romance

Christmas Story Questions

annabowling 2 Comments

When I was about four or five, I sat in the dining room of our two story Colonial house in Bedford, NY, with my parents and grandfather (Dad’s dad.) I was across from my grandfather, my mother at one end of the table, and my father at the other. I don’t remember the exact subject of adult conversation, but what I do remember is the knowledge hitting me that Christmas came every year, and I could count years from Christmas to Christmas. I don’t remember the exact time of year, though I want to say it was fall, which would fit. Christmas would not have been that far off, so my parents would have wanted to make plans. My grandfather would have returned to his home in Puebla, Mexico, long before then, so maybe they wanted to let him know what would be going on, even if he couldn’t be there.

Christmas Is still my favorite holiday. I will happily read Christmas romances at any time of year. I have been known to watch Christmas episodes of TV shows I do not otherwise watch, because Christmas. If there is a marathon of Christmas episodes, especially those from the 1970s, I am there. When I worked in a bookstore (for a brief span of time, two of them at once) I kept a special shelf for the Christmas anthologies that came out every year, so that customers could find the seasonal reads quickly, and took advantage of my employee discount to bring a good number of them home.

Now that we have the interweb, and e-books, I get alerts to new Christmas romances from favorite authors and new authors, often linked to ongoing story worlds. It’s not possible for me to be intimately familiar with all of those worlds, but put the word, “Christmas,” in the title or blurb, and I am at least going to take a look. For me, Christmas novellas are an important part of the holiday season. Double points if I can read said stories by the lights of the Christmas tree, cup of seasonally appropriate beverage (tea, cocoa, eggnog, cider) at hand. Triple points if there can be Christmas cookies or gingerbread involved.

I have never written a Christmas story. I don’t know why. Scratch that. I have never written a Christmas story for commercial fiction. I have written holiday themed fanworks, under other names, and I loved those. The chance to combine my favorite holidays, and favorite characters makes writing, which is already pretty good, even more fun, and it brings its own set of challenges as well.

The first thing that comes to mind is that several of the Christmas novellas I see these days are tied into established story worlds, complete with a handful of previous heroes and heroines, to show up for the holiday gathering, usually with adorable progeny in tow. Right now, I don’t have a continuing story world, apart from the eighteenth century as a whole, so An X Family Christmas is not happening until there is an X family. Same with Y Club Christmas, League of Z Chrismtas, and so on, which does not rule out the prospect of a Christmas story altogether, by any means.

Many of the stories in the countless anthologies I’ve gobbled are true standalones, two lovers, one ending, no sequels, prequels, or spinoffs, complete unto themselves. The historical era doesn’t matter much. Christmas is the great equalizer. Give me the customs of the time, toss in two people with emotional baggage, and crank said baggage up to eleven, because Christmas is also the great magnifier. All the tensions, hopes, regrets, possibilities for reconciliation, strangers who become friends, and possibly more; I love all that stuff.

Writing a Christmas-themed historical romance makes sense. I love Christmas. I love historical romance. I love writing. So why have I not written one of my own? No idea. Seriously, none. Maybe it’s time to fix that. Not for this year, because we’re nearly a third of the way through November, but that only means plenty of time to think about what sort of Christmas story I want to tell. Being a temporal nomad, without an established story world, the field is wide open. Medieval? Tudor? Restoration? Eighteenth century, on either side of the pond? Maybe skip ahead to the turn of the twentieth century once again? In Never Too Late, Amelia receives the journal in which she begins her tale as a Christmas present, and starts writing in it on New Year’s Day, so that’s kind of close.

This is the part of the post where I hear my dad’s voice saying that close only counts in something I can’t remember and horseshoes. In short, not technically a Christmas story, so I have some thinking to do. Good news is that I have plenty of time in which to do it, if I want to have my story ready for next year. Right now, I know nothing about it. I kind of like that. It’s a voyage of discovery, a reason to re-read some classic Christmas romances and look into some new ones, pick what I love best from Christmas stories that have gone before and see what I want to bring to the table.

Part of that process is picking the brains of others who love what I love. What kinds of Christmas romances do you like best? Any particular time period or trope or character type that will immediately get at least a second look? Have a favorite Christmas romance you’ve read, or perhaps written? Bring it on.

Typing With Wet Claws: Hello, November Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday. The weather is gray and looks like rain, which makes Anty happy, and happy Anty means happy me, unless Anty is happy because the writing is going so well that she forgets to get up and give me food exactly when I want it, but don’t worry. I will remind her.  There is a lot to share this week, so I had better get to it.

First, as always, Anty was at Buried Under Romance on Saturday, rounding out her paranormal month with a look at vampire romance. That post is here, and it looks like this:

BURlovebites

Anty was at Heroes and Heartbreakers twice this week, which I think is pretty good. First, because it was an odd-numbered episode of Outlander, Anty has her recap. It is here, and it looks like this:

HandHOutlandercremedementhe

Because this is a brand new month, Heroes and Heartbreakers rounded up their bloggers’ reads from the last month. Anty and other bloggers have their answers here. I did not take a picture of that, because of technical difficulties, but Anty always likes to see what other people read during the month that has passed, and she is always happy to share her favorite read as well.

Now is the part of the post where I bring everybody up to date on Anty’s reading challenge at Goodreads. Anty gets an A+++ for this week, because she is four books ahead of schedule, having read seventy-nine out of ninety books. Because this is also the start of a new month, it is also when I take a look at how Anty is doing on her goal of reading more historical romance.

As of today, thirty-six of the seventy-nine are historical romance. On this goal, Anty can do better. That is okay, because she is currently reading three historical romances. Anty’s reading tastes often go in waves, so I am sure this will even out by the end of the year. She will need forty-five historical romances to make her goal of reading at least half historical romance this year. All four of the books she read last week were YA, and her reviews are here:

GReverythingeverything

Everything Everything, by Nicola Yoon

GRmorehappythannot

More Happy Than Not, by Adam Silvera

GRthesunisalsoastar

The Sun is Also a Star, by Nicola Yoon

GRupsideofunrequited

The Upside of Unrequited, by Becky Albertalli

Anty read all of those books in a couple of days, which is a nice change from taking a long time to read one book. Even though these books were not historical romances, all of them have love stories in them, and three of them count as romance. What Anty likes about these books is the intensity of emotion, and the distinct author voices. These are both things she hopes to bring into her own work, so taking in what she wants to put out sounds like a good approach to me.

Now that we are past Halloween, and into November, the holiday season is in full swing. The humans are discussing plans for Thanksgiving (I will get a small dish of turkey flavored cat food) and Christmas (this may involve additional humans coming into the house; either way, I still get presents, so I will deal.) It is also the time of year when Anty likes to snuggle under a warm blanket, with a hot beverage, while she reads, writes, or has some thinky time. These are the times when I am on mews duty, which I carry out by sitting very, very close, usually in catloaf formation, and sending out slow blinks and love beams. When Anty writes in her office, I lay on the small strip of hardwood floor near the doorway. I can rest my head on the carpet, but not my paws.

I get to see a lot from this position. Anty likes to write in longhand best, which eans she accumulates a lot of paper. Sometimes, she will throw me crumpled pieces of paper. Usually, I look at them, and I am interested until they stop moving. Then I am not interested anymore. It is kind of like that with writing. When Anty keeps going at a steady clip, the writing comes easier. When the story stops moving, then it is not as interesting anymore, and she might start doing something else. If those other things include petting or feeding me, then that is okay, but she really does need to get back to the writing after that.

When the story stops for Anty, it is usually a case of not knowing what happens next. Once she figures out what happens, then she can get back down to business. Sometimes, this can be solved with some research, like when she needs to know if her characters could do a thing in the eighteenth century, or how they would do it, or what they were wearing while doing that particular thing. Other times, it is more the feel of the scene, or a character would not do what she wants them to do. In those times, it is much better to go with what the character wants. She will probably end up doing that in the long run, anyway, so she may as well make it easier on herself.

Yesterday, Anty spent some time making sure that all of her papers and files were in the right places. This involved a lot of paper, but only paper she wanted to keep, so there was nothing for her to crumple for me. That is okay. I know it will come, in time, once she starts going through sticky notes. Sticky notes are my very favorite kind of crumpled paper, apart from the pamphlets that come inside new Moleskine notebooks. Those are the very very best, but there are only so many Moleskines even Anty can start at one time.

That is about it for this week, so, until next time, I remain very truly yours,

skyebyenew

see you next week

.

 

If Anything Happens To Me, It Was The Canada Goose

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Right now, I am at my desk, planner open in front of me, Pilot G-2 gel pens at the ready. I am running about an hour late, give or take a few minutes, but still roughly on schedule. The sky is clear outside my office window, and part of me wants to shut off the computer and head to the park because A) I want to leaf-peep, B) park people are already setting up for the holiday light show, and C) I want to see if the mallards and Canada geese are still there. I think so, on that last one. I don’t know if they are “our” ducks, or visitors from up north, on a layover as they head for their summer home, but I am pretty sure the geese are ours. If anything happens to me, this guy did it.

1010canadagoose

Big guy in the center of the frame, that is, but do not underestimate his mate, next to him. I am pretty sure she has some skills of her own. They own this end of the pond. Let’s be honest, the whole pond, but this seems to be their favorite spot, possibly because of the benches, which mean humans, which mean food. To be clear, I mean that the humans would bring food for the geese, not become food for the geese, but let us consider this gander, above. I cannot rule that out.

I’ve taken to the habit of making at least one loop of the lake on my afternoon walks during the eek, whenever possible. It’s come to the point now, that, if I don’t make my loop, I miss it. Normally, I would play music on my headphones, but a writer friend suggested I try a podcast or audiobook, for a change. I am now on my second audiobook of the week. The first one was All The Bright Places, by Jennifer Niven, and I am still not emotionally recovered. Since my friend also suggested that I make the audiobooks for walks only, as an added incentive, and I didn’t want to wait to find out what happened to the two leads in ATBP, I bailed on the audiobook, got the hardcover at the library, and blazed through it.

Still thinking about that book (a love story, but not a romance) and the other Niven title I got at the same time, Holding Up the Universe. That one is a romance, and I’m not sure where History Is All You Left Me, by Adam Silvera, which I got at the same time, is going to end up; could go romance, could go not-romance, but there is definitely a love story (or two, maybe three, depending on what one counts) and maybe a bromance. Still too early to call on that one, and I would be perfectly happy taking it with me on my loop around the pond this afternoon, but it’s hardcover, not audiobook, so I may need to take it to a park bench or my favorite coffeehouse instead.

What I’ve noticed about this most recent YA binge is that I am gobbling the love stories in these books, while I give guilty looks to the two historical romances, one on my Kindle, and one in paperback, that still wait, with varying degrees of patience, for me to get back to them. Maybe I’m still not over my last historical romance read, Tyburn, by Jessica Cale. I know I’m still mourning a secondary character who left us far too soon. Books most certainly do have mourning periods, and respecting them is usually a smart move.

Later, tonight, after walk and geese and audiobook and dinner, I will settle into my office chair, and divide the screen into two windows. One window will be Skype, so I can talk to my writer friend, H, and the other window will be Netflix, so that we can watch the last two episodes of The Seven Deadly Sins season one, together. It’s anime, which I never would have picked on my own, and do not quiz me on the magic system, anime tropes, or the like, because what has my attention is (no surprise) the love stories. Renegade knights, sought for crimes they didn’t commit, tortured backstories, and star-crossed lovers who find ways to make it work? Um, yes, please. There is a part of my mind that is filing all of this away and figuring out how to siphon the essence for future historical romance doings.

This Saturday, I will attend my CR-RWA meeting, where Marie Lark will give a workshop on core story, which has been on my mind a lot lately, both for writing fiction and for updating the content of my own workshop that I’ll be giving online in March, through Charter Oak Romance writers.  I don’t think any of this is coincidence.

Where I am right now in my second draft of Her Last First Kiss, I need to get Ruby, my heroine, so wound with anxiety that the air crackles around her, with all the possible things that could go wrong, which is exactly when she throws herself in front of one of them. It’s a romance, so things will turn out fine, but up until then, no guarantees. Maybe I’m doing the writer version of carb-loading for that. This may require more than one loop around the lake, to sort everything out, and possibly a hot beverage in a travel mug.

Cave ansarem. (that’s Beware the Goose in Latin)

TheWriterIsOut

Ramblings of a Fictional Magpie

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First off, in case you missed it, my Frank Randall Deserved a Happy Ending post went live on Heroes and Heartbreakers yesterday. Don’t tell Skye I blabbed it before she could share the link. When I first read Outlander, I actually didn’t. I read Cross Stitch, the British version (and original title) because A) it supposedly had more historical content, and B) Claire was “nicer” to Frank. I didn’t know anything about Frank when I went into this, apart from the fact that he was Claire’s original husband, and, really, had no good options when Claire came back from the past, in love with, married to, and pregnant by another man. I’m still not sure how the legalities of a pre-existing marriage would hold when a woman finds herself two centuries in the past, as Husband #1 wouldn’t have been born yet, thus could not have married her, because he didn’t exist, but he did exist, because Claire remembers him, and is wearing his ring at the time.

All of that is largely to get me over the hump of the blank page, because I’ve been staring at it for a while now, and this entry needs to be written, so going with the “throw something at the page and see where we go from there” stage. I think the first love triangle that I was aware of was King Arthur, Queen Guinevere, and Lancelot. Guinevere and Lancelot have some chemistry, and, if it weren’t for one of them being married, I could probably get behind them, but she was married, and to Arthur, and even at, hm, I want to say six, or so, I knew that something about this equation could not turn out well. Camelot came crashing down, both in folklore and the musical, which I watched on TV at the home of family friends. I didn’t entirely understand what was going on (again, six) but I was enthralled. This is probably more proof that I came out of the box, hardwired for historical romance.

I was the kid who, when given Jane and Johnny West figures for Christmas (maybe that same year? That feels about right.) did not fall in love with the mystique and adventure of the American West. Instead, I made them act out the balcony scene from Romeo and Juliet. My dad was big on the classics, if nobody guessed that by now. Still, I think that wasn’t entirely what he had in mind. To this day, I’m not sure if Jane and Johnny were meant to be siblings or lovers. No, scratch that. I checked. They’re married. They also apparently had four kids. My parents probably kept that information from me, to forestall requests for the kiddo figures. I also did not know about the homestead, dogs, or friend and enemy figures, to say nothing of articulated horses and a bison. A bison. Seeing as how we have a stuffed bison (cuddly toy variety, not taxidermy variety) on top of our dresser, six year old me cannot complain of a bison-less existence.

This is the part where I stare at the screen, notice I have about two hundred more words to go before I can sign off on this entry, and have no earthly idea how to tie this into anything that will make sense to anybody but me. Maybe that’s okay. Maybe every entry doesn’t have to mean something,  and I can put what’s in my head out there, for readers to take what they will. After this, I have a critique partner’s chapter to look over, and then get something together for my weekly meeting with N. What I would most like to do is snuggle into my comfy chair, with a blanket, some hot beverage (tea or cocoa, not sure which one I would want in this hypothetical circumstance) and finish reading Holding Up the Universe, by Jennifer Niven, because I am still emotionally raw from blazing through her first YA novel, All The Bright Places.     What is left of my heart still wants to hang out there, hang onto that voice, and, as I did with my Best of the West figures, pick what I want from the source, and figure out how those elements would work in the world of historical romance.

I think I was hard-wired for that sort of thing, too. Meat Loaf (the singer, not the food) once said that people need to keep one thing in mind when listening to any song composed by his songwriter, Jim Steinman: that everything Steinman writes is from the same story world, and it all fits together. I think Meat called it Wonderland (not the Alice sort, IIRC) but I may be wrong on that one. Still, it stuck with me.

Maybe that’s why I go through periods when I know, without a doubt, I am in full magpie mode. I’m hungry for a certain kind of story, or setting, or character type. When magpie season hits, I have to inhale everything I can about the current fixation, process it, and trust that it’s going to come out again in my own work, in some fashion. At six, I probably did not register Romeo and Juliet’s ultimate fate, and, at more-than-six, I am not going to tell the Bard how to write, but, in a romance novel, the lovers would be alive, together, and happy about it. That’s hardwired, too, and I am fine with that.

TheWriterIsOut

 

 

 

 

 

History, Romance, and Historical Romance

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Right now, I’m sitting in my office chair, The Goo Goo Dolls playing in the background, and water bottle at the ready. Skye is curled against the office door, propped open (the door, not Skye) with a blush pink mini milk crate filled with art supplies. I have an ice pack for the finger I burned on the skillet while making sausage for breakfast this morning. My brain is still rather think-y, mostly about writing, the romance genre, and writing in the romance genre.

I’ve known I wanted to write love stories since I was far too young to be reading them, and yes, they do have to end happily. Back when I first jumped on board the historical romance train, things looked different within the genre. Books were books, not series, for the most part, and pretty much the entire sweep of history was fair game, the now-dominant Regency setting mostly in its own sphere, that of the traditional Regency. When I first started reading historicals, I loved the idea of a genre devoted to the specific spirit of a particular time, and distinctly remember asking a bookseller where the Elizabethans were. You know, like the Regencies, but the Elizabethan period, when Queen Elizabeth I ruled England. Or Tudor period as a whole; her dad’s era, or her granddad’s, it’s all good.

I remember the bookseller’s answer as well, after a few rounds of variations of “what on earth are you talking about, strange college student who is super into this historical romance thing?” There weren’t any. Historical romances could be set in any period, and, back then, they were, but these slim books with their distinctive covers only covered one historical period, and a relatively short one at that.

Well, then. Where’s the fun in that? Personally, I think there could be a market for that. Historical romances where the history and the romance are intrinsically intertwined are among my very favorites, and knowing where a reader could find stories in their favorite periods makes a lot of sense, but maybe that’s just me. I spent long hours in that bookshop, pulling spine after spine out of the shelves, for a glance at the cover, then a quick scan of the back blurb, looking for my preferred periods. In the rare case when cover and/or blurb didn’t tell me, the first page of the story usually did.

My favorites back then were anything in the 16th-18th century range, then medieval, then Edwardian, then ancient world, then whatever’s left can all mill about together. Special exception made for historical romances set in Australia. There have  never been enough historical romances set in Australia. Coughty-cough years later, my historical hierarchy has not changed, though the first three shuffle around in order from time to time. I think they have some kind of time share thing going, and I remain firm in my position on Australian historical romances. Tell me a historical romance is set in Australia, and then take my money. I need hear nothing more.

It’s a select group of romance novel elements that fit that designation. If either lead spends time in Newgate or Bedlam, give me that book. Star-crossed lovers who somehow make it work? I want that. No, scratch that. I need it. I want the struggle. I want to see our lovers get thisclose to being happy, have it all wrenched away, and then fight like hell to get it back, and, this time, they win. I’m perfectly fine if that takes multiple years, crosses oceans, or takes place on more than one continent. As long as I have a lump in my throat, my heart hurts a little, and I get to fist pump at the end, because the lovers made it, no matter what stood in their ways. Take that, antagonists, you are no match for true love.

There’s a lot to be said for quieter stories, and I have liked some of them, even loved a few. My first historical romance, My Outcast Heart, is a quiet story. My hero is a hermit, and my heroine, a subsistence farmer. Dalby and Tabetha are always going to be special to me, not only because they were my first sale, but because their story could not have come together any other way. I left them happy, healthy, and a wee bit better off than they started the story. Dalby started the story living in a shack in the woods by himself, so the bar was probably low for him to begin with, but still, they ended up together and happy about it, and I don’t think they’d consider their lives small at all. Quiet, yes, but not small. All right, Tabetha’s last name was Small before she married Dalby, but there’s a difference between Small and small.

From there, I took a detour to sixteenth-century Cornwall, and the turn of the twentieth century in England and Italy, before Jonnet and Simon found themselves in the middle of the English Civil War.  Every one of those periods, and the periods I’m writing in right now -the late eighteenth century for Her Last First Kiss on my own, and the modern age for my co-written novels with Melva Michaelian, influence the love stories, so that the stories as they happen couldn’t have happened the same way in any other era.

For me, that’s a lot of the fun. How are these particular lovers going to get what they want, within the world in which they live? How have the lives they’ve led up to the point where they decide this other person is it for them, affected how likely it is they are going to get to be with this person, and what are they going to have to do, or give up, to be with this person? For me, the HEA is all the more satisfying if they have to work hard for it, and take a few knocks along the way. That’s the type of story I hope to bring to my readers, with Her Last First Kiss, A Heart Most Errant, and everything else.

What kinds of historical romances are your very, very favorites?

 

 

 

September Song, aka Pressure

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This post has nothing to do with music. Okay, I do have a playlist on Spotify, titled A Working Day, that I do sometimes play to get myself in the key pounding mood, but we’re not talking about that. Well, not totally about that. If the first of September is when my own personal autumn begins, and the return of superpowers is expected, then Labor Day is the real stake in the ground. The calendar date of the official change of seasons never registered with me much. When I was but a wee little princess, the distinction was easy. In summer, I was not in school. In fall, I was. Do not try telling me that most of September is actually summer, because I am not buying that, not even with a coupon.

Right now, I am sitting at my desk, planner open in front of me, my second dose of Lapsang Souchong about two thirds drained from my pink skull and crossbones mug. I have taken my deskscape for the day, edited it, morning pages are written, and now it’s time to assign the day’s tasks. That’s some pressure. It’s September. I’m drinking hot tea. I am wearing a sweater.  Tomorrow is critique meeting. I have only nine more days to get A Heart Most Errant ready for beta readers. That’s a lot of pressure. : screams, runs in circles, arms flailing:

Apart from the critique session, those deadlines are self-imposed. Even with the critique session, that’s a mutually agreed upon date, and either N or I have the ability to move it when life so requires, which it may. We will see. This is the part of Her Last First Kiss where writing the first draft showed me that some things need to work differently in the second draft, and that always brings up a lot of concerns. Can I do this part of the story justice? Am I up to this? Do I need to write through splayed fingers, horror-movie-watching style (extremely difficult with either pen and paper or keyboard, possibly do-able with speech to text) because this part of the book hurts, both for Ruby and her Hero.  I know things will turn out all right. I already wrote the story.  This should not affect me this way.

Aha. Should. My old enemy, we meet again. Should has dragged me into a lot of trouble before, and I am not giving up my Labor Day for that kind of folderol. I should have had these pages already written. I should breeze through this with nary a care, because that’s what real writers do. I should sit down at the keyboard and bang out x thousand words in a session. I should write this or that or the other thing. I should, I should, I should…STOP.  Yeah, we’re not should-ing over here. Not today. Not when leaves are starting to turn, and I have pretty notebooks and fountain pens that need ink, and a faithful mews curled in my doorway, engaged in some pretty serious fur maintenance.

Not in September, the month I’ve been waiting for all summer, the month I wait for every summer. One would think that, since I know I get me-er in September, there wouldn’t be this feeling of pressure, but here it is, and the question becomes, what am I going to do with it? One of the things I like about breaking my day down by hour (that’s what the numbers and lines in my planner are) is that it lets me see that I really do have plenty of time.

Normally, when I set up my daily pages, I color code the hours, from light gray to dark gray, the one shot of color at noon and six, meal times. I like the rhythm of that, knowing that the darkening or lightening of the gray means the day is progressing. This morning, I was distracted, and colored in all the numbers in the color of the day. This tells my brain that everything is of the same importance, which may be sending a “do it all right the heck now” signal, which also tells me I don’t want to do that again.

What I do want to do is get this blog entry written, posted and publicized, and then take a step back from this section of Her Last First Kiss and make a plan for exactly what form the changing scenes need to take. Right now, my heart aches for Ruby and her Hero, now that they both know how they feel, and how impossible being together is, because of things. Hero aches because he really does believe there has to be a way to make this happen, and Ruby aches, because, deep in her pragmatic heart, she’s convinced that’s not how life works for people like her. She’s wrong, of course, because this is a romance novel, but, for where she is in the story, her only choice is to put up that emotional armor and soldier on, the only way she knows how. I will say this for her: she has a unique work ethic.

This is going to require some research for me, since I have hit on one of the “eh, I’ll figure that out later” things, and, well, it’s later. It’s September. Labor Day. Crunch time. We are past the point of no return on this draft, and I want to do this right. For both of them. For the readers (to which I am tempted to also add “both of them,” but that’s another matter.) For me, because I want the happy ending, too. There’s no feeling for writers that comes even close to typing The End on a final draft. Getting towards The End for a second draft is an important step in that journey, and every step in that direction counts.

So, today, I have my planner open, my A Working Day playlist on Spotify, and a third cup of tea in my immediate future (not Lapsang, though, because I know my limits; good ol’ Typhoo to the rescue) and then it’s time to head back to the eighteenth century.

Typing With Wet Claws: Hello, September Edition

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Hello, all. Skye here, for another Feline Friday. Today is September first, not yet autumn by the calendar, but it is autumn for Anty, so that is what counts. Anty is very happy today, because she gets to start not one but two notebooks, and she and Anty Melva had their first session on writing a brand new book, but more about that later.

As always, before I can talk about anything else, which is usually Anty’s writing anyway, I have to talk about where you can find her writing on the interwebs, besides here. She is at Buried Under Romance every Saturday, and would love to see you there. Last week, she talked about the power of romance novel heroines. One of the reasons Anty started reading romance in the first place is because romance is the genre where the woman always wins. That post is here, and it looks like this:

han

Because the old month is now over, the people at Heroes and Heartbreakers get a chance to say what their favorite reads of August were. Anty had to think really hard about this one, because she read a lot of good books this month, and had to limit herself to books that are already published. I do not know how hard or easy it was for any of the other bloggers, but Anty does have a few more books to add to her own TBR list now. That post is here, and it looks like  this:

HandHbestofAug

Now, because it is the start of a brand new month, it is time to see how Anty is doing on two challenges. First, we will look at how she did at Goodreads. So far, Anty is on track for the fourth week in a row. She has read fifty-nine books out of her goal of ninety. Go, Anty. Read those books. Keep going. You got this. This week, she left a review for North of Beautiful, by Justina Chen. She liked that book very much, and has started trying to draw compass roses in her notebooks. There may be a learning curve to that. Her review is here, and it looks like this:

GRnorthofbeautifulChen

Now we look at how Anty is doing on her goal of reading mostly historical romances. The one book she finished this week (to be fair, she had a big week) was YA, and it had a romance in it, but it was not historical, but we need to look at the overall picture.

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So far, Anty has read 59 books, according to Goodreads, and 29 of those have been historical romance. Figuring in for the romantic historical fiction (Beatriz Williams, I am looking at you) that is about a 50/50 on that score, but then we have to also figure in the historical romance novel Anty beta read, that will not be out until next week, and that gives historical romance a slight edge. Go, Anty. You are meeting those goals.

Because Anty insists, here are pictures of the inside and outside of her new morning pages book. The pages in this book are mostly the same, but she is going to use different colors of ink to differentiate the pages, so she will not get un-comfy with pages being all the same. She has a thing about that.

cover of morning pages book
Inside pages. Note sparkly ink.

 

Okay, I think those are all of that kind of update. Now it is time for book talk, and by that, I mean Anty’s books. This week, Anty Melva sent Chasing Prince Charming off to Carina Press, to see if maybe they would like to publish it. The answer to that one might take a few months, so it is a good thing that Anty and Anty Melva are now officially working on Drama King. They had their first Skype session this morning, and Anty has several notebook pages filled with scribbles about things she needs to get done in time for next week’s meeting, so that they can get started with the actual writing of this book. Anty is pretty sure that the writing will go faster this time, because now she and Anty Melva know how they write books together. She also knows that they need to do a better job of keeping track of the parts of the book while they are writing it, so nobody (especially not Anty) has to go digging around in the hard drive for that scene where that person did the thing and the other person found out about it.

Because Anty had to go to the people vet earlier this week (she is okay) she has moved her goal for finishing her once-over of A Heart Most Errant to two weeks from today, September fourteenth. That is a nice round number, a fortnight. That is an English word for two weeks. Anty likes English words. That is probably because she writes in English, but a lot of her stories also take place in England, so there is that, too. There is also laundry to do (Anty will do the laundry, not me; my tongue would get tired really fast) I had better wrap things up, so that means it is time for Tuna Roll’s Thought of the Day. Take it away, Tuna Roll.

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If you have to live with your natural predator, but they don’t climb, you’re still ahead of the game. –Tuna Roll

 

Thank you, Tuna Roll…I think. That is about it for this week, so, until next time, I remain very truly yours,

skyebyenew

see you next week

 

 

I Will Go Down With These Ships (Non-Paranormal Edition)

annabowling 2 Comments

Romance Appreciation/Awareness Month is drawing to a close, (but it’s always romance appreciation month as far as I’m concerned0 and National Matchmaker’s Day is tomorrow, so now it’s time for me to gush on some of my favorite regular-people ships. No ghosts, no vampires, no super powers, only flesh and blood people. Whittling this down to only a few was even harder than the previous version, and I may have to update these posts with an additional post for honorable mention, because, when one is a romance aficionado, that stuff is everywhere, and picking favorites is not as easy as it sounds. So, I am jumping in, in no particular order, with the first couples who come to mind. As before, all links go to my OTPs (One True Pairing) page on Pintrest, where you can see a more comprehensive list.

First up, Max and Kyle from Living Single. Kyle is smooth, fashionable, self-assured, very much in love with himself, and torn between corporate life and his buried musical aspirations. Max is also self-assured, brash, impulsive, a lawyer with a strong sense of ethics (even if those ethics may be particular to her; she still hews to them) and it’s pretty much hate at first sight. These two cannot stand each other, and it is very much a case of when both lady and gentleman doth protest too much, because egads, the chemistry. They fight, they love, they break up, Kyle moves an ocean away, Max totally goes off the deep end, and makes an impulsive decision to become a single mother through IVF (which is not as easy in real life as in sitcomland, but stay with us on this one.) The donor she picks, blind? One guess, romance fans, and when Kyle finds out, oh my my my. The moment when these two finally decide to go for it and admit their true feelings gives me the down-deep shivers. The only thing better than that scene is a brief cameo in another sitcom, a few years later, when we find that Max and Kyle are still happily married, with a mini-them who has the best and worst of them both in one sharply-dressed package. The rare canon HEA, with epilogue.

I could not make this post without one historical couple, and (sorry, Jamie and Claire, you’re in a time travel, so you count as paranormal) Ross and Demelza from Poldark have no competition. From the second we meet Demelza, disguised as a boy, desperate to save her dog from a dogfighting ring, and Ross steps in, the chemistry crackles. Demelza is a scrapper, who gives as good as she gets, and she and Ross do not get off to an easy start, especially as he’s still hung up on his cousin’s wife, Elizabeth. Demelza, however, isn’t going anywhere, and not only because her only alternative is to return to her truly horrible family. Their marriage starts out as convenience, but, somewhere along the way, a true, deep, and abiding love forms between these two strong-willed people, neither of whom wants to give an inch of ground. We see them go through the joy of welcoming their first child, the grief of losing her, and, my favorite scene so far, Ross racing off to drag Demelza back from her, um, freelance fishing job while she is in active labor, only to find that she saved her own self while he was on the way, daft man. They bicker, they clash, they stand by each other when the worst happens again and again and again. Though season two ended on an extremely unheroic note for Ross, these two see each other through the most destructive of storms, so I have faith they’ll get through this one as well. How? No idea, but they’ve always found a way so far.

The couple that caught me most by surprise, in all of ship-dom is Barney and Robin, from How I Met Your Mother. Finale denier for life here; I reject all of it. Barney and Robin are still out there, still together, still living awesomely ever after, until death do them part. Where to start with these two? Even though they’re in a fairly bright and bouncy sitcom, the backstories grabbed my heart and refused to let go. The always nattily dressed corporate shark, Barney, has a secret past as a chaste hippie, hopelessly devoted to the college sweetheart who broke his heart and shattered his soul? (Not to mention the troubled childhood he and his brother endured with their groupie mom and absent dads.) Robin is his best friend’s dream girl (well, off and on, for a while) and grew up with a father who insisted on raising her as the boy he’d always wanted, instead of the girl she really was, and her secret shame is a teenage popstar career that went down in flames, in an extremely public venue? I am there for that, forever and always. Watching two people who didn’t even believe in true love, marriage, or anything of real substance, slowly fumble their way to each other, through breakups, other partners, an infertility diagnosis (hers) to combine a deep, abiding friendship and powerful attraction, well, :happy sigh: That’s the stuff. I’ll take the alternate finale if I must, where it’s strongly implied that things work out at long last, but these two giving up on each other? Nope, not buying that, not even with a coupon.

When I teach my workshop, Play in Your Own Sandbox, Keep All The Toys, one of the first exercises I give is to ask students to list their favorite shows/ships/characters, then ask the question – what do they all have in common? What’s the common thread? What do we find in each one of these cases, be the stories set in the past, present, future, or otherworldly realm? There’s a core story there. While any factors from cancellation, actors’ departure, bad writing, etc, can derail even the most outstanding TV couples, in romance novels, the HEA is a dead solid guarantee. No matter what life or the writer throws at the couple in question, by the last page, they are going to be on their own personal mountaintop, together, and happy to be there, and so are we.

What are some of your favorite ships that deserve the romance novel treatment?

I Will Go Down With These (Fictional) Ships (Paranormal Edition)

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Time to blab about some of my favorite OTPS. That’s One True Pairing, for those not versed in the intricacies of fan fiction, and/or shipping.  This has nothing to do with transporting goods by water, but is fanspeak, derived from ‘relationship.’ In honor of Thursday apparently being National Matchmaker’s Day, The Happy Ever After blog asks select author who some of their fanfic couples are, which I find very interesting reading all on its own. Since I need a topic for today’s entry, I am going to hop on this particular wagon and blabber about such matters here.  Links go to my OTPs Pinterest page, for those meeting these couples for the first time.

My first ship that I remember having was Wonder Woman and Steve Trevor, from the Wonder Woman TV show. I even subscribed to a fan club newsletter. We moved after I received the first issue, and the second (and subsequent) were never forwarded. Still salty about that. I remember that having to choose between an 8×10 glossy of either Wonder Woman and Steve Trevor or Diana Prince and Steve Trevor was agony for my ten year old self. I finally settled on the Wonder Woman option, but still am not sure if I made the right choice. I was always waiting for Steve to figure out Diana and Wonder Woman were the same person, or for her to make the revelation, but never could figure out how the HEA I wanted, even then, would work out, because Amazon, super hero, mortal, dude, all that sort of stuff. I’m still not sure how I would work something like that out in any of my own writing, but I did love that the heroine had two identities, and she was the strong one, and that the hero admired her for that. No, I have not yet seen the new movie version. I know what happens to Steve.  We’ll see if the sequel changes that.

I’m not sure if it’s me, if it’s the shows I watch/have watched, the whole romance writer thing, or what, but I have had a record of falling hard for TV couples that, well, don’t get the same treatment on TV that they would in a romance novel. I came to  Highlander (TV show, not movies) fandom late, as in  after the thing that already happened in season two, maybe even in season three. Whenever it was that the grieving Duncan first met his would-be second canon love interest of the series, Anne, an emergency room doctor, and I wanted to ship them. I really, really did, but it never quite took. Neither did Anne, even after Duncan basically built her a house with his own two Immortal hands, and I thought he deserved better. Which is when I finally, and do not ask me how, stumbled on the first season, and his original love interest, Tessa, a French sculptor, who owned her own blowtorch,  and the chemistry floored me. Duncan and Tessa forever, and I do mean  forever. Any detractors can shush about her being dead. It’s a fantasy show. Anything can happen. There was Fake Tessa, Alternate Universe Tessa (and even that ended badly, but I can accept the tragedy as long as it’s only alternate) so the next logical thing is somewhere, somehow, Real Tessa. Again, fantasy. Dead doesn’t count. They could figure something out.  My one and only attempt at a Regency may or may not have been inspired by their dynamic, no paranormal elements involved. I may resurrect the core of it as a Georgian. We will see.

Most recent members of this club are Ichabod Crane and Abbie Mills from the dearly departed Sleepy Hollow. These two. Seriously, these two. Eighteenth century visionary and twenty first century cop may not be the most traditional couple, and sure, there was the complication of his being still technically married (even though his wife lived 200+ years in the past, buried him alive, and didn’t tell him that A) she was a witch, B) she was pregnant) that gave their explosive chemistry a wee bit of a challenge (until Ichabod had to kill wifey to save Abbie’s life.) When Abbie had to venture into Ichabod’s time to right a great wrong, and he met her there, not knowing he’d already met her in the future, oh my word, oh my word, do you know what this does to a historical romance writer? Then the show bungled the whole deal, Abbie got killed off, and all we shippers got was Ichabod placing a single kiss  on Abbie’s ghost’s hand. Her hand. Her ghost’s hand. Yeah, not good enough. I quit watching the show after that. In my mind, they beat all the monsters, and their reward is that they get to be happy. I don’t really need specifics.

Maybe falling in love with fictional couples is par for the course when one is a romance fan, and especially when one is a romance writer, which means one is actually both. As for falling for the couples that get shafted on their HEA, I’m still not sure what that says, but I do know that the urge to barrel into the story, announcing that it’s okay, because I am a romance writer, is not something I can shut off. Every couple on my OTP Pinterest board, whether canon gave them their HEA or not, has at least one part of their dynamic that goes into the idea soup, combines with something from some other couple, a bit from this book, that song, some bit of historical tid, a what-if from current events or daily life, the cover design of a new notebook, or a whiff of scent, and then, when I’m not looking, new characters are born, with new love stories they want me to tell. Who am I to argue with that?

 

 

 

My Planner Speaks Dutch Now

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My planner speaks Dutch now. Days of the week? All in Dutch. Months? Yep, those will be in Dutch for the remainder of the year, as well.  There are a few reasons for this. One is that I’m picking up some of the language anyway, from a friend who is, herself, Dutch. Another is that I’ve had a storyline bopping around in my head for a couple of decades now, with a Dutch hero. If it hasn’t gone away by now, it’s not going to, so my best bet is to steer into that particular skid (at the appropriate time; right now, Her Last First Kiss  is my historical baby.) Another reason is that translating names of the days and months from Dutch, into English, is one more thinky thing for my brain to do every day. Call it mental exercise.  The more I make my brain work, the better it works. The other reason, though? That one tracks with romance appreciation month. It’s the heroes.

Couple things first. This is not the deskscape I took to go along with today’s blog post. That one had a finished page, with a grayscale-plus-one-color color scheme, all numbers neatly stenciled, etc, everything in place.  I composed the shot, tried out a new photo editor, because I’m still finding the ideal tool for that, and checked my Google Photos app on my phone. Yep, picture is there. Great. Check Google Photos on my desktop, and nope. Already done some juggling with my schedule today, so time to get creative. Nab a shot I took to share with a group on Facebook, edit that puppy, and on we go. So, that’s where this comes from, and, even though it’s not what I had planned, it’s good enough.

So, back to those romance heroes. I’m not talking about the oh-isn’t-he-handsome angle on this one, though yes, some of these fictional gents are rather easy on the eyes.  Romance heroes, like romance heroines, come in many different flavors, shapes, sizes, hues, fitness levels, etc. For me, the main pull of the romance genre is the heroines – strong women who don’t let life knock them down, or, if it does, they don’t stay down for long- if there weren’t heroes in these books, then I’d be talking about the power of women’s fiction rather than romance. There is also female/female romance, with which I am not as familiar, so I will leave that to those better versed.

Today, it’s all about the boys. Men, really. Apart from YA romances, of which there are some wonderful examples,  the heroes in romance are men. They can be younger men or older men, richer men or poorer men, fit as a professional athlete, or live with a physical challenge (or both) or anywhere along the spectrum on any of the above and more, but it’s not the physicality of the gents that matters in romance fiction. It’s the heart. Romance heroes do not complete the heroine. Let’s get that out of the way. At least in my books, they don’t. They complement the heroines. Compliment them, yes, because, at least by the end of the book, they have learned how to communicate with the women they love (and hopefully the rest of the people around them, no matter how taciturn they may appear on the first page) and are able to articulate what they admire about their ladyloves, (or the other gent, in m/m romance) but complement them, as in they fit well together. Together, they become greater than the sum of their parts.

Often, the hero is the one who sees a part of the heroine others have overlooked, and, once he’s seen it, he can’t unsee it, no matter how hard he tries. The handsome hero who looks at a supposedly “plain” heroine and doesn’t see the mouse everybody else claims the heroine is, but rather can’t believe nobody else is bowled over by the way she lights the whole world when she smiles, for example, is a popular example of that. Maybe it’s the way the heroine is whip-smart and could teach him a thing or two about math or ancient history, when her family is sure all she has to recommend her is a pretty face or ample bosom. Maybe it’s something else, but that moment when, for whatever reason, the heroine gets stuck under the hero’s skin is one of my favorites, both to read and to write.  He might think he has life all figured out, or have no idea what he’s doing, but once she’s entered his world, nothing is ever going to be the same, and he is more adrift than he’s ever been in his life, because this woman has shaken his foundation.

As with heroines, the heroes have their own arcs. Hero wants something at the beginning of the book, that he either gets, or accepts that he will never get, at the end, and it’s that journey that fascinates me. For both of them, really, both individually and together, but I have an advantage when it comes to the heroines. I am a woman, so I know what it’s like to be a woman, have a woman’s body and woman’s emotions. While I do  have a Hero Consultant in Real Life Romance Hero, he’s only been on this earth the same amount of time as I have, so when I want to dive deeper into how an eighteenth century hero might react to certain situations, I have some research to do.

That’s where the heroes who have gone before come into play. I’ve been reading romance, mostly historical, since I was eleven years old. If we count fairy tales with romantic elements, then for a lot longer than that. Suffice it to say I’ve read a lot of heroes in that time, and each one of them has left his mark on the heroes I write. I like to picture a bunch of them gathered around a table in some old timey tavern, lit by lantern light, trading war stories about the horrible things their authors, myself included, have made them do, and admitting that the reward, the love and support of their heroines, made it all worth the trip. I also imagine them welcoming new heroes, offering advice to the young upstarts. Remembering when they, too, were first drafts, and how much things have changed since then.

Um, Anna, the Dutch thing? Yeah, got away from that a little, but it was a romance novel, Bold, Breathless Love, by Valerie Sherwood, that made me fall in love with all things Dutch. Ruprecht Van Ryker, you are forever my book boyfriend. Some guys make that kind of impression.