Midweek Rambles

Rainy Wednesday here, and the fact that I’m only now getting to the first blog entry of the week should be an indicator of how things have been going. The new addition to my workspace is Hedwig, (thanks, Kara!) who has shot up to mascot status in short order. Lift his head off, and he’s a flash drive. He will soon be filled with novel stuffs.

No idea what I want to write about here, so I’m going to wing it. One of the most vivid rainy day memories I have carried for a long time reaches all the way back to fifth grade. We’d recently moved from Bedford Village to Pound Ridge, and I had a playdate with Elizabeth A, to keep us both occupied and our mothers sane for the rain-soaked afternoon. I remember I had a corduroy pantsuit (it was the seventies; don’t judge me, and yes, my mom picked out my outfit) that day, red with a flower print all over it. The legs were too long, so the hems of the trousers (I preferred skirts even back then, but mom said, sooo…)were damp the rest of the day.

We spent the afternoon in Elizabeth’s room. I remember Barbies and some imaginative play, some discussion of the new TV show we both liked, Wonder Woman, probably my first fandom, though I didn’t know what fandom was at the time. Elizabeth had a Chow dog, who had particular tastes in what interactions he would allow with what humans, but he always liked me. I don’t remember his name, or the name of Elizabeth’s older brother. I don’t remember many particulars of that day, but I remember the day itself, and the memory is a good one. Elizabeth A, wherever you are, I hope you do, too.

On this rainy day, years later, there’s imaginative play still. Now, I call it writing, and it’s work as much as it is play, which suits me fine. No red corduroy pantsuit, thankfully, and I’m writing this from my favorite coffee house instead of a friend’s bedroom, but the day has some of the same feel to it. Not that I know exactly what the connection is, but some things become a part of us, and come to the fore when they will.

Today is also the first anniversary of the passing of Bertrice Small, still a favorite author and my entrée into the world of historical romance. I’d wanted, as many Small fans, to dive into some rereading when we got the sad news, and, at the moment, I’d tried, but I couldn’t make the connection. Not a good feeling, but, at times, the best thing we can do is let the feelings do their jobs. I don’t know when I got it in my head that I would intentionally step back from reading an author whose work had been that important to me, or when the idea arose that I would resume on the first anniversary of her passing. Maybe it’s a form of literary mourning? I’m not going to question that one.

Once I knew I wanted to resume on a certain date, everything fit. I would pick up one of her books on that date, and I would read it, but which one? With forty-nine titles from which to choose (well, less than that, as the Lara books are in storage, and I don’t own the Channel titles) the options were too many. N’s advice, “make a decision,” came to me then, and I did. I decided I wouldn’t decide. I turned to my Lionesses at my Facebook group, The Lion and Thistle, and placed my choice in their capable hands.

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this is the one

Some of the suggestions, I’d expected. Skye O’Malley (the book, not the kitty) is my favorite, and The Kadin was the first historical romance I ever read.  I know those books, can quote them in places, so re-reading them would be as much remembering as experiencing the story. The other choices offered, Deceived, and The Border Lord’s Bride, I haven’t read as much. Since my copy of Deceived seems to have gone walkabout (will be reaching out to the library system and/or used bookstores soon) my choice became clear. I hadn’t remembered, until I plucked my copy from my special Small bookcase, that this was the second story in the Border Chronicles, not the first, but since it’s an extremely loose connection, I’m letting that go. I can read the prior title, A Dangerous Love, later, if I want. I did put my choice in others’ hands, after all.

 

As with that long-ago rainy afternoon, I remember the book more in general than in specific, and it’s a different experience. The last time I read this book, it was 2007.  A few things have happened since then. My critical mind is along for the ride, and has some issues with tell-y passages and instances of passive voice, but the voice itself, that’s as familiar as I remember, a welcome back to the things that drew me to historical romance in the first place. It’s also made me schedule reading time in my day, something I’d wanted to do, but put off actually doing, but if I want to make time to read all that I want and need to read, there has to be time where that’s all that I’m doing. This is different from pleasure-only reading; it’s also research.

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library haul; must organize

 

 

In a way, that’s my equivalent of the art student camped out in front of the master’s painting, sketchbook in hand or canvas on easel. What did the master do? How did they do it? That thing that was never recorded, what was it? Can I do it, too? What does it look like when I do their thing, my way? Reading time, writing time, headphones in, laptop on, paper and pen at the ready. Let’s do this.

Typing With Wet Claws: Story Brain Edition

Hello, all. Skye here, for another Feline Friday. Anty did not tell me what to write about today, so I am going to have to wing it, or, in my case, paw it. I do not have any wings, because I am a kitty; only paws. I use them for walking.  Only birdies have wings. Also bats, and some insects. Maybe also Pegasus (I do not know the plural form of that word, but it is a horsey with wings. I am not sure if they are real or fictional, but I do not want to find out by meeting one. They sound scary.)  I think Anty letting me say whatever I want today shows a great deal of trust. I will try to show her she did the right thing.

Most of this week can be divided into domestic tornado management and writing. Anty also found time to get to the library, along with Mama, and bring home a bunch of books. Eight of them, which is a lot, even though Anty says it is a reasonable amount. These are the books:

Anty picked them all. Mama did not find any books she especially wanted to read, but she wants to read some of the books Anty picked, when Anty is done reading them. So far, Anty is close to mostly through one. One. Anty needs more reading time. I would suggest that Anty try using some of the awake-in-the-middle-of-the-night time for reading, but the last time I did that, she looked at me like this:

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That is not something I want to go through again, so that was the last time I will make that suggestion. Anty is doing laundry at least once tomorrow, so that is two hours of potential reading time right there. If it does not turn into writing time, that is. Which it might.  One important thing to know if you have a writer in your life is that pretty much any time can turn into writing time. That comes with the territory, and does not only happen when they are in front of a computer or have a notebook at hand (although Anty usually does have at least one notebook within reach.) Many writers, including my Anty, do not have an off switch. Sometimes, it would be useful if they did, but they do not. At least mine does not.

We do not have any pictures of the Anty Has Story Brain look, and that is probably a good thing. Mama and Uncle and I have learned to recognize it, though, and I think some of the humans who work at the coffee house. Twice, this week, Anty has had a coffee house human remind her that her tea is right in front of her and she can sit down now.  Some of them know it because they are writers, too, and give the gentle prompt as a matter of professional courtesy. The best way I can describe that look is sort of blank, staring off into some place that is not there.  Maybe I should say it is something non-writers cannot see, because merely because something happens inside a writer’s mind does not mean it is not real. Making things in their heads become real is a big part of writers’ jobs, so it is no surprise that it happens when it happens. Sometimes, often in the car, Mama will notice Anty is too quiet, and ask “are you writing?” Almost always, Anty says that she is. Once, Mama asked, “How are Hero and Heroine?” Anty laughed, because that was where her story brain had gone.

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a very small portion of story brain

 

Anty says that, at least for her, story brain is a sign that she is on the right track, and the characters are doing their parts. It is like a movie in her head that plays itself and she has to get it all down. Maybe it is somewhat like recapping TV shows, except that there is no remote to pause things and she has to do it all in her head. I think the inside of Anty’s head is probably very messy, filled with pictures and sounds and bits of movies and snippets of songs, remembered smells and parts of ideas that started out as something else, but took on their own form after they swam around with all the other stuff for a while. I can imagine it is very easy to get lost in there at times, and that is why it takes Anty a little while to come back from it when she has to do things like go to the grocery store or figure out where Uncle’s sweater went.

Story brain is a lot better than lack-of-story-brain. Anty wrestled with that for a long while, and it was not pretty.  I am not sure that story brain is that much prettier, as her office looks like a tornado hit it. More books are coming out of boxes and going into her bookshelves, moving around so books she wants easiest access to, like the library haul, above, are the ones she can get to fastest, and books she never ever looks at can get ready to go to new homes. Right now, she needs books that will help  keep her moving forward in telling Hero and Heroine’s story, and those that don’t, need to go away. She says I can share pictures when she gets things neat again, but not right now.

Right now, Anty needs the computer back so that she can write more about Hero and Heroine, so that is about it for this week. Until next time, I remain very truly yours,

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Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Backing Up and Moving Ahead

“You do what you can for as long as you can, and when you finally can’t, you do the next best thing. You back up but you don’t give up.”
–Chuck Yeager

 

Another Monday, another blog entry. Not feeling it today, but discipline and practice are both important, and I find that putting order to chaos satisfies me, so here I am. Morning spent doing housework with help of Housemate. This often consists of her sitting there and letting me chatter at her, as it was today, with me sitting cross-legged on the floor, the box fan in front of me, as I took apart the covers both front and back and cleaned that sucker with grapefruit-scented all purpose cleaner and paper towels. Odds are we aren’t going to be needing that fan for a while, as furnace keeps us toasty warm, and it is January, after all. So, into the newly reorganized closet for our biggest fan. I promise I only do this to mechanical fans, not readers. No reverse Misery-ing here, and, besides, readers are good to have around during all seasons.

The great Christmas ornament harvest of 2016 went well this morning. Good crop, and we hope for an even better return next year. As much as I love the whole process of decorating for Christmas, and will inspect the placement of garland and ornaments (the fact that we use a pre-lit tree is probably best for all involved, lest I get nitpicky about light placement as well; I have in the past.) taking things down is a much quicker and more ruthless process. Down come the lights, coiled, tied, boxed. I pluck ornaments from the tree like ripened fruit, in a matter of seconds. It’s all over in a handful of minutes. This year’s crop is planted in the storage boxes, labeled, and can now germinate for next year. Maybe next year will be the year I finally go for a second tree, which would have black and white ornaments only. Supplemental tree, not replacing the traditional one; I have to have my tradition.

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When I’m at a loss for what to blog about, my guiding phrases of “clean sweep” and “more layers” push me in the right direction. Taking down the Christmas décor and making better use of the closet space fits both of those criteria, as does yesterday’s library trip. Yesterday was a tough day, tired, emotionally drained and frazzled at the same time, and I strode through the library doors with one specific purpose in mind. I was going to grab an armful of romance novels.

I’ve written, recently, about how it’s been difficult for me to read a lot of more newly produced work (part of this, I am certain, is due to my reluctance to jump into the middle of a series of linked books; have to start at the beginning, for me, and there are a lot of series.) This time, I knew what I needed; romance. Historical romance. That’s my reading and my writing home. No matter what happens between Once Upon a Time and Happily Ever After, I know I am going to get that Happily Ever After, so pretty much anything is fair game in between those points. I did end up plucking a current release from the shelves, Cold-Hearted Rake, by Lisa Kleypas, which I started reading as soon as I got home.

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That’s the whole haul, for those who were curious. I’d gone with a vague hope I might find one of the Russian-related historicals on my list (and did, with Forever in Your Embrace) and fingers crossed for a Georgian (but not Regency) setting (When You Wish Upon a Duke delivers on that front) but, apart from that, nothing more specific than wanting a good grounding in my favorite genre. Carla Kelly always delivers on the emotional impact, so that was enough to put the book in my hand, and it had been a while since I’d read a good time travel, so The Last Cavalier fit that bill. If I could hit the snooze button on the calendar so I could snuggle beneath my fuzzy duck blankey and read them all, with endless cups of tea at hand, I think, at this point, I would.

Life, unfortunately, doesn’t work that way, but I can make sure I get some pages read every day, the same way I make time for my morning pages and have to at least touch one of the current fiction projects every day. As K.A. Mitchell, whose wonderful workshop on character relations this past Saturday gave me even more layers to slather on Her Last First Kiss, has said, open the file and change your seat. I have to open the file, or open the notebook. When I do, well, it’s right there. I have a pen in my hand, or the keyboard is right there, too (usually both, in most cases; that’s how my brain works best) and who would it hurt if I took a poke or two at things, hm?

Thanks to a talk with a new writing friend, who listened to me whinge about how hard it’s been to find where I should (note that should, there) including roundabout analogies and a diagram drawn on a napkin with rollerball ink, I am getting the chance to do both the clean sweep and more layers things at one with Her Last First Kiss. What, she asked, was the moment that changed my heroine’s life forever? What permanently took her off the path she always thought she was going to walk in life? Huh. Well. Had to think about that one, and then the answer came out all on its own. When her father left.

Sure, she was seven then, and I didn’t want to start that far back, but darned if the whole scene didn’t play itself out on my walk back home from that meeting. I sat down at my secretary desk, with notebook and fountain pen, and out flowed the whole thing. I didn’t have to yank any teeth. Didn’t have to force anything. Huh. I…remember how to do that. Don’t write a book. Tell the story. Remember back when I didn’t know all the rules, but blithely wrote down the movie in my head? Yeah, that.

Clean sweep. More layers. Easy enough when I don’t think about it.

 

A Handful of Dreams and a Blogful of Opinions

I’ve been reading a lot of older historical romances lately, mainly those first published in the 1990s. Many of these are standalone stories, in the truest sense of the word, not parts of any series, so anything can happen, to anybody, apart from the HEA we are guaranteed by the end of the book. The  hero’s charismatic best friend isn’t exempt from villain status, because no, we aren’t going to need him to be the hero of book two or there, because there is none. One hero, one heroine, one HEA, off into the sunset, done and done. That’s how my story brain naturally works, anyway, and I’d been craving the big, thick doorstoppers I used to devour (and still can, because keeper shelves and UBSs and e-books, yay publishing revolution) so I dove into this subgenre once more, with overwhelmingly positive results.

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One of my best (but not surprising) re-finds was Barbara Hazard. I’d re-devoured her Georgian historical, Call Back the Dream, and wanted to dive into the sequel (I know, I know, I was talking about standalones only a minute ago, but bear with me; this is going somewhere) immediately afterward. I thought I’d packed that in the same box with the original, but then it would have been in the same bookcase. It wasn’t. Instead, there was A Handful of Dreams, also excellent, and completely unrelated.

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I didn’t remember too much about A Handful of Dreams, though I’d first read it when it was fairly new. I remembered the scene where child Sally catches a coin tossed to her by a British soldier on horseback, but didn’t remember if that soldier would turn out to be the hero or not. As I read on, I still wasn’t sure. I did remember, very clearly, the fictional Sally’s abusive first marriage, her return to her family of origin, and her placement as the companion of the daughter of a different soldier.

Let’s say that Sally and her employer’s daughter had different expectations of the relationship and leave it at that. I’m not sure if that might have been explored differently,  had the book been written today, and that’s something I will likely think about for some time. Sally’s employer decides it’s time for Sally to move on, and her situation, as it were, becomes a commodity.

A friend of the family, Harry, Lord Darlington, purchases the care of Sally, and his treatment of her didn’t -on either read- strike me as particularly heroic. He’s a cold father to his children from other relationships, including two marriages, even when Sally expresses her desire for the children to be part of the family. As a work of historical fiction, this works fine, and that’s how I read it this time around. There’s a friend of Harry’s, who also takes a liking to Sally, and there was a good portion of the book where I was thinking maybe I’d misremembered and he was the true hero.

Not going to give away spoilers, because there are two sorts of readers involved here; the ones that are going to track this book down o they can read it themselves, and those who will not, because old book, who cares, or they don’t read romance anyway. Either way, I finished this reread a couple of days ago, and, as much as I’d like to read another romance, my brain is stuck here. Lots of thinking.

Were I to publish this book today, I would class it as historical fiction rather than romance. Sally does find love, and that love is reciprocated. There’s even an acceptable heroic grovel on the part of the gentleman who fills that role, but, in the end, this is really her story and not theirs. I am okay with that. Romantic elements, yes, but this book is about Sally’s life, her struggle to find her place in the world, and the effect the cards she was dealt do have on what she can do.

Sally starts out Irish and poor, in the early nineteenth century. She’s also beautiful, exceptionally so, and that gets her noticed, not always for the right reasons. This is one of my favorite types of characters, where that beauty has its perils as well as its perks. There are those who don’t look below the surface, those who assume a certain set of facial features means a certain personality or mindset, when that couldn’t be farther from the case. Sally’s options are limited. She’s not educated, she doesn’t have a lot of power, but she is smart and she is strong, and she is a woman of her time. That’s important.

Some aspects felt  a little too neat to me, others a bit rushed, and. for a historical romance, there isn’t a lot of emphasis on the relationship that should be the center of the story. I’m not sure I would have chosen the same hero, were this my story to write, but it wasn’t. I’d love to talk to the author, but without contact information, that’s not likely, so some of these things are going to muddle around in my own mind for a while. Maybe some elements will transfer and transform in my own work, but for now, I’m still thinking

Reading, (non)Resolutions, and Hypercritical Gremlins

“When you are stuck in a spiral, to change the aspects of the spin you only need to change one thing.”
Christina Baldwin

 

Here we are, first workday of the new year, and I’m still not sure what I’m doing. Yesterday, Housemate and I took a two hour road trip to visit friends who host an annual New Year’s book swap. It’s been my favorite holiday gathering for years, and this time was no exception. Several hours of talk with old friends and new, copious amounts of food, and an eclectic assortment of books free for the taking.

I came away with a hardcover copy of  The Tenth Circle, by Jodi Picoult, which I highly recommend. Her voice, her unusual structure of this story, the imagery, use of time and perspective and :fangirl flail: I’ve read it before, after I saw the TV movie, which I found by accident, and want to read it again, in its time, at my leisure, possibly with sticky notes and highlighter in hand so that I can study and rip it apart and put it back together and take something of it into myself on a deeper level than before. I also got two cookbooks for Real Life Romance Hero, of which I know nothing other than that they are cookbooks.

New Year’s resolutions are not my thing; easily made, easily set too high, easily disappointed and left by the wayside, so I’m not going to do that, but I am paying attention to what I do and don’t like about life in general, and the writing life in particular. My two guiding phrases, Clean Sweep and More Layers, come into play here. According to Goodreads, there have been several instances over the past year when I have technically been “reading” one book or another, over a period of several months, when that isn’t exactly what happened.

What really happens is this: I start a book, with all the best intentions. I want to discover this new voice, dive deep into a favorite author’s latest, finally get around to reading a book I’ve had forever. Then the book or reading device ends up in the wrong purse, or in the bedroom when I’m not, or the battery runs down, or I left it at home, etc, etc. I need to read something by date X to write about it for one blog or another. There’s recapping to do. There are domestic tornadoes. I’m too bloody tired. I feel guilty. I feel angry. I don’t deserve to read if I’m such a horrible reader. If I’m that horrible a reader, I’m an even worse writer.

Oh, hello,  Hypercritical Gremlins.

HI, ANNA! CRAPPY NEW YEAR!

That’s Happy New Year.

NOT FOR US.

Why am I not surprised about that?

IT’S WHAT WE DO.

To what do I owe the pleasure of this visit?

TRADITIONAL NEW YEAR VISIT.

Oh, okay. That makes sense. Anything specific you wanted to talk about?

READING. YOU BROUGHT IT UP FIRST.

What about reading? (As if I didn’t know?)

YOU STINK AT THAT, TOO.

Uh huh. Do you have any critiera about that?

YOU ALREADY SAID.  CAN WE  TAKE A SCREENSHOT OF YOUR CURRENTLY READING GOODREADS PAGE?

:blushes: No.

HA HA! BUSTED!

Okay, look, we’re not going there.

MAYBE YOU’RE NOT.

Fine. Reading is one of the things I want to change about this year, and both Clean Sweep and More Layers play into that.

WHAT ABOUT THE BOOKS YOU’RE SUPPOSED TO READ? YOU’RE SO FAR BEHIND IN THE BOOKS EVERYBODY IS TALKING ABOUT THAT WE SET ASIDE SPECIAL TIME EVERY WEEK TO POINT AND LAUGH AT YOU.

:shrugs: Well, I guess you can. It’s your time. First, it’s not possible for me to read all the books other people think I should read. Second, I don’t want to; there are enough books I want to read that I couldn’t fit the should-reads into my schedule. The average female lifespan is only so long. Okay, I don’t smoke or drink, stay reasonably active, but my genetic history is a giant question mark, so I am going to use my time wisely and read the books that appeal to me, when they appeal to  me. Reading for pleasure is something I do to feel happy, not guilty. That would take away too much of the pleasure.

BUT YOU’RE MISSING OUT ON ALL THE TRENDS THAT WAY. DO YOU KNOW HOW MANY SERIES YOU WOULD HAVE TO READ DOUBLE DIGITS WORTH OF BOOKS TO KEEP CURRENT? NOT TO MENTION SPINOFFS AND SUBSERIES?

If I want to read those books, I will. My natural inclination is for standalone stories, and always has been, so that’s what I’m mostly seeking out at present.

BUT EVERYBODY ELSE LOVES SERIES, BECAUSE THEY ARE SERIES.

How wonderful for them. They must have a lot of books from which to choose. Sometimes, including right now, I want to read one story, about one couple. Nothing at all wrong with that.

EXCEPT THAT YOU ARE WEIRD. REMEMBER HOW IT WAS YESTERDAY WITH ALL THE SMILING AND NODDING -SERIOUSLY, YOU LOOKED LIKE A BOBBLEHEAD- WHEN OTHER GUESTS TALKED ABOUT THE MAINSTREAM AND/OR LITERARY BESTSELLERS THEY WERE ALL  READING. ALL OF THEM BUT YOU, OUTLIER.

I hear you saying “outlier” like it’s a bad thing.

BECAUSE IT IS.

Interesting perspective. Can you tell me more about that?

WE’RE REALLY BUSY RIGHT NOW.

Doing what?

PICKING ON YOU.

Why am I not surprised there? No, no, don’t answer. That was rhetorical. What I’m getting at here is that it’s not possible for one person to read every book there is, so best to whittle it down to those that catch the individual reader’s interest. Anything else feels too much like a school assignment. Last time I checked, you guys are not my teachers.

OBVIOUSLY, WE CAN’T TEACH YOU HOW TO READ LIKE EVERYBODY ELSE.

I don’t want to read like everybody else, and if you insist on pressing the matter, I am an RWA member. I can whip out statistics on exactly how many romance novels were read last year.

WE’RE GOING TO GO BACK IN OUR CLOSET AND TAKE A NAP NOW. WE HEARD YOU’RE MEETING WITH A LOCAL WRITER FRIEND TOMORROW. GOT TO GET OUR REST, YOU KNOW.

Unfortunately, I do. You guys go rest, and I’m sure I’ll hear from you later. For now, I have some writing to do, and then the last few chapters of a delicious historical romance I would actually classify as women’s fiction, but that’s another story. Pun intended.

 

 

 

 

 

Typing With Wet Claws: Care and Feeding Edition

Hello, all. Skye here, for another Feline Friday. I would have had this posted earlier, but Anty had to help Mama with a very important errand. They did not have to buy my regular food while my tummy was wonky, but it is better now, and I had eaten through what they had of my regular food, so they had to go to the store.

Well. I know it is time for humans to have fun with scary things, but the regular food store not having my regular food is very scary. I am a creature of habit, which means I like for things to be The Same. One time, the store did not have my scent of Febreze, so my humans brought home a different scent. They said it smelled good, but I did not think that at all. I moved my pee spot, so that they would know my opinion of that new scent. They never bought that new scent again, but I still use the new pee spot, because I am used to that now. We will see what happens with this new food they are trying me on this week. I ate some of it before, when my tummy was getting better, so it is not entirely strange. That is a good thing.

this is a good grocery haul

this is a good grocery haul

An even better thing is that I have eaten through almost all of my dry food treat, and my humans had to buy a new bag. Last winter, the humans could not find my regular size bag of treat, and got me the big bag instead. It weighed more than I did. That was a wonderful day. Today will be a wonderful day, too, because Anty and Uncle will probably give me a little extra treat if that will finish off the old bag. Anty likes the pantry shelves to be tidy, and if she can get rid of the old bag, she will be able to put the new bag there in its place.

kitty's got a brand new bag

kitty’s got a brand new bag

I had not tried any new foods for a very long time, because I was used to my regular ones (and my vet said I should stay away from gravy foods. I will not have any more of those for a while, and that is okay. I have plenty of other things I can eat, that do not have gravy.) I did not want to eat for a few days while I was sick, but then the medicine Mama and Anty gave me did its job and I got hungry. I did not want to go to my bowl, so Anty came down on the floor and offered me different foods until I took some. Then, I ate a lot. Now, I am back to normal. I run toward my bowls when it is time for my meals, with my tail up high, because I know that what is in my bowl is going to taste good and help me be a healthy kitty. I need to be a healthy kitty if I am going to follow my people everywhere and fulfill my duties as being a mews.

It is like that with inspiration, sometimes. Sometimes, a human might lose the taste for something that normally makes them happy. This does not mean that they have sick tummies. Well, not all the time. Sometimes, it might, and in those cases, seeing a people vet is probably the best idea. I am not talking about that right now.

What I am talking about is when a writer human does not find the same pleasure as they usually do in reading their regular books or watching regular TV shows and movies and such. That does not mean that those things are bad, but it may mean that it is time for the writer to try taking in something else for a while. That happened to Anty a few months ago. It was hard for her to get into reading a lot of romance novels, and romance novels are something she really loves. That was very frustrating, for her and for me, because I take my cues from my humans.

Thankfully, the library, which is a big house full of books (Anty says it is a wonderful place) has many different kinds of books and movies, so she had other things to investigate for a while. That was how she discovered there are some very good romances in realistic Young Adult novels, and those books can teach her things she can use in writing historical romance, even though they are not historical (well, most of them are not, at least as far as she can tell.) and the romances do not always end with happily ever after. Anty says her old high school biology teacher would call this sort of thing hybrid vitality. The way I see it, if what you are eating does not taste good, it is a good idea to ask for some different food. I do not think any other humans, even librarians (they are the humans who work in libraries, and know a lot about books; they are very smart) would rub a book in anybody’s face to get them to read some of it, but one never knows.

Anty says it is important for creative humans to take in different things that inspire them, so that they will have more tools with which to work. I think she is probably right, because she is reading a lot more now, both older books and newer ones, and all of that is fueling her writing. She has a new Sleepy Hollow recap up at Heroes and Heartbreakers. It is here and looks like this:

look at how they look at each other

look at how they look at each other

This show has some things that are familiar to Anty: it is set in Sleepy Hollow, a town near where Anty lived when she was a people kitten; she is familiar with the story by Washington Irving that loosely inspired this idea; it has history and romance and some spooky things, too. It also has some things that are different from what she usually likes; the Ichabod in this TV series is very different from the Ichabod in the story, but she does not mind that, because it is entertaining. The history and theology do not always make sense, and there is a lot of hand-waving going on regarding those. Usually, those things bother Anty, but here, she takes it in stride, because she is here for the things that she does like. Anty says inspiration is like a buffet: take what you like, and leave the rest. Come to think of it, that pretty much sums up being a cat, as well.

random me picture because Anty likes it

random me picture because Anty likes it

I have talked for a long time, so Anty says I need to wrap it up. She has to work on her novella now, so that is about it for this week. Until next week, I remain, very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Until next week...

Until next week…

Order of the Golden Curtsy: Call Back the Dream, by Barbara Hazard.

Write what is wrong if it seems true to you and hang the critics of romance who would have it otherwise.
Judith Ivory

I have not read a lot of Judith Ivory. I intend to correct that. I’ve read some (and need to re-read that) but this quote jumped out at me, and it is extremely relevant to my interests at present. While it’s been some time since I’ve spent the majority of my writing time scrawling in endless notebooks about how I can’t write, want to write, need to write, but nothing is coming, oh my word, am I all done? Well, no, obviously not, because I would not have a writing blog if I were. I would not be filling out invoices for my work sold to other markets, and I would not be working on current novel, novella and other projects. At the time, though, it felt like it, and that’s a feeling I want to remember. Not relive, but remember, because it has a job to do.

Earlier today, I finished rereading an old favorite historical romance, Call Back the Dream, by Barbara Hazard, which I’ve talked about some before, and likely will do again. This book is one of the special ones, that has stuck with me through decades of reading, held up exactly as I’d hoped it would. It reminds me why I love reading and writing historical romance, and makes me excited to read its companion book, which I have recently discovered somehow got separated from its parent and is in storage. :sulk: No matter, I’ll pick another read from the same bookcase, though I can’t say which right now. What I’m going for is the feel more than anything else, the big, thick bug-squasher historical romance steeped in the spirit of the times (Professor Facos, thank you for introducing me to zeitgeist, probably the greatest gift a professor could give a writer of historical romance.) – the characters think, believe and behave as people of their time, and that drives the plot.

Call Back the Dream by Barbara Hazard

Call Back the Dream
by Barbara Hazard

I. Love. This. Book. So. Hard. It. Hurts. I highly recommend it to anyone who wants to know what sort of books I prefer to read, and, ideally, write, and will definitely read it again. During this particular reread, a new thought occurred to me: this book might not have made it to mainstream publication today, and if it did, there would likely be differences. Granted, there are fashions in writing, especially in genre fiction, same as there are in clothes, makeup, hairstyles, etc. It’s also true that publishing does go in cycles, so maybe some of the things that may read as dated now to the very modern reader may be all the rage next year.

Long separations aren’t common in many historical romances published today, but that doesn’t mean it takes away from the romance. Alexander and Camille are separated for fifteen years in this story, by parents who don’t take kindly to mixing classes, and both do marry other people in the interim. Reasons for and outcomes of those marriages make sense in Georgian England, and neither spouse is demonized. I liked that. When Alexander’s first wife dies, there’s pressure to seek another wife, as soon as possible, because he’s not getting any younger, and the title can only be passed down to his direct male descendant. This. Is. A. Problem. Alexander didn’t want to marry anybody but Camille in the first place, but he did his duty, and is willing to do it again. Well, to a point, that is, which I am not going to blab about here, because the scene where he Does A Thing out of strong emotion still makes my skin prickle merely thinking about it. That’s what I want to put into my books, too.

This is not a sexy book. There’s one intimate encounter between Alexander and Camille, and that not spelled out explicitly, but the strength of their love and the bond between them does perfectly fine without going into physical detail. It’s not a inspirational book, though Camille is a vicar’s daughter, her faith affects her choices, and we see her making observances of same. Her first husband is agnostic, and though it’s not gone into depth there, either, their differing views provide for stimulating conversations between the couple. Sex and faith both influence the plot but don’t dominate, though the love Camille and Alexander share, and its obstacles, do. When I read these pages, I ache for these characters and what they need to go through to achieve their HEA. I want to make that.

I love that, when Camille and Alexander do find each other after all those years, it’s not quick or easy. One of them is still married, for one thing, there’s a child involved, and both parties have huge paradigm shifts regarding things they thought they knew beyond any doubt. There’s anger. There’s betrayal. There’s an offer nice people don’t make. There’s consideration of that offer, and consideration of what acceptance of that offer would mean to other people, on an intimate and grander scale. I want to suck this in and soak in it and breathe it and learn from it and make it mine.

There are some books that we read. There are some books from which we learn. There are some books in which we see ourselves, as we are or as we would like to become. Long ago, I had the idea of starting a feature, on my previous blog (or the one before that?) to ramble about my favorite-favorite historical romance novels, but I never did it. No idea why, but no time like the present, and so I induct Call Back the Dream by Barbara Hazard as the official first member of the Order of the Golden Curtsy. Time to show respect to a mistress of the genre.

Typing With Wet Claws: Have to go Through It Edition

Hello, all. Skye here, for another Feline Friday. This has been an interesting week, but then again, they always are. Otherwise, I would have nothing to write about, and that would not make Anty happy. She counts on me to take care of Friday posts for her, which I am happy to do, because I am a very devoted kitty. I do an excellent job of following my humans around the apartment and sitting in the worst (they say worst, but I think they really mean best) places, right in their paths, to show them how much I love them and want to be wherever they are. Also, if they have to go past or over me, that means they will see me and remember it is time to feed me. It is always time to feed me, because I have a special food schedule. I eat little bits throughout the day. My humans tried giving me only breakfast and dinner, but I was not okay with that. I prefer things my way.

That is something Anty and I have in common. Tailoring the way things “should” be done to the way they actually work can be a very good thing. Like with me. Because of my special paws, I do not climb or jump (but do not worry, I am fine. I can walk and run and play -I love to bat crumpled paper around the hardwood floor- like any other kitty.) so using a litterbox is confusing for me. Anty, Uncle and Mama do not ask me to do that. Instead, I have my pee spot and a couple of poop spots (I have to give them some variety, don’t I? Plus, I don’t like to poop when people are watching.) and always let them know when I did something, so they can clean it right away. No predators have found us yet, so I think it is safe to say my plan is working. You are welcome.

Anyway, Anty has found this is very true in reading and writing, as well as my personal habits. By going with her gut in her reading preferences, she has found she is reading more, like she wanted to be, and does not feel all that pressure to keep up with current releases. Not that she is not abreast (that is my vocabulary word for the day) of current publishing trends and news; she likes knowing what is going on in the market, very much. She is checking the mailbox daily for Romantic Times Book Reviews, so she can see what is going on this month. wwRight now, she is reading a mix of realistic Young Adult novels and classic historical romances. She wishes Goodreads had a classifier for rereading, because that would make updating her status a lot easier. It also would be nice if it did not show books she has already read as books she is still reading, because that bothers her.

I have digressed. Anty is working on a post about how she uses sticky notes, part of which will require her to get out her plotting board. That is fun and scary at the same time. Fun, because she will get to play with sticky notes and move things around. Scary, because then people will see what she is doing and they might not like how she is doing it. Maybe they will not like her. I try to tell her that is okay. Uncle and Mama and I will still love her, but she is a writer human, and prone to these insecurities. Maybe she will make a picture with Scapple, because then she can draw lines between the boxes. She cannot do that with her plotting board, but she could, if she had a white board. She used to have a white board (but it was not white; it was a picture of white clouds in a blue sky) but I do not think it made it with us during the move. She will figure it out.

This week, Anty has had another article on XOJane.com, this time about what it was like to take care of her papa, her own anty, and Uncle at the same time. I do not remember any of that, because I was not born yet, so I cannot tell you anything that is not in the article. It is here and looks like this:

xojane

Anty did not think she would like writing personal experience articles -she is a fiction writer, after all- but she does, and plans on writing more of them. It is kind of like blogging, only more people read it, and publisher humans give her money, which she can turn into cat food. Or maybe other things, like notebooks or maybe another computer, but I think she should get the cat food first. It is important. One important thing Anty has learned from writing these articles is to dive deeper into the emotions. Picking what details to share (Uncle says she has left out a lot of the good parts, but Anty reminds him there is a word count she has to respect with these things.) This means reworking some things in the historical, that she has already written, which does not make her happy, even though she knows it will be best for the book and the characters.

Although Anty would really prefer to have the whole book come from her head to the page, perfectly, the first time, she is coming to understand it does not work like that. The process of writing, like the process of caregiving, or cleaning out her papa’s house, is something Anty has to go through, to get to the other side. If that means making a big mess first, then that is what she will have to do. It is okay. I still love her. And cat food. I love cat food.

Speaking of writing, Anty has to do that now, so she will need the computer, which means that is about it for this week. Until next time, I remain,

Very truly yours,

Skye O’Malley Hart-Bowling
(the kitty, not the book)

Until next week...

Until next week…

Back to Old School Season

Last night, the power went out. Twice. The night was sweltering hot, the rest of the family had sequestered themselves in their rooms, hot and cranky, leaving only me out in the living room. My plan was to watch Ink Master (which I am not sure even recorded, but there’s always On Demand, right?) and write, but BAM, the big dark. The box fan went out. College kids (we live in what’s termed the student ghetto, as our neighborhood hosts multiple institutions of higher learning) whooped and hollered, and one fine citizen decided that was the perfect time to shoot off fireworks. Really? Why do you have fireworks in September, sir or madam? Waiting for exactly this sort of event? Can’t make this stuff up, and, being a writer, that’s kind of my job.

So, anyway, there I am, in the dark, faced with a giant shift in plans for the evening. I don’t have tattoos myself (and can’t, medically, as I have eczema, which does not play nicely with tattoo ink) but I find the art form fascinating, so tattoo shows are must-see television for me. Ink Master is my favorite. This season is masters vs. apprentices, which I think is an interesting concept, especially how each pair handles the competition. For my money, if I were the master and my apprentice surpassed me, I would consider that proof I had done my job well. The student should surpass the teacher, IMO, at some point. That’s how we improve.

Which is where we’re going with this, today. After batting around some email conversations with writer friends, I dragged the window seat cushion onto the floor, filled my travel mug with ice water and settled in beneath the living room window, to hug an ice pack and have a good think. I would have written this out if there had been any light to speak of, but there wasn’t, so I’ll get it down here.

The office overhaul has brought a few different things to mind, notably my reading habits of late. While I do have that lovely TBR shelf above, where my brain and heart keep going is over two shelves, to the recently unearthed classics in their new case. Valerie Sherwood, Laurie McBain, Anita Mills, Barbara Hazard…I have  missed those gals and the stories they told. Not all of them would appeal to the modern reader, but they have stuck with me over the years, and in some cases, decades. The question is, why? What grabs me that strongly, for that long? Good questions, and there’s only one way to find the answers. Study the masters. I’d say mistresses, as, with the exception of Jennifer Wilde (who was Tom E. Huff in his private life) these books were written mostly by women (though Laurie McBain relied on her father’s input, and Valerie Sherwood thanked her husband, Eddie, for his role) I’m reluctant to use the term “mistress” in this context. Whole different profession there.

There hasn’t been a lot of reading time lately, but, once I started my reread of Call Back the Dream, I noticed I was approaching a few things differently. Right before the lights went out, I’d sneak-read a chapter in the bathroom. Haven’t done that in ages, but I used to do that all the time, when I couldn’t wait to dive back into the world of long-ago lovers. There was what we’d call head hopping today (I’m not going to go into putting modern standards of writing onto writers who worked when conventions were different, as that was how things were done then, so shushies) but the details…wow. I felt like I was seated at that table in the vicarage, having dinner with the heroine’s family. Each sibling, both parents and even their lone servant were distinctly painted characters, and no, they do not all get their own book. Sometimes, supporting characters are just supporting characters, and that’s okay.

I’ve read this book before, and will read it again. There’s the delicious sense of anticipation, because I know what Camille is going to find in a certain spot by the stream, but she doesn’t know that, and neither she nor Alexander have any idea what that spot is going to mean to them, or how long it’s going to take before they can claim the HEA that they might have had that much sooner if a few things had been even the slightest bit different.

Different. That’s the word. I love the historical romance genre; that’s what I live and breathe, what I’ve read and written since I was but a wee princess myself. I love that there is something for everyone, and I love that I do have these books from the era of my reading career that fires my blood, in which I see myself and the stories I have to tell. That’s in both senses of the word; one, that I possess them, and two, that I need to release them into the wild. I want the bigger stories. I want the variety of historical settings and eras, and people who think, act, speak, believe and comport themselves as people of their time. Not so much textbook-strict accuracy but versimiilitude. Could it have happened? If so, bring it on. Even so, I’m not writing a textbook, and I’m not writing fictionalized biographies. I’m writing historical romance. The love story has to be as important as the world in which it takes place, and it has to be done in such a way that it could not have happened at any other place or time.

The best way for me to learn how to do this is to see how it’s been done, and them replicate it, in my own voice. Which means I’ll be reading through these keepers, balancing the classic romances with newer editions and learning from both, to make something entirely new. Teacher may be a strict one in this class I’m making for myself, but at least I’ll know attendance will be one hundred percent.

Post Labor Day Rambles and Georgian Unciorn Chow

Monday’s post on Tuesday does not count as late if Monday was a holiday. Not sure if a holiday counts as such if it’s as disgustingly hot as this one was, but I got to spend Sunday with my good friend, Mary W, and her hubby :waves hi: so that definitely gets holiday points.

In preparation for the visit (and because it had long since fallen into ‘high time’ territory) I hauled a mostly unused bookcase into my office and busted my special keepers out of the storage box where they’d been since the big move and got them out on display.

Shelfie!

Shelfie!

Getting these old favorites out of mothballs and out where they can see them gave me a jolt of energy. This is why I read and write romance. If some of these books look well-read, it’s because they are, studied as much as read for pleasure. Those Valerie Sherwood books? Saved my bum in a pre-Revolutionary history final in college, where I needed to detail the contributions of three ethnic groups other than the English, that were essential to the survival of the colonies on an economic level. First two that came to mind were easy; indigenous and African, one group here already, and the other not here by choice, but both contributed much. Then my mind skidded to a halt. Sure, I’d studied, but could I remember any of that? Nope, what my brain wanted to  hang onto was that scene in Bold Breathless Love, where the heroine escapes her abusive husband by ice boat on the Hudson Riv…waaaaait a minute. Creepy abusive husband dude was Dutch, and so was the ice boat, and ice skating, and those were pretty darned useful, because otherwise, there is zero river commerce during the winter months, and then how are we going to get goods from producer to consumer, hm? Ice, ice, baby. Bonus points for those who know the legal name of the gentleman who popularized that phrase is Robert Van Winkle.

There’s a lot to be said for getting in touch with one’s bookish roots, and it’s a practice I highly recommend. Though I haven’t been reading a lot of current historical romances lately, merely seeing these books on shelves made my reader heart go pitter-pat. I want to reread that one and that one and that one, and ooh, that one. The array of settings and eras here dazzled me then, and it still does. 19th century Russia? English Civil War and Restoration? Georgian England? Colonial America? Yes, yes, yes and yes. This is a shelf full of unicorn chow, and I couldn’t be happier to have it out in the open again.

The book I’m holding in today’s picture is Call Back the Dream, by Barbara Hazard. It’s the first book I ever wrote a fan letter after reading, and I still remember being gobsmacked when Ms. Hazard actually sent back a personal reply. Not light reading, by any stretch of the imagination, and those brave enough to crack that gorgeous Elaine Duillo cover are going to need Kleenex and possibly counseling, because man oh man, the emotions here, and they are directly dependent on the historical world in which Camille and Alexander, the lovers depicted in said illustration live.

No rubbing of elbows with the movers and shakers of the time, but two star crossed lovers from different classes that society has decreed do not mix. Camille is the daughter of a vicar, Alexander the son of an earl, and those readers with some familiarity with the way things worked in the middle of the eighteenth century know this is not going to be an easy road. It’s not, and that’s what makes it a darned good story. Marrying other people? Well, duh. Secrets and lies? Um, yeah. Matters Need to Be Dealt With because those crazy kids and their radical ideas do not jibe with the Way Things Are Done. There’s breeding to consider, in both senses of the world, and the road to happily ever after takes Camille and Alexander fifteen freaking years to traverse. Yeah, baby.

Make no mistake, they make it to their mountaintop, but there are Ramifications, which Ms. Hazard further explores in the sequel, The Heart Remembers, which puts Camille and Alexander’s natural son, Jack, in the spotlight, after he finds out the way his family tree is really rooted, and he does not take it well. I’ll be rereading that one after I reread Call Back the Dream. I did write Ms. Hazard back and ask if there was going to  be a third book, to bring certain events full circle, and, though she allowed I was right about certain things, wasn’t sure if the book would be written. To my knowledge, it has not, and, believe Ms. Hazard is not currently writing, unless it is under a pseudonym. If so, I want to know what it is, because I will read those books.

These books get unicorn chow points because, double-digit years after first reading them, I remember, vividly, specific scenes. Camille’s first appearance, doing laundry on a hot and humid day, the books (Pamela, by Samuel Richardson) Alexander left for Camille to read in secret, The Fire. Those who have read this book know what I mean, and those who haven’t, you’re in for a treat.

That’s the kind of book I want to produce, so that’s the kind of book I need to make sure I’m taking in, as often as possible. Reading these books reminds me why I’m doing what I’m doing, and makes me want to do everything I can to earn my own books a space on that shelf. Ms. Hazard, wherever you are, I’m leaving a light on for you and setting a place at the table.