NECRWA Recap, Part Two: The Workshops

This year, I attended six and a half workshops, moderated two, have a batch of handouts to preserve in binders and lots of useful tools to add to my writerly toolbox. 

Friday

Though Melva and I arrived at the conference mere minutes too late to attend Katy Regnery‘s workshop on boutique and small publishing, we were right on time for T.L. Costa’s “An Agent Wants to See Pages, Now What?”  Ms. Costa’s infectious energy whisked us through the essentials of polishing manuscripts, use of active voice and making white space our friend. She put us to work with a Cards Against Humanity-like exercise, randomly pairing unique characters and settings. to come up with openings to hook agents, editors and readers. My assignment was “seventy-six year old man with a broken hip” and “p*rn convention.”  My exercise may have included the phrase “lifetime achievement award.” 

Next up was my first ever time moderating a workshop in person (I’d been online workshop chair during my tenure at Charter Oak Romance Writers) I’d already heard Leigh Duncan’s Book It, Dan-O on a recording of last year’s national conference, and found it extremely helpful. I’m still a paper gal at  heart, so learning how to use a good old fashioned binder to organize my research and plotting was right up my alley. Leigh couldn’t have been more gracious, or put me more at ease. To access Leigh’s handouts at her website, click link above. I’m going to have to try some of these for my own notebooks. My only disappointment was that Leigh’s workshop was opposite Cathryn Parry‘s Rediscovering the Joys Of Writing, which I also heard on last year’s National recording. I have handwritten notes aplenty from my multiple listenings, and would love to catch Cathryn present it in person in the future. 

Saturday

Another favorite workshop started off the day, Patricia Grasso’s Plotting With Panache. I always get something new out of this workshop, which applies the estimable Ms. Grasso’s plotting techniques to two classic movies: Jaws and Disney’s Beauty and the Beast. Bonus points for handwritten handouts, including a blank plotting chart to try out this method on our own. I was thrilled to moderate this one, as Ms. Grasso has long been a favorite, and her workshops are not to be missed. Definitely need to get current on her backlist, as this workshop reminded me how much I enjoy her voice. 

My half workshop was the Ann DeFee half of “From Monty Python to Michelangelo,” by Linda Cardillo and Ann DeFee, but Melva proved her friendship by snagging me handouts for the whole thing. Though my pitch session didn’t allow me to hear Linda Cardillo’s approach, Ms. DeFee’s voice came through loud and clear as she gave helpful pointers for keeping comedy true to the authorial voice. Bonus points to both presenters for dressing as a team, in gorgeous jackets, identical in design and complementary in color. Now that’s commitment to team teaching. 

Terri Brisbin taught us how to be happy hookers…in the writing sense, that is. Standing room only for this one, though I did snag a seat when another attendee left for a pitch session, and Terri promised to send pdf files of all handouts to any who didn’t get the paper version. Along with Terri’s handouts on different plotting techniques and how to hook readers, she also gave us Deborah Hale’s adaptation of The Hero’s Journey to romance specific writing, titled The Lover’s Journey. There’s another workshop I’d love to attend, if Ms. Hale were to present it. I have a few Brisbins moving up the ladder on my TBR pile as well. 

Barbara Wallace spoke on Busting Through Writer’s Block, detailing different sorts of blocks, brainstorming ways around them, and would you believe there’s even a case for neuroscience having a hand in this? Surprisingly (or not,) there is. No easy cures, alas, but this workshop offers some useful tools in getting back in the writing groove, whether the cause is medical, situational or creative. 

Final workshop of the weekend had my ears perked, as former Harlequin Presents powerhouse Sandra Marton spoke on her transition to self-publishing and presented (pun unintended) the pros, cons and cautions of  taking the independent route, as well as some blunt talk about money along the way. In short, with great power comes great responsibility, but oh how sweet freedom can taste. Short-short version, self publishing isn’t for sissies, but can be a viable route for those willing to work hard. 

I wasn’t able to attend all the workshops, alas, so am still looking forward to Devon Ellington‘s workshop on building a series, Madeline Hunter‘s workshop on books that write themselves (wouldn’t that be handy?) and the other intriguing offerings at future events. 

 

 

 

 

NECRWA Recap, Part One

Back home now from NECRWA 2014, bags unpacked, laundry done, swag photographed (pictures to follow as I find a way to convince my camera and laptop to talk to each other) and mostly sorted, and I am full of tales to tell. Let’s start with the personal experience.

The ride to the conference, with dear friend and traveling buddy,Melva, went  smoothly, without our traditional getting-lost-when-almost there, and the funny feeling of not being encumbered by too many bags proved to be only that I have finally learned how to dress and pack for a conference. Room was comfy, buffet style meals meant that I was able to eat, even with my allergies, and the swag was plentiful.

This was my first year volunteering, and I ended up moderating two workshops, Leigh Duncan‘s Book It, Dan-O, which covers organization and plotting, and Plotting With Panache, by Patricia Grasso. I also had the chance to help set up before breakfast on Saturday, dropping books on chairs, which actually turned out to be fun, and with three of us working at the same time, went fast.

My pitch appointment was with Louise Fury of the Bent Agency. Though she said very lovely things about the sample pages I’d sent in, of my postapocalyptic medieval romance, Ravenwood, she did not ask to see the full ms. She did, however ask if I had anything else, and when I mentioned I am working on a Regency, she asked me to send that when it’s complete. That, I most certainly can do, and Louise was gracious enough to suggest some alternative routes for getting Ravenwood to readers, adding that is is a story she would totally read for pleasure.  So, while it wasn’t the outcome I’d hoped for with that ms, still very encouraging, and we even got to talk makeup for a bit.

Not bad at all, even if my slip did fall off on my way out of the room. Since I was due to moderate Patricia Grasso’s workshop, I picked up my undergarment, stuffed it in my bag and forged ahead. This was not my only mishap of the weekend, as I tore a nail down to the quick when I forgot to let go of the handle when opening my traveling companion’s hatchback as we loaded our luggage on Saturday afternoon. No permanent damage done, but I don’t want to repeat the experience, either.

The conference as a whole, though? Oh yes,  must do this again, and I’m already making plans with friends both old and new for next year. That’s one of the best parts of a conference; people I didn’t know existed on Thursday, by Monday, are now dear friends I couldn’t imagine living without. There’s the chance to introduce friends from my old life in CT to friends from my new life in NY, and finding they mix beautifully. There’s the excited squealing that only comes when two until-then strangers find they have the same all time favorite book and then stay up late into the night, excitedly chattering about the same. There’s checking up on those with whom one shared a pitch session waiting room, and bonding over both getting the same “medievals aren’t selling” line – and vowing to find a home for those books of our  hearts anyway.

Almost forgot (okay, I did, I’m adding this after I hit “publish”) getting the most definitive answer possible to “is Scrivener really for me?” – I won a copy in a basket raffle, courtesy of Jennifer Ackerman Kettell, complete with a copy of her Scrivener Absolute Beginner’s Guide, and an offer of personal tech support. Plus it came in a peacock themed box, with a peacock mug, which alone would have thrilled me, as I am very fond of peacocks.

Next up: the workshops.

 

Camp NaNo in my Rearview Mirror, NECRWA Ahead

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WordPress has stopped reminding me to make my weekly post. Part of me considers that a victory, because I am unique like that. Of course that’s when I actually do blog, go figure. Writing a blog is, at times, harder than writing a book. With a book, I know what story I’m telling, I know where the beginning, middle and end are, and I’m reasonably certain that there are people out there interested in reading it. With a blog, however, there aren’t as many guidelines/conventions. Why should someone take time out of their day to read my babbling? Not quite sure, but plunging ahead anyway.

 

 It’s May, Camp NaNo is now behind me, a new book started, and tomorrow, I head off to NECRWA’s annual conference. I don’t want to count how many years it’s been since I started going, but it’s always an amazing experience. Conferences are like Extrovert Christmas – a chance to see old friends, make new ones, and drink in all the energy of  hundreds of other people who love to do what I love to do. In my case, that’s reading and writing romance.

The free books and swag don’t hurt either, but the big draw for me is the people. It’s a chance to reconnect with former chapter sisters whom I haven’t seen, in some cases, since last year, or before I moved to NY. It’s a chance to hang out with current chapter sisters (maybe brothers, if either of the CRRWA’s gentlemen members are in attendance) and learn from people who are, professionally, where I’d like to be this time next year, or maybe a few years down the line. It’s a time to encourage new writers of romance, who are only starting out on this journey, or  may be new to the genre. It’s a chance to discover kindred souls around the dinner table, over dessert, in the elevator, waiting for a pitch appointment or while wandering the halls because I am liable to get lost at least once. I know me. 

This year, I’m coming off a successful Camp NaNo experience, and two recent Heroes and Heartbreakers posts on two romance authors who have influenced my own work and my love for the genre, Kate Rothwell, and Lynn Kurland. I’m working on a novel I love, and will be pitching Ravenwood, my postapocalyptic medieval romance. I still get nervous, even though I love pitching, but sitting in the holding area, with other writers going through the same mix of nerves and anticipation gives a boost of energy that is more than enough to quell the shakes. 

Saturday night, I’ll drag my exhuastified body home, laden with books and swag, a camera full of pictures (if i remember to take them) and lots of memories. Maybe even a request for a full ms, and possibly a new idea or two. Definitely enough for another entry, with or without WordPress’s reminder.