Typing With Stuffed Paws: Midsummer Edition

Greetings, Foolish Mortals. Sebastian Thunderpaws Hart-Bowling, coming at you with all the stuff for the week that was. If you read Writer Chick’s posts, and not only mine, then you may have learned that the answer to the burning question, “Will Chasing Prince Charming come out in print?” is “yes.” Preorder for the print edition is not yet up, but Amazon US is showing the “show other editions” or whatever tag, so that may be coming soon. Watch this space for updates.

Since we are in high summer over here, and still fighting the battle of the bugs (Writer Chick sometimes mumbles something about putting the bugs on the lease, giving them the keys, and heading out to start a new life. She would of course bring me, so I am fine either way.)

Bit of a technical difficulty here, with the site crashing and eating a bunch of this post, but that is not my problem, so I’ll pick up where I was going to pick up anyway. As usual, Writer Chick was at Buried Under Romance this past Saturday, and this time, she talked about the particular subgenre of Americana romance. I have no idea what that is, but she probably covers it in the post.

Moving on to Writer Chick’s Goodreads challenge for this year, we see that she is a freaking reading machine, now eight books ahead of schedule. That is fifty-eight books read already, out of her goal of ninety-five. That is sixty-one percent of the way to the finish line, and we are only fifty percent of the way through the year. She is looking to beef up her historical romance numbers, so if you know of any Writer Chick-flavored historical romance audiobooks, drop recommendations in the comments. Audiobooks are a huge part of the surge in Writer Chick’s reading stats, because she can experience a whole story while doing other things, which she considers pretty cool.

Camp NaNo ho!


Writer Chick is clipping right along (ship joke, for those who caught it) with Plunder, with about thirty-five pages written out of a goal of fifty. This is not the whole story, of course, but it’s a good start on the discovery phase, and she will most definitely keep going after Camp NaNo is over. She is kind of antsy (bug humor unintended, but we’ll keep it) about not being able to update every day, which is one of her big concerns about the regular NaNo, as well as having to count words instead of pages. This way, she does get antsy, but it’s not anxiety-provoking, so she’s going to still call that good. The characters are talking to her and letting her follow them around, and that’s what matters most., so Writer Chick is happy about that.

Besides all of the above, work continues on Drama King, and Her Last First Kiss, so, all in all, fleas aside, Writer Chick is going to call this week a good one. As for me, I got plenty of sunbeam, so I’m good, and isn’t that what’s really important here?

Peace out,

Chasing Prince Charming Update and Plunder Progress

Today is hot and gross and sticky. I did not sleep. Real Life Romance Hero slept some, and he, Housemate, and I are collectively choreographing an intricate errand ballet that involves the big washers at the laundromat (again, sigh) flea bombs numbers four and five, the grocery store, possible library run, and other fun doings that come from a household with three adults and one car. It will all work out, most everything will be air conditioned, and since I write my first drafts in longhand, I can write anywhere. When I hit a wall, I have a Kindle Fire and am trying out Kindle Unlimited, because of reasons, so bring it on.

Chasing Prince Charming update

Chasing Prince Charming update first, as we are now only one month and two days away from unleashing Meg and Dominic upon the world. Thanks to everyone who has preordered so far, and,. for those who have been asking whether there will be a print edition available, it looks like the answer is yes. Melva and I are super-duper-pooper-scooper excited over this, and we will be sure to share when the print edition is available for preorder. I am watching Amazon like a hawk. If the physical copy looks half as good as Ginny Frost‘s The Bar Scene, I will be absolutely thrilled. Also probably carrying a physical copy with me so I can show it to random strangers…er, readers. I meant readers.

Plunder Progress

This story, and this year’s Camp NaNo, continue to surprise me. According to my progress on the site, I am either near or just over the seventy=five percent mark of my goal, and it’s really more like grabbing some popcorn and watching the movie in my head instead of “writing” the story, which is not at all a complaint. I show up, the characters do, too, and, so far, it is working out. I would not call this “pantsing” (who wants to wear pants in July in New York?) but more along the lines of “flying into the mist,” in the spirit of the late, great Jo Beverley.

Never mind that, so far, I have important secondary characters named “Confidante,” and “Nun,” who have not yet shown their faces or told me a single thing about themselves, other than what role they play in Cornelis and Lydia’s story. Right now, I don’t need to know anything more than that. I am very much aware that using a pirate haven as a large part of my book’s setting, means that I have an extremely good opportunity to have a diverse supporting cast. Those pirates picked up people everywhere, and dropped them off everywhere, as well. Some of those people got together and created more people, when the original two people would never have met otherwise, because they would have lived out their lives on separate continents, and, boy howdy, if that’s not catnip for a romance writer, I do not know what more I can tell you on that topic.

The way I figure it, these people who inhabit my fictional world, from nuns to pirates (so far, I have both) will tell me who they are, when and how they are ready, and I do not need to worry about that kind of thing. (Part of me wants to protest that these imaginary friends do not know how anxiety works, but I think, probably, that some of them do.) All I need to do is keep showing up, keep following Cornelis and Lydia around, keep making notes on the left hand (my left) page and then remembering to follow through on those notes, because they are probably going to affect the direction the next phase of the story takes.

So far, I do not have a Spotify playlist, or a private Pinterest board, for Plunder, and I am surprised that I do not miss either one. Maybe those, too, will present themselves in tine, but, at the moment, they are not needed. My people have faces of their own when they come to me, for the most part, even if they, like Nun and Confidante, hide them for a while, until they trust me enough to let me see. I am, okay with that. Is this the way every new book is going to work? Probably not. Maybe not even every book in this trilogy, and I am okay with that, too. Bit by bit, as I focus on book one, bits and pieces I did not have of book two, arrange themselves in place, and even the foundations of book three are taking shape.

Don’t ask me if this means I have anything yo say about writing linked books from the outset, or over-arcing plot…things. As we said, flying into the mist here, and happy to go that way until I get Lydia and Cornelis to their form of HEA for this book. They’ll clear another milestone at the end of their daughter, Tamsen’s, book, but that’s a way off yet. For now, it’s me and lined notebook paper, and dark blue ink, and whatever those two crazy kids give me for the given day. They know where we’re headed, and that’s good enough for me.

One Week Into One Book July

This is the closest I am going to get, this Monday, to having all of my ducks in a row. This weekend just past was a weekend of three (count them, three) flea bombs, over the course of two days. Judging from the peaceful night’s sleep we all had, presumably free of microscopic vampire bugs, that should mean a peaceful Monday morning, but au contraire, it meant a Monday morning of shaking out bedding, moving things back where they go, rescuing things-that-touch-food from their cabinet bunkers, and hauling trash and recyclables to the refuse room down the hall. (For new readers, we live in an apartment building, and this is a magic place where gallant maintenance workers whisk away our rubbish on a daily basis, not that we have a room full of trash in a private residence. Nobody wants that.)

Okay. Focus, Anna. While work continues on Camp NaNo and Plunder, with notes on researching Catholicism in the Caribbean, in the late seventeenth century (yes, that is important for the romance, Karen. (Metaphorical vernacular “Karen,” not any specific person named Karen, even if she does want to see the manager.) because a certain part of the story will be a whole lot easier for me, if not my characters, if I can plop a fictional convent where I want to plop a fictional convent. So far, the answer should be yes, especially in non-British-held islands, and my hero is Dutch, sooooooo……

:deep breath: What was that I said about focus? Right. Okay. One Book July, as it applies to planning, has no official rules, but the commonly accepted guidelines are to use one planner/bullet journal for everything during the month of July. Some participants add other challenges, like using only one pen. That one, I would normally have a hard time doing, but that pen in the picture below? I get two of them for about seventy cents, and they are comparable to Pilot G2s, so yeah, this is the pen I am using as everyday carry for this month.

Webster’s Pages, pocket size, blush cover

Please note, (pun unintended) that I have fallen in love with that flower-crowned vixen (saving that line for a future hero’s lexicon) and, when I fill the insert she graces, I am taking the cover off and putting it on the next one. I know a good thing when I see it. That particular insert comes from a national chain craft store, in packs of three, for about two dollars (less, if there is a sale) and I am already stockpiling them, because, although I was hesitant about A) passport size, which is even smaller than pocket, and B) white pages, when I strongly prefer ivory, these guys are absolute perfection for my daily pages. Bullet point tasks on the right hand side of the spread (please insert my mother’s voice here, clarifying that it is my right, not the viewer’s right. Thanks, Mom.) and then the left/facing side is for notes.

I didn’t mean to set up my daily insert like that. It happened, on its own, as did finding the perfect balance for Li’l Pink (yes, I name my planners, and yes, they have genders) is three passport size inserts, and then I don’t know how to count the pocket sized inserts, because we have some buddy bands in there, and printables and covers I ripped off and covers I made, and it works, okay, does it really need a label, Karen? Ooh, labels.

My name is Anna, and I am a notebook addict.

Even though it is One Book July, it is also the time when I finally caved in to my curiosity about the B6 size of insert/notebook, above. Same company that makes the fox insert (ooh, do they make a B6 version of the fox? Now I have to go in search of; if I don’t return, I love you all.) makes B6 inserts, same paper -plus lined, plus graph (which I did not get, but will, this weekend) – and they were on sale for a mere dollar apiece, so of course I had to indulge, and, well, I love them.

I do not, however, own a B6 traveler’s notebook, so now I will need to start looking in that direction, but, in the meantime, these inserts are looking happy enough in my spare regular size Webster’s Pages, that I was wondering how I was going to use, so that will work out fine until I can settle the cover issue. I didn’t even have to think about what I’m going to use these inserts for, because they presented themselves. I now do have a notebook-notebook, to keep track of all things stationery (if anyone is taking bets on when that would finally happen, whoever had July 5th, 2019, gets the prize.) There will be another insert for household information, one for sketches/doodles/etc, and one for random brain dumps. I know exactly what pens I want to use with it, and it’s rather satisfying to have a whole endeavor land in my lap like that, a single bloop, and there it is.

Writing is like that, sometimes, and when it is, it is wonderful. More often, it’s like that pocket notebook that is my everyday carry/my one book for July. Trial and error. Will this work? No? Well how about that? Oh no, that’s worse. Rip that out, hide the evidence, try this weird thing because why the heck not? Well, look at that. That actually works. Okay, then. Onward we go.

No deep wisdom on writing today, Karen (or is there?) but I do learn a lot, about myself, about visual arts, about creativity in general, and other things, from my notebook adventures, which is why I do see them as part of the writing process.

Oh wait, there is one practical tip. If you see an oddly placed sticker in my July planner pages, there is probably the evidence of a dead bug under it. This gal does not tear out pages from a sewn binding. I’m not a monster. (usually)

The Eagle is Landing

This morning, the email came. The email. There are, actually, several the emails that happen in a writer’s life in publishing today, but this one very much gets a the status, because this is the last pass for any changes for Chasing Prince Charming. Once Melva and I give our okays at the author portal, we will have pulled the trigger, and put our first “baby” together on the metaphorical school bus, the better to tend to our current infant, Drama King, as well as our individual efforts, in genres as diverse as memoir, historical romance, and cozy romantic suspense. (The middle one is mine. I do have some YA ideas, but I am juggling enough chainsaws at present, but don’t quote me.)

There is also the website I’m wrangling for my co-written books, which is a different level of figuring thigs out from keeping a site that is mostly a blog. There are two author bios to put up there, two backlists, and I’m going to have to work on that whole regained rights issue, for two historical romances that are going to need a certain amount of work, because A) I wrote them a long, long time ago (even though it feels like only yesterday) and B) both I and the market have changed.

What those changes would be…ehhh, I don’t know. That would require looking at the manuscripts first, and that is not a task for me for today. Today is for booting Her Last First Kiss, and getting Bern and Ruby one step closer to The End of draft number two. Then it’s time to bundle them off on the bus, as well. While I like to think that I have learned a thing or two about the raising of historical heroes and heroines since the day I chair-danced and scared the cat (Olivia, our cat at the time, took it in stride, actually) when a publisher actually wanted to buy My Outcast Heart, I also hope that readers who eventually pick up Her Last First Kiss and all the historical romance novels I write and put out there after (of which I plan many) will find the same spark that they found in those earlier works.

The dry spell, as soon as we get the official release date for Chasing Prince Charming, will be officially over. I could say that it officially ended the day Melva and I got the first “the” email from The Wild Rose Press, or the day we had a second publisher also make an offer on the same work, and we had to make a decision. I could say it ended when Z Publishing sent me an email, the day after we moved out of our former apartment, a the email I answered from a motel bed, Skye, our cat at the time, beneath it, asking if I would be interested in submitting to two of their anthologies. I was still coming down from a massive anxiety attack, I’d exerted myself physically so much the day before, that my legs wouldn’t move, and bed was my only option. I can easily call that a low point, and then there was a the email. I said yes. This year, they asked again, and, this time, from a comfortable apartment (with Sebastian, Cat Regent) I said yes again.

That yes put me into new waters, s my binder for working on Plunder‘s outline, expanding “The Fox and the Lily” to not only a full historical romance novel, but my first intentional trilogy, rescuing the second book, which I had thought would be the first and only, from the metaphorical sandbar where it had been stranded for years I refuse to count. Plunder is first, with Cornelis and Lydia, then Abandon, with Alec and Tamsen, annnnd I have no idea what I am going to call the third one, but I want it to have a one word title that fits in with pirates and/or privateers, and either hero or heroine (I don’t know which one yet) will be the grandchild of Cornelis and Lydia, the child of Alec and Tamsen.

I’m not worried. All of that stuff will come. If I have learned one thing over the last few years, it is that creativity is a bottomless resource. There will always be more. There will be more stories, there will be more sales, there will (or can be) more genres. There will be more characters. There will be more stories. There will be more. I want to make a sign of that, perhaps hire someone to cross stitch. There will be more.

Proof of (Writing) Life

Today’s picture is my silverware organizer full of washi tape, because I put my tablet in the charger before I remembered to take a picture for this blog, and the super sticky note on the top of my monitor looks like this, to remind me that I have but two purposes in life this day:

The complete to-do list for the day

Depending on screen resolution, and legibility of handwriting, this note has but two tasks on it: blog, and final galley. My computer desk is literally only inches away from the TV (that I still do not know how to turn on, but with So You Think You Can Dance being on, and Ink Master, my two favorite summer shows, coming on next week, I am going to have to learn) where Real Life Romance Hero is watching an episode of Bar Rescue for at least the second time. Our downstairs neighbor is sharing their music. Our tastes do not completely align, but are close enough that we do not need to object. The apartment smells strongly of flea bomb, and I have already helped RLRH wrestle the bug-corpse-littered underside of our futon into a trash bag.

RLRH is also making me lunch (perks of having a former pro around the house) and he expressed proper admiration over the final-final=final title page of Chasing Prince Charming. It’s been a while since I’ve been at this stage, of looking at a final-final-final galley proof. The work is both divided in half and doubled, writing with a partner, because we both have to/get to go over every single word, then compare notes before we can give a collective, united thumbs up. Better safe than sorry, though, so I am not going to complain.

After we clear this hurdle, once we get our release date, we level up and start the next phase. Promo. We get to pick out swag, obtain the same, (I am strongly in favor of pens, for obvious reasons, namely that my blood type is “ink”) and poke around the interwebs to see where we can find creative new ways to say “hi, we wrote a book. Maybe you want to buy it.”

Once we pull the trigger on this one, our emphasis shifts also to getting Drama King to its HEA point, and laying the foundations for Queen of Hearts. I liken it to putting the kindergartener on the school bus, so attention now shifts to the baby. Babies really, as I also have Her Last First Kiss, but I am only co-parenting one of them, because I’m flying solo for historicals.

Someone asked me recently if writing contemporaries is easier than writing historicals, and my answer was that it’s different. Yes, they are different subgenres, but the main thing for me is that I am co-writing the contemporaries, and writing the historicals on my own, so I don’t know that I could truly make a comparison unless I tried to write a solo contemporary (not feeling that at the moment, but never say never) and Melva has not expressed any interest to write historical (again, never say never, I can’t speak for her, and co-writing historicals with a different partner would be a completely different experience, to which I would not say a categorical no.)

Where was I going with that again? I have no idea, but I will keep going, because, when I have this entry posted, I am halfway done with my work for the day. From the kitchen, I hear rattles of dishes, which may portend lunch from my own personal chef, so I am going to leave this here, have a quick lunch date at home, and then back to the final-final-final proof. Not a bad plan for the day.

June Planner Post

Monday’s post on Tuesday once again, so that says a lot about how the weekend went. The start of a new month means setting up new planner sections, and, this month, I am trying something different. The last month, even last week, have put a few more things on my plate, so I am going down to one weekly planner instead of two. I wasn’t feeling the setup in my white Webster’s Pages ring bound personal planner, though I still love the binder, so I will probably be repurposing said binder as a different sort of notebook.

Okay, June, let’s do this.

I am surprised that I have not named my Heidi Swapp ring bound planner, but maybe that will come as we get to know each other better over the summer. While I had originally planned for this to be only my writing planner, juggling two ring bound planners was getting to be too much, so I am streamlining. We will see how long that lasts, but, for now, everything is going in here.

The current setup…I think

During several of the slumberless parties my brain has thrown over the past month or so (aka insomnia) I have watched a lot of planner videos on You Tube, and discovered that I strongly prefer a vertical weekly layout over horizontal. Guess what every planner I own has for weekly layouts. Horizontal. Do-not-want-al. Good thing, then, that this particular planner can kind of fake it, with the horizontal boxes broken into two parts, blank and grid.

The grid part is clicking immediately. The blank part, eh, not so much, but it’s a good place to put stickers and possibly work on some sketching/visual art stuff. Maybe. I am looking at some printable horizontal layouts for next year, because I can’t bring myself to entirely throw out a whole half year’s worth of pages, but I allow that I may crack.

Right now, my days are pretty full, and I like it that way. Melva and I are going over the last-last-last-last galley copy, with the knowledge that this is it, no changing anything once we go to print, it is there forever, and pause here for us both to run around our respective homes, screaming, arms flailing, before we sit our butts down in our chairs and look over it One Last Time. We have been discussing series names (eep) and What Comes Next, such as the choosing and obtaining of swag, getting our joint site up and running, planning publicity and get Drama King to The End, so we can turn that in and start on Queen of Hearts.

There are also two historical romances whose rights are once again my own, plus a post-apocalyptic medieval novella, who all need homes, and as soon as Her Last First Kiss gets to the end of draft two, that’s another story that needs to go find its way in the world. There is a pirate trilogy hot on its heels, with other ideas, old and new, waiting in the wings.

In the midst of all of that, and the domestic tornadoes of everyday life, I am excited to be a part of rebooting Buried Under Romance to its 2.0 version. This makes it even more important to get my ah, stuff together, and I am hoping that I will fumble my way towards efficiency. I expect a lot of trial and error. My traveler’s notebooks are back in use, the purpose constantly evolving, so check back in July to see what’s up with those.

That’s going to be about it for this post, because my fingers are itching (literally; we are buying a flea bomb later today, even though we live in a no-pet building. Pest control will be here tomorrow; they are used to the writer lady who meets them at the door so she can get back to the keyboard ASAP.) to get back to my imaginary friends, and that galley has a deadline.

The Mondayest Monday That Ever There Mondayed (Okay, not really)

Welp, it’s Monday. An extremely Monday-ish Monday, as a matter of fact. Allow me to explain. When I started off this day, I had a plan. I had a schedule. I like both of these things. By nine AM, both of them were moot. It is a full house here at Stately Bowling Manor. Both other adults are home for the day, with no plans, theoretically able to fend for themselves. THere may or may not be a pharmacy run in the afternoon, and, technically, this could be a good time to drag the bottles to recycling, which may not, at the first glance, have all that much to do with writing, ut I am determined to find a way to make that happen. A lot of us writers can’t turn that stuff off, so we have learned to live with it and steer into the skid, so to speak.

This is where being a planner person can come in handy, because the moment a domestic tornado chain blows through the combination living room/dining room/my office/Housemate’s bedroom (let us call it the Great Hall, shall we? That feels very much in keeping with all things historical romance-y, so it’s going to stay.) the instinctive response is not “aaaaahhhhhh!!!!!!” but “let me move a few things around.” Writing has to take precedence, so blog entry happens first, then I need to knock off a rough scene, because I know me, and I know that, if I don’t, I am going to be kicking myself through whatever else it is that the day might bring. This is the sort of day when the writer shoves leftovers in the general direction of all present family members, and plops themselves in front of the computer, to make the most of the time one does have.

Cryptic, I know, but my goal here is to blorch out the magic seven hundred words, move on to a scene for Drama King, and then the world of practical concerns can have some of my attention. Some of it. Only two days ago, I sat in a darkened library conference room, listening to a Damon Suede, workshop on backstory (recorded, not in person, alas. If you ever get a chance to see Damon Suede teach on anything writing related, take it. That is all.) that left me with pages full of notes, and the confidence that yes, I really am ready to start gathering questions and assorted stuff for exploring and expounding on Cornelis and Lydia’s story, whom readers can meet in “The Fox and the Lily,” in the upcoming anthology from Z Publishing. I’m still liking Plunder for the title of the full length novel, and knowing exactly what goes down with Cornelis and Lydia will lay the foundation for their daughter’s (and, ultimately grandchild’s) story.  

That’s not for today, though. Today, though my plans have been changed, there is still stuff I can do (Melva and I touch on exactly this kind of thing in our Save the Author, Save the Book workshop) so I don’t feel entirely shoved out of the way, writing-wise. Lists definitely help. I want all my tasks out where I can see them, and the week as well, so I can move things around when I need to do that. Domestic tornadoes do not mean that the things cannot get done, only that they will not get done at the time or in the way I had originally thought. This is also one of the reasons I like to have more than one project going at the same time, at different stages.

Polishing a scene into traditionally readable form may not be possible on a day like today, but can I hole up on the couch (or lock myself in the bathroom, because that, too, is a thing) and rough a scene out in longhand? I most certainly can. Sometimes, the best stuff gets born that way. Not always. It’s not a guarantee, but definitely more of a plus than a minus. When the active brain is required elsewhere, I can “look up X online” and convey information to the person who requested it, which will leave me feeling marginally accomplished enough to move on to the next task. The fact that my imaginary friends do tend to tag along on mundane errands also works in my favor. Sometimes they are helpful and sometimes they are not, but I am glad to have them, in either event.

Time to wrap this blabbery post and move on along. The sky outside is beautifully cloudy and gray, but I’m still burning daylight. TLDR takeaway from this post: if my goal is having written, then writing is the only thing that will get me there. By blabbing here, I don’t have to look at the note in my planner that oh no, I didn’t blog again on Monday, I suck, what am I even doing here, etc. Nope. Blog does not have to be perfect. Blog has to be written, and that it is, so I will count that as a success. At least that’s what I am telling myself.

On the Horizon

Happy May, my liebchens. It’s Monday’s post on Wednesday, which is also conveniently time for a new planning post, which is how I set up the picture, but then I checked my email, and…drumroll please…”The Fox and the Lily” is happening, specifically in the literary anthology of Z Publishing’s 2019 literary fiction anthology. I submitted “The Fox and the Lily” as historical fiction (spoiler: it’s a romance) with the knowledge that there might not be a historical fiction anthology, per se, and my story might end up somewhere else. Which it did.. This is the first meeting of Dutch pirate, Cornelis Van Zandt, and English lady, Lydia Stoke, and the fateful encounter that changes both of their lives forever.

Cornelis and Lydia first showed up when I started on their daughter, Tamsen’s, story, and promptly embarked upon a campaign to steal every darned scene in which at least one of them appeared. A wise writer would take this as a sign that Cornelis and Lydia’s book needs to come first, but 1) I am me, 2) I was determined to make Abandon, Tamsen’s story (also Alec, who goes from Cornelis’ protege to a man on a mission. A mission to kill Cornelis, because of really good reasons. All of this is based upon me knowing exactly when and how Alec and Tamsen fall in love. For a historical romance, that is kind of important.

Every time, though, every darned time, the one thing that shifted me from staring at the screen, making a sound that can best be approximated as “uhhhhhh,” was dipping back into Cornelis and Lydia, who are clearly playing a long game on the way to their HEA. It’s a lot of things that I super crazy love: the seventeenth century, pirates, gutsy heroine, charming hero (Cornelis is a charm bomb) and the teeny problem of Lydia being actually married to somebody else at the time when they meet. It’s not insta-love, but they do have a something that sparks, and they both want to do the right thing, but Lydia[s husband has true villain potential, and yeah, I think I am going to have to write the whole book now, which is fine by me. I kind of like Plunder, if I want to stick with one-word titles.

When I set up my current blog notebook (because there is a new line of Exceed notebooks, which I very much want to try, but can’t justify until I fill the OG version I already have, sooo….) I jotted down that, if I’m going to write two pirate books, I may as well write three pirate books, and I am super curious to see how Tamsen and Alec’s kids turn out, not to mention this will allow me to have Grandpa Cornelis and Grandma Lydia. Generational series are my very, very favorite kind, and having a trilogy follow grandparent, parent, and then child, is something I have wanted to do for a very long time. Maybe that time is now.

Okay, not now-now, but soon. Melva and I are awaiting news of the release date for Chasing Prince Charming, while we are writing our way through the first draft of Drama King, and I am working my way toward the second draft for Her Last First Kiss. Add to that the fact that I now have three, count them, three, historical romances that are complete (A Heart Most Errant still needs some editing, so two and three quarters, really) and in need of homes. This is not a place where I expected to be, but I can roll with it.

This is where being a planner could work strongly in my favor. Schedules, goals, etc, I love all of that stuff, almost as much as I love writing, and both things require me to use pens and paper, so one already gives me the tools to do the other. Right now, I am rambling, and I know I am rambling, because A) I did not sleep last night (having an air mattress pop while one is sleeping on it is exactly as fun and disorienting as it sounds) and B) I am giddy from the news that Cornelis and Lydia are about to go out into the world.

My notes had some additional rambling about my summer reading plans, but then I opened my email, so that will be another post. Stay tuned, but, for now, there is a pirate ship on the horizon, and I had best be there to meet it. Maybe June’s Camp NaNoWriMo might be fun.

Rage Quit Your Nightmare

This post is not the planner post, either. Tangentially. Today’s picture is technically an art journal spread, but the insert is in a traveler’s notebook. Big Pink, to be exact, though I am also thinking about what I am going to name my new A6 planner, which is now the main writing notebook, also pink, and bigger than Big Pink. That’s not this post, either. Maybe that will be the planner post for April, and hopefully that will be next week.

Right now, the day is gray, not yet rainy, but hopefully soon. Rain is my second favorite weather, after snow. Even I am done with snow for the season. It can come back in late November. In the meantime, I am very happy to see rain. My goal for today is to power through the writing tasks, so that I can be ready for a 3PM library run (fingers crossed that volume 23 of Fruits Basket will have arrived) and hang out with Housemate. In the best of all possible worlds, I will also be able to get back to my art stuff, because that is where my brain is today.

Yeah, yeah, I can hear some of you saying, get to the Rage Quit Your Nightmare part. This is that. It’s also the tangentially planner related part of this post. Part of the way I learn things is to jump in with both feet, splash around, figure out what I’m doing, while I’m doing it, climb back out, make a plan, and then jump back in. This holds true for planning and art, as well as writing. It also ties into the whole branding thing from this past weekend’s CR-RWA meeting, which is still circling around in the back of my mind.

Okay. So. I want to say that it was last year that I fully embraced the whole planner/bullet journal/art journal sort of thing. I knew that I definitely wanted to do it, but how would I do it? That’s a much more complex question. The most important thing for me, in any putting ink on paper endeavor, is that it look/feel like me. Not that I am passionately dedicated to the art of self-portraiture, which I do not. More that I want what I put out to be authentic. Even, and maybe especially, the stuff that is only for myself, not outside eyes. Which, um, :points to picture above post: is not exactly pertinent here, but I’m going to roll with it.

Focus, Anna. Okay. Part of the jumping in and splashing about was grabbing inserts and such that looked even remotely interesting, while on a budget. This means getting a chance to get creative. Pick up things that could work, with a little tweaking, then put them where I think they might belong, and add stuff until it feels right. Often, when I’m doing this, that’s when the story stuff works itself out on its own, on my brain’s back burner. As with many of us, the clearance sections of stores that sell things I can use in the ink and paper arena, are my friends. Such place is where I found the insert for this picture.

I loved the color of the pages. The price was right. I did not get it, because the outside…ehhhhh, not feeling it. Still thought about the lovely pastel ombre inside pages, though, and, when it showed up in a swap with another paper obsessed friend, I figured this was a sign. I was also trying out a new size of insert, so it was a lot of new stuff all at once. There were also words where I did not necessarily need or want words to be, and the colors of covers, etc, eh, not always my thing. The “don’t quit your daydream” bit was one of those things with words where I didn’t want there to be words. I have issues with the dream/daydream terminology, so it’s not a phrase I would choose to put on something meant to inspire my own creative process.

I also didn’t want to have to slap something over it, in “Hey! I am covering something here!” fashion. Opposite action, steer into the skid. Embrace it. Draw a flowery border. Add more words. The first question that came to mind was, “what’s the opposite of that phrase?” Hence “Rage Quit Your Nightmare.”  That, I like. I like it a lot. What, exactly, does it mean to me? I would say I am still figuring that out, but I think I do have an idea on that one.

My nightmare would be not writing. Being published is great, and I hope to publish, or have published, many, many more books. At the same time, if I knew, today, that I would one hundred percent never ever get anything published, ever again, I’d still write. I would still write historical romance on my own, and I would still want to get together with Melva, to put together our two very different styles, to make something unique and fun. If the nightmare would be not-writing, then rage quitting that would be…? Writing, I imagine. Not sitting down to a duty, but remembering the love of the game.

Speaking of which, the pages are calling.

This Post Was Kidnapped by Pirates

This post is only tangentially about planners, most of that due to the cover photo for today. This post, like the short story I did get submitted to Z Publishing on time, was kidnapped by pirates. Never fear, planner devotees, that post is coming, especially since the utterly awesome presentation by Lucinda Race, at this past Saturday’s Capitol Region Romance Writers of America meeting gave me much food for thought on the matter of branding.

This time, though, it’s pirates. Yep. Pirates. See, I’d had a plan in place, to craft a lovely short bit for the anthology submission, grounded in historical fact, and even return to my beloved Colonial America setting. This involved reading up on my New York history, diving into the Quartering Acts, and crafting a hero and heroine who already had a history, so that we didn’t have to go from meet-cute (though, seriously, if I’m writing historicals on my own, it’s more like meet-angsty) to HEA in a couple of thousand words. Yeeeeah, that is not exactly what happened, which will surprise nobody.

First, I had my premise. Use the Quartering Acts to fill my innkeeper heroine’s home and business with British soldiers. Second, bring my hero, her childhood sweetheart, along, newly cashiered out, and in need of a place to hang his tricorn (that is not a euphemism, but I do write historical romance, so take it as you will).) Give him a letter of introduction from his old commanding officer, addressed to officer’s wife, only to find out that said letter is addressed to the first Mrs. Officer, (it’s a couple years old) and the woman who actually gets it is the second Mrs. Officer, now widowed, annnnd everybody can unpack their emotional baggage right over there, thanks. Only, of course, it wasn’t that easy.

My first clue should have been when my first draft started coming out like this:

Hero: I can has room, plz?
Heroine: LOLZ, no. Too many soldiers.
Hero: I used to be one. See? I have the coat and everything.
Heroine: Sry-not-sry, govt can only enforce active duty dudes. Sux2BU. Bye.
Hero: I can cook.
Heroine: Hmmm…

Yes, this is how I do things in the very beginning. It’s not pretty. Suffice it to say that A) there was nothing I could do to get this heroine to let the hero into herr house, much less life, within the short story word count, B) dude has some serious wooing to do, and C) maybe this story and the Colonial-that-wouldn’t (because hero refused to be who I wanted him to be) might be the same story. Also D, An Intolerable Affair sounds like a wonderful title to me, and the Quartering Acts were part of the Intolerable Acts, sooooo….

This still left me with the need for a short piece to submit. That’s where the pirates happened. Some years back, I finished the first draft of what would become A Heart Most Errant. That’s still looking for its forever home, but if you want to read a short excerpt, and meet John and Aline now, they are waiting for you in last year’s New York’s Emerging Writers anthology. I actually cried after getting John and Aline to their HEA, and wasn’t sure how I was going to follow that. I ended up at a table in my local Panera, and started writing down things I liked in historical romance novels, randomly about the page. I am pretty sure “pirates” was high on the list.  Specifically, that my heroine would be the pirate. Good, that was settled, but what else? What about the hero? What are some things pirates do? I put down a bunch of things, as I recall, but the one that stood out was the practice of marooning, leaving a man on a deserted island, with a small amount of food, and water, and a pistol with a single shot. Hmmm. What if the marooned man survived, got off the island and wanted to settle the score? It wouldn’t be my heroine who left our hero for dead, but her dear old dad? Reluctantly, yes.

Enter said dear old dad. I had meant Cornelis Van Zandt to be only a supporting character, but then he and Lydia kept pulling my attention from Tamsen and Alec, which I did not entirely mind, because I was still a little fuzzy on some of Tamsen and Alec’s backstory. My life exploded right about then, so Tamsen and Alec’s story, working title Abandon, got set aside, Cornelis and Lydia along with it. Until this last week. With only days before the deadline, my Colonial characters firmly in the noncompliant camp, I opened the file for Abandon.

At first, I’d thought to use a couple of scenes, of Alec’s early life, his marooning, and escape, as this submission didn’t have to be a romance, only historical, but I have met me, and yes, it did. Have to be romance, that is. That decision made, there was no other choice than the first meeting between Cornelis and Lydia. I’d written his POV already, but what about hers? That, as it turned out, was not even a problem. There she was, at the rail of the ship carrying her and her husband to their new life in Bermuda, clutching her prayer book, and hoping that the speck on the horizon was, indeed, pirates. Lydia, my dear, this is your lucky day.

It was also mine. “The Fox and the Lily” was tremendous fun to write, and I look forward to spending time with Cornelis and Lydia again, once I have Bern and Ruby, in Her Last First Kiss, firmly settled in their second draft. Whether that means they get a full story all their own, or it works into their daughter’s story, I don’t yet know. What I do know, however, is that my very favorite sort of historical romance series is the generational saga. Mother, daughter, and granddaughter sounds like a perfect heroine lineup to me. What do you think?