Declaring My Major

Later start on the blog than I had expected today,  but that’s fine. I wrote two pages of a scene for Girl and Guy, from the Beach Ball, while at the laundromat, did some recon for an upcoming feature at Heroes and Heartbreakers (oh, the odious task of looking for outstanding declarations of love) and took a picture for the original concept of this post, which was going to be about my inability to resist pretty paper. Yes, the paper on which I write does have to be pretty, thankyouverymuch, and I am particular about it. Nothing wrong with having the right tools for the job. That almost works as a transition to the thought that hit me part way through my process of winding down yesterday evening.

We’ll skip the particulars of said winding down, as it happened in a room where the furniture is made of porcelain, but there I was, thinking of something entirely unrelated, and then the thought hit me: I’m focusing on the eighteenth century now. This should not have been a surprise. I wrote about that exact thing the day before yesterday. I jabbered about it at lunch with my BFF. I may or may not have sent thought waves out into the ether, because that seems to be a step in my process (much like my need to circle a scene and smash my head against a brick wall or two until I bust through) but it wasn’t until last night that it sank in that I am declaring a major here.

Back in another life, I majored in early childhood education. The most important thing I learned by studying that discipline is that I am not suited for early childhood education. If I ever master time travel and end up as a seventeen-year-old college freshman again (though, seriously, if I ever master time travel, my own seventeenth year is not where I would be going) I would strongly counsel seventeen-year-old me to go with her gut and major in drama, like I originally wanted to do. Declaring a major means deciding where the majority of  my time and mental energy is going to be allocated. That decides what I study, how much I study it, and what things have to get moved to the side to give my main area of focus some breathing room.

For a writer, that means we are now in the realm of branding. As an advertising executive’s kid, I learned, from an early age, that how a thing is presented has an effect on how that thing is perceived. Writers need to let readers know what kind of story they can expect when they pick up one of our books. What kind of story are we going to tell them? In what kind of world is this story going to take place? For historical romance readers, in what era do these stories happen, and how much is the history going to affect the romance? All important questions, and all part of building a brand.

I am still a temporal nomad at heart (can we call this interdisciplinary studies?)  I love a lot of periods. I have a rough draft of a Golden Age of Piracy romance, which may need to be two books (because I didn’t count on falling in love with my heroine’s parents in that one, and kind of want to play with them for a while) and a post-apocalyptic medieval romance (the Black Plague counts as an apocalypse – fifty percent of Europe taken out in a twenty year span? Totally counts.) and they will get written. I still want to write more seventeenth century, and I will. That dewy-eyed twenty-three-year-old hasn’t given up on the Tudor era, either, and I want to write in the Edwardian era again, but moving forward with a career plan means figuring out what kinds of stories I want to tell for the foreseeable future, and, last night, my brain told me what that was.

This is a good thing. Picking a major means focus. It means that eighteenth century romances get precedence on my TBR shelves. Not that I can’t read books set in other eras (hello, temporal nomad here :waves:) and a good story can be set anywhere, but, right now, seeing how others who have gone before me do what I am doing now becomes extra important. It’s picking a direction in which to travel, especially now that, with two WIPs viable to term, I’m looking at what comes next. I know the time in which these new stories will be set, so that settles that issue, an important one to writers who do love a wide array of settings. Back in another life, it was common for a historical romance author to write one medieval romance, then the next book might be a western, then a pirate story, then Gilded Age New York, then an Elizabethan, then Australian, then American Civil War, then…well, who knows? I would love for that sort of thing to come around again, and I hope that it does, but, for right now, picking a major and going for it is the smart move.

 

 

Eighteenth Century Love

There’s the way we think things are going to go, and then there’s the way they actually do. This is true both in writing and in life, and, when it comes to the writing life, it may be doubly true. Way back when, in another life, I was a dewy-eyed twenty-three-year old, opening her very first response from a publisher, I thought the response was going to be “oh my, what a wonderful book; can we please, please, please publish it? Here’s lots of money, send us another.” It was not. What I got was a professionally worded version of “you’ve got something, kiddo, but literally nothing happens in the pages you sent us. Please send us something else. Also, learn how to plot.” The “literally nothing happens” part hit me pretty hard, and I totally missed the “please send us something else” part.

Well, for a while, that is. The “learn how to plot” part happened through writing a lot of fan fiction, membership in RWA, and reading enough historical romance novels to build a small house, if stacked correctly. I pored over every issue of Romantic Times magazine as soon as I had it in hand, scrutinized which new releases caught my eye, and why; plot, character type, character names, author’s voice, and, the first thing I screened for every time I hit the historical romance section: setting.

Let’s go back to that dewy-eyed twenty-three-year-old for a minute. She was absolutely sure she was going to write oodles of books in her very favorite setting, Tudor England, because her all time favorite historical romance was (and, :cough: a few years down the road :cough: still is Skye O’Malley, (the book, not the kitty) by Bertrice Small. Second place is still held by Lovesong (and its two direct sequels, same hero and same heroine) by Valerie Sherwood.

top2historicalromances

my two favorite historical romance novels:

Neither of these books has an eighteenth century setting. Skye O’Malley is set in Elizabethan era Ireland, England, Algiers and the high seas. Lovesong is set in seventeenth-century Virginia, England, the high seas (see a pattern here?) and the Caribbean. So far, I have written one kind of sort of high seas story, Queen of the Ocean, set in sixteenth-century Cornwall, but it’s more of an on-the-shore story, as my heroine comes from a family of wreckers, and she and her hero don’t  hit the high seas together until the very end. I dipped my toes into the seventeenth century waters with Orphans in the Storm, set at the end of the English Civil War. My very first book, My Outcast Heart, does have an eighteenth century setting, but it’s set on a small farm in Bedford, NY, a far cry from the glitter of the Georgian Court.

Her Last First Kiss gets closer, as it’s at least set (well, mostly) in London. I do a terrible job of staying in one place, setting-wise. In my heart of hearts, I am still a historical nomad, and fully plan to use a variety of settings (I must apologize to the Regency era for attempting to write in it, though. That did not go well for either of us.) but, lately, when I need to come up with a historical idea, my brain goes directly to Century Eighteen. In retrospect, I should have seen it coming, having spent my first ten years in a town steeped in colonial history, which had actually been burned to the ground by the British army during the war; yeah, think that imprinted on me pretty well.

I was an impressionable wee princess at the time of the Bicentennial, and eighteenth-century stuff was everywhere.  My eyes naturally went to a certain look when I watched movies set in “the olden days” – lace and heels on everybody, including the dudes, ornamentation everywhere, powdered wigs (hey, they were hot stuff back in the day) and grand houses. When I was a teen and participated in a young artists’ program at Wesleyan one summer, we had a poetry workshop that had some eighteenth century poetry in the curriculum, and I, to this day, remember walking from dorm to the building where we young writers would meet every weekday, floating on the music of those old-timey words. Yes. That was right. That was how the voices in my head naturally spoke. Doesn’t matter what side of the pond they might be.

Fast forward to now, when Melva and I first started batting around what would eventually become the Beach Ball. It’s a contemporary story, set in the world of historical romance. When we got to the point where we had to pick a historical setting for the book within the book, I had absolutely no hesitation suggesting the eighteenth century. That came as naturally as breathing, and so there it was.

Thinking ahead to what’s next, as I’m working on draft two of HLFK and Melva and I keep bringing the Beach Ball to its conclusion, my brain is pretty darned comfortable in the eighteenth century for the time being. I am okay with that. Why does this period feel like home for now? That’s a good question. I don’t know that there’s any one right answer. I’m hoping that the Hamilton effect will ripple into historical romance, and hang out there for at least a little while (though I haven’t written American Revolution yet, and the one time I tried, I had tried to force certain aspects, and it fizzled, taking part of my spirit down with it.)

In the end, I’m going to go with “it feels right,” and leave it at that. If that’s where the stories are, that’s where the stories are. At least we’ll know where to find each other.

 

Typing With Wet Claws: Anything Can Happen Edition

Hello, all. Skye here, for another Feline Friday. Anty and I would first like to thank everybody who asked about Uncle’s paws. They are doing much, much better, and things are getting back to normal around here. At least as normal as possible, with a writer in the house. Then again, I have always lived with a writer in the family, because I was born wild and then lived in the shelter, and this is my only family, so I do not know how it is for others. Maybe I should say normal for us. There was that one day, though, but I will tell you about that later. First, I have to tell you about where you can find Anty’s writing this week, apart from here.

As always, Anty has her Saturday Discussion topic at Buried Under Romance. This week, she talks about what anchors us to a certain kind of story. Anty will admit she was tired and loopy when she wrote this one, so it might be worth reading for the entertainment value alone. Uncle says Anty gets very entertaining when she is extra tired. That post is here, and it looks like this:

bur270117

Anty also had a post at Heroes and Heartbreakers, where she talks about how great Mogul, by Joanna Shupe is. Anty always liked the Gilded Age (a long time ago, in NYC. Anty lived in NYC when she was a very tiny people kitten, right after she was adopted, but it was not as long ago as when Miss Joanna’s books are set.) so she is always happy to see historical romances that use that setting. She thinks there are not nearly enough of them. Maybe Anty should write one of her own someday (but not now, because she is already writing two other books, and she knows her limits.) That post is here, and it looks like this:

handhmogul

 

Now that my obligations are fulfilled, we can move on to the rest of this entry, specifically the part about me. When I have a sick human at home, I work as a nurse as well as a mews. That means I need to sit very very close to the human who does not feel well and shoot love beams at them. If I could jump or climb, I would get up on the bed with them, but I have special paws, so I stay on the floor and send my love from there. Sometimes, when Uncle needs to rest, and other humans are moving around,  he closes the bedroom door. That makes me sad, because I want to be with him, but I understand where he is coming from on this one. Sometimes, I like my door closed, too.

We had one of those days this week. Uncle had asked Anty if she could please be home to let in Landlady and another human, who might like to buy the building. Anty said she would, and she was, but what she did not know what that it would be a whole bunch of humans. Some of them wanted to take pictures of the rooms (including where Uncle was resting, but they said they were sorry to disturb him.) Some of them wanted to turn faucets and light switches on and off. Some of them wanted to open and close all of the windows and doors (not at the same time.)  Some of them wanted to do other things, and none of this fit in with Anty’s plan of a quiet afternoon, spent transcribing her notes.

Because the front and back doors had to be open a lot, Anty put me in Mama’s room (that is where my food dishes and water bowls -I have two of them- are kept, so I would not be hungry or thirsty)  and closed the door, so that I would not go where I am not supposed to go. Most of the time, I am a very good kitty, but, sometimes, the landing outside the front door gets too interesting, and I want to see what is out there. The problem is, I am not allowed to go out there, because past the landing, there are stairs, and past the stairs, there is another door, and past the other door, there is outside. I do not particularly want to go outside. I lived outside before I was rescued, and it was not that great. I also have never experienced stairs, so the humans want to make sure I do not get any surprises in that department. With all those strange humans (and I only knew Landlady; the rest were all new to me) milling about, Anty thought it was best if I stayed in one place.

Anty also thought it was best if she stayed in one place, too. I am glad she did, because her place was outside the door of Mama’s room, so I could smell her. I like it best when at least one of my humans is very close to me. I am their near girl. All the while I was in Mama’s room, I heard Anty’s pencil scratching on the pages of her notebook. Anty loves writing in her notebooks, and, this time, she shut out all the chaos going on around her and worked out what she needed to change for a scene she had written. While she does not want the apartment swarmed by strange, noisy humans, every day, it did remind her that, if she connects well enough with the story, she can write through pretty much anything. That is a good thing to know, because, in this family, anything can happen.

Anything, including Anty wanting to get back to her story worlds, so that is about it for now. Until next time, I remain, very truly yours,

 

 

skyebye

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

 

Typing With Wet Claws: Thinking About Things Edition

Hello, all. Skye here, for another Feline Friday. Anty has been very busy this week, doing a lot of writing, which is a very good thing. I rewarded her efforts by sitting still for my picture, even if I would not look up at her. I had my reasons. This morning, a realtor human came by with an inspector human, to look at some things about the apartment that do not concern me. Anty put me in my and Mama’s room while the strange humans were here. I do not like it when strange humans come into the house, but if that is what has to happen for a while, I will find a way to deal. Probably from under one of the beds.

Since the deal is that I have to talk about Anty’s writing before I can talk about anything else, I will get right to that. First of all, Anty had her usual post at Buried Under Romance this week. Anty apologizes for not including a picture, like she usually does. This was a very full week, and some things slipped her mind. That was one of them. This week, she talked about new reads for the new year. That post is here, and it looks like this:

burnewreads

Anty already said, last week, how much she liked her first story by  Piper Huguley, and that she wanted to read more books by Miss Piper. That is exactly what Anty did, this week, when she read another book of Miss Piper’s, The Lawyer’s Luck, and she liked that one very, very much. Her review for that is here, and it looks like this:

grlawyersluck

I do not know how Goodreads decides who it should ask Anty to whom she wants to recommend a book, but it asked Anty if she wanted to let Miss Piper know about this book, too. I may not know a lot about the publishing business, being a kitty and all, but I think that if the person’s name is on the book cover, they probably know that the book exists. I would also hope that they know the book is good. Anty liked this book so much, as a matter of fact, that she wrote a post on it for Heroes and Heartbreakers. It is not live yet, so I cannot give you a link to it or picture of it. I also cannot give a link or picture of the other post Anty wrote for Heroes and Heartbreakers this week, because it is not live yet, either. I will be sure to let all of Anty’s readers know when they are live. The posts, I mean. I assume all of Anty’s readers are alive, too, although Anty does like zombies, so I guess that would be okay, too. Maybe vampires. She talked about some books that have vampires in them in the other post, but that post is not about vampires. There only  happen to be some vampires in part of it. Explaining these kinds of things can be difficult for a kitty, so I will let you figure it out when the posts (and hopefully you) are live and read it for yourselves.

Most of the work Anty has been doing this week is on her books. By that, I mean the ones she is writing, not the ones she is reading (though if any humans reading this can help Anty figure out the whole ascm file thing, she would be reading even more than she already is.) For part of most of the days this week, she worked on Her Last First Kiss, and then, for another part, the Beach Ball, which she writes with Anty Melva.

That is a lot of writing. It is also a lot of researching. For Her Last First Kiss, which takes place in 1784 England, Anty sometimes has to stop and check to see if what she wants to do is all right for that time and place. There is one part in one chapter, where Hero thinks a really bad word, several times (he is a grownup,. but really, really scared, and really, really mad. That is not an excuse, but an explanation.) Anty was not sure if the bad word was the right bad word. She had to consult with some writer friends who might be able to help her figure this out. Thankfully, Miss Vicki knows this story very, very well (she has known about it since Anty was babbling random things about “the new historical,” that is how long) so she knows what Hero would probably say, and was able to offer some suggestions. This resulted in using more old-timey bad words. I am thinking this is probably not a book for gentle readers. Maybe another one will be.

Anty has also been thinking about what comes next. After she is done with Her Last First Kiss, and she and Anty Melva are done with the Beach Ball, she would like to know what she will be writing after that. One of those is already settled. Anty and Anty Melva already know that they will write two more books related to the Beach Ball. I do not know what they will call those until they get names for them. She still has some thinking to do about the next historical project, though.

In the historical romance genre, linked books dominate the market right now, but Anty naturally thinks in standalone books. That means stories that are complete in themselves, that do not continue to other related stories. Anty is not going to stop writing those, because those are what she loves the very best, but she also knows that the “commercial” part of “commercial fiction” means that market trends do come into account. That also means that Anty now gets to figure out what sort of linked books would work best for the sorts of stories she likes to tell. She has a couple of ideas on that front, and will keep thinking -and writing- about those, but she also is very firm about telling herself “this book, now,” so that she does not get distracted. She is pretty sure she will have what she needs, when she needs it.

That is about it for this week. Until next time, I remain very truly yours,

skyebye

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

The Year So Far

Maybe three days is a wee bit soon to be looking at a year in review, but maybe it’s also a good way to make sure things are going according to plan. Monday, I planned my day to a fare-thee-well, though I did not put “take picture of planner page” on my to-do list, and my phone is, at the moment, at the other end of the house, so you’re going to have to take my word on that one. Having all my tasks laid out in advance actually felt like a huge relief. My critique session with N, on Tuesday, was right there, so, by gum, I was going to have pages to hand in to her.

Never mind that, as soon as I opened the file, the scene told me it wanted to open differently than the way I had it, and I didn’t have the description of the room right -I’d picked the wrong details, as one often does in a first draft- and this could be so much better. Cue furious typing, followed by furious backspacing, followed by more furious typing, followed by the uttering of indelicate language when Housemate’s arrival marked the end of the session, and it was time to wrap things up so we could head to the library to print (because I have reached the end of my abilities in trying to find what the heck the printer wants before it will cough up my pages, and it is now time to call in the pros.) Which is when we remembered the library would be closed, for the holiday. No problem, off to Staples we went. Awesome worker saw they were manuscript pages and told me not to worry about the cost. I take this as a sign. (Probably that she needed to help another customer, but allow me my  moment.)

Back when I lived in the Old Country, and attended a weekly critique group, when a crit went especially well, I would spend the ride home feeling as though I were flying. The same thing would happen when a once-upon-a-time friend and I would critique through snail mail. That this is why I am alive feeling, that isn’t followed by I’ll never do this or everybody else is better than me, but by mental self-fives and victory laps and a desire to do nothing else but get right back to that story as soon as humanly possible and go, go, go. That one. I had it again. Good feedback from N, who also has the start of a most excellent romance novel her own self, and it left me with that flying feeling, a good thing to have when I walked into a small domestic tornado, but no biggie. I got story going on here. Well, stories, but that’s not the important part.

The important part happened Monday afternoon, when I realized I’d missed a big opportunity to make Hero’s first appearance show who he was when the story started, and I had a ticking clock on how much time I had in which to fix that. Which is when the whole brain outlook thing shifts and forget everything else; I am fixing this scene clicks into place. The thing where the writer growls at family members who dare to interrupt, where “yes” or “no” both get substituted with “when I’m done with this scene.” Because, at that moment, the real world is that scene. I like when that happens.

Something else happened this week. When I checked yesterday’s mail, I found this literally on my doorstep:

beatrizwilliamsbook

That sound is my heart going pitty-pat, because Beatriz Williams is one of my all-time favorite authors, and this is an ARC of her newest trip back to the 1920s (and 90s,) The Wicked City. Double pitty-pat, because, along with the gorgeous period-perfect (these books are my historical verisimilitude goals) postcards, was a personal note:

beatrizwilliamsnote

I still haven’t decided if this is going in an art journal or in a frame on my office wall, but it’s inspiration in more ways than one. My very first exposure to the historical romance genre was Bertrice Small. Before her marriage to George Small, Bertrice Small was Bertrice Williams. I know there’s no connection. (Maybe Beatriz Williams read a Bertrice Small novel at some point; I don’t know. Maybe she hasn’t.)  Beatriz is a form of the name Beatrice (I am also a name nerd in addition to being a historical romance nerd; I have been collecting name books since I was eight) and Bertrice is a created name, to honor one of that esteemed lady’s beloved relatives. There’s not a connection, but there is, for me.

Both women are authors whose storytelling and ability to make the historical eras in which they write feel as real and immediate as the modern day. They do/have done what I want to do, give readers an entire world, populated by people of its time, and make them feel the story in a real and visceral manner, rather than observe it from afar. Like I said, goals. The name nerd in me likes that the two names are similar, and having a personal note, well, that’s extra special. Pretty sure, now, that this baby is going on the wall, over my desk, so I can see it every day.

Three days into the new year, I have a system in place that lets me know what I’m doing and the time I have in which to accomplish it. I don’t have to write a whole book (and a half) at one time, only this one scene, and I have my list of things the scene has to do, right here at hand. So far, so good. Now for the next 362 days.

Waiting on Wise (Wo)men

Technically, it is still Christmas until January 6th, but it’s the first Monday of the new year, and that seems like the perfect time to jump back into the daily routine, beginning as I mean to go on. New year, new chances, and all of that. I like the idea of a clean slate. It fits into my clean sweep/more layers mindset, and now it’s time to draw from that well that the tucked-away week filled.

This time last year, I did not have a new planner to move into on the first of the year, and I don’t have one to move into this year, either, but for a different reason. This year, I picked up a seventeen-month planner (how have I managed to ignore these things until now?) so I moved into the new planner in the summer, and am starting the year off by using the stuffing out of this one. The pen for this book is actually a Sharpie liquid pencil (another thing I had no idea existed until recently) and, so far, it’s working. I have long since accepted that I am a planner. I want, even need, to know what I’m doing, and when I’m doing it. Then, within those boundaries, I can run wild. Hey, it works.

So, what does the new year hold? For one thing, lots of historical romance. Actually, that would be two things, as I mean both reading and writing my favorite genre. Last year, I set my Goodreads reading goal at fifty  books. I actually read eighty-nine, so this year’s goal is ninety. I have one down so far, and should be finishing at least one more in the next day or two. The way I figure it, if I read two books each week, allowing two weeks for dry spells/rest/deadline crunches, I’m going to be sitting pretty in the reading department.

Writingwise, this is the year. The last ten have been a wild ride, which could be a book in itself, but I don’t write horror. What I do write is historical romance, and, with Melva Michaelian, historical-adjacent romance. Since I work best with regular feedback, it’s my responsibility to make sure I get exactly that. Today, I will work on the next draft of chapter two of Her Last First Kiss, which I need to turn in to N tomorrow morning. She, in turn, will have pages from her WIP to show me, and the plan is to read and comment on the spot. N asked me to bring printed pages rather than sending in email ahead of time. This is out of my comfort zone, as it will require me to A) figure out WTF is jamming my nifty awesome printer that will not print, or B) hie myself to library or office supply store to print on their devices. Probably B) and then A, but the point is that this is stretching, which is what I want.

Thanks to the RWA critique partner matching registry, I have a good lead on a historical romance critique partner. Not only do we share common interests within the genre, but in other things as well, and even prefer similar historical periods. Next step is exchanging sample chapters and seeing if we are indeed the good fit it looks like we may be, and then onward we go. If I’m being held accountable and receiving regular feedback, it’s a lot harder to tell myself nobody cares, or I’m not making a difference. Maybe the benefits of external validation have something to do with being an extrovert, maybe not, but this feels good. It feels right. It feels as though a piece of the puzzle that got knocked loose during the last ten years is fitting back into place. I like that.

While I was writing this entry, I got a notice I had new email, which, of course, I had to check, because A) I am me, and B) email fits into my social media time, and I am darned shooting sure going to stick to what’s on my schedule on the very first day of having said schedule (seriously, this planner works with the way my brain works, but more on that later.) What was said email? Notice that I had won a Fierce Cheerleading session with abundance coach, Eryka Peskin (who is super awesome, and if you have a chance to be in on one of her challenges, I highly encourage you to take it.)

This morning, I had another notice, on Goodreads, that a new group had been formed, dedicated to the love of historical romance and fiction set in one of my favorite eras, the seventeenth century. That’s the setting for my Orphans in the Storm, and one hundred percent a setting I plan to use again, maybe soon. That’s because my next goal, after finishing both Her Last First Kiss and the Beach Ball in 2017, I need to look farther down the road and decide what’s coming next. Sitting down in front of a blank screen doesn’t work for me, so that means I need to put some feelers out there and see what I’m going to be writing next, after these two couples find their happily ever afters. Because writing historical romance? That’s my HEA. Okay, that and Real Life Romance Hero, because he has truly earned the title, but this is the year to be a little (or a lot) less  “Grace Kelly” (though the party in the video does look awfully fun):

and more in the spirit of this ditty below (language may not be for gentle readers or little ones in the room):

This year,  I don’t feel a letdown at the end of the tucked-away week,  like I have in the past. 2017 is the year I get to cross  “present at NECRWA’s annual conference” off my bucket list, and I could  not be in better company than my co-presenters, Corrina Lawson and Rhonda Lane. It is still Christmas until January 6th, what my father called Three Kings’ Day, which others may know as Epiphany, or the celebration of the wise men arriving at one very special manger. This year, my planner has “ornament harvest” where “take down tree” used to go, because, this year, I’m looking at the new season differently. I think I’m going to like the view from here.

Typing With Wet Claws: New Year’s Eve Eve Edition

Hello, all. Skye here, for another Feline Friday, the last one of 2016. This has been -well, it still is, because it is not over yet- Anty’s tucked away week, and it is going pretty well, all thing considered. Anty likes to use this time to collect herself and rest and refill her creative well, so that she can come into the new year at her best. So far, so good. Right now, it is snowing, which is Anty’s favorite weather of all time. Anty loves snow, so it makes her very happy to have some during her favorite week of the year.

Even though Anty likes to relax during her tucked away week, that does not mean she does not write things. She has actually been doing a fair amount of writing things. Let me share some of them with you. First, as always, she is at Buried Under Romance, and this time, she is talking about favorite holiday reads. One reader who commented is reading the holiday book that is up next on Anty’s list. Anty will take that as a recommendation. The post is here and it looks like this:

bur2dec16

Anty has been doing a lot of reading during this tucked away week, which was her plan all along, so that is a good thing. It is also part of her plan to share her reviews on Goodreads more. This week, she posted four of them. That is a lot for a kitty to screencap, but I will do my best. There will only be three pictures, because Anty forgot to write a review for one of them. Oops. I apologize on her behalf (also for the greatest hits photo of me, because A) I am camera shy today, B) Anty has a lot to do, even if it is tucked away week, and C) the spare picture of me she had in reserve in case I was camera shy, which I am today, is stuck in a Gmail queue and won’t send, so you get this one again.)

Anty’s review for A Pirate for Christmas, by Anna Campbell is here, and it looks like this:

pirateforchristmas

Her review for The Fox and The Angel, by Danelle Harmon, is here, and it looks like this:

foxandangel

Her review for We Know It Was You, by Maggie Thrash, is here, and it looks like this:

weknewitwasyou

Anty also read What Light, by Jay Asher, but she has not written a review for that one yet. I do not know why, because it has romance and a troubled hero and it is set in the world of Christmas trees. She will probably get to that later, because leaving reviews is not only good for the reader, or for other readers, but for the author as well. If you have read any of Anty’s books and would like to leave a review, her “I Wrote It” shelf is here

Now that it is New Year’s Eve Eve, the day before the last day of the entire year, Anty’s focus begins a shift from relaxation toward action. That means she is looking at what she can do when the new year begins. Normally, she and Mama (and sometimes Uncle, if he has the time off from work) get in the car and go a long way, to spend the day with some friends at a book swap. Humans do not have to bring a book to the party (Anty always does. Sometimes, she brings a lot.) but that party got postponed this year, so it will happen at another time. That means a couple of things.

First, it means that Anty does not have to go away, and she can spend all day home with me. I think that is a reason to celebrate right there. Anty will probably leave the house at some point, because, although I fill her kitty meter, she also has to fill her people meter. That is okay, though, because I know she will come home. The other thing that Anty spending the day here instead of away will mean, is that she needs to come up with a plan for how she is going to spend that day.

Anty does well with plans. She likes plans. That is one of the reason she collects notebooks, so that she can plan things out in them, and write about what she is going to write, before she writes it. Trust me, if she  tries to skip that step, it will not turn out well for anybody. Since Anty has not spent any time with Netflix yet this week, she will probably watch at least one movie on New Year’s Day. She has not decided which one yet, or maybe some special episodes of a favorite TV show or two. What is important is that she need to take in story, so that she can put out story.

This is especially important because of something she will be starting this week. This week, Anty and Miss N are putting themselves on a schedule, or having pages to show to each other every week. Back when we lived in the old country, Anty met every week with Anty Melva and Anty Michele, and Anty knew that, when Wednesday night came along, she had better have some pages, and she made sure that she did. Anty does very well with outside pressure like that. I would not recommend getting too close to her if it is a couple of hours before critique time and she does not have her pages yet, because she gets snarly when she does all that furious typing stuff. Better to wait that out under the bed or somewhere else that is safe like that. When things get to that point, all she cares about is getting the pages ready for her critique partners to see, so best to leave her alone and let her get that done, if you want to end the day with the same amount of body parts you had when you got up that morning.

Anty is also still on the hunt for a historical romance critique partner, someone who reads historical romance and writes it, and loves it the very, very mostestest. The way she figures it, she misses one hundred percent of the shots she does not take, so she is going to be very noisy about that for a while. By “for a while,” I mean until she finds a historical romance critique partner, so if you do not want to keep hearing about that, please consider spreading the word, or getting in touch, if you want one, too.

That is about it for this week, so, until next time, and next year, I remain very truly yours,

 

skyebye

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

 

 

 

There Are No Reading Police

I had plans for today’s blog entry, and I am going to ignore most of them. Apparently, the fact that I have them is enough for me to dive in with some measure of confidence, so will file that away for future use. Today, I’m snappish and grumpy, which is a sign of not enough sleep and feeling crowded, so, after I get this off my plate, it is time for a big ol’ mug of tea and some time in Sims 4. First, though, you get this.

Yesterday, Housemate and I went to the library. I headed straight to the romance section, and, within minutes, had my arms full of these:

 

tbr281216.jpg

“Nothing to read” will never be one of my problems.

Okay, not all of these. The last four. Use On the Jellicoe Road as the dividing line. That’s my third time trying to get into that one, and this time, I am going to make it. I get bogged down in the first fifty pages, but I’ve been told it’s worth it to make it through, so this is the time. :raises fist to sky (not Skye) for emphasis: That was another trip, though. This one was only for romance novels. One anthology, What Happens Under The Mistletoe, because I am helpless in the face of Christmas anthologies during the tucked away week (I am reading one right now on my Kindle, as a matter of fact) and it jumped off the shelf, recognizing its mistress. Okay, I saw Meredith Duran’s name on the cover. That helped. The Highlander, by Kerrigan Byrne, whose voice and use of emotion made me weep when I first discovered her, and the latest two installments in Elizabeth Hoyt’s Maiden Lane story world. (A book for Alf, finally, at last, pace yourself, girl, you have to read the other one first.) Respectable hunting trip, this one, especially as I hadn’t been expecting to take home anything at all, but that’s how these things tend to go this time of year.

My first thought, when I walked out of the library with four books in my bag was, “wow, their security is lax.” Uhhh, no, that wasn’t it. Don’t steal library books. Check them out. My actual first thought was “I have no right taking out four new books.” Because I have a full TBR shelf at home. Because I have a fully loaded Kindle. Because I have a storage unit with oodles of books in it. Because I have books yet to read for posts I am committed to write for other sites. because I am behind, oh woe, so behiiiiiind (please read that last word with an echo, if you can) on my own writing, as well as reading goals. Because a million things, really, but then my second thought cut off my first one.

My second thought was, “forget that. I have every right.” I have every right to read whatever books I want, whenever I want to read them. I have every right to drown myself in historical romance, should I want to do so (and I totally do) and gobble more, more, more, more, until it oozes out of my pores and onto the pages I create. There are no reading police (and, if there are, I do not recognize their authority.) Read what you want, when you want, however you want it. Nobody else has to like it. Probably, nobody else cares. Maybe those who follow me on Goodreads (I’m here) or read my posts on this blog and other sites, but that’s it.

There are no reading police. Whatever genre you love, great. Read it. Breathe it. Gobble it. Swim in it. While I stood there in the romance section, a trio of teenage girls stood behind me, in a nearby section, giggling over how silly the books in that section were to them, to the point of grabbing books and giving each other playful shoves. Even with all that, they left with at least one book, even if it looked “dumb” to them, or if they wanted others to think they found that sort of book beneath them. Part of me wanted to turn around, take the “dumb” book from them, flip it over to read the blurb, and say it looked interesting; I’d take it if they didn’t want it.

I didn’t do that, as A) I had enough books of my own, and wanted to get home and decide in which order to read them (hint: it’s depicted in the image above) and B) hey, these young women are reading. When I was their age, I lived with a single father, who was adamantly against the romance genre on principle, but it called to me and I answered the call, and have never regretted that for one single second. I remember what it was like to sneak around the library, tucking what historical romances I could find from the spinner racks under my arm. I don’t know these young women, I don’t know what brought them to that section, if this is a new genre they are exploring, or one they already love, but think others might form opinions of them for it. I don’t know what the “dumb” book is, or if they really do read books to mock them, but I do know how I felt, walking downstairs with my own carefully chosen haul.

 

I felt more complete, as though I’d gone to the shelf, found pieces of myself that I’d been missing, and put them back into place. Maybe that’s what these young women were doing, whether they knew it or not. It’s none of my business what they read or why they read it (unless they are reading my books,. which they totally should do, because there’s a new Kat Von D palette at Sephora, but that’s beside the point) but I’m glad they were there. Read on, heroines of tomorrow. Whatever the heck you want.

Typing With Wet Claws: Christmas Eve Eve Edition

Hello, all. Skye here, for another Feline Friday. Today is Christmas Eve Eve, the day before the day before Anty’s favorite day of the year. it is also the birthday of a fictional character that has lived in her head a really, really long time and probably wants to get into a book at some point. Anty thinks about things like this a lot. Today, Uncle is helping me hold still for my picture because I kept moving around when Anty tried to get the picture. I did not mind much, because that meant I got Uncle scritches. He gives the very best ones, because he is my Uncle.

Before I talk about anything else, like the fact that I peed on my catnip mouse -I did not actually pee on the mouse, but it did sustain collateral damage. I will talk about that later.- I have to talk about what Anty wrote this week, because that is our deal. As always, Anty has her Saturday Discussion post at Buried Under Romance. This week, her topic was the big books, the ones that don’t have to go on a coffee table because they could be the coffee table, they are that thick. Unless they are e-books, then they are a file, and I do not know of any coffee tables that are files. Except fot the ones in the Sims games, because those whole worlds are files. I think. Anyway, Anty’s post is here, and it looks like this:

 

burbigbooks

Anty likes big books and she cannot lie…

Speaking of big books, Anty read a couple more this week, and then wrote about them on Goodreads. One of those books was The Twelve Days of Dash and Lily, by Rachel Cohn and David Levithan. It is a YA book, and the sequel to Dash and Lily’s Book of Dares, which is one of Anty’s all time favorite YA books, and one of her favorite Christmas books, which means she was very happy to learn that this book existed, and even happier to read it. Her review can be found here, and it looks like this:

12daysdashlily

 

 

Anty also read Dark Champion, by Jo Beverley, which is a medieval historical romance. Jo Beverley only wrote four medieval novels. Most of her other books are Georgian, which Anty loves, and Regency, which is very popular, so having these medieval is a real treat for Anty. You can read her review here, and it looks like this:

darkchampionbeverley

Anty has also been working on her own books, of course, but I am not allowed to post parts of those here. That is for after they are done and published. Then that would be called “excerpts.” Writers like when people (and kitties, I assume) share excerpts of their work. Maybe I can do that with the books Anty already has out, in the new year.

Right now, it is still the old year, and Anty is getting ready to celebrate all that comes along with that, for humans and kitties alike. This is the part where I can talk about whatever I want. I will start with the catnip mouse part. Regular readers will know that I have special paws, so I do not climb or jump (I am okay, though, and I can walk and run and play perfectly fine.) I do not like to use a litterbox, because I do not like the sides, so I picked a special spot on the floor to do my liquid stuff, and that is the only place I do it. Ever. I am very consistent about that.

Because the house we live in was built a very, very long time ago, (if Anty wrote a book set in the year our house was built, it would count as a historical) the floors slant, and, sometimes, when I make my liquid stuff, it flows in a downward direction. That is what happened this time, and, this time, the catnip mousie Anty got me got caught in the flow. This was not a big deal to me, because I do not care about catnip, and I do not care about toys that do not move. If a toy is moving, the it is fun to catch it. If it is not, then meh. Where’s the challenge in hunting prey that is already dead? That is why Anty and Uncle are talking about getting me toys that move on their own, or with help from my humans. I will be interested to see what sorts of toys those are. I suppose I will find out on Christmas morning.

This is the part where I relate something in my week to the business of writing. That is one of the duties of a good mews, and I want to be a very good mews. What stands out to me most is the part about prey. Sometimes, a writer will have an idea that will only go so far. After it stops moving, and it will not start moving again, it might then be time for the writer to find something that is still alive and work on that. If a fictional character, for example, is still hanging around the writer’s head after double digit years have passed, that might be a good place to start. Right now, Anty has plenty that is moving on its own, but if she gets stuck after that, she will know where to look.

Anty says it is time to wrap things up because she needs the computer now, so I guess that is about it for this week. Whatever holiday you are celebrating (or have celebrated) this season, I hope that it is (or was) a good one. I will share all about ours next week. Until next week, happy holidays, and I remain very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

skyebye

 

Time After Time

My original concept for this entry was to write about my adventures as a historical nomad, and that’s still probably where things are ultimately going. First, though, a slight detour. When I logged into Facebook this morning, it showed me my daily memory, a link to my first Hypercritical Gremlins post, here:

https://annacbowling.wordpress.com/2015/12/21/hypercritical-gremlin-interview-part-one/

Technically, it’s the Hypercritical Gremlins’ birthday. Okay, not technically, as they did exist before I gave them a name or a voice on my blog, but funny thing about that; giving them blog space took away some of their power. They’ve been mostly quiet of late, and I consider that to be a good thing. I finished my initial draft of Her Last First Kiss, and Melva and I are a good chunk of the way into  the Beach Ball, so yeah, I think letting the gremlins out once in a while actually has some benefits. Happy Birthday, guys. I’d lob a cupcake into the closet for them, but A) I do not have any cupcakes, and B) if I did, I would not throw them into closets. Maybe a couple of pieces of hard candy will suffice. Spirit of the thing, more than the letter of it, and all that stuff.

Back to historical nomad-ness. Vagabondary? Whatever I want to call it, I’ve always been that way. When I was but a wee little princess, I lumped all historical eras into what my father called “the olden days.” I seriously thought that was how it worked, which was A) kind of confusing, and B) partially explains how it made perfect sense for me to reenact the balcony scene from Romeo and Juliet with my Jane and Johnny west figures. I want to say I was maybe four? Five? At any rate, young. I grew up on fairy tales, and my dad’s strong interest in the 1920s. We lived in Westchester County, NY, where relics of the Revolutionary war were commonplace; stone walls built by the Dutch settlers still marked land boundaries, and the town itself had been burned to the ground during the war, but for one house (Can a historical romance writer hear that and not get ideas about why that one house was spared? No, she cannot.) and there is a fence around the Bedford Oak, which is more than five hundred years old and still hanging in there. Talk about living history.

We also made frequent trips into NYC, where the turn of the century (and prior) architecture still holds echoes of times long past. Not all that different from where I currently live, in Albany. A five minute walk will take me to Washington Park, where continental army soldiers drilled. The name, Schuyler, is everywhere, and yes, those Schuylers, Hamilton fans. I remember, once, when my mom levied the worst possible punishment (no idea what I did, but she had her reasons) for teeny me -I had to sit facing a blank wall and not talk to her for x amount of time- I was allowed paper and crayons (likely for her sanity more than my amusement) and spent my time figuring out what the planets would have been named if the names were taken from different pantheistic  mythologies than what they were. This was entirely my own idea, and I was pretty heavy into mythology when I was in about first grade, so it was probably then. I remember asking her if there was any kind of grownup job that involved reading myths all the time, and she said no, there was not. Guess she forgot about “writer,” because that’s where I landed. Stories are, and always will be, my happy place, even if that place moves around a lot.

I popped my current paperback read, The Queen’s Christmas Summons, into today’s deskscape because of the sheer strength of the grabby hands I made at it as soon as I saw it on the shelves at Barnes and Noble. Standalone (as far as I know; if it’s not, please do not disillusion me; it’s Christmas, or nearly so, and I do love my standalones) Christmas Tudor Romance. Did Amanda McCabe (another historical nomad, as she’s written Tudor, Regency, and 1920s so far; must investigate further) read my diary? No, she did not, because I do not have one, but if I could have designed the perfect concept for the sort of book I was in the mood for when I went to the store that day, that would be it, to the letter. There may or may not have been happy dancing right there in the aisle. (Okay, there was.) The Tudor era was the first one I fell in love with as a setting for historical romance, and I chased after it like a madwoman. Not used a lot these days in historical romance (and whyever not, because it’s perfect for it, but that’s another topic) but I love it all the same. Ditto for a later discovery, the Stuart > English Civil War/Interregum> Restoration era(s,) which I touched on in Orphans in the Storm.

My Outcast Heart, my first published novel, is set in 1720 Bedford, NY, where I spent the first ten years of my life. and still a favorite place to visit. Queen of the Ocean took me to 16th century (technically, my first Tudor era romance; I did not even put that together until right now) Cornwall, and Never Too Late brought me to turn of the twentieth century (aka Edwardian.) England and Italy.  Her Last First Kiss could be set nowhere else but Georgian England, which seems to be my current default, back to the era that surrounded me in my childhood, even if it’s on the other side of the pond. I still have my postapocalyptic (oh, tell me the Black Plague wasn’t an apocalypse to the survivors, and we are going to wrangle) medieval romance to finish editing, and I don’t think my historical travels are going to end there.

TLDR (too long, didn’t read) version: I love history. I love romance. I love historical romance, in all its various eras and places and tying myself down to one is not going to work. So, I don’t. Love is love, in any era, no matter how hard life might have been. Isn’t it in the hardest times that we need love the most? Must’ve worked, because we’re all here, so people did fall in love and make more people back in the olden days, or there wouldn’t be any contemporary folk.  That whole “proof of a thousand loves” thing: I’m sticking with that.