing for us writer types, and for reader types as well. Somewhere in the middle lies the request to revise and resubmit. It may not be as common as the other two, more definitive outcomes of a submission, but it’s an exciting one.

As soon as I read Melva’s email, that she’d heard back, I was prepared for a thanks but no thanks, and, instead, got a rare opportunity. We got the chance to make a good thing even better, which is its own sort of adventure. Not really the same as that sale I did not remember making, with the manuscript that had vanished and had to be Frankenstein-ed together with hardcopies from my then-critique group (of which Melva was a member) but some of the feelings are similar.

There’s the “eee, this is exciting” feeling. There’s the “egads, this is going to be a lot of work” feeling. There’s the “at least I’m not doing this on my own” feeling, which I will take, any day, over sitting cross-legged on an itchy carpet, surrounded by piles of paper, trying to put the puzzle together. Not entirely by myself, because one panicked message to said critique parnters brought in a flood of aforementioned papers, and, in the end, it all fit together, and became Orphans in the Storm.

Chasing Prince Charming, the story that began because Melva and I were early to breakfast at a conference, and only wanted to kill time, is going to have  its own hero’s journey, as we take it apart and put it back together. Tonight, over Skype, Melva and I will Throw the beach ball around once again, put ideas out there, and see where our imaginary friends want to take things to the next level.  I’m looking forward to the trip.

 

Getting Hygge With It

Yesterday, I found a spot on my desk, where I can light a candle without burning down the house. I also, without fully knowing how, found a piano instrumental channel on Spotify, which fits nicely with the flickering light inside the small jar in the corner of my desk. This may or may not have had something to do with me finally finding out that the aesthetic I’m going for in my office actually has a name: hygge. Depending on which Danes (great or otherwise) one asks, it means “wellbeing,” or “to embrace,” or, possibly, “to think or consider.”  In modern parlance, “cozy” might be the most accessible term.

For my purposes, we’re going to translate it as “comfortable.” Physically comfortable, yes, because when a writer is not physically comfortable, that’s going to be an obstacle to getting any sort of work done, but it’s more than that. I’ve always felt more grounded with things I love around me, so it makes sense that I would focus better when I carry that over to my writing space. Especially on a day like today:

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Actual view from our balcony.

I love snow. Snow is my favorite weather. Snow turns the entire world into a gorgeous, magical playground. I have not, as yet, attempted to get any serious writing done outside, in the snow, but, when I was but a wee little princess, I would stay out in that stuff for literally hours, making up adventures in my head, to the point where my mother would make me come in to have a hot drink and switch to my other snowsuit, because the first one would be soaked through. Snow invigorates me. To quote The Gilmore Girls, it’s my Catnip. My first novel-length fan fiction was set on an arctic planet, solely so that I could have all the snow I ever wanted.

Snow has always meant stories and adventures for me, so maybe that’s part of the current hygge-fication (is that a word?) of my work space. This morning, I rearranged the notebooks on the top of my desk’s hutch, until they felt more harmonious, like they were ready for what I wanted to bring to the metaphorical table. The books I use only occasionally are no longer the closest at hand, but still where I can get to them when I need them. The peacock cup, filled with a hodgepodge of pens I don’t really use all that often, has been demoted to the B team, and now resides on a bookcase, with the rest of my peacock themed collection. Their time will come.

Right now, I want to ground myself in what I am actually doing, what will welcome me to the desk every day. It’s a process, and I’m not going to discount the value of the time spent taking everything out of each cubbyhole, examining it, and putting back in only what has some sort of benefit. I’ve become pen-snobbier (sorry, ballpoints) and more highlighter-savvy (pastel highlighters ftw) and the way I use notebooks has evolved. Behind me, right now, is the blank cardboard binder I set up for Her Last First Kiss use, several months ago, then promptly misplaced.

The system I used to set it up at the time made sense, logically, but it was all theory, and no practice, mainly because I never connected with the way I’d arranged things. It’s probably somebody else’s perfect notebook, but for me? Ehhh, not so much. I’m more of a cannonball off the end of the pier and then splash around until I figure out which way shore is, then plan the best way there sort of gal. Deciding that, because there are four colors of notebook paper, there must then be four sections, of an equal number of pages is not going to work here. If my space doesn’t work, neither will I. It’s like trying to go through the whole day with a hole in a sock, or shoes that don’t fit.

For me, it comes down to the “embracing” part of the equation. This is my writing space. This is me, on a desk. Lots of paper, lots of pens, lots of tiny compartments with hidden treasures. Flickering light that harkens to an earlier time. Lots of layer, lots of detail. Something for all the senses to do. A place to tuck in and spend some serious time. The place I want to go when I want to go home. This is who I am. This is what I do. Welcome.

Unprecious

The first draft of this blog post found its origin yesterday, in the laundromat, while I waited for the first dryer load of the day to do its thing. No laptop for these laundromat trips, and, earlier in the morning, I’d balked at the thought of lugging my whole bullet journal (I use a traveler’s notebook setup, with four smaller notebooks inside one cover that holds them all.) Even without that notebook of notebooks, I would be lugging a double load across two crossings (we live kitty corner from the laundromat) and, after that first foray, would be repeating the journey again, with a larger load.

This clearly meant that I needed one notebook for my bag, so I’d have something to write in, without the big pink monster (Big Pink? Would that work for a bullet journal’s name?) tagging along. Not wanting to delay my start any longer, I grabbed a spiral notebook I’d snagged from a Michael’s dollar bin some years ago, with grand intentions of using it for a novel that is currently in a resting phase. I only had to tear out a few pages (no worries, this is a ring-bound notebook) to make it a completely blank book once more. Blank except for the designed heading on each page, that is; give me a pretty page, and I have a biological urge to put my handwriting on said page. This is a proven fact. Add the clicky black gel pen I snagged when Housemate cleaned out her pencil cup (yes, singular) and off I went.

Since I didn’t have any idea what to write in that book, I went to my fallback, writing about writing, of which I am doing a lot, anyway, with the current writing challenge. When I’m starting a new notebook, like this one, destined to be a commonplace book, and I truly have nothing on my mind, I start writing about the notebook. This particular notebook, I’d grabbed because I couldn’t, at the time, get the notebook I really wanted for that particular project (hardcover deep pink Moleskine, 5×8 inch size, lined pages, for those keeping track of this sort of thing) and, surely, the deep pink background, plus pretty pages (also lined in deep pink) should be enough, right? Eh, not so much. since I only had to tear out a few pages in order to make the notebook “new” again.

Writing about the history of the notebook brought up a lot of feelings; frustration, anger, despair, and, most importantly, the love of writing. My pen filled page after page. I’d thought about transcribing what I wrote, word for word, but that book is at the other end of the house, where Real Life Romance Hero is taking care of a few things, and I’d rather not get in his zone at the moment. The spirit of those pages will have to do.

If this notebook were a child, it would be in elementary school by now. That’s how long I waited for the “right” time to go back to it. I do plan to get back to that story someday (today is not that day, but someday) but the notebook itself was too pretty to let sit. I’d hauled it all the way from the old country when we moved, and I didn’t want that to be for nothing. It wasn’t. Yesterday, I needed a portable notebook of that size and thickness, preferably with pretty pages, so into the purse it went. The pen, too, was from a brand I’d been wanting to try forever (Sarasa,) and, when Housemate plucked it from her cup and asked if I wanted it, I wasted no time making with the grabby hands.

I could have saved the pen for a proper pen test, in my swatch notebook (pen/paper nerd, so, yes, I have a swatch book for pens/markers/highlighters) but what good would that have done? I’m over saving the good stuff for a special occasion. Today can be a special occasion. I’m writing. I’m making something that never existed before. That’s special. Sure, great things have been written on the back of the security envelope from the electric bill, in generic blue ballpoint, but, for me there’s an extra layer of lusciousness that comes from using the good stuff.

Up until now, I’d preferred to save the really good notebooks, the really good pens, for the really good ideas. That meant publishable fiction, naturally, the kind that flows from pen to page, ready for bestsellerdom. The kind, as it turns out, that does not exist. So what was I waiting for, then? Something that would never come? That doesn’t make much sense. I got the good stuff -good, as in it makes me happy to look at it, touch it, put ink on paper, not good as in expensive, because that’s not going to happen right now)- because I love it, not because I want it to sit in a box. I got it so that I could use it. Interestingly enough, that’s pretty much why I have this writing part of my brain. No sense keeping that in a box, either.

Keeping certain pens, certain notebooks, certain ideas on a shelf marked “precious,” to be saved until some nebulous time in the future, when something will be good enough, that’s…well, it’s been standard practice for a while with me, but, now, I’m not so sure. That’s a lot of pressure to put on an inanimate object, and a lot of pressure to put on a writer.  Better, by far, to ink that pen, open that notebook and splash down some ink.

 

 

Somewhere In Between

This is a very Monday-feeling Wednesday. No need to go into details, but I know that, on the other side of this entry, there is a trip to the library, and there is nothing better than an entire building full of books (and, hopefully, series four and five of Being Human‘s UK edition; I’m watching the US version right now, and it’s good, but not the same.) I am not going to count the number of false starts I have had on today’s entry, and no idea when I am actually going to post the entry still owed from last Monday, but these things have a way of righting themselves.

Making a segue to books not writing themselves would be a natural transition, but I’m not feeling that right now. I would make tea, but there isn’t enough time for tea and putting on outside clothes and/or makeup, and making tea, even if I drank it on the fly, so the only answer is to power through, post, and then go to the library and browse some stacks. When putting out creativity gets difficult, that usually means it’s time to take something in, instead.

I’ve done a lot of putting out today, already. I wrote my regular morning pages, and then double morning pages, for the writing workshop I am taking this month. Those pages are writing about writing, and then, if I still have time left in the hour set aside for workshop stuff, then I need to keep writing, on or about my current projects. So far, this week, it’s been about, though I would prefer on, but that happens sometimes. Best thing to do in these cases is not to push things. Take a break, read a book, watch a movie, play a game, and know that the story will come back.

There’s a cycle to this sort of thing, a natural rhythm. Domestic tornadoes are still passing through, though some days are less tornado=ey than others. Some days are somewhere in between. My educated guess is that today is one of those. The fact that it is a Monday-feeling Wednesday should be an indication, and then there’s the whole write tons of morning pages about writing, and balk at the mere thought of writing a blog entry about writing about writing.

There are other things that can fit in this blog. I can write about books and writers that have influenced me and my writing, talk about writing the books/stories I’ve already written, and about the books I’m writing now. The Christmas story is happening this year, though I still have absolutely no idea of the setting or idea or characters, but I want this year to be the year I tick Christmas story off my list (or first Christmas story, I should say, because I have heard these things can be addictive) and, most importantly, getting my time and energy refocused on a career in commercial fiction (specifically romance, specifically historical romance on my own, as well as my collaborations with Melva Michaelian.)

Some days are easy, to put the pen to the page, and some are more nothing doing, put feet up, boot Netflix or Kindle, or pick up a paperback and take a sniff of that heady book smell and remind self what it is about fiction that is so great that the trip back to regular writing after (or, and sometimes especially during) a real life detour is worth the trip. Other days are in between. They involve liberal use of the backspace key, eraser, or violent striking out of words that do not look as great on the page as they did in one’s head. I think this is one of those.

I’m not complaining. These in between days mean that I am leaving the one place and moving toward the other. They mean moving forward, even when I don’t feel like it. There’s still time left in the day, and, if more writing about writing comes into my brain, I am going to honor it, get it all down, and skim it off the surface of my story brain, which I will nourish with books and streaming TV and cups of tea and an office buddy who is always ready to help:

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You got this, Anty.

This post isn’t my favorite, and it didn’t add new pages to any existing (or new) manuscript, but it still counts as writing, and that’s good enough for today.

TheWriterIsOut

 

 

The Gift of January

Second week of the new year. We’ve had some arctic cold, a bunch of snow, a few domestic tornadoes, but, hopefully, they will soon be winding down.  I’m starting thus entry far later in the day than I had planned, as we have a full house today. Real Life Romance Hero is eager to get back to work, and Housemate is down with a winter bug. Skye is ensconced in her favorite spot in front of the living room radiator, possibly dreaming of how she will finally catch the mousies that live in my phone, the next time I load one of her cat games. Light snow is falling outside, and, by Friday, the subzero temperatures will be replaced by the near-tropical forecast around the fifty degree mark.

Welcome to January. When I went to set up my planner pages for the coming week, I didn’t want to stick with the same color palette that had seen me through fall and this much of the winter. I’d wanted to use a more Christmassy color scheme for December, but, as December was pretty much a poop show, I never got around to that, but it’s January now. There’s a new calendar in the kitchen, RLRH is on the mend, and my schedule is filling with things like critique and writing dates, scheduling a Skype session with Melva, a thirty day writing challenge, and, generally, a return to a focus on the writing life.

JamuaryColorScheme

The sugar skull does not actually appear in my planner. It’s a sticker I slapped over some notes that are of no interest to anybody but me. I’ll fill in the actual events and appointments for the week later; the blog entries due (one, still, from last week) and times when, as per instructed in the workshop, I need to shut the door and do nothing but write.  Last night wasn’t about the planning, or the writing. Last night was about the January-ness of the next three weeks.

I hadn’t thought about January-ness much before. Last night, though, it was all about rifling through my stash of markers, to find the perfect mix of colors that would ground my brain in this particular part of the year. “Icy” colors weren’t right. I didn’t want to feel oold when I looked at my week, or at each individual day. I want to feel present and want to look at the page, want to do the things I have written on it. For some, this isn’t important, but, for me, it is. The right colors help me feel grounded. I am here. I am doing this. Marking off the sections for each day, each heading, stenciling in the letters (my days of the week are in Dutch) and numbers is part ritual, part recreation.

What it is, mostly, is foundation. While I’m normally a December kind of gal, this year, it’s all about January. Kind of cold, but I like cold weather. Kind of gray, but gray is one of my favorite color. This time of year is for new beginnings, and resolutions, and getting (back) in gear, and I can very much identify with all of that. Maybe it doesn’t come with as many sparkly lights as the Christmas season, but I do have a string of white fairy lights that will, at some point, be going up around my desk area. January does, however, come with calendars and planners, of which I highly approve.

Right now, the only writing tracker I have going is titled Did You Write? One box for each day. If yes, it gets filled. If no, it gets an x. So far, it’s all solid colors. I’m calling that good. Said colors started out in an icier palette, which put me too much in mind of Disney’s Frozen, which I have not seen, but the colors from my planner; those feel right. Those bring the January-ness to the fore, and make me want to fill in those boxes.

The start of a new year has a lot in common with getting back to normal life after a crisis. Some of the dust takes a while to settle, but the whole start as you mean to go on thing has a lot going for it. Even if I’m not feeling it on a particular day, that hour (at least) with the door closed, when I cannot do anything but write, that’s as important as the rest of the things on my schedule.

That’s the gift of January; the barrier of a closed door, the open page, the invitation for imaginary friends to come and do their things, no matter how crazy “real” life has been. How crazy it still is, for that matter. For me, this January comes wrapped in warm greys, soft blues, and muted greens, in pages and possibilities, and the invitation to, for at least that hour each day, leave the “real” world on the other side of the door. January sticks a stake in the ground, to mark the importance of story time, and my dedication to it. I think January may become one of my favorite months.

TheWriterIsOut

Typing With Wet Claws: Uncle Smells Like Vet Edition

Hello, all. Skye here, for the first Feline Friday of 2018. It is very cold here, in New York’s capitol region. Yesterday, we got a lot of snow, so much that Anty and the writer friend she was supposed to meet for lunch had to move that meeting for next week, because the humans had to stay home and stay safe. Tomorrow will be very, very cold, so Anty and Mama plan on staying put (Uncle will probably have to go to work) with blankets and hot drinks, and, hopefully, some books, but that is not the most important thing I want to talk about this week.

Normally, I have to talk about Anty’s writing first, but this week is an exception. This week, Uncle got very sick, and Anty had to call special humans to come and help him get to the Right Now People Vet. Anty put me in Mama’s room, with two bowls of water, before they came, so that I would not get in anybody’s way, or get too scared. I could still hear things, though, and Uncle smelled very sick. It took seven humans and a special chair to get Uncle into the carrier, and then to the Right Now People Vet. They kept Uncle there for two nights, to make sure that he was really okay. They did a good job, because, yesterday, Uncle came home. He did not smell sick anymore, but he did smell like vet.

I do not like the smell of vet, and that includes people vet, but I do like the smell of Uncle. He came home yesterday morning, in the middle of all the snow. I had been curled up in front of Heater, and then I heard a human at the door. Then the door opened, and it was Uncle. I ran to him, at top speed. He is my favorite, and I love him the most. I was not happy while he was gone. Today, I went to Anty and cried, when Uncle stepped outside for a minute. Then he came back and fed me, and I was happy again. I let him know I do not like closed doors, because I need to be sure that he is okay and that he is still here. I even let Anty know that I do not like her and Uncle being at different ends of the apartment, because I want to see both of them at the same time. I will calm down pretty soon, but, right now, I want to keep making sure.

It is kind of like that with Anty and writing. I am going to save the real start of the year post for next week, because Anty’s attentions have been mostly elsewhere this week. She did post at Buried Under Romance on Saturday, taking a look back and a look forward, at the same time. That post is here, and it looks like this:

BURhappynewyear

Normally, this is the place where I bring you up to date on Anty’s Goodreads reading challenge, but this has been a special week, so I will stat off the 2018 reports next week. Anty only got a little bit of reading time this week, and she ended up DNF-ing two different books. DNF, in the reading world, means did not finish. Anty does not like to do this to book, but, this week, that was the right thing to do. Anty does not want to say which books they were, but both of them were anthologies. One was historical romance, and the other was YA. Maybe Anty will try them again, later. Right now, she is reading the new version of a favorite classic historical romance, and that will probably be her first review of the new year.

All told, Anty read ninety-nine books in 2017. Because of all the commotion this week, I did not get an exact percentage of historical romances in Anty’s reading this year, but if Anty did not make her goal of fifty percent, she came close. If I count the historical fiction with strong romantic elements, I think she probably did, but it was close. Part of that is because Anty found a lot of new authors in YA fiction this year.

For this coming year, she will still be reading a lot of YA, but she also wants to tighten her focus on historical romance, and, specifically, the kinds of historical romance that remind her why she is in this writing business in the first place. Because Anty’s second love, after writing, is planning and organizing, she came up with the perfect tool:

bujpreadomggpa;s2018

 

The TBRR stands for To Be Re-Read, and that means reading books that she has already read, that made a special impact on Anty, with an eye to taking note of what, exactly, made that impression, and how it did that. The TFR should probably be TBFR, which stands for To Be Finally Read (or To Finally Read, either way.) Those are books Anty has always meant to read, but never got around to reading before now. There are twelve in each list, one for each month in the new year. The plan is that, when Anty hits a lull, or she does not k now what she wants to read, she can pick one book from these lists, and, by the end of the year, have them all completed. Since that would be twenty-four books, that would also make a nice dent in her goal of ninety books (she is keeping the same goal for this coming year) in 2018.

Mrandmrsgothyclaus2017

Happy Holidays, from Mr. and Mrs. Gothy Claus.

Now, back to writing, because that is the bigger focus. When Anty and Mama came home from the people vet, where Uncle had to stay, Anty immediately put on some special gloves and took a trash bag and collected things that the Right Now People Vet Helpers had left behind. There were wrappers from things they had to unwrap, to help Uncle, and some other things that do not make good kitty toys. Getting those things out of the way was part of getting everything back to normal, so that we could all do what we needed. It is kind of the same thing with writing. Once a crisis is past, it is time to pick up the debris, and get back to business. I think that is a good way to start the new year.

That is about it for this week, but there is a whole year of Feline Fridays ahead. Let’s make it a good one. Until next time, I remain very truly yours,

skyebyenew

see you next week

 

Not So Tucked-Away Week

Normally, in our family, the week between Christmas and New Year’s Day is referred to as the tucked-away week. This year, not so much. This year, we have some domestic stuff to wrangle, and our annual gathering with friends, that usually marks the new year, will be happening a bit later; this year, it will be in the middle of February, shortly after Valentine’s Day. For me, that caps the winter holiday season, so that’s ending things in grand style. Until then, it’s a bit of an adventure.

My Christmas historical romance binge continues apace, and my planner now has two full pages, listing historical romance novels to re-read, and to finally read, in the year to come. Writing-wise, big goal is to get at least one book out there in 2018. Finding more freelance blogging work would be fabulous, too, and, once the dust settles, that’s definitely on the agenda. None of that can happen, though, without regular work on the works in progress.

That’s easier said than done sometimes, especially when there are hoops to jump through and processes to follow, and getting a stretch of time when one is both conscious and uninterrupted feels like the true holiday miracle. Note that there was no mention of “inspired” or “in the mood.” Sometimes, the anxiety beast has to run itself into exhaustion, and, when that happens, there isn’t a lot of energy left to get excited about much of anything. Thankfully, though, there is a sort of creative muscle memory, and, if I get a pen in my hand, and some paper in front of me, sooner or later, the two are going to connect. I would say butt in chair and fingers on keyboard, but A) Facebook, B) blinking cursors are easy to stare at for hours on end.

I would be remiss here, if I did not mention the irritation of logging into Netflix for my much-needed Being Human fix, only to find that, sometime in the night, a door had apparently appeared and the whole show walked through it.  Pause here for an audible “humph.” Cue fingers drumming on desktop, and half-hearted watching of a British period comedy that should have caught my interest, but, over halfway in, has not. I may need to brew yet another cup of tea and retreat under a fuzzy blanket with yet another Christmas novella, and, maybe, a new notebook.

Those who know me, know that pens and paper are my natural environment, and, given the same, I will produce something. At the moment, I’m not entirely recalling what the official stance is on the writing of commercial fiction during the tucked-away week. My best educated guess is that it permissible, and possibly encouraged, which I will take as a sign that moving in that direction (possibly after a suitable interval of reading, cat in close proximity, is a good idea, and a likely eventuality.

So far, this year, I have watched precisely one Christmas movie. It was an older Hallmark movie, decently cast, but I have several questions about some of the writing choices. Both my Christmas mainstays, The Holiday, and Love Actually, are readily available, on DVD, as well as streaming. Three, if I count About a Boy, which I do, though, again, I have not watched this year. Okay, four, with the Jude Law version of Alfie. Not technically a Christmas movie as such, but it does have a pivotal plot point at Christmas, so that counts for me. Okay, five, with Mr. Magoo’s Christmas Carol, which very much is a Christmas movie, as well as the first movie I ever saw, so double nostalgia points.

This year,  the tucked-away week does not feel all that tucked away, but I still like to think that the spirit of it remains, even if concentrated in small doses, instead of evenly spread out across a long, lazy week. There are still plenty of Christmas cookies, and holiday leftovers, which are an essential part of the week, and the new month, and new year, start on a Monday, which is an absolute delight for migrating to my new bullet journal/planner. Maybe that’s the best part of the tucked-away week (even when it’s not so much tucked away)  the looking forward and looking back, at the same time. The putting to bed of one year and the fresh start of the next.

At this point, some bloggers would stop writing, pick up their cat, and sing “The Circle of Life,” but I am not one of those bloggers, Skye is not one of those cats (she is a floor girl) and I was kicked out of robe choir in high school, for having a bad voice (teacher’s own words) in front of the whole class (I did not mind terribly, as I got to read -you guessed it, historical romance novels- instead of singing, while everybody else proceeded with business as usual.) Instead, I will put the kettle on the stove, plop a fresh teabag in my cup, and rest in the knowledge that a librarian will have series three of Being Human ready for me in a matter of days, and I can work my way down my movie list, with Christmas movies nudged to the top. Probably.

The tucked-away week probably started as a way to extend my favorite holiday, Christmas, but turned into its own thing, at some point I can’t and don’t want to pinpoint. More than anything else, it’s a time to pause from all the rest of life and focus inward, on family and friends, imaginary friends included, and gear up to start the new year with a fresh perspective. This year, I am more than okay with that.

TheWriterIsOut

Heroinecentric

The image in the desktop wallpaper I am currently using is not me, nor is it mine. (It isfrom Pinterest, and it is here.) The notebook, with the Eiffel Tower and the woman with the red umbrella is, again, not me, not my picture, but it is my notebook, because I bonded with it, sitting there in a travel themed display in Barnes and noble. The notebook was sitting there in the display, I should mention. I was standing on the floor, like a normal person. Like a  normal person. Writers are not normal people. Some of us bond with notebooks in bookstore displays, for one thing. That should be an indicator right there, forming bonds with inanimate objects.

Not that it’s the objects themselves (not all the time, anyway) but what the objects represent, and, if they have one (or more) of the writer’s favorite motifs, then chances for bonding are higher. In this case, both images show a lone female figure, facing away from the viewer, and there is some sort of inclement weather situation. There is also outerwear. Throw those all together, maybe toss in a dreamy sort of filter, and it is a perfect storm. That sucker will draw me like an industrial strength magnet.

I don’t know when I first noticed that I liked this sort of image, but it does fit with my preference for stories, especially historical romance, that are heroine-centric. Not that I’m not into the dudes. Real Life Romance Hero is a dude. In fact, he is my favorite dude, and that includes all dudes who ever duded, hence his status as Real Life Romance Hero. Most of the romances I’m into include a dude, and so do the romances I write. I, however, am not myself a dude (RLRH can attest to this) which may be part of the reason I gravitate to heroines first, most of the time.

Not that I don’t love the heroes in my (and others’) books. That’s kind of mandatory when writing romance. These are 100% the heroine’s guys, but I have to be in author-love with them, or it’s going to be difficult to get said dudes to their HEA in believable fashion. I need to fall in love with them through the heroine’s eyes, because, let’s face it, she’s really the one who’s in love with them, and it’s her HEA as much as his. Theirs. This is not my day for pronouns, at least not until I have had more caffeine.

As far back as I can remember, it’s been the heroines that are my anchors to stories, whether read or written. The heroine’s skin is the first one I tend to climb into when I write, though there are exceptions. The hero and heroine of Her Last First Kiss came to me at the same time (convenient when they’re considerate like that, and, with these two, I would like to say that they walked into my office, already holding hands, though they don’t even know each other for the first couple of chapters. Time works differently for this sort of thing, but that’s another story.) and there is one back-burnered story, another Georgian historical romance, where the hero crashed what was supposed to be a regularly scheduled writing session for A Heart Most Errant, a medieval, turned the chair opposite me around, straddled it, and informed me I’d be writing about him that day, instead. Can’t argue with a hero like that, though, and, since I write romance, I knew that a heroine befitting him would not be far behind. (Spoiler alert: she wasn’t, and I look forward to getting back to their story soon.)

One of these days, I am going to track down the blog post (and do not ask me on what blog, because, at this point, I am starting to think it was probably a guest post) where Ilona Andrews wrote about teacup romances (books where characters, especially the heroine, could carry a cup of tea throughout the entire book and never spill a drop) and slapping kings (self-explanatory) and probably print it out and post it where I can see it every day, because yes. This. (Well, That.) As much as I love tea, and, generally being British, and generally living in periods when tea was known to and available in the British Isles (and other parts of the empire) they do drink tea, which therefore means that they are likely to carry teacups at some point, if I have a choice between carrying teacups and slapping kings, it’s king slapping, every time. Full disclosure: I have not read any of Ilona Andrews’ novels, as SF/F can be a hard sell for me, but never say never. I suspect I might like the kind of heroine she writes. (They write, as Ilona-the-writer is really Ilona and Gordon.)

There’s one more thing that draws me to these sorts of images, and, perhaps, to these sorts of stories. I love the heroine’s journey. Life was not always as easy for women in previous eras (not that it’s a cakewalk now, by any means) and finding out how the heroine is going to get what she wants, within the strictures of her time and society has always caught my interest. Figures, then, that when I need to figure out things in a story of my own, getting outside and taking a good long wander usually gets things going. So far, I have not been able to convince any photographers to follow me, but, again, never say never. For romance heroines, (and, one would hope, their writers) anything is possible.

Making a List and Checking it Twice

Somewhere in our family photos, there is a picture of baby me, all of two months old, dressed in red velvet dress, with poofy white sleeves, under my very first Christmas tree. Since that album is in storage, I can’t include that picture here, but I do remember the look of utter befuddlement on my face, the baby version of “WTF is going on here?” Granted, two-month-olds have that reaction to a lot of things, because, at that age, basically everything rocks their worlds, because they are only two months old and literally everything is new.

It has been a while since then. The tree is not yet up in the living room of present-day me and family, but fingers crossed for tonight. We do have the white lights around the arches that connect living room to dining room and Real Life Romance Hero’s office, and Skye frequently has her hopeful/worried look, so, in that way, the circle is complete.

RLRHoffice

This entry is my fifth attempt at blogging today, and, whatever it turns out to be, this is what I’m sticking with, because, otherwise, we edge into overthinking territory, and I am not willing to do that. Not one week before Christmas. Okay, not any other time, but I am going to hang onto the Christmas cause for right now, and trust that it’s going to take me in the right direction.

As of today, I am two stories and change into my first Christmas historical romance anthology of the season. Late start for me, but I did read one independent novella already, so maybe the start isn’t that late after all. I still have my annual viewings of Love Actualy and The Holiday to fit in somewhere, not to mention Mr. Magoo’s Christmas Carol (which was, incidentally, the first movie I ever saw.) RLRH is doing much better, back at work, and wrangling a few household things. My cold is on its way out, and we are now in the last week before my favorite holiday of the year.

This year is going to be an intimate holiday, with immediate family only, which is fine, because it’s been a stressful few months, and we’re all tired. Since past experience tells me there will be a point where the other humans will retreat to their neutral corners, (no telling who Skye will follow) odds are good that I will have some free time on Christmas day. Part of this, I have no doubt, will be spent watching a movie with a friend, over Skype, and there is every chance that I will, at some point, dress my Sims in ugly Christmas sweaters and make them have a more raucous celebration than there will be in what is commonly called “the real world.”

The other thing, that I know for sure is going to happen, is that I am going to drop in on some of my imaginary friends for their Christmas celebrations. I’ve always done that, and I don’t see that changing anytime soon. Since one of my goals for 2018 is to write a Christmas story, the first step along that trail is to identify what kind of Christmas stories I like to read. That’s probably the sort of story I would like to write, as well.

So far, I’ve got “historical.” That’s a given, because I am me, and the time period will likely be sometime between the medieval era and the end of the eighteenth century. Out of that selection, I like the Tudor era the best, but not picking teams at this time. Too early in the game for that, but narrowing the scope down to a span of a few centuries is a good place to start.

Since star-crossed lovers who make it work is my all time favorite trope, that’s another likely suspect, and, when working with the shorter length of a novella, having the two lovers have a previous or existing relationship comes in handy. Second chance at love (with the same person?) could fit in nicely here. There are a few couples who have been bopping around inside my head for up to double digit years, who might appreciate a chance to come out and play in the snow, so that would also count as a bit of prep work done ahead of schedule. Which ones, though? That’s the question, and there is ample time to figure it out. This may or may not involve American Idol type auditions in my head (Christmas Romance Idol, anyone?) but I would not consider that a bad thing.

I do not currently own a red velvet anything, and outright refuse to wear puffy sleeves, and the only way I would fit under our current Christmas tree (once we set it up for this year) is if we put it on the window seat and I sit on the floor in front of the radiator (which is actually pretty cozy this time of year) I suspect that I may, on occasion, have the grown-up version of the WTF face from my first Christmas, as I embark upon the adventure of my first Christmas romance. I think that’s part of the process.

I should probably start writing this down somewhere, maybe even in one of the extra special notebooks I’ve been saving for exactly the right project. Newsflash: there may be no such thing as exactly the right project, but there are projects that become exactly what they should be, with time and attention, and, maybe a dash of the Christmas spirit.

 

 

 

 

Typing With Wet Claws: Ten Days to Christmas Edition

Hello, all. Skye here, for our regularly scheduled Feline Friday. It has been a quiet week here, as Uncle continues to get better, Anty continues to battle the cold, and Mama gives both of them a wide berth, because somebody has to be healthy in this family. With the lack of human supervision, I have found the winter and holiday frames for pictures, so I will play with those for a while. Nobody here is going to stop me.

Even though I am not supposed to talk about anything else before I tell readers where they can find Anty’s writing on the interwebs (besides here, though even this is mostly me, this week) I do not think she will mind me taking a minute to wish Happy Hannukah to all of our Jewish and Messianic friends. Hannukah is a wonderful time of year, filled with the richness of history, the importance of faith, and, best of all, dreidels, which are the perfect size and shape for kitties to bat around the floor, especially when the humans are all in bed. Our family is not Jewish, so I have not had the pleasure myself, but that is what I have heard from kitties whose families are. Happy Hannucat, and bop one under the couch for me, okay?

This week, as always, Anty was at Buried Under Romance on Saturday. This week, she talked about the gift of romance, in more ways than one. What ways you ask? Pop on over to Anty’s post, and see. That post is here, and it looks like this:

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Now it is time to talk about Anty’s progress on Goodreads. Since she has already read past her goal of ninety books for the year, we can count that a success and start looking ahead to next year. Anty did not get a lot of reading done this week, understandably (although she did make good use of Netflix, and has been taking some good naps) but she did read her ninety-second book of the year, and wrote a review. That review is here, and it looks like this:

GRthedisenchantments

Anty has been eyeing a few historical romances as she battles this cold, so I am sure that she will have more to say on that front by this time next week. Writing should be better this week, as well, as Anty gets her brain back, Uncle returns to work, and the Christmas season kicks into gear. Normally, by this time, Anty is in full Christmas mode, but it has been an unusual week. There are, as of yet, no decorations up, but Anty plans to get things more festive looking by the start of the new week. She had better, because that is the last week before Christmas. She has pulled off better in less time, so I have no doubts. A couple showings of Love Actually and The Holiday, and she should be good to go.

One encouraging sign in that direction is that, today, Anty finished writing in her overflow notebook. Every morning, Anty writes morning pages, and when she is done with those morning pages, she has to stop. Sometimes, though, she does not want to stop, or she wants to do a brain dump at a time that is not morning. That is where the overflow book comes into play. Anty first started writing in this book in 2010.

Overflowbook151217

I do not mean that it took Anty seven years to fill one notebook. She was not sure at first what she wanted to use this notebook for, so she had several false starts. She would write a few pages, feel it was not right, stop, put it away, sometimes for years, and then take it out, to try again. At first, it was lists of things Anty likes, then some other things, and, in time, it became the overflow book. Today, when she saw she had only a couple of pages, she used those pages to set some writing goals for the year to come.

I will let Anty tell you about those in a future blog entry, but she likes that she was able to write down some concrete goals on the last page of a book she started a long time ago, not knowing what the book’s purpose would be. Now, she gets to look through her notebook stash and pick another. I do not think it will take her seven years to fill this next book, especially since she now knows what an overflow book is.

Okay, I think that is about it for this week. Until next time, I remain very truly yours,

skyebyenew

see you next week