Typing With Wet Claws: Uncle’s Paws Edition

Hello, all. Skye here, for another Feline Friday. Anty says I have my worried/hopeful look in this week’s picture, and she is right. She is very smart, and, also, she knows me. Mainly, I was worried/hopeful that there were two people in the hallway with me, so maybe one of them might feed me (one of them did, so you can relax. I thank you for your support.) but also, it has been a very full week over here, at home as well as with Anty’s writing.

Since the deal is that I have to talk to you about where you can read Anty’s posts (other than here, of course) before I can talk about anything else, I had better do that right away. As always, Anty posted on Buried Under Romance. This week, she talked about the many jobs that a first book in a new series has to accomplish, and also, what exactly constitutes a first book.  You can read the post here, and it looks like this:

burfeelslikethefirsttime

 

Anty posted a little bit on Goodreads this week, about  Mogul, by Joanna Shupe, from the Knickerbocker club series. It is only a little bit, because Anty wrote a lot more in the post she wrote for Heroes and Heartbreakers about that book, but that post is not live yet, so I cannot share that link until it is. In the meantime, her post on Goodreads is  here, and it looks like this (which is pretty much the whole thing; actually, it is the whole thing. Her post on Heroes and Heartbreakers is a lot bigger.)

acbreviewmogul

Speaking of Heroes and Heartbreakers, that is where Anty had two posts this week, and both of them are about books she really, really liked, which means she is on track with her goal of posting about more books there, this year. First, she posted about how much she liked Lawrence, the hero of The Lawyer’s Luck, by Piper Huguley. Anty (and I) talked some about that book last week, but, now, you can read the post here. It looks like this:

handhbookboyfriendlawrence

 

Anty  also talked about some of  her favorite Highland romances (she has quite a few, so picking only a few was really, really hard.) That post is here, and it looks like this:

handhessentialhighlanders

 

Okay. Now that I have that out of the way, it is time for the rest of the post. While Anty had some really good plans about working on scenes from both books, those plans got carried over, because this was one of those weeks where real life stepped in. This week, my Uncle had hurty front paws. There is a big word name for this kind of hurty paws, but I am a kitty, and do not always remember big human words, so I will say “hurty paws” instead, because that is basically what it was. Uncle’s paws got very big and turned colors that people paws are not supposed to turn. He made a lot of loud sounds, and nobody got a lot of sleep. Except me, because I am a kitty and need to have rest so I can fulfill my duties as a mews. It’s a cat thing.

On Wednesday, Anty went with Uncle, to the people vet. He was supposed to see his regular people vet, but his paws were so hurty that they decided to go to the right-now people vet instead. Which turned out to be a good call, because it turned out Uncle had another kind of hurt on top of the first kind of hurt, but the people vets there took good care of him. He had to have a shot, and some pills, but no cone of shame, and now he can use his paws again. Anty had to be his paws for a little while there (that is the “in sickness and in health” part of the wedding vows) but, thanks to the doctors and pharmacists, he has his paws back now. That is a good thing. Now he can pet me and feed me again, so that is a happy ending for all of us.

Now, it is the part where I bring things back around to writing. Most people do not like going to the people vet, especially not  the right-now people vet, and it can be harder to watch somebody we love be in pain that we can’t stop, more than it would be to have the pain ourselves. Anty read most of a whole book (it was Mogul) while she and Uncle waited for the people vets to help him, and, even though she did not get to do as much fiction writing as she wanted this week, she did get a reminder of how important it is for romance novels to show this kind of love, as well as all the nicer parts.

Anty likes to write about the kind of love that will go through some hard tests, where one person sees the other in pain that they can’t stop, but, if they can’t stop it, will go through it with them instead, and come out the other side okay. Not perfect, but together, because that is what matters most. Maybe that is not the best way to explain it, but human love is a complicated thing, and that is one of the big reasons Anty likes to write and read romance. Even if she did not fill as many pages as she would have liked  this week, Uncle is better, and Anty has that extra fuel to go into both books and remember the feelings that make her want to write romance in the first place. Also, there is me. I am on mews duty 24/7.

That is about it for this week, so, until next time, I remain very truly yours,

skyebye

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

Some Days are Like That

Greatest hits picture today, because the deskscape I snapped is apparently taking the scenic route to my desktop, which is only fitting. Yesterday, Merman and I spent a big chunk of the day in the Emergency Room at Albany Med. He’s fine now, and back at work. Yay for modern medicine. Yay also for me, because I used the waiting time to read through an EARC (Electronic Advance Reading Copy) in preparation for an upcoming post on Heroes and Heartbreakers. While I was out, another post, on five (okay, really six) of my favorite Highlander heroes and the heroines who love them, went live there. I’ll leave the screenshot to Skye.

I almost left the whole post for Skye, figuring I could skip the midweek post and then post again on Saturday, but I get edgy when I don’t post on time, and one day’s delay is about all I can handle when I’m already punchy. I don’t like drawing arrows next to tasks in my planner, meaning I have to carry them over from the day I’d intended to carry them out, to the next day, because…well, because of a lot of reasons. I’m tired. I don’t know all I need to know to write that part (this happens a lot) or there are not enough hours in the day to get everything done (also a big one) or something unexpected occurs, like a trip to the ER.

These things are going to happen. After Merman and I were sprung from the ER, we still had to visit the pharmacy. After that, we needed to eat (which ended up him eating, and me sulking over a cup of tea because the counter person did not include the cream cheese with my bagel, and if I have to go back and ask for it when I’m already in a hideous mood, no thank you) and wait for Housemate to come retrieve our tired selves. After that was a trip to the grocery store, because we would need food that evening. Obtain food, head home, do not remove coat, but haul two loads of laundry at once to the laundromat. Attempt to smush both loads into one machine because brain is now on auto pilot.

Realize this will only lead to frustration. Scoop dirty laundry back into overstuffed basket. Kick said overstuffed basket along the floor to the big machines at the back. Get laundry going. Purchase carbonated beverage from vending machine for much needed caffeine boost. Take one sip and realize that carbonated beverage is past expiration date. Put on best disgusty face and empty said expired carbonated beverage into the bushes (sorry, bushes) and lean against dryer in hopes heat from dryer will soothe aching back muscles. Promise to apologize to family for any scorched clothing from said drying process. Open Kindle and remind self that book one is currently reading is indeed written in one’s first language because words are getting swimmy and one has forgotten how to brain.

Wash, dry, fold, haul laundry back home, in the rain, and collapse into comfy chair while other family member prepares food. Acknowledge that no, scenes did not get written today. That stinks. On the other hand, spouse on the mend. I’ll focus on that. The scenes will be there tomorrow.

Technically, one of them already is (the benefits of writing in longhand) but what I wanted to do was to get it onto the screen, so I would have it ready to show N (at the meeting I had to postpone for another day because I was bone-weeping tired) and get her feedback, while I got to look over her pages. That will still happen, on another day, after I have slept away the bone-weeping tiredness and refilled the well, so that I can turn bullet points into prose. Still, I would have liked for it to have been today.

The day wasn’t a total loss. I wrote a post for Heroes and Heartbreakers, and sent that in, one of those posts that looks the same on the screen as it did in my head, so I consider that a success. Anything I can write that sounds like me, that sounds like I wanted it to sound, gives the feeling that I wanted to give, that’s all right. Even when life gets chaotic, if I can do that, I did well. These days are going to happen, both the chaos days and the readjusting days. The writing will be there. So will I. Read a book, take a nap, play some Sims, have some tea, look over some notes, and pick up the pen.

Why Historical Romance?

Hi. My name is Anna, and I write historical and historical-adjacent romance. We’ll get to the adjacent part in a minute. Right now, I want to focus on the big picture. Why historical romance? My first instinct is that I was hardwired that way. I don’t remember a time when I wasn’t drawn to times before living memory, though I will grant that, when one is five or so, everything falls into that category, by default. As for the romance part of things, I think I was hardwired for that, as well, because my favorite stories were always the fairy tales with a romance plot to them, even long before I had any inkling that the opposite sex could be anything even remotely close to appealing. I also preferred the more arguably obscure fairy tales, like “Donkeyskin” to any of the Disney versions (Sorry, Walt) and checked out an entire spectrum of Andrew Lang’s fairy tale collections (and wee princess me is now all, “hold on, there are more beyond the color-themed books? I must have them!” because, of course, I must.)

Though I didn’t know the concept of shipping back then, (again, five) in retrospect, I shipped Greek, Roman and Norse gods and goddesses, cartoon characters, and couples in fairy tales and folklore. I’ve often wondered if my birth mother liked romance fiction, too, if, maybe, we’ve ever read and loved any of the same books. I wouldn’t be surprised. Maybe romance, and storytelling, really is in my blood. I’ve written before about how much fun it is to listen to SF/F fans and writers talk about how they fell in love with their genre of choice, hear their origin stories, as it were, and I would love to shine more light on that same experience with readers and writers of romance, particularly historical. Let’s face it, historical romance rocks.

In the same book, we get a peek into the past, the chance to step into a world that we know existed (because, duh, history; we’ve got proof) and a story literally as old as time, and we know that there’s going to be a happily ever after at the end (or a happy for now, in serialized works) but the big question is…how? We know things weren’t as easy for those in the past as they are now; indoor plumbing is a relatively recent invention, and modern medical advances keep a lot of us on the right side of the dirt. That’s not even taking into account things like the internet, gummi bears, and Sephora. I love all of those things, and I’m glad I have them in my life, but when I’m going to dive into story world, nothing is ever going to do it the way historical romance does.

Whether or not actual historical figures come into play, the historical world is critical to the historical romance. How does the time in which these lovers lived affect their falling in love, and their chances for a future together? For my money, it’s not possible to take a couple from Ancient Rome, for example, plop them down in 1901 Texas, and have their love story play out exactly the same way. It can’t. The pieces of the puzzle are completely different, and yet, the objective is the same; finding that one person with whom they want to spend the rest of their lives and then making that happen, no matter what obstacles stand in their way. I’d be hard pressed to find a type of story I find more empowering than that. I can’t even count all the possible variations of setting, era, character type, plot trope, and a million other variables, all of which can be combined in countless ways. It really never is the same story twice.

Right now, those of us in the US, and elsewhere, but I’m in the US, so that’s where I can speak with most authenticity, live in interesting times. Since current events do affect writing and reading trends, I have asked myself if we’re headed for a surge in historical romance. A break from modern life may be exactly what some of us need to restore our resources, live a few adventures and come back, entertained and empowered, to handle the business of day to day life. Which, I should mention, is exactly what the heroes and heroines of historical romances are doing. They don’t know they’re in a historical; they think they’re in a contemporary, because Restoration England, or the American Civil War, Harlem Renaissance, etc? Those are their nows. They don’t know how their current events are going to turn out, if the war is going to go their way, if life will ever be the same again after disease or disaster upsets the routine they’ve always known up to that point. What they do know, however?

They do know love. They know, by the end of the book, that, whatever life throws at them from here on out, they won’t be facing it alone. They have someone by their side who is going to take them exactly as they are, for better and for worse, and they’re going to face it together. That sounds like a pretty good deal to me, and that’s why I do what I do.

Why Historical Romance?

Hi. My name is Anna, and I write historical and historical-adjacent romance. We’ll get to the adjacent part in a minute. Right now, I want to focus on the big picture. Why historical romance? My first instinct is that I was hardwired that way. I don’t remember a time when I wasn’t drawn to times before living memory, though I will grant that, when one is five or so, everything falls into that category, by default. As for the romance part of things, I think I was hardwired for that, as well, because my favorite stories were always the fairy tales with a romance plot to them, even long before I had any inkling that the opposite sex could be anything even remotely close to appealing. I also preferred the more arguably obscure fairy tales, like “Donkeyskin” to any of the Disney versions (Sorry, Walt) and checked out an entire spectrum of Andrew Lang’s fairy tale collections (and wee princess me is now all, “hold on, there are more beyond the color-themed books? I must have them!” because, of course, I must.)

Though I didn’t know the concept of shipping back then, (again, five) in retrospect, I shipped Greek, Roman and Norse gods and goddesses, cartoon characters, and couples in fairy tales and folklore. I’ve often wondered if my birth mother liked romance fiction, too, if, maybe, we’ve ever read and loved any of the same books. I wouldn’t be surprised. Maybe romance, and storytelling, really is in my blood. I’ve written before about how much fun it is to listen to SF/F fans and writers talk about how they fell in love with their genre of choice, hear their origin stories, as it were, and I would love to shine more light on that same experience with readers and writers of romance, particularly historical. Let’s face it, historical romance rocks.

In the same book, we get a peek into the past, the chance to step into a world that we know existed (because, duh, history; we’ve got proof) and a story literally as old as time, and we know that there’s going to be a happily ever after at the end (or a happy for now, in serialized works) but the big question is…how? We know things weren’t as easy for those in the past as they are now; indoor plumbing is a relatively recent invention, and modern medical advances keep a lot of us on the right side of the dirt. That’s not even taking into account things like the internet, gummi bears, and Sephora. I love all of those things, and I’m glad I have them in my life, but when I’m going to dive into story world, nothing is ever going to do it the way historical romance does.

Whether or not actual historical figures come into play, the historical world is critical to the historical romance. How does the time in which these lovers lived affect their falling in love, and their chances for a future together? For my money, it’s not possible to take a couple from Ancient Rome, for example, plop them down in 1901 Texas, and have their love story play out exactly the same way. It can’t. The pieces of the puzzle are completely different, and yet, the objective is the same; finding that one person with whom they want to spend the rest of their lives and then making that happen, no matter what obstacles stand in their way. I’d be hard pressed to find a type of story I find more empowering than that. I can’t even count all the possible variations of setting, era, character type, plot trope, and a million other variables, all of which can be combined in countless ways. It really never is the same story twice.

Right now, those of us in the US, and elsewhere, but I’m in the US, so that’s where I can speak with most authenticity, live in interesting times. Since current events do affect writing and reading trends, I have asked myself if we’re headed for a surge in historical romance. A break from modern life may be exactly what some of us need to restore our resources, live a few adventures and come back, entertained and empowered, to handle the business of day to day life. Which, I should mention, is exactly what the heroes and heroines of historical romances are doing. They don’t know they’re in a historical; they think they’re in a contemporary, because Restoration England, or the American Civil War, Harlem Renaissance, etc? Those are their nows. They don’t know how their current events are going to turn out, if the war is going to go their way, if life will ever be the same again after disease or disaster upsets the routine they’ve always known up to that point. What they do know, however?

They do know love. They know, by the end of the book, that, whatever life throws at them from here on out, they won’t be facing it alone. They have someone by their side who is going to take them exactly as they are, for better and for worse, and they’re going to face it together. That sounds like a pretty good deal to me, and that’s why I do what I do.

Cold Day and Another Week Begun

Second week of 2017 underway over here. Well, underway everywhere, but I can only talk about my own experience. This was a full weekend, with volunteer training, domestic warrior queen duties, one of which reminded me why I do not do laundry on Sunday evenings. The alternative to Sunday evening laundry, in this case, was naked family. Since we live in New York, and it is January, outdoor nudity is not an option, so Sunday night laundry it was. I had my phone and my Kindle, and a couple of hours, more or less, to let my brain get things somewhat in order for the week ahead.

On Saturday, I had my (first) fierce cheerleading session with Eryka Peskin, which I would highly recommend. It’s kind of weird to have an appointment where the entire purpose is to have someone tell one how awesome one is and point out what one is doing right, and it’s kind of weird that it’s kind of weird. Yes, I did take notes, and yes, I did post them on the back of my office door, where I can see them any time I need a reminder. If I write something down longhand, it’s much  more likely to stay in my noggin than if I try to remember without, or if I go directly to keyboard. I’ve been learning a lot more, lately, about how my brain works, and how going with that, rather than fighting it, is going to work better for me in the long (and short) term.

This morning, I got up at six, which is about right for me, still wiped from the weekend -I’d intended to use it to rest, but that is not what happened- and determined to get the most out of my day. There’s a ticking clock on one important task, that of my Her Last First Kiss second draft, the scene where Hero and his brother…well, we’ll save that for later. What matters is that I need to show these pages to N at 8AM tomorrow. I know myself well enough that I have to pump the handle a few times before thing start flowing, and I know that I’m going to have to get this draft done by about 3PM, because that’s when I can bribe Housemate to ferry me to the library to get things printed. I still haven’t figured out where the heck the printer is jammed, so printing on the road is how it is until we get that sorted.

One of the first things I did was jot down a list of tasks for the day, on a piece of grocery list paper, but that didn’t look right. It had all of the information, but the visuals? Meh. I can do better. I rescued a magenta softcover Markings notebook, with grid pages, from limbo, and laid out what has to get done today. Is this bullet journaling? Am I doing it already? I’ve tried reading explanations/instructions, but my eyes glaze over and/or I get confused. I’ve been doing whatever this is for a while now, and if a thing is on the list, the thing is going to get done.

isthisbujopage

Mini legal pad is not part of the notebook, but it’s pretty.

I keep the office door propped open if it’s okay to talk to me. This was my view for a good chunk of the early morning:

 

Skye hates my office carpet. Hates it. I’m pretty sure she wants me to get rid of it, so she can come all the way into the room and sit next to my feet. There is one sliver of hardwood available for kitty bottom, when the door is open, and she has found a way to wedge herself into it. Normally, she’ll sit in the kitchen, on the linoleum, and stare at me until I get the message (that I should pay attention to her, not the glowy box or my papers) but, this morning, she crossed the line. Over the threshold and onto the hardwood. Not a single toe on the carpet. She has her standards.

The clock is ticking down now, and time approaches when it’s going to be me, Hero, and Hero’s Bro. There’s a small  hand squeezing around  my heart, with pointy fingernails, a whisper in my ear that this is scary stuff, but there’s also a list on my door of things that I am doing right, to remind me I’ve been here before, and I did it okay. More than okay. Awesome. No, I do not want to go out in sixteen degree weather to print pages, but N needs pages for tomorrow, and, more importantly, Hero needs this scene to get to second draft, so that’s what’s going to happen. I mean, I can’t leave him there in first draft land. Besides, when I get on the other side of this, I get to talk about what I’ve written, get feedback, and move on to the next scene. But, first, this. Clear the decks of the other tasks so there’s nothing cluttering my mind when it’s time to dive into century eighteen, and turn the metaphorical thumbscrews on Hero. He’s not going to like that, not one bit, but it has to be enough to send him out of everything he’s ever known, and on the path to his future. Kind of like the writing of same. At least I’m in good company.

 

Waiting on Wise (Wo)men

Technically, it is still Christmas until January 6th, but it’s the first Monday of the new year, and that seems like the perfect time to jump back into the daily routine, beginning as I mean to go on. New year, new chances, and all of that. I like the idea of a clean slate. It fits into my clean sweep/more layers mindset, and now it’s time to draw from that well that the tucked-away week filled.

This time last year, I did not have a new planner to move into on the first of the year, and I don’t have one to move into this year, either, but for a different reason. This year, I picked up a seventeen-month planner (how have I managed to ignore these things until now?) so I moved into the new planner in the summer, and am starting the year off by using the stuffing out of this one. The pen for this book is actually a Sharpie liquid pencil (another thing I had no idea existed until recently) and, so far, it’s working. I have long since accepted that I am a planner. I want, even need, to know what I’m doing, and when I’m doing it. Then, within those boundaries, I can run wild. Hey, it works.

So, what does the new year hold? For one thing, lots of historical romance. Actually, that would be two things, as I mean both reading and writing my favorite genre. Last year, I set my Goodreads reading goal at fifty  books. I actually read eighty-nine, so this year’s goal is ninety. I have one down so far, and should be finishing at least one more in the next day or two. The way I figure it, if I read two books each week, allowing two weeks for dry spells/rest/deadline crunches, I’m going to be sitting pretty in the reading department.

Writingwise, this is the year. The last ten have been a wild ride, which could be a book in itself, but I don’t write horror. What I do write is historical romance, and, with Melva Michaelian, historical-adjacent romance. Since I work best with regular feedback, it’s my responsibility to make sure I get exactly that. Today, I will work on the next draft of chapter two of Her Last First Kiss, which I need to turn in to N tomorrow morning. She, in turn, will have pages from her WIP to show me, and the plan is to read and comment on the spot. N asked me to bring printed pages rather than sending in email ahead of time. This is out of my comfort zone, as it will require me to A) figure out WTF is jamming my nifty awesome printer that will not print, or B) hie myself to library or office supply store to print on their devices. Probably B) and then A, but the point is that this is stretching, which is what I want.

Thanks to the RWA critique partner matching registry, I have a good lead on a historical romance critique partner. Not only do we share common interests within the genre, but in other things as well, and even prefer similar historical periods. Next step is exchanging sample chapters and seeing if we are indeed the good fit it looks like we may be, and then onward we go. If I’m being held accountable and receiving regular feedback, it’s a lot harder to tell myself nobody cares, or I’m not making a difference. Maybe the benefits of external validation have something to do with being an extrovert, maybe not, but this feels good. It feels right. It feels as though a piece of the puzzle that got knocked loose during the last ten years is fitting back into place. I like that.

While I was writing this entry, I got a notice I had new email, which, of course, I had to check, because A) I am me, and B) email fits into my social media time, and I am darned shooting sure going to stick to what’s on my schedule on the very first day of having said schedule (seriously, this planner works with the way my brain works, but more on that later.) What was said email? Notice that I had won a Fierce Cheerleading session with abundance coach, Eryka Peskin (who is super awesome, and if you have a chance to be in on one of her challenges, I highly encourage you to take it.)

This morning, I had another notice, on Goodreads, that a new group had been formed, dedicated to the love of historical romance and fiction set in one of my favorite eras, the seventeenth century. That’s the setting for my Orphans in the Storm, and one hundred percent a setting I plan to use again, maybe soon. That’s because my next goal, after finishing both Her Last First Kiss and the Beach Ball in 2017, I need to look farther down the road and decide what’s coming next. Sitting down in front of a blank screen doesn’t work for me, so that means I need to put some feelers out there and see what I’m going to be writing next, after these two couples find their happily ever afters. Because writing historical romance? That’s my HEA. Okay, that and Real Life Romance Hero, because he has truly earned the title, but this is the year to be a little (or a lot) less  “Grace Kelly” (though the party in the video does look awfully fun):

and more in the spirit of this ditty below (language may not be for gentle readers or little ones in the room):

This year,  I don’t feel a letdown at the end of the tucked-away week,  like I have in the past. 2017 is the year I get to cross  “present at NECRWA’s annual conference” off my bucket list, and I could  not be in better company than my co-presenters, Corrina Lawson and Rhonda Lane. It is still Christmas until January 6th, what my father called Three Kings’ Day, which others may know as Epiphany, or the celebration of the wise men arriving at one very special manger. This year, my planner has “ornament harvest” where “take down tree” used to go, because, this year, I’m looking at the new season differently. I think I’m going to like the view from here.

Typing With Wet Claws: New Year’s Eve Eve Edition

Hello, all. Skye here, for another Feline Friday, the last one of 2016. This has been -well, it still is, because it is not over yet- Anty’s tucked away week, and it is going pretty well, all thing considered. Anty likes to use this time to collect herself and rest and refill her creative well, so that she can come into the new year at her best. So far, so good. Right now, it is snowing, which is Anty’s favorite weather of all time. Anty loves snow, so it makes her very happy to have some during her favorite week of the year.

Even though Anty likes to relax during her tucked away week, that does not mean she does not write things. She has actually been doing a fair amount of writing things. Let me share some of them with you. First, as always, she is at Buried Under Romance, and this time, she is talking about favorite holiday reads. One reader who commented is reading the holiday book that is up next on Anty’s list. Anty will take that as a recommendation. The post is here and it looks like this:

bur2dec16

Anty has been doing a lot of reading during this tucked away week, which was her plan all along, so that is a good thing. It is also part of her plan to share her reviews on Goodreads more. This week, she posted four of them. That is a lot for a kitty to screencap, but I will do my best. There will only be three pictures, because Anty forgot to write a review for one of them. Oops. I apologize on her behalf (also for the greatest hits photo of me, because A) I am camera shy today, B) Anty has a lot to do, even if it is tucked away week, and C) the spare picture of me she had in reserve in case I was camera shy, which I am today, is stuck in a Gmail queue and won’t send, so you get this one again.)

Anty’s review for A Pirate for Christmas, by Anna Campbell is here, and it looks like this:

pirateforchristmas

Her review for The Fox and The Angel, by Danelle Harmon, is here, and it looks like this:

foxandangel

Her review for We Know It Was You, by Maggie Thrash, is here, and it looks like this:

weknewitwasyou

Anty also read What Light, by Jay Asher, but she has not written a review for that one yet. I do not know why, because it has romance and a troubled hero and it is set in the world of Christmas trees. She will probably get to that later, because leaving reviews is not only good for the reader, or for other readers, but for the author as well. If you have read any of Anty’s books and would like to leave a review, her “I Wrote It” shelf is here

Now that it is New Year’s Eve Eve, the day before the last day of the entire year, Anty’s focus begins a shift from relaxation toward action. That means she is looking at what she can do when the new year begins. Normally, she and Mama (and sometimes Uncle, if he has the time off from work) get in the car and go a long way, to spend the day with some friends at a book swap. Humans do not have to bring a book to the party (Anty always does. Sometimes, she brings a lot.) but that party got postponed this year, so it will happen at another time. That means a couple of things.

First, it means that Anty does not have to go away, and she can spend all day home with me. I think that is a reason to celebrate right there. Anty will probably leave the house at some point, because, although I fill her kitty meter, she also has to fill her people meter. That is okay, though, because I know she will come home. The other thing that Anty spending the day here instead of away will mean, is that she needs to come up with a plan for how she is going to spend that day.

Anty does well with plans. She likes plans. That is one of the reason she collects notebooks, so that she can plan things out in them, and write about what she is going to write, before she writes it. Trust me, if she  tries to skip that step, it will not turn out well for anybody. Since Anty has not spent any time with Netflix yet this week, she will probably watch at least one movie on New Year’s Day. She has not decided which one yet, or maybe some special episodes of a favorite TV show or two. What is important is that she need to take in story, so that she can put out story.

This is especially important because of something she will be starting this week. This week, Anty and Miss N are putting themselves on a schedule, or having pages to show to each other every week. Back when we lived in the old country, Anty met every week with Anty Melva and Anty Michele, and Anty knew that, when Wednesday night came along, she had better have some pages, and she made sure that she did. Anty does very well with outside pressure like that. I would not recommend getting too close to her if it is a couple of hours before critique time and she does not have her pages yet, because she gets snarly when she does all that furious typing stuff. Better to wait that out under the bed or somewhere else that is safe like that. When things get to that point, all she cares about is getting the pages ready for her critique partners to see, so best to leave her alone and let her get that done, if you want to end the day with the same amount of body parts you had when you got up that morning.

Anty is also still on the hunt for a historical romance critique partner, someone who reads historical romance and writes it, and loves it the very, very mostestest. The way she figures it, she misses one hundred percent of the shots she does not take, so she is going to be very noisy about that for a while. By “for a while,” I mean until she finds a historical romance critique partner, so if you do not want to keep hearing about that, please consider spreading the word, or getting in touch, if you want one, too.

That is about it for this week, so, until next time, and next year, I remain very truly yours,

 

skyebye

Until next week…

Skye O’Malley Hart-Bowling
(the kitty, not the book)

 

 

 

 

How to Eat an Elephant

This past Saturday, Capitol Region Romance Writers had our annual member appreciation meeting. That’s when we gather together to celebrate everything our chapter sisters and brothers (yep, we got dudes) have achieved during the calendar year. There’s the big stuff – new releases, new contracts, first books, tenth books, twenty-fifth books-  and there’s stuff that may not seem as big on the surface, but is every bit as important – kept writing, attended a conference, gave workshops, volunteered for chapter or organization, etc- and the atmosphere is supportive and celebratory. My co-host, the fabulous K.A. Mitchell,( http://www.kamitchell.com/) cheered us all on, and suggested networking opportunities to encourage us to go better, harder, faster, longer for 2017. I love that stuff.

Not everybody participated in the survey of member achievements, and I get that. I almost didn’t, myself. Some people don’t want the attention, thanks, and, for others, something like this might give self-doubt a foothold, because other people are hitting these big milestones, and then there’s the person staring at the list, thinking they’ll never get there. Thankfully, the Hypercritical Gremlins seem to be keeping mostly quiet these days, and I only got a trace echo of “EVERYBODY WILL KNOW YOU ARE A GIANT FRAUD” because no, I’m not. I’m going to call that good.

I had wanted 2016 to be the year I could check off that I had my fifth published work. That’s not what happened. The only TARDIS I own is a night light (and even that belongs to Real Life Romance Hero) so I can’t go back to this past January and make things different. What I can do is go forward from where I am right now, which is not in so deep a hole I can’t get out of it. From a certain perspective, it isn’t a hole at all. I’m working on two manuscripts, have another, my postapocalyptic medieval novella, that really only needs an edit and formatting (okay, and a cover) to go all indie on 2017. I have posts for Heroes and Heartbreakers slated, I write a weekly discussion post on the topic of romance novel reading every Saturday (barring technical difficulties, that’s about fifty of them a year, baby. 5-0. Not small potatoes by any means.) I blog here three times a week (okay, fine, two entries from me and one from Skye, but I do have a blogging cat, so that’s something special right there.) Even so, could I have done better? Well, I hope so. If this is the pinnacle of my success, I’m going to go cry in a blanket fort (but I’m taking my computer with me, so I can play Sims.)

There’s only a few weeks left in 2016, so I am looking 2017-ward from here. Not going to lie, I want to be one of those, at next year’s member appreciation meeting, walking away with one of the big prizes. If I release or sell a book to a publisher, that puts me at fifth published work, and that does get the big prize. (There’s actually a choice, and one of said choices is a padfolio. Anyone who has known me for more than about five minutes knows about me and stationery. New readers who do not, check the AnnaLog tag. It’s all there. )

So, how do I get there? Dragging out the old Japanese proverb of a journey of a thousand miles beginning with a single step feels cliché  (but things are cliché because there is an element of truth to them) so, instead, I am going to use a favorite Dutch proverb instead. Pray to God and row to shore. Finishing a book means writing a book. Slapping the duct tape over the Hypercritical Gremlins, boarding over their closet (spray painting “Don’t open, dead inside” a la The Walking Dead is optional, but adds a certain degree of panache, as well as a much needed reminder in the weak moments.

I’m still not sure exactly how I’m going to organize the work, but meeting goals is the same as eating an elephant. One bite at a time. For those who are fans of Anne Lamott’s Bird by Bird, think one-inch picture frames. Little bits. Remember I’ve done this before. Remember the encouragement of chapter mates. Remember what it feels like to hear from a reader who connected with my story, that I’m not shouting into a black hole, after all. Remember why I started writing in the first place. Remember what it felt like to send that first manuscript off to the very first publisher, and what it felt like to open The Email, the one who actually bought Dalby and Tabetha’s story. If a hermit and a subsistence farmer can find love, there’s hope for all of us, I’d imagine.

So, that’s how it’s going today. Blog entry. Article. Would love to get some fiction in as well, and if the end of the day comes before then, that only means I know what’s first on the to-do list for tomorrow.

Place

Back when I lived in the old county, Wednesday nights meant one thing for several years; nag group. Two writer friends and I met at one of their houses, had tea, went over work we’d all done during that week, set goals, had a nibble and then some social time. More often than not, there was a four-legged member of our group. Our hostess would let aforementioned four-legged member (of the canine variety) know when it was time to let the humans do human things, with one firmly spoken word: “Place.” Over the course of the years we had nag group, there were a few different canines, as this group was of long standing, but the “place” command remained a constant.

“Place” meant that canine needed to lie down on the cushion next to their bowl, and remain there, quietly. Our hostess did not need to elaborate, because canine understood she (and her husband) meant business. If the human said “place,” then canine was to assume the position. This comes to mind now because one of my disciplines is to do as much work as possible in my office, which is pretty much my Place these days.

Place in progress, to be honest here, because the surrounding area may or may not look like booknado blew through it a couple of dozen times. All right, it’s not that bad, but there’s enough going right that we do have a degree of leveling up going on here. One will note that the  wallpaper is generic, because I haven’t set a new one yet. Abbie and Ichabod are hiding their file (which does not surprise me) and the new setup also means that whatever my wallpaper is on my laptop is automatically also the lock screen on my desktop. I am not sure how that happened (probably something to do with syncing) and I’m not sure I like it, even though it is kind of neat, in an objective, isn’t-technology-great kind of sense. As long as aforementioned technology will help me get stories from my brain to yours, (and play Sims) then I am fine and will deal, but I do miss the different wallpapers. I’m not sure how I feel about my devices talking to each other like that when I am not included in the conversation. I’ve been through enough robot uprisings to have an opinion on this sort of thing.

I was going somewhere with this. Maybe the fact that I am writing this entry, not from the pictured desk, but from the lap desk in the living room (you know, the big, distract-y one with off-white walls and sunlight and family members tromping through, and TV right there in line of sight, the “where does the Christmas tree go?” question still unanswered, and tonight looking okay for putting up of said decorations) has something to do with it.

Contrast the office. When I’m in there, my brain knows that making stories is the whole point of the place. That’s why there is the desk I’ve been in love with since I was but a wee princess of two or three. That’s why there is a computer and a wifi extender, and enough notebooks to build a fort, if necessary, and enough pens to write in all of them. This place is primed and ready to go (apart from lock screen and printer that insists it is jammed when there is no paper in it, ahem) so it’s all on me now. I’m in the factory, so time to make the product. It’s not that revolutionary a concept. That’s pretty much how things work.

With only weeks left in 2016, I’m looking forward to starting 2017 on the right foot. A big part of that is making the office not only my hobbit hole, but home base. Making it my Place. That’s where I go when I work. That’s where stories happen. When I’m finished writing my morning pages, the next thing on my mind is, “that’s done, what else can I do here?” The answer? Anything. That’s both exciting and scary, and I think I can deal with that balance. The squares of Kraft paper sticky notes on the top of the monitor are my tasks for the day, what I need to get done to move closer to my goals, closer to getting these stories from my brain to yours. I like having them there. They remind me what steps I need to take to get from this place to the next.

 

Does That Mean There Is Quietermilk?

Days become weeks
Weeks become months
Months become way back when

      -Kait Kerrigan and Brian Lowdermilk, “Holding On”

During the weekend, I had an idea for this blog entry. Do not ask me what that idea was, because I do not know anymore. I am not even going to try and take a wild guess. Not even a stab in its general direction. That ship has sailed, so what you get instead is blabber, because “blog entry” is the next thing on my to-do list, and sleep was not that great this weekend, which means my mind is a muddle. Which means it is time to impose some order on chaos. Which means making lists and prioritizing.

Today’s quote is from the musical, Tales From the Bad Years. No, I’ve never seen it, but I have been listening to many of the songs from it repeatedly over the last couple of weeks. I haven’t played any Christmas music yet, which is unusual for me. I mean nothing. Seriously. Zip. Zilch. Zero. Nada. I’m not not-in the Christmas spirit, but it hasn’t kicked in yet. Maybe that’s because the decorations are still not up. Fingers crossed for tomorrow. Maybe then it will feel real. We’ve had sickies in our house for the last…three weeks? Four? Maybe that has something to do with it. I have Christmas books at hand, and have not cracked the covers on any of them, either.

No, wait, that’s not right. I am reading For Christmas, Forever, by Barbara Samuel, originally published under her Ruth Wind pseudonym, on my phone. I don’t read a lot of category romance, but I would read Barbara Samuel’s grocery list in a heartbeat. Pounce on that sucker like a starving hyena, I would, and that might be underselling my theoretical behavior. We need to make that clear at the outset. Still, I don’t read a lot of category, and the combination of intrigue and Christmas has me in uncharted territory, but the voice is still there, and that’s what I wanted (besides the whole Christmas angle) so that balances things out. Combine that with my devouring of Matthew Quick novels (be forewarned, I may get whiny when I finish the ones I have on hand, because then I will have read all currently published ones; why do I keep doing this to myself, again?) and rationing Dark Champion, the second of Jo Beverley’s medieval historical romances (I do sorely wish she had written more medieval, but there are loads of her Regencies and some of her Georgians I have not yet read. She is, sadly, another one who has left us, so when I am done, I will be done. At least with reading new to me titles for the first time.)

But back to the music. I wish I could say how it was I stumbled across the Kerrigan-Lowdermilk team, but I am going to say it was either Spotify or YouTube. I like to follow bunny trails, of things I might like, based on things I already like, and I’ve been using both of the above frequently as of late, so it’s probably one of the two. When an authorial voice catches my attention like that, I like to hunt down as much of it as I can. When that voice belongs to a songwriting team, and said songs are in the realm of musical theater, that makes my blood do a skippity skip, because that means that there are, somewhere out there, a plethora of different interpretations of the same songs, by different performers.

I love that kind of thing. I can find Actor A’s performance of Song X, take that in, find what I like about it and what I would direct them to do differently, then take in different takes on the material by Actor B, Actor C, Actor D, etc. Gender flipped, with or without changes in pronouns, solos divided into duets or multiple singers, and vice versa. Stage performances, cabaret, concert, professional, student, etc, etc. Bring all of that stuff right on over here, because it goes straight into ye olde creative well.

On the official page for Tales From The Bad Years, (find it here: http://kerrigan-lowdermilk.com/shows/tales-from-the-bad-years) the blurb about the show concludes with “There’s no doubt that the bad years make the best stories.” That resonated with me, and reminds me that it was the very title, Tales From The Bad Years, that told me this was something I had to investigate. I’m glad I did. Though I haven’t seen the show, or read the script, I’ve listened to the available songs, so, if I had to shelve it in a genre, I would put it in New Adult. Again, not a genre, in the contemporary fiction sense, with which I have any degree of familiarity, apart from the Going The Distance series by Lark O’Neal (http://www.larkoneal.com/) -who is also Barbara Samuel, go figure- but I very clearly got the “Yes. That.” reaction, so I’m listening. A lot. Rolling it around in my head, and letting it seep into my heart. We’ll see what sticks, what combines with all the other things that are in there already, and what else is going into the tank at the same time.

Writers are, by nature, omnivores. If it waves a tentacle at us, and if we grab onto that tentacle, it’s going into us. Becoming part of us. Coming out again in some other form that is our version of that. Calling us to come to a higher level. Making us want to be that good. Work that hard. Make something that has the same effect on somebody else, we would hope. We don’t always know what it’s going to do to us when we recognize it, but that moment when we know that yes, that new thing we like, it’s ours now, that’s something we need to hold onto and see where it takes us

The lines at the top of this entry are one of those things that stick. The inevitable passage of time, the reminder that my track record for getting through stuff has been 100% so far, so odds are that’s probably going to continue. Not smooth sailing all the way, because how boring would a story like that be, seriously? The knowledge that a current stressor will one day be a story to tell, of something that happened “way back when,” that’s encouraging. I can work with that.