romance

Typing With Wet Claws: Hangover Cure Edition

annabowling Leave a comment

Hello, all. Skye here, for another Feline Friday. This has been an interesting week around here, but more on that later. Anty finds it ironic that her picture of me this week is of me asleep, since Anty did not get a lot of sleep herself, but not to worry. I can more than make up for the sleep she does not get.

Before we get to anything else,  I have to talk about what Anty has done on the interwebs this week. As usual, she was at Buried Under Romance on Saturday, though she forgot to send out word that she was there. It was that kind of weekend. Oops. Anyway, this week, she talks about libraries. That post is here and its link on the main page looks like this:

BURlibrarybaby

Even though Anty did not get a lot of sleep this week, she used some of that not-sleeping time to get some reading done (finally.) She read so many books, in fact, that I had to put them all in one picture. Links to Anty’s reviews of the books she read this week are below. Click on the link to read the review, or check on her Goodreads reading challenge progress here. So far, she has read twenty-four out of ninety books, and is only four books behind. Keep going, Anty. I believe in you. These are the books she read:

All together, they look like this:

GR4reviews

Not too shabby there, Anty. If we break that down, that is two YA books, one nonfiction, and one historical romance. After Anty read Fair Day, and Another Step Begun, she wanted to read a medieval romance that was based on medieval legend, and she pretty much did, with Agnes Moor’s Wild Night. A tournament like the one in the story actually happened. Anty was very happy to find that out in the author’s note, even though it is fact instead of legend. Anty says that is close enough. The author is Miss Alyssa, whose workshop Anty did not get to see. Anty is still salty about that, but she does have another of Miss Alyssa’s books on her TBR shelf, so that helps a little bit. She is still looking for some (preferably older) medieval with that ballad/legend feel, so if you know of any (or have written some) let me know in the comments, and I will tell her.

This has been a very interesting week around here. Normally, Anty on a double book hangover would be enough to deal with, but Uncle has another new job. He is very happy about that, which makes Anty happy, even if she still could use another nap or ten. This week, Anty stayed up very late on Monday night so that she could have Her Last First Kiss pages ready for Miss N on Tuesday. This particular time, that meant writing parts of two different scenes.

When Anty started the second scene, she had a feeling things weren’t exactly right, but she wanted to get the right amount of pages written, so she kept on going. By the time she got to a stopping point, she was very sure she had written the wrong scene. She did not mean that the scene did not belong in the story, but that it needed a scene that came before another scene (or between some other scenes) because this one felt like shoving a ten pound cat into a two pound bag.  Miss N agreed, which meant Anty’s next job was to go home and figure out what that scene needed to be.

Not too long ago, this would have made Anty very anxious, and think that maybe she is  a bad writer, because a real writer, or a good one, would not have made that kind of mistake. That is not how she feels now. Now, she knows that is a part of the process, and it is okay to go back and fix things. Second drafts, like first drafts, do not have to be perfect; they only have to be written. As soon as she and Miss N started talking about what could happen in the missing scene, Anty got excited about writing that one. Having that scene will make this current one, in its new form, much easier, because it will have room to breathe. It will also mean Anty has some moving around of things in both Scrivener and Google Docs (she is not sure yet which one is easier to use at this stage of the game, so she often writes in one and then copies to the other) but, that, too, is part of the process. That is how she can keep moving forward.

That is about it for this week. Until next time, I remain very truly yours,

skyebanner01

skyebye

 

Fair Day, and Another Blog Begun

annabowling Leave a comment

Right now, I have a deep, burning, urgent need to read Fair Day and Another Step Begun, and I Would Go Barefoot All Summer For You, two long-out-of-print YA novels by Katie Letcher Lyle. This is not want. This is need, like these books are a part of my writer self that I did not know were missing, until something, likely falling down a YA rabbit hole on Goodreads, jogged my memory. I’d read Fair Day when I was in junior high, and fell wildly in love with the exquisite use of language, how a story set in then-contemporary 1970s America could have the feel of a time and place long ago and faraway. I did not read Barefoot, and I think I may, at the time, have scoffed at the title, but that only means I was not ready for that book then. I am, now.

Both books have their roots in medieval ballads, Fair Day a direct contemporary (for 1970s) retelling of the centuries-old ballad, Child Waters. I don’t know how these books came back to my attention, but, right now, it hurts that I don’t have them, which is a clear signal that there is something in them that I need. Neither book is in the library system, though two nonfiction books on plants by the same author are. Not quite the same, so the search continues. Ebay or Amazon it is, unless I strike gold at the local UBS, which is probably a longshot, but still going to try.

My memories of Fair Day are hazy, but I remember, while reading that book in the second floor study hall (if I remember physically where I was at the time I read something, it’s a sure sign it has become part of my idea soup) how it felt both modern and ancient at the same time, in a sort of world set apart. I love that kind of thing. Give me a pop singer backed by a symphony orchestra, or modern music played as though it were from centuries before, and I am going to play it until somebody’s ears bleed. This is one reason why my family knows that it is a good idea to keep me well supplied with backup earbuds at all times. There is no such thing as playing a song on repeat too many times if it has something to say to my storybrain.

It’s the same with books. If there is something about a book that gives me that “Yes. That.” feeling, then I have to have it, hold it, touch it, smell it, stare at the covers, flip through the pages, until it becomes a part of me. Once it’s in, it doesn’t come out. Well, it does, as something from it will find its way into a story or character or idea, and it will be reproduced, but the original inspiration stays put, ready for me to draw from it again, as needed, in near or far future.

GRfairday

Why this/these book(s) now? I don’t know, but I have learned not to question it. Sure, the cover does have a vague sort of historical romancey feel, if one looks in the right light. I don’t remember if Ellen and her child’s father end up together, and I don’t want to know until I (re)read, so I don’t know if this a romance. I don’t want to know. The heroine in the foreground, the man on horseback in the distance, the dirt road between them, her long, loose hair, her oversized coat, the bare trees reaching to the cloudy sky, the lyrical title, the memory of how the school library was often my sanctuary when life got rough. I remember the bite of cold air on my skin. I remember falling down and getting  up and going onward, onward, onward, left foot, right foot, left foot, right foot.

I did not read Barefoot, but, when I read “Toby Bright is coming,” said Aunt Rose, my storybrain quickened. Yes. That. Shut up and take my money. I need this book. Don’t need to know another thing about it, and, in fact, don’t want to know. Given that the heroine is thirteen, I don’t think this is a romance. I think it’s what those old-timey people in centuries past would call “calf love,” and I am fine with that.

Maybe I’m entering the magpie stage for whatever comes next, acquiring bricks for a house I have yet to design, much less build. As of this week, I am six chapters and change into the second draft of Her Last First Kiss, and there’s a new Melva chapter from the Beach Ball sitting in my in-box, which means I need to send her one back. There needs to be a What Next putting itself together on the back burner, because I am going to come to The End on both of these projects, and I do not want to blink into the abyss.

So, yes, medieval ballads. Check. Soak in the exquisite marriage of language and emotion until I am drunk on it. Check. Emotional afterglow that is still with me I’m not going to say how many decades later. Yes. This. This is what I want to take in. This is what I want to put out. Titles that feel like music. Lyrical prose. Characters who let me feel each beat of their heart as though it were my own. I want to read that. I want to write that.

For now, I can stare at the covers and pick apart the design elements, maybe mess around with paint and ink on paper of my own, to see what comes about, either to come up with something similar, or figure out how the original artist did it. Note what music feels the rightest while I do, and see what imaginary friends poke through the fog in the process. The journey of a thousand miles, they say, begins with a single step. Maybe this is one of those. Only one way to find out.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Typing With Wet Claws: Headache Relief Edition

annabowling Leave a comment

Hello, all. Skye here, for another Feline Friday. Things have been quieter than usual around here for the last couple of days, because Anty has a sinus headache. She gets those sometimes, before a big rain, which we were supposed to have, but did not get, so the headache stuck around. Do not worry, part of the duties of a mews is to be a good nurse when needed, so I have been sticking close. She is starting to do better now, so I think that means I have been doing a good job. Taking her medicine with caffeine and taking naps probably helped, too, but I think it was mostly me. Also Uncle. All right, and Mama.

Anyway, Anty thinks the worst of it is probably over, and that is a good thing. She did get a brand new picture of me, and in a very crafty way. She fed me, in my room, and then sat in the doorway and waited for me to finish. I could not get out without getting past her, and that is when she took my picture. She also paid me for my trouble by letting me watch a few minutes of my favorite movie, Koi in Their Winter Tank. I love this movie. It is wonderful. It has everything. It has fish, and, well, that is really all it needs. I will take movie time as fair payment for my work.

Anty is now making noises that could mean her sinuses are draining, or they could mean that she would like me to get to the point and post about her writing, so I will do that. She is on her own with the sinus thing. This week, as usual, she posted on Buried Under Romance. It is all about spring awakenings (no, not the Broadway show) this week, and the thrill of discovering something new. You can read that post here, and the link on the main page looks like this:

burspringawakening

Her next post at Buried Under Romance will be up tomorrow, so stop by to see what she is talking about this week.

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Since it is now March, it is now time to report how Anty is doing on her Goodreads challenge. She is four books behind schedule, which she does not like, but she is not worried. Four books is not that much, and she has four in her currently reading section, so all she has to do is finish those, and boom, back on track. If you would like to see Anty’s reading progress, you can do that here, and, so far, it looks like this:

grfebruary17

This week, the days have been mostly the days they are supposed to be, except for Wednesday being Tuesday. That was a little disconcerting, but two good things happened because of Tuesday being a day late. The first one is that the mallards are back in the lake at the park. I am always in favor of the return of birdy-type creatures. Maybe Anty will take a movie of them and let me watch it. Anty makes very good duck movies. To be fair, the mallards may have been back before Wednesday, but that is when Anty saw them.

duck02117

 

The other good thing is that Anty is very glad she had the extra day to work on her pages for Her Last First Kiss, because Miss N said that these were Anty’s best pages yet. Anty was very happy to hear that. Critique Partner Vicki also loved these pages, so that went a long way to balance out all of the headache ick. Getting good feedback lets Anty know that the story in her head is making it to the pages, and makes her want to go home and write even more pages. Even when a headache makes her want to smash her head into a wall. Do not worry, she did not actually do that. It is a figure of speech.

Anty also found a really, really good passage in Miss N’s pages and told Miss N exactly that. Miss N told Anty that, for that part, she sat down with pen and paper and put on the page exactly what was in the character’s head. That is also what Anty did for one of the scenes in her own pages. Great minds, it would seem, really do think alike. Anty and Miss N talked about that for a while, and how, for both of them, it is sometimes easier to write with pen and paper than compose directly on the computer. Pen and paper are also more portable (eve with laptops) so, really, writing can happen anywhere. In Anty’s case, writing by hand can help her feel even more connected to her characters, because she writes historical stories. Miss N’s story is contemporary, but she is also thinking about a historical of her own, when this is done.

Hopefully, Tuesday will be on Tuesday this coming week, because Anty is very much looking forward to moving into the next phase of this second draft. This will involve research into old-timey bathtubs, art history, and putting Hero in the unfortunate position of wanting to cross the one line he swore he would never cross. Heroine does not come off much better in this chapter, because what she wants to do and what she has to do are two different things, and she is not okay with that. Anty loves that kind of stuff.

Taking pleasure in things getting worse for other people, and taking an active role in making things worse for them, would be mean in real life, but, for writers, it is not mean at all. It is actually good, because things have to get worse for the characters, before they can get better. They can only be completely happy at the very, very end. Because Anty and Miss N both write romance, they know that the happy ending is a guarantee, but, up until then, anything goes, and that is a lot of the fun in writing. No matter what Anty and Miss N throw at their story people, things will be all right in the end. That is also the source of many of the evil cackles and overly dramatic groans anyone in Panera might hear on Tuesday mornings (or whatever day Tuesday ends up being that particular week.)

Anty says it is time for her to use the computer now, so that is about it for this week. Until next time, I remain very truly yours,

skyebanner01

skyebye

 

 

 

What if I Fall?

annabowling 5 Comments

This week, N and Mr. N picked me up for the weekly critique session, so I wouldn’t have to tromp through the arctic tundra of the park, and risk bodily harm in the ice and snow. Good people, those Ns, but what actually happens? I twist my ankle on my way from microwave (occupational hazard of extroversion; food goes cold while blabbering, and needs to be reheated) to seat. I do not remember exactly what happened, but apparently, I was airborne for a second there.

I do remember my bagel getting some serious air and landing, thankfully, on the table, so no bagels were harmed, but my ankle is another story. My favorite Panera worker rushed over to make sure I was okay and had not hit my face on the table. I had not. I remembered enough to remove my boot in case of swelling (I saw none at the time, Housemate said there was some, when she got home that afternoon) and ask Panera Worker for an ice pack. Panera worker dashed into the back and returned with an impressive bag of ice, and the admission that they live with a nurse, so they know how to make these things. I propped my foot on an empty chair, plopped the ice bag atop it, and returned to bagel preparation. This particular ankle has been noodley since I was but a wee little princess, so this honestly was no big deal for me. Had worse, had wrap for ankle at home, had crutches if needed, I’m there, N is there, we have pages, let’s do this.

Since N and I have been doing this critique thing with each other for a while now, it’s no surprise that we’ve picked up on patterns in each other’s work. The word, “more,” comes up a lot. In Her Last First Kiss, Hero is an artist, and N and Mr. N are both artists, and one of Hero’s preferred mediums is one of Mr. N’s preferred mediums -I did not plan that, it happened that way, as such things sometimes do- so this is an extremely useful connection. In this scene, Hero is one gobsmacked fellow, unprepared for encountering Heroine for the first time, especially in the place and context, and he’s knocked off his axis by the experience.

N marked this passage as one of my “more” places. Hero needed to see more. Sure, it’s nice that Heroine has symmetrical features, but it’s more than that. Her hair isn’t  only “brown,” but sienna and umber and the color a perfect cup of tea is before the milk goes in, and he doesn’t have all his paints with him, but he’s in London, so he’ll have to go buy them and he doesn’t have a painting room here yet and uh, what did the other people in the room just ask him? He wasn’t really listening. Oh crud, she looks impatient. How long was he off in art world? Stuff like that.

This is good. This is stuff I need to know, to bring Hero and Heroine’s story and their world to life on the page. It’s also scary. That lush detail stuff is what I love in historical romance. 1784 people are not 2017 people. They have a whole different frame of reference. Hero is always going to see in terms of lines first and then colors. Heroine is always going to want to make order out of chaos (and Hero is pretty much a whole lot of tall, ginger, misunderstood chaos on two legs) so that’s always going to affect the choices they make, and the windows through which they observe, and participate in, their world. This is why I go for emotionally complex historical romance over, say, funny contemporary (which is a whole other skill set.)

At the same time, it requires silencing (or at least muting) years of “whittle it down” and “make it simple” and “fast, fast, fast” and other commonly heard pieces of writing advice, some of which are not as well suited for this kind of story. There is no writing cabal that has hard and fast compulsories on this kind of things. To put it in terms Hero can understand, I get to color with all the crayons in the box. The good thing about that is that the combinations are endless; I can dive in, go nuts, put hot pink next to red-orange and scribble gray on top of the whole thing. I can work it so that the difference between blue-green and green-blue makes total sense, throw a neon in with a pastel if that’s what the particular picture needs.

The scary thing about that is also that I can go nuts. More combinations means more combinations that could go wrong, and what if “they” don’t like it? Oh, but, what if they do? Ships in harbors and all that rot. I’d rather take the chance than be safe. As Critique Partner Vicki once said, “intentionally go too far.” It’s easier to take out than to put in, very much so. So that’s what I’m doing now. Making notes on where I can do that whole “more” thing, and then moving along as though I had already made those changes. I’ll get those on the next pass. My goal is to get this book out in the world, on an editor/publisher’s desk, or on the road to indie release, before December.

Am I going to fall somewhere on that road? Yes. That’s not what matters. What matters is that I get back up, ice that twisted extremity, and dive in as deeply into the characters and their world as I possibly can. Kind of appropriate that my ankle twisted before the critique session began, in that regard. By the time Mr. N came to collect us, I was ready to see if I could put weight on my ankle (I could) and Panera Worker came back by our table with a big smile and a free pastry ring, to make the day better. I’m pretty sure not all rewards of keeping on keeping on in this writing game come with cream cheese and cherry filling, but, sometimes, they do.

pastry-ring

Declaring My Major

annabowling 1 Comment

Later start on the blog than I had expected today,  but that’s fine. I wrote two pages of a scene for Girl and Guy, from the Beach Ball, while at the laundromat, did some recon for an upcoming feature at Heroes and Heartbreakers (oh, the odious task of looking for outstanding declarations of love) and took a picture for the original concept of this post, which was going to be about my inability to resist pretty paper. Yes, the paper on which I write does have to be pretty, thankyouverymuch, and I am particular about it. Nothing wrong with having the right tools for the job. That almost works as a transition to the thought that hit me part way through my process of winding down yesterday evening.

We’ll skip the particulars of said winding down, as it happened in a room where the furniture is made of porcelain, but there I was, thinking of something entirely unrelated, and then the thought hit me: I’m focusing on the eighteenth century now. This should not have been a surprise. I wrote about that exact thing the day before yesterday. I jabbered about it at lunch with my BFF. I may or may not have sent thought waves out into the ether, because that seems to be a step in my process (much like my need to circle a scene and smash my head against a brick wall or two until I bust through) but it wasn’t until last night that it sank in that I am declaring a major here.

Back in another life, I majored in early childhood education. The most important thing I learned by studying that discipline is that I am not suited for early childhood education. If I ever master time travel and end up as a seventeen-year-old college freshman again (though, seriously, if I ever master time travel, my own seventeenth year is not where I would be going) I would strongly counsel seventeen-year-old me to go with her gut and major in drama, like I originally wanted to do. Declaring a major means deciding where the majority of  my time and mental energy is going to be allocated. That decides what I study, how much I study it, and what things have to get moved to the side to give my main area of focus some breathing room.

For a writer, that means we are now in the realm of branding. As an advertising executive’s kid, I learned, from an early age, that how a thing is presented has an effect on how that thing is perceived. Writers need to let readers know what kind of story they can expect when they pick up one of our books. What kind of story are we going to tell them? In what kind of world is this story going to take place? For historical romance readers, in what era do these stories happen, and how much is the history going to affect the romance? All important questions, and all part of building a brand.

I am still a temporal nomad at heart (can we call this interdisciplinary studies?)  I love a lot of periods. I have a rough draft of a Golden Age of Piracy romance, which may need to be two books (because I didn’t count on falling in love with my heroine’s parents in that one, and kind of want to play with them for a while) and a post-apocalyptic medieval romance (the Black Plague counts as an apocalypse – fifty percent of Europe taken out in a twenty year span? Totally counts.) and they will get written. I still want to write more seventeenth century, and I will. That dewy-eyed twenty-three-year-old hasn’t given up on the Tudor era, either, and I want to write in the Edwardian era again, but moving forward with a career plan means figuring out what kinds of stories I want to tell for the foreseeable future, and, last night, my brain told me what that was.

This is a good thing. Picking a major means focus. It means that eighteenth century romances get precedence on my TBR shelves. Not that I can’t read books set in other eras (hello, temporal nomad here :waves:) and a good story can be set anywhere, but, right now, seeing how others who have gone before me do what I am doing now becomes extra important. It’s picking a direction in which to travel, especially now that, with two WIPs viable to term, I’m looking at what comes next. I know the time in which these new stories will be set, so that settles that issue, an important one to writers who do love a wide array of settings. Back in another life, it was common for a historical romance author to write one medieval romance, then the next book might be a western, then a pirate story, then Gilded Age New York, then an Elizabethan, then Australian, then American Civil War, then…well, who knows? I would love for that sort of thing to come around again, and I hope that it does, but, for right now, picking a major and going for it is the smart move.

 

 

Eighteenth Century Love

annabowling 2 Comments

There’s the way we think things are going to go, and then there’s the way they actually do. This is true both in writing and in life, and, when it comes to the writing life, it may be doubly true. Way back when, in another life, I was a dewy-eyed twenty-three-year old, opening her very first response from a publisher, I thought the response was going to be “oh my, what a wonderful book; can we please, please, please publish it? Here’s lots of money, send us another.” It was not. What I got was a professionally worded version of “you’ve got something, kiddo, but literally nothing happens in the pages you sent us. Please send us something else. Also, learn how to plot.” The “literally nothing happens” part hit me pretty hard, and I totally missed the “please send us something else” part.

Well, for a while, that is. The “learn how to plot” part happened through writing a lot of fan fiction, membership in RWA, and reading enough historical romance novels to build a small house, if stacked correctly. I pored over every issue of Romantic Times magazine as soon as I had it in hand, scrutinized which new releases caught my eye, and why; plot, character type, character names, author’s voice, and, the first thing I screened for every time I hit the historical romance section: setting.

Let’s go back to that dewy-eyed twenty-three-year-old for a minute. She was absolutely sure she was going to write oodles of books in her very favorite setting, Tudor England, because her all time favorite historical romance was (and, :cough: a few years down the road :cough: still is Skye O’Malley, (the book, not the kitty) by Bertrice Small. Second place is still held by Lovesong (and its two direct sequels, same hero and same heroine) by Valerie Sherwood.

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my two favorite historical romance novels:

Neither of these books has an eighteenth century setting. Skye O’Malley is set in Elizabethan era Ireland, England, Algiers and the high seas. Lovesong is set in seventeenth-century Virginia, England, the high seas (see a pattern here?) and the Caribbean. So far, I have written one kind of sort of high seas story, Queen of the Ocean, set in sixteenth-century Cornwall, but it’s more of an on-the-shore story, as my heroine comes from a family of wreckers, and she and her hero don’t  hit the high seas together until the very end. I dipped my toes into the seventeenth century waters with Orphans in the Storm, set at the end of the English Civil War. My very first book, My Outcast Heart, does have an eighteenth century setting, but it’s set on a small farm in Bedford, NY, a far cry from the glitter of the Georgian Court.

Her Last First Kiss gets closer, as it’s at least set (well, mostly) in London. I do a terrible job of staying in one place, setting-wise. In my heart of hearts, I am still a historical nomad, and fully plan to use a variety of settings (I must apologize to the Regency era for attempting to write in it, though. That did not go well for either of us.) but, lately, when I need to come up with a historical idea, my brain goes directly to Century Eighteen. In retrospect, I should have seen it coming, having spent my first ten years in a town steeped in colonial history, which had actually been burned to the ground by the British army during the war; yeah, think that imprinted on me pretty well.

I was an impressionable wee princess at the time of the Bicentennial, and eighteenth-century stuff was everywhere.  My eyes naturally went to a certain look when I watched movies set in “the olden days” – lace and heels on everybody, including the dudes, ornamentation everywhere, powdered wigs (hey, they were hot stuff back in the day) and grand houses. When I was a teen and participated in a young artists’ program at Wesleyan one summer, we had a poetry workshop that had some eighteenth century poetry in the curriculum, and I, to this day, remember walking from dorm to the building where we young writers would meet every weekday, floating on the music of those old-timey words. Yes. That was right. That was how the voices in my head naturally spoke. Doesn’t matter what side of the pond they might be.

Fast forward to now, when Melva and I first started batting around what would eventually become the Beach Ball. It’s a contemporary story, set in the world of historical romance. When we got to the point where we had to pick a historical setting for the book within the book, I had absolutely no hesitation suggesting the eighteenth century. That came as naturally as breathing, and so there it was.

Thinking ahead to what’s next, as I’m working on draft two of HLFK and Melva and I keep bringing the Beach Ball to its conclusion, my brain is pretty darned comfortable in the eighteenth century for the time being. I am okay with that. Why does this period feel like home for now? That’s a good question. I don’t know that there’s any one right answer. I’m hoping that the Hamilton effect will ripple into historical romance, and hang out there for at least a little while (though I haven’t written American Revolution yet, and the one time I tried, I had tried to force certain aspects, and it fizzled, taking part of my spirit down with it.)

In the end, I’m going to go with “it feels right,” and leave it at that. If that’s where the stories are, that’s where the stories are. At least we’ll know where to find each other.

 

As If

annabowling Leave a comment

Sometimes, it’s good to be a little uncomfortable. Right now, I’m sitting in my office, in front of the desktop, open notebooks at hand, with pencilled notes. There’s a nearly-empty travel mug in front of me. I have my ears pricked for the on and off (mostly off now, I think) rain outside my window. The numbers at the bottom of my screen tell me it won’t be long until Housemate and Real Life Romance Hero return home, so my time for uninterrupted (at least by others) is ticking down to its limit for the day. What I would like to do is take a nap.
One of the best things about working from home is that one can go to work in pajamas. One of the worst things about working from home is that one can go to work in pajamas. Today, I hit the  intersection of too tired and too comfy, so I got out of the chair, swapped leggings for jeans (aka leg prison) put on makeup and everyday jewelry (one skeleton hand ring, one skull ring, earrings are also skull themed today. I love skulls.) In a few minutes, I will give in to the urge to make tea. I don’t want tea right now, but I will in a while, so acting in anticipation is probably in my best interest at the moment.
I have two notebooks, one Molieskine Volant (sage green) and one Moleskine Cahier (black,) both bearing aforementioned pencilled notes. Said notes are for transcription, and that’s my plan for the day. My body says “nap.” My brain says “write.” Since the brain controls the body, I think (pun unintended, but we’ll go with it) and there is no “handwritten novels in note form” section at either Barnes and Noble or on Amazon, it is in my very best interests to push through the afternoon slump and Get Stuff Done. Hence the actual clothing and ritual of what my mother would have called putting on my face.
Last night, my brain too pooped to do anything productive, I spent some time browsing beauty sites and researching cosmetic items I might like to add to my stash.  On one such baord, I found a thread on colorful eye makeup. Several of the posts spoke of using colors that came in pallettes, but don’t get much use. Since it was late and I was tired, I thought, hey, that might be fun. I have green eyes. I don’t usually use green shadow, because, well, green eyes.  I have green shadows, though; they came in a pallette I recieved as a Christmas gift, but I don’t normally use them. Since I’d put on actual pants precisely for the discomfort factor, why the heck not? So I did. I have green eyelids, a different shade of green on my browbone, a bit of green on the lower lid/lashline as well. The world did not end.
What did end was the mindset of still being in my pajamas and not actually being at work. Dressed and made up and with a spritz of some vintage Chanel #19 (a long-ago gift from a favorite aunt no longer with us) that’s not lounging arround the house wear. I’m sure my imaginary friends appreciate the effort; we’ll see about that, because I’m dropping by to see them as soon as I’m finished with this entry. It says so right in my daily task list, so that’s what’s going to happen.
This post is turning out to be exactly what I didn’t want it to be; I feel like I’ve done a thousand versions of the whole left foot, right foot thing. That’s not bad, exactly. There’s a place for that, but what it gets swirling around my mind is that there’s another ingredient to the whole creativity thing, and that’s the love. Not only because I write romance (though that certainly helps with matters; I’ve been crazy in love with romance novels since I was eleven, and with love stories long before then) but the love of the work.

Today, when I wrote my morning pages, I wrote about acting as if; as if I had complete assurance these books were going to find good homes. Acting as if the market were a sure thing. Acting as if there were a whole bunch of readers waiting for these particular stories, eager to meet Hero and Heroine, Girl and Guy, in the flesh…er, page. There’s a little bit of pressure in that, but also a whole lot of purpose. If I’m only telling stories for my own amusement, well, I know how they’re going to turn out, as they’re in my own head. Why decipher the stuff I wrote in mechanical pencil, at however many mph along the highway, or, also in mechanical pencil, wedged into the tiny haven of space between the tall dresser in the dining room (old house, have to be creative with furniture placement) and Housemate’s bedroom door, while pretty much everybody involved in the transfer of power, as it were, from current landlady to incoming landlord-and-lady?

Writing romance is my happy place. When the whole apartment is swarming with people with clipboards and cameras and turning on faucets and light switches and checking I-don’t-know-what, there’s the pencil and the page, and whoosh. I’m not wedged between door and dresser at all, but surveying the common room of an eighteenth century inn, getting a bead on the crowd and figuring out how hard it’s going to be for Hero to get a room for the night (or at least bed space) by dint of his charm alone. Even in Century Eighteen, leaving the house without one’s wallet (or period appropriate equivalent) has the same consequences it has now. Thankfully, Hero is a resourceful gent. He’ll be fine…eventually. first, I have to walk him straight into the last person he wants to see right now, shake up his worldview, and make him do the thing he cannot do. That’s how it works in these stories.

That’s how it works with writing, too. If I leave these notes as notes, they’re fine the way they are…but they can’t go out in public. There’s only one copy of them, it’s all in pencil, and it’s on paper. It’s in my handwriting, which is not always readable to all. There have been times Real Life Romance Hero has asked me to print notes to him, instead of writing them in cursive, and if he can’t read my handwriting, I am not going to inflict that on others. So, the transcription. The whipping of the story into shape from bullet points to prose, from present to past tense, the ordering of things that have arrows and parentheses and odd boxes with curlicues at the corners. Only then are they ready for other eyes. This process, too, has its tricks, its own colors that came with the usual suspects, that are waiting for a chance to show what they can do if I think outside the box. Looking at it that way, it’s a lot less scary, and a lot more fun.

 

 

Typing With Wet Claws: Uncle’s Paws Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday. Anty says I have my worried/hopeful look in this week’s picture, and she is right. She is very smart, and, also, she knows me. Mainly, I was worried/hopeful that there were two people in the hallway with me, so maybe one of them might feed me (one of them did, so you can relax. I thank you for your support.) but also, it has been a very full week over here, at home as well as with Anty’s writing.

Since the deal is that I have to talk to you about where you can read Anty’s posts (other than here, of course) before I can talk about anything else, I had better do that right away. As always, Anty posted on Buried Under Romance. This week, she talked about the many jobs that a first book in a new series has to accomplish, and also, what exactly constitutes a first book.  You can read the post here, and it looks like this:

burfeelslikethefirsttime

 

Anty posted a little bit on Goodreads this week, about  Mogul, by Joanna Shupe, from the Knickerbocker club series. It is only a little bit, because Anty wrote a lot more in the post she wrote for Heroes and Heartbreakers about that book, but that post is not live yet, so I cannot share that link until it is. In the meantime, her post on Goodreads is  here, and it looks like this (which is pretty much the whole thing; actually, it is the whole thing. Her post on Heroes and Heartbreakers is a lot bigger.)

acbreviewmogul

Speaking of Heroes and Heartbreakers, that is where Anty had two posts this week, and both of them are about books she really, really liked, which means she is on track with her goal of posting about more books there, this year. First, she posted about how much she liked Lawrence, the hero of The Lawyer’s Luck, by Piper Huguley. Anty (and I) talked some about that book last week, but, now, you can read the post here. It looks like this:

handhbookboyfriendlawrence

 

Anty  also talked about some of  her favorite Highland romances (she has quite a few, so picking only a few was really, really hard.) That post is here, and it looks like this:

handhessentialhighlanders

 

Okay. Now that I have that out of the way, it is time for the rest of the post. While Anty had some really good plans about working on scenes from both books, those plans got carried over, because this was one of those weeks where real life stepped in. This week, my Uncle had hurty front paws. There is a big word name for this kind of hurty paws, but I am a kitty, and do not always remember big human words, so I will say “hurty paws” instead, because that is basically what it was. Uncle’s paws got very big and turned colors that people paws are not supposed to turn. He made a lot of loud sounds, and nobody got a lot of sleep. Except me, because I am a kitty and need to have rest so I can fulfill my duties as a mews. It’s a cat thing.

On Wednesday, Anty went with Uncle, to the people vet. He was supposed to see his regular people vet, but his paws were so hurty that they decided to go to the right-now people vet instead. Which turned out to be a good call, because it turned out Uncle had another kind of hurt on top of the first kind of hurt, but the people vets there took good care of him. He had to have a shot, and some pills, but no cone of shame, and now he can use his paws again. Anty had to be his paws for a little while there (that is the “in sickness and in health” part of the wedding vows) but, thanks to the doctors and pharmacists, he has his paws back now. That is a good thing. Now he can pet me and feed me again, so that is a happy ending for all of us.

Now, it is the part where I bring things back around to writing. Most people do not like going to the people vet, especially not  the right-now people vet, and it can be harder to watch somebody we love be in pain that we can’t stop, more than it would be to have the pain ourselves. Anty read most of a whole book (it was Mogul) while she and Uncle waited for the people vets to help him, and, even though she did not get to do as much fiction writing as she wanted this week, she did get a reminder of how important it is for romance novels to show this kind of love, as well as all the nicer parts.

Anty likes to write about the kind of love that will go through some hard tests, where one person sees the other in pain that they can’t stop, but, if they can’t stop it, will go through it with them instead, and come out the other side okay. Not perfect, but together, because that is what matters most. Maybe that is not the best way to explain it, but human love is a complicated thing, and that is one of the big reasons Anty likes to write and read romance. Even if she did not fill as many pages as she would have liked  this week, Uncle is better, and Anty has that extra fuel to go into both books and remember the feelings that make her want to write romance in the first place. Also, there is me. I am on mews duty 24/7.

That is about it for this week, so, until next time, I remain very truly yours,

skyebye

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

Typing With Wet Claws: Thinking About Things Edition

annabowling 1 Comment

Hello, all. Skye here, for another Feline Friday. Anty has been very busy this week, doing a lot of writing, which is a very good thing. I rewarded her efforts by sitting still for my picture, even if I would not look up at her. I had my reasons. This morning, a realtor human came by with an inspector human, to look at some things about the apartment that do not concern me. Anty put me in my and Mama’s room while the strange humans were here. I do not like it when strange humans come into the house, but if that is what has to happen for a while, I will find a way to deal. Probably from under one of the beds.

Since the deal is that I have to talk about Anty’s writing before I can talk about anything else, I will get right to that. First of all, Anty had her usual post at Buried Under Romance this week. Anty apologizes for not including a picture, like she usually does. This was a very full week, and some things slipped her mind. That was one of them. This week, she talked about new reads for the new year. That post is here, and it looks like this:

burnewreads

Anty already said, last week, how much she liked her first story by  Piper Huguley, and that she wanted to read more books by Miss Piper. That is exactly what Anty did, this week, when she read another book of Miss Piper’s, The Lawyer’s Luck, and she liked that one very, very much. Her review for that is here, and it looks like this:

grlawyersluck

I do not know how Goodreads decides who it should ask Anty to whom she wants to recommend a book, but it asked Anty if she wanted to let Miss Piper know about this book, too. I may not know a lot about the publishing business, being a kitty and all, but I think that if the person’s name is on the book cover, they probably know that the book exists. I would also hope that they know the book is good. Anty liked this book so much, as a matter of fact, that she wrote a post on it for Heroes and Heartbreakers. It is not live yet, so I cannot give you a link to it or picture of it. I also cannot give a link or picture of the other post Anty wrote for Heroes and Heartbreakers this week, because it is not live yet, either. I will be sure to let all of Anty’s readers know when they are live. The posts, I mean. I assume all of Anty’s readers are alive, too, although Anty does like zombies, so I guess that would be okay, too. Maybe vampires. She talked about some books that have vampires in them in the other post, but that post is not about vampires. There only  happen to be some vampires in part of it. Explaining these kinds of things can be difficult for a kitty, so I will let you figure it out when the posts (and hopefully you) are live and read it for yourselves.

Most of the work Anty has been doing this week is on her books. By that, I mean the ones she is writing, not the ones she is reading (though if any humans reading this can help Anty figure out the whole ascm file thing, she would be reading even more than she already is.) For part of most of the days this week, she worked on Her Last First Kiss, and then, for another part, the Beach Ball, which she writes with Anty Melva.

That is a lot of writing. It is also a lot of researching. For Her Last First Kiss, which takes place in 1784 England, Anty sometimes has to stop and check to see if what she wants to do is all right for that time and place. There is one part in one chapter, where Hero thinks a really bad word, several times (he is a grownup,. but really, really scared, and really, really mad. That is not an excuse, but an explanation.) Anty was not sure if the bad word was the right bad word. She had to consult with some writer friends who might be able to help her figure this out. Thankfully, Miss Vicki knows this story very, very well (she has known about it since Anty was babbling random things about “the new historical,” that is how long) so she knows what Hero would probably say, and was able to offer some suggestions. This resulted in using more old-timey bad words. I am thinking this is probably not a book for gentle readers. Maybe another one will be.

Anty has also been thinking about what comes next. After she is done with Her Last First Kiss, and she and Anty Melva are done with the Beach Ball, she would like to know what she will be writing after that. One of those is already settled. Anty and Anty Melva already know that they will write two more books related to the Beach Ball. I do not know what they will call those until they get names for them. She still has some thinking to do about the next historical project, though.

In the historical romance genre, linked books dominate the market right now, but Anty naturally thinks in standalone books. That means stories that are complete in themselves, that do not continue to other related stories. Anty is not going to stop writing those, because those are what she loves the very best, but she also knows that the “commercial” part of “commercial fiction” means that market trends do come into account. That also means that Anty now gets to figure out what sort of linked books would work best for the sorts of stories she likes to tell. She has a couple of ideas on that front, and will keep thinking -and writing- about those, but she also is very firm about telling herself “this book, now,” so that she does not get distracted. She is pretty sure she will have what she needs, when she needs it.

That is about it for this week. Until next time, I remain very truly yours,

skyebye

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

Why Historical Romance?

annabowling 2 Comments

Hi. My name is Anna, and I write historical and historical-adjacent romance. We’ll get to the adjacent part in a minute. Right now, I want to focus on the big picture. Why historical romance? My first instinct is that I was hardwired that way. I don’t remember a time when I wasn’t drawn to times before living memory, though I will grant that, when one is five or so, everything falls into that category, by default. As for the romance part of things, I think I was hardwired for that, as well, because my favorite stories were always the fairy tales with a romance plot to them, even long before I had any inkling that the opposite sex could be anything even remotely close to appealing. I also preferred the more arguably obscure fairy tales, like “Donkeyskin” to any of the Disney versions (Sorry, Walt) and checked out an entire spectrum of Andrew Lang’s fairy tale collections (and wee princess me is now all, “hold on, there are more beyond the color-themed books? I must have them!” because, of course, I must.)

Though I didn’t know the concept of shipping back then, (again, five) in retrospect, I shipped Greek, Roman and Norse gods and goddesses, cartoon characters, and couples in fairy tales and folklore. I’ve often wondered if my birth mother liked romance fiction, too, if, maybe, we’ve ever read and loved any of the same books. I wouldn’t be surprised. Maybe romance, and storytelling, really is in my blood. I’ve written before about how much fun it is to listen to SF/F fans and writers talk about how they fell in love with their genre of choice, hear their origin stories, as it were, and I would love to shine more light on that same experience with readers and writers of romance, particularly historical. Let’s face it, historical romance rocks.

In the same book, we get a peek into the past, the chance to step into a world that we know existed (because, duh, history; we’ve got proof) and a story literally as old as time, and we know that there’s going to be a happily ever after at the end (or a happy for now, in serialized works) but the big question is…how? We know things weren’t as easy for those in the past as they are now; indoor plumbing is a relatively recent invention, and modern medical advances keep a lot of us on the right side of the dirt. That’s not even taking into account things like the internet, gummi bears, and Sephora. I love all of those things, and I’m glad I have them in my life, but when I’m going to dive into story world, nothing is ever going to do it the way historical romance does.

Whether or not actual historical figures come into play, the historical world is critical to the historical romance. How does the time in which these lovers lived affect their falling in love, and their chances for a future together? For my money, it’s not possible to take a couple from Ancient Rome, for example, plop them down in 1901 Texas, and have their love story play out exactly the same way. It can’t. The pieces of the puzzle are completely different, and yet, the objective is the same; finding that one person with whom they want to spend the rest of their lives and then making that happen, no matter what obstacles stand in their way. I’d be hard pressed to find a type of story I find more empowering than that. I can’t even count all the possible variations of setting, era, character type, plot trope, and a million other variables, all of which can be combined in countless ways. It really never is the same story twice.

Right now, those of us in the US, and elsewhere, but I’m in the US, so that’s where I can speak with most authenticity, live in interesting times. Since current events do affect writing and reading trends, I have asked myself if we’re headed for a surge in historical romance. A break from modern life may be exactly what some of us need to restore our resources, live a few adventures and come back, entertained and empowered, to handle the business of day to day life. Which, I should mention, is exactly what the heroes and heroines of historical romances are doing. They don’t know they’re in a historical; they think they’re in a contemporary, because Restoration England, or the American Civil War, Harlem Renaissance, etc? Those are their nows. They don’t know how their current events are going to turn out, if the war is going to go their way, if life will ever be the same again after disease or disaster upsets the routine they’ve always known up to that point. What they do know, however?

They do know love. They know, by the end of the book, that, whatever life throws at them from here on out, they won’t be facing it alone. They have someone by their side who is going to take them exactly as they are, for better and for worse, and they’re going to face it together. That sounds like a pretty good deal to me, and that’s why I do what I do.