romance

Peace, Quiet, and Historical Romance

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Wintry winds blow outside my office window. Skye kitty waits in the office doorway, where she can see me, smell the Thanksgiving leftovers warming in the oven, and see Real Life Romance Hero, also the love of her life, as soon as he emerges from behind closed doors. The space heaters in bathroom and living room take turns, and it has become second nature, by now, to put on handwarmers, an extra sweater, and flip up the hood on my sweatshirt.  The Irish fisherman blanket is a cozy weight in my lap. My new, blank, berry colored Leuchttrum 1917 notebook, aka my planner-to-be for the winter months, waits for me to finish my writing tasks for the day, because starting the new planner is the carrot on today’s stick.

Last night, Real Life Romance Hero and I spent a few hours in the familiar territory of the emergency room. I got the better end of the deal, as I got to read, while he got poked with needles and otherwise examined by the medical staff. All should be well, though I feel a close kinship with the walkers of The Walking Dead. This may necessitate a third cup of tea. I already hear H’s voice in my ear, whispering “coffee,” but we will see about that.

The small, blue, Eiffel Tower book in today’s picture is my new morning pages book. The pages inside are pretty, though it’s the same image all the way through, but I can rotate pen colors, and that will do. I can always count on Punch Studio for gorgeous paper that makes me eager to open the cover and get to work. This book is smaller than the last few, and I am fine with that, which surprises me, but not going to complain on that front. Two pages, as close to first thing in the morning as I can get them, every day, no exceptions.

This includes zombie mornings after ER visits. Butt in chair, notebook open, select pen. Click pen (because I am using clicky pens this time around) a couple of times, to get into the zone, and then get at it. By the time I reach the end of the second page, part of me wants to keep going, even if I’ve been seriously reaching for something to write. Well, fine, I can write about that, and, in morning pages, I frequently do.

Fiction is different. Fiction is creating a world and the people who live in it, and making their lives interesting enough for people we’ve never met to want to spend time in those worlds, with those people. Maybe these people I’ve never met will want to spend time in these worlds, with these people, while also spending time in the visitor chair (or patient bed) in the ER, in line at the DMV, on a five hour flight to the other side of the country, or twenty-four hour flight to the other side of the world. Maybe in the stands at their kid’s swim practice, in the car waiting to pick up a loved one, maybe in an upstairs bathroom because it’s the only place family members won’t follow, for five minutes of peace, quiet and historical romance.

The book I finished reading last night wasn’t historical romance, but I did have a historical romance in my bag. I wasn’t ready to read something else, though. Instead, I took out my traveler’s notebook, flipped to the brain dump section, now marked with a strip of washi tape between one entry and the next, and I wrote. It was brain dump, not salable fiction, but what it did give me was the emotional immediacy that my characters need.

I’ve often said that people in a historical romance (or any historical fiction) don’t know they’re in a historical. They think they’re in a contemporary. They storyline isn’t the plot to them; it’s their life. Stuff happens, and they choose how they react to it (apart from the times when they react on instinct. Hero of Her Last First Kiss, I am looking at you) and they get through it somehow. The only exception is the characters who don’t get through it, but I write romance, so my hero and heroine find some way to make it through, and to make it through together. There may be collateral damages, because I, personally, find the HEA works best for me when it’s even slightly bittersweet, but the lovers are always going to come out on top in the end. Other than that, I can go nuts.

Today is a quiet day, apart from the wind and the work crew doing sidewalk work out in front of the house (other end of the apartment from my office, so I don’t hear them when I’m back here) and, when combined with zombie-tiredness and a brain at once hungry for and full of story, well, that’s when it comes in handy to be both reader and writer, snuggled in a sweater and blanket cocoon.

 

A Tale of Two Covers (and maybe a bit more)

annabowling 2 Comments

Still waiting on the new boiler, which marks the start of our second week with what I am going to call accurate period heating. Toss on the heavy sweatshirt, bring the Irish fisherman blanket to the office chair, on with the hand warmers, and away we go. This week, I am excited about Friday, even though Friday is at the other end of the work week, because Friday means December first, and, because there are not enough pages left for an entire other month in my current planner, that means I get to start a brand new one. Purists might be miffed that the new planner doesn’t start in January, but I like having the end of one year up against the start of another.

This means that I also get to embark on the journey of setting up that new planner, since I now make my own, in blank (or dot grid) notebooks. Back in September, I wanted to start my autumn planner in an orange Exceed notebook. Orange is a great color for autumn, with Halloween and Thanksgiving, plus it makes me think of the House of Orange, so there is a Dutch connection, and also a tie to the orangerie scene in Joanna Bourne’s The Forbidden Rose (one of my favorite scenes, period) but there was only one flaw in this plan; it took me too long to find an orange book, so I started my autumn planner in a black one (always classic) and now, orange does not strike me as particularly wintry.

Okay, then. Being a collector of notebooks, armed with the tip from a Facebook group of like-minded individuals, I sniffed out discounted Leuchtturm notebooks at a local outlet. and snagged a lovely berry model. Only catch there is that the pages are blank, not dotted, but no worries; there’s a guide sheet with lines on one side and a grid on the other. Berry strikes me as much more wintry, there are more pages, already numbered, and there are perforated pages in the back.

For those readers disappointed that this post is about notebook covers and not romance novel covers, I’m getting there. Saturday night, I finished the YA novel I’d been reading, and needed to pick another book to bring with me to the laundromat this morning. I was in the mood for a historical romance novel, a paperback, and spent some time staring down my TBR shelf. before I ultimately tossed Beauty Like the Night, also by Joanna Bourne, into my bag, because A) I am halfway through it already, and B) it already occupied the lime green cover I’d picked u pat a UBS double-digit years ago, when I had a different aesthetic.

These days, I prefer darker, richer colors, though the types of books I prefer to have within those covers have mostly remained the same. Historical romance is still my favorite, still preferably with generous portions of both (hence the love of Joanna Bourne, among others) though I also now co-write contemporary romance with Melva Michaelian, and realistic YA is a close second to historical romance in my reading preferences, the cover still does matter.

This holds true for both books and notebooks. I’m a visual person, and then there’s also the harder to qualify feel of a book or notebook. Not the physical sensation of holding it in my hands (though that also factors) but the mood, the impression, the essence. That’s why I can’t do an orange cover in December, but will  be happy to call it into service when September rolls around once more. The bright side is that now I get more time to prepare it, so it will be at its full autumn-ness, and I can throw myself into winterizing the beautifully berry colored planner I have now.

As for the lime green paperback cover, I’m more conflicted over that. I’m not ashamed of reading romance novels in public. Proud romance reader and writer, here, and longtime collector of covers by the incomparable Elaine Duillo. I like using a cover for some paperbacks, not only to keep the cover art private, but to protect the truly gorgeous covers from any accidental spillage, droppage, or what-have-you-age. Lime green, though? Not my thing anymore, and it feels odd to take a lime green paperback shaped thing out of my smoky grey tote, especially when the pages inside that lime green cover are nuanced with history, danger and emotion, deftly woven together like a tapestry of old, not something that puts me in mind of toucans and pink lemonade.

This probably means that I am soon to be on the hunt for a book cover more fitting for the books I am likely to toss in my tote on a given day. I know, I know, my Kindle has a lovely purple cover, but there are times I want an e-book, and times I want a paper book, and, well, lime green isn’t doing it anymore. Granted, I’m not sure where to look for this sort of thing, and I now live triple digit miles away from the store where I first snagged the lime green cover. We’ll see what happens on that front, and I will most likely blabber about it here.

For those who are curious about this sort of thing, yes, whether/how well the book cover (or book cover cover?) coordinates with my planner is going to factor into my ultimate decision. While it’s true that the cover does not dictate the contents of books written, or books read, it’s still the first impression, and there’s still that indefinable something that gives a hint about what’s inside. Hopefully, good stories on both fronts.

 

Breeding Unicorns and Other Things

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Welp, it’s a Monday. I have the big mug out, second dose of Lapsang Souchong tea to fuel me, because I’m going to need it. Right now, I am in my office chair, under the Irish fisherman blanket Housemate knitted for me and Real Life Romance Hero. I am wearing an oversized sweatshirt, hood up over my sleep braids, flannel pajama pants, and thick socks. Tomorrow, N and I are shifting the focus of our weekly meetings from planning/critique, to actual live writing. I may or may not still have a free birthday pastry on my Panera card, and, although I am cutting back on sugar, there may still be a cherry Danish with my name on it.

Last night, I watched Outlander with Housemate, in the living room, at the same time, something I haven’t done since I started recapping the show for Heroes and Heartbreakers. It’s a different experience, not only knowing that I did not have to recap (would not have been recapping that episode anyway, as it was an even numbered episode) but knowing that I would not be recapping next week. Oh. Right. That happened. Watching as a fan is a different matter than watching to recap for a website post. No need to count scenes where the OTP are together (zero, for this episode; some habits are hard to break) or write down memorable quotes (Nothing on that front, but the final stitch on a sailor’s shroud going through their nose, and that it needs to be performed by a friend, that, I remember.) No need to chart the course of the ship (as in relationship, not the actual sailing ships, but those, too) although Claire has a plan to warn Jamie, and Fergus chooses an interesting time to man up, but we will see how things go.

I also didn’t  watch as closely as I would for a recap, though I will be interested to see if I’ve trained myself to do that when next week rolls around. Some habits are hard to break, and, as I look for more freelance gigs, this may be a skill that comes in handy. One never can tell. I am not ruling out a re-watch, possibly on a smaller screen and/or closer to my face. This may mean moving the comfy chair closer to the TV, as well as a trip to the optometrist, but rearranging furniture counts as a creative pursuit, right? I’m going to say it does.

That’s not for today, though. Today is for working on Drama King and getting ready to work on Her Last First Kiss tomorrow. N and I have already extended our meeting time so that we can allow for more writing time. Having another person across from us, doing the same thing, expecting there to be more story than there was when we took our seats and opened our notebooks, is a powerful motivator. No distractions, no quick checks on Facebook or other social media, no looking something up on the internet real quick, only pen to paper, and the knowledge that we get to talk about what we’ve written, immediately when we’re done writing it.

This reminds me of a writing group I attended, for many years, with M.P. Barker, and Melva Michaelian, where we came to the group with paper and pen (no electronics) and wrote to prompts (or not; going rogue was allowed, as long as we wrote) for a set amount of time. I want to say it was about fifteen or twenty minutes at a stretch, and we would have two such sessions, with a break to chat and snack in between. I liked that dynamic, both the actual writing, and the knowing that, while I put pen to paper, the others were doing the same thing.

Even on evenings when getting into my groove took longer than I’d like, I eventually did, because there was that energy of other writers doing their thing, of being surrounded by others of my kind. I was, to my knowledge, the only writer in the group with an eye on a career writing historical romance. I have a talent for being a unicorn in these kinds of groups, the only X in the bunch, whatever X might be for that particular bunch.

I do get semi-unicorn points for my meetings with N, as she is writing contemporary romance, and I am writing historical, but it’s still romance, and N does have some historical projects in the pipeline, so only semi-unicorn. Half unicorn? Unicorn/horse hybrid? Is there a name for that? Halficorn? Theoretically, can unicorns and horses breed? This is not a question that I spend a lot of time pondering, but it does arise now and again. I don’t think I’m the only one to have this question, in the entire time of human existence.

Today will probably be a day for filling the big mug yet again, as I put on the big girl panties (flannel today, because we are now in late November) and move the Drama King scene from notebook to screen, then get my notes ready for tomorrow morning, so I have a roadmap for the new scene. Today feels, to a small extent, the way I felt riding home from that long-ago writing group. There’s that same flutter in my stomach, that yes, that this buzzing around me, the story people as real and alive as the person next to me, hands on the steering wheel, bright as the headlights that cut through the dark, as we talked about where our respective stories were going, what we’d written that night, what we planned to do with that during the week to come.

 

 

 

Every New Beginning

annabowling 1 Comment

Several years ago, I came across a website called Heroes and Heartbreakers, filled with posts on romance in books and television, and I instantly fell in love, liked, followed, friended, the whole deal, because I’d been looking for a romance community with which to celebrate my favorite genre. When I saw a tweet that they were looking for bloggers, my heart quickened, and I stuck out some feelers, wrote a sample post, waited for the reply, and then chair danced at the invitation to keep blogging for them.

Over the last few years, I got to recap shippy goings-on for favorite TV shows like How I Met Your Mother, Sleepy Hollow, Bones, The Big Bang Theory, and Outlander. I got to gush about romance novels that resonated with me, get advance peeks at exciting new books before they hit the shelves, and pick the best of the best books in times, tropes, and places I love. I got to read the work of other romance bloggers, engage in dialogue with other fans of the genre, and it even led to my first time co-presenting a workshop on blogging at last year’s NECRWA conference.

Late last week, I got the news that Heroes and Heartbreakers will be closing its website at the end of the year. The newsletter will remain, and I look forward to reading the new issues. Still, I’m going to miss the website. Thanks to Heroes and Heartbreakers, I’ve done a lot of reading, and watched a lot of romantic television, learned about writing to deadline, brainstorming, and getting straight to the  heart of the matter.

Sharing what I love about reading and writing romance fiction, on any platform, is part of the fun, and I am thankful for that. Any time I get together with romance-reading friends, there is going to be a part of the conversation when we touch on favorite authors, the books we love, the books we’d like to see. I’m planning on incorporating more of that on this blog, because the more I talk about romance fiction, the more of it I want to write.

Romance has been my genre home. long before I pilfered my first historical romance novel from my mother’s night table. I hardcore shipped characters in my favorite cartoons, among Greek, Roman and Norse mythologies, and no fairy tale was ever complete without a happily ever after, no matter how dark things got along the way.

I still remember reading The Kadin under the bed in the guest bedroom, the first time I got my hands on a magazine that was, at the time, called Romantic Times, the first time I walked the romance aisles of a used bookstore, no adult with me, because I was eighteen, and thus, I was the adult. I remember my consternation when I found that there were no traditional Tudors or traditional Edwardians to go along with the traditional Regencies. I remember the college friend who literally chased me across campus, to physically put Lovesong, by Valerie Sherwood, into my hand and announce that she had delivered my newest favorite book. I remember shielding myself from a chill wind at a pay phone (dating myself, but it was a good memory, so I don’t mind) so I could call a local indie bookstore and ask if they had a copy of Redeeming Love, by Francine Rivers, because the combination of a compelling love story with a faith based theme was new and exciting, and I wanted to reserve my copy. They did, and I did, and it remains one of my favorites to this day.

Romance has changed a lot since I nabbed that book from my mom’s nightstand, and it hasn’t. I find that fascinating. Cover aesthetics go through cycles. Subgenres fall in and out of favor. Authors reinvent themselves, retire, or manage to deliver the goods again and again, over years and even decades. I love the history of romance fiction as much as I love reading and writing historical romance itself, so talking about that here is a natural outgrowth. I look forward to sharing more about why I love what I love, and how it fits into my own work.

It’s late in the day, and that’s the magic seven hundred, so I’m going to leave this entry here, and go make some tea. I am proud and happy to be a romance writer and reader, and I will always be thankful for Heroes and Heartbreakers enriching my experience as both.

 

 

 

 

 

Christmas Story Questions

annabowling 2 Comments

When I was about four or five, I sat in the dining room of our two story Colonial house in Bedford, NY, with my parents and grandfather (Dad’s dad.) I was across from my grandfather, my mother at one end of the table, and my father at the other. I don’t remember the exact subject of adult conversation, but what I do remember is the knowledge hitting me that Christmas came every year, and I could count years from Christmas to Christmas. I don’t remember the exact time of year, though I want to say it was fall, which would fit. Christmas would not have been that far off, so my parents would have wanted to make plans. My grandfather would have returned to his home in Puebla, Mexico, long before then, so maybe they wanted to let him know what would be going on, even if he couldn’t be there.

Christmas Is still my favorite holiday. I will happily read Christmas romances at any time of year. I have been known to watch Christmas episodes of TV shows I do not otherwise watch, because Christmas. If there is a marathon of Christmas episodes, especially those from the 1970s, I am there. When I worked in a bookstore (for a brief span of time, two of them at once) I kept a special shelf for the Christmas anthologies that came out every year, so that customers could find the seasonal reads quickly, and took advantage of my employee discount to bring a good number of them home.

Now that we have the interweb, and e-books, I get alerts to new Christmas romances from favorite authors and new authors, often linked to ongoing story worlds. It’s not possible for me to be intimately familiar with all of those worlds, but put the word, “Christmas,” in the title or blurb, and I am at least going to take a look. For me, Christmas novellas are an important part of the holiday season. Double points if I can read said stories by the lights of the Christmas tree, cup of seasonally appropriate beverage (tea, cocoa, eggnog, cider) at hand. Triple points if there can be Christmas cookies or gingerbread involved.

I have never written a Christmas story. I don’t know why. Scratch that. I have never written a Christmas story for commercial fiction. I have written holiday themed fanworks, under other names, and I loved those. The chance to combine my favorite holidays, and favorite characters makes writing, which is already pretty good, even more fun, and it brings its own set of challenges as well.

The first thing that comes to mind is that several of the Christmas novellas I see these days are tied into established story worlds, complete with a handful of previous heroes and heroines, to show up for the holiday gathering, usually with adorable progeny in tow. Right now, I don’t have a continuing story world, apart from the eighteenth century as a whole, so An X Family Christmas is not happening until there is an X family. Same with Y Club Christmas, League of Z Chrismtas, and so on, which does not rule out the prospect of a Christmas story altogether, by any means.

Many of the stories in the countless anthologies I’ve gobbled are true standalones, two lovers, one ending, no sequels, prequels, or spinoffs, complete unto themselves. The historical era doesn’t matter much. Christmas is the great equalizer. Give me the customs of the time, toss in two people with emotional baggage, and crank said baggage up to eleven, because Christmas is also the great magnifier. All the tensions, hopes, regrets, possibilities for reconciliation, strangers who become friends, and possibly more; I love all that stuff.

Writing a Christmas-themed historical romance makes sense. I love Christmas. I love historical romance. I love writing. So why have I not written one of my own? No idea. Seriously, none. Maybe it’s time to fix that. Not for this year, because we’re nearly a third of the way through November, but that only means plenty of time to think about what sort of Christmas story I want to tell. Being a temporal nomad, without an established story world, the field is wide open. Medieval? Tudor? Restoration? Eighteenth century, on either side of the pond? Maybe skip ahead to the turn of the twentieth century once again? In Never Too Late, Amelia receives the journal in which she begins her tale as a Christmas present, and starts writing in it on New Year’s Day, so that’s kind of close.

This is the part of the post where I hear my dad’s voice saying that close only counts in something I can’t remember and horseshoes. In short, not technically a Christmas story, so I have some thinking to do. Good news is that I have plenty of time in which to do it, if I want to have my story ready for next year. Right now, I know nothing about it. I kind of like that. It’s a voyage of discovery, a reason to re-read some classic Christmas romances and look into some new ones, pick what I love best from Christmas stories that have gone before and see what I want to bring to the table.

Part of that process is picking the brains of others who love what I love. What kinds of Christmas romances do you like best? Any particular time period or trope or character type that will immediately get at least a second look? Have a favorite Christmas romance you’ve read, or perhaps written? Bring it on.

Typing With Wet Claws: Hello, November Edition

annabowling 2 Comments

Hello, all. Skye here, for another Feline Friday. The weather is gray and looks like rain, which makes Anty happy, and happy Anty means happy me, unless Anty is happy because the writing is going so well that she forgets to get up and give me food exactly when I want it, but don’t worry. I will remind her.  There is a lot to share this week, so I had better get to it.

First, as always, Anty was at Buried Under Romance on Saturday, rounding out her paranormal month with a look at vampire romance. That post is here, and it looks like this:

BURlovebites

Anty was at Heroes and Heartbreakers twice this week, which I think is pretty good. First, because it was an odd-numbered episode of Outlander, Anty has her recap. It is here, and it looks like this:

HandHOutlandercremedementhe

Because this is a brand new month, Heroes and Heartbreakers rounded up their bloggers’ reads from the last month. Anty and other bloggers have their answers here. I did not take a picture of that, because of technical difficulties, but Anty always likes to see what other people read during the month that has passed, and she is always happy to share her favorite read as well.

Now is the part of the post where I bring everybody up to date on Anty’s reading challenge at Goodreads. Anty gets an A+++ for this week, because she is four books ahead of schedule, having read seventy-nine out of ninety books. Because this is also the start of a new month, it is also when I take a look at how Anty is doing on her goal of reading more historical romance.

As of today, thirty-six of the seventy-nine are historical romance. On this goal, Anty can do better. That is okay, because she is currently reading three historical romances. Anty’s reading tastes often go in waves, so I am sure this will even out by the end of the year. She will need forty-five historical romances to make her goal of reading at least half historical romance this year. All four of the books she read last week were YA, and her reviews are here:

GReverythingeverything

Everything Everything, by Nicola Yoon

GRmorehappythannot

More Happy Than Not, by Adam Silvera

GRthesunisalsoastar

The Sun is Also a Star, by Nicola Yoon

GRupsideofunrequited

The Upside of Unrequited, by Becky Albertalli

Anty read all of those books in a couple of days, which is a nice change from taking a long time to read one book. Even though these books were not historical romances, all of them have love stories in them, and three of them count as romance. What Anty likes about these books is the intensity of emotion, and the distinct author voices. These are both things she hopes to bring into her own work, so taking in what she wants to put out sounds like a good approach to me.

Now that we are past Halloween, and into November, the holiday season is in full swing. The humans are discussing plans for Thanksgiving (I will get a small dish of turkey flavored cat food) and Christmas (this may involve additional humans coming into the house; either way, I still get presents, so I will deal.) It is also the time of year when Anty likes to snuggle under a warm blanket, with a hot beverage, while she reads, writes, or has some thinky time. These are the times when I am on mews duty, which I carry out by sitting very, very close, usually in catloaf formation, and sending out slow blinks and love beams. When Anty writes in her office, I lay on the small strip of hardwood floor near the doorway. I can rest my head on the carpet, but not my paws.

I get to see a lot from this position. Anty likes to write in longhand best, which eans she accumulates a lot of paper. Sometimes, she will throw me crumpled pieces of paper. Usually, I look at them, and I am interested until they stop moving. Then I am not interested anymore. It is kind of like that with writing. When Anty keeps going at a steady clip, the writing comes easier. When the story stops moving, then it is not as interesting anymore, and she might start doing something else. If those other things include petting or feeding me, then that is okay, but she really does need to get back to the writing after that.

When the story stops for Anty, it is usually a case of not knowing what happens next. Once she figures out what happens, then she can get back down to business. Sometimes, this can be solved with some research, like when she needs to know if her characters could do a thing in the eighteenth century, or how they would do it, or what they were wearing while doing that particular thing. Other times, it is more the feel of the scene, or a character would not do what she wants them to do. In those times, it is much better to go with what the character wants. She will probably end up doing that in the long run, anyway, so she may as well make it easier on herself.

Yesterday, Anty spent some time making sure that all of her papers and files were in the right places. This involved a lot of paper, but only paper she wanted to keep, so there was nothing for her to crumple for me. That is okay. I know it will come, in time, once she starts going through sticky notes. Sticky notes are my very favorite kind of crumpled paper, apart from the pamphlets that come inside new Moleskine notebooks. Those are the very very best, but there are only so many Moleskines even Anty can start at one time.

That is about it for this week, so, until next time, I remain very truly yours,

skyebyenew

see you next week

.

 

If Anything Happens To Me, It Was The Canada Goose

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Right now, I am at my desk, planner open in front of me, Pilot G-2 gel pens at the ready. I am running about an hour late, give or take a few minutes, but still roughly on schedule. The sky is clear outside my office window, and part of me wants to shut off the computer and head to the park because A) I want to leaf-peep, B) park people are already setting up for the holiday light show, and C) I want to see if the mallards and Canada geese are still there. I think so, on that last one. I don’t know if they are “our” ducks, or visitors from up north, on a layover as they head for their summer home, but I am pretty sure the geese are ours. If anything happens to me, this guy did it.

1010canadagoose

Big guy in the center of the frame, that is, but do not underestimate his mate, next to him. I am pretty sure she has some skills of her own. They own this end of the pond. Let’s be honest, the whole pond, but this seems to be their favorite spot, possibly because of the benches, which mean humans, which mean food. To be clear, I mean that the humans would bring food for the geese, not become food for the geese, but let us consider this gander, above. I cannot rule that out.

I’ve taken to the habit of making at least one loop of the lake on my afternoon walks during the eek, whenever possible. It’s come to the point now, that, if I don’t make my loop, I miss it. Normally, I would play music on my headphones, but a writer friend suggested I try a podcast or audiobook, for a change. I am now on my second audiobook of the week. The first one was All The Bright Places, by Jennifer Niven, and I am still not emotionally recovered. Since my friend also suggested that I make the audiobooks for walks only, as an added incentive, and I didn’t want to wait to find out what happened to the two leads in ATBP, I bailed on the audiobook, got the hardcover at the library, and blazed through it.

Still thinking about that book (a love story, but not a romance) and the other Niven title I got at the same time, Holding Up the Universe. That one is a romance, and I’m not sure where History Is All You Left Me, by Adam Silvera, which I got at the same time, is going to end up; could go romance, could go not-romance, but there is definitely a love story (or two, maybe three, depending on what one counts) and maybe a bromance. Still too early to call on that one, and I would be perfectly happy taking it with me on my loop around the pond this afternoon, but it’s hardcover, not audiobook, so I may need to take it to a park bench or my favorite coffeehouse instead.

What I’ve noticed about this most recent YA binge is that I am gobbling the love stories in these books, while I give guilty looks to the two historical romances, one on my Kindle, and one in paperback, that still wait, with varying degrees of patience, for me to get back to them. Maybe I’m still not over my last historical romance read, Tyburn, by Jessica Cale. I know I’m still mourning a secondary character who left us far too soon. Books most certainly do have mourning periods, and respecting them is usually a smart move.

Later, tonight, after walk and geese and audiobook and dinner, I will settle into my office chair, and divide the screen into two windows. One window will be Skype, so I can talk to my writer friend, H, and the other window will be Netflix, so that we can watch the last two episodes of The Seven Deadly Sins season one, together. It’s anime, which I never would have picked on my own, and do not quiz me on the magic system, anime tropes, or the like, because what has my attention is (no surprise) the love stories. Renegade knights, sought for crimes they didn’t commit, tortured backstories, and star-crossed lovers who find ways to make it work? Um, yes, please. There is a part of my mind that is filing all of this away and figuring out how to siphon the essence for future historical romance doings.

This Saturday, I will attend my CR-RWA meeting, where Marie Lark will give a workshop on core story, which has been on my mind a lot lately, both for writing fiction and for updating the content of my own workshop that I’ll be giving online in March, through Charter Oak Romance writers.  I don’t think any of this is coincidence.

Where I am right now in my second draft of Her Last First Kiss, I need to get Ruby, my heroine, so wound with anxiety that the air crackles around her, with all the possible things that could go wrong, which is exactly when she throws herself in front of one of them. It’s a romance, so things will turn out fine, but up until then, no guarantees. Maybe I’m doing the writer version of carb-loading for that. This may require more than one loop around the lake, to sort everything out, and possibly a hot beverage in a travel mug.

Cave ansarem. (that’s Beware the Goose in Latin)

TheWriterIsOut

Ramblings of a Fictional Magpie

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First off, in case you missed it, my Frank Randall Deserved a Happy Ending post went live on Heroes and Heartbreakers yesterday. Don’t tell Skye I blabbed it before she could share the link. When I first read Outlander, I actually didn’t. I read Cross Stitch, the British version (and original title) because A) it supposedly had more historical content, and B) Claire was “nicer” to Frank. I didn’t know anything about Frank when I went into this, apart from the fact that he was Claire’s original husband, and, really, had no good options when Claire came back from the past, in love with, married to, and pregnant by another man. I’m still not sure how the legalities of a pre-existing marriage would hold when a woman finds herself two centuries in the past, as Husband #1 wouldn’t have been born yet, thus could not have married her, because he didn’t exist, but he did exist, because Claire remembers him, and is wearing his ring at the time.

All of that is largely to get me over the hump of the blank page, because I’ve been staring at it for a while now, and this entry needs to be written, so going with the “throw something at the page and see where we go from there” stage. I think the first love triangle that I was aware of was King Arthur, Queen Guinevere, and Lancelot. Guinevere and Lancelot have some chemistry, and, if it weren’t for one of them being married, I could probably get behind them, but she was married, and to Arthur, and even at, hm, I want to say six, or so, I knew that something about this equation could not turn out well. Camelot came crashing down, both in folklore and the musical, which I watched on TV at the home of family friends. I didn’t entirely understand what was going on (again, six) but I was enthralled. This is probably more proof that I came out of the box, hardwired for historical romance.

I was the kid who, when given Jane and Johnny West figures for Christmas (maybe that same year? That feels about right.) did not fall in love with the mystique and adventure of the American West. Instead, I made them act out the balcony scene from Romeo and Juliet. My dad was big on the classics, if nobody guessed that by now. Still, I think that wasn’t entirely what he had in mind. To this day, I’m not sure if Jane and Johnny were meant to be siblings or lovers. No, scratch that. I checked. They’re married. They also apparently had four kids. My parents probably kept that information from me, to forestall requests for the kiddo figures. I also did not know about the homestead, dogs, or friend and enemy figures, to say nothing of articulated horses and a bison. A bison. Seeing as how we have a stuffed bison (cuddly toy variety, not taxidermy variety) on top of our dresser, six year old me cannot complain of a bison-less existence.

This is the part where I stare at the screen, notice I have about two hundred more words to go before I can sign off on this entry, and have no earthly idea how to tie this into anything that will make sense to anybody but me. Maybe that’s okay. Maybe every entry doesn’t have to mean something,  and I can put what’s in my head out there, for readers to take what they will. After this, I have a critique partner’s chapter to look over, and then get something together for my weekly meeting with N. What I would most like to do is snuggle into my comfy chair, with a blanket, some hot beverage (tea or cocoa, not sure which one I would want in this hypothetical circumstance) and finish reading Holding Up the Universe, by Jennifer Niven, because I am still emotionally raw from blazing through her first YA novel, All The Bright Places.     What is left of my heart still wants to hang out there, hang onto that voice, and, as I did with my Best of the West figures, pick what I want from the source, and figure out how those elements would work in the world of historical romance.

I think I was hard-wired for that sort of thing, too. Meat Loaf (the singer, not the food) once said that people need to keep one thing in mind when listening to any song composed by his songwriter, Jim Steinman: that everything Steinman writes is from the same story world, and it all fits together. I think Meat called it Wonderland (not the Alice sort, IIRC) but I may be wrong on that one. Still, it stuck with me.

Maybe that’s why I go through periods when I know, without a doubt, I am in full magpie mode. I’m hungry for a certain kind of story, or setting, or character type. When magpie season hits, I have to inhale everything I can about the current fixation, process it, and trust that it’s going to come out again in my own work, in some fashion. At six, I probably did not register Romeo and Juliet’s ultimate fate, and, at more-than-six, I am not going to tell the Bard how to write, but, in a romance novel, the lovers would be alive, together, and happy about it. That’s hardwired, too, and I am fine with that.

TheWriterIsOut

 

 

 

 

 

History, Romance, and Historical Romance

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Right now, I’m sitting in my office chair, The Goo Goo Dolls playing in the background, and water bottle at the ready. Skye is curled against the office door, propped open (the door, not Skye) with a blush pink mini milk crate filled with art supplies. I have an ice pack for the finger I burned on the skillet while making sausage for breakfast this morning. My brain is still rather think-y, mostly about writing, the romance genre, and writing in the romance genre.

I’ve known I wanted to write love stories since I was far too young to be reading them, and yes, they do have to end happily. Back when I first jumped on board the historical romance train, things looked different within the genre. Books were books, not series, for the most part, and pretty much the entire sweep of history was fair game, the now-dominant Regency setting mostly in its own sphere, that of the traditional Regency. When I first started reading historicals, I loved the idea of a genre devoted to the specific spirit of a particular time, and distinctly remember asking a bookseller where the Elizabethans were. You know, like the Regencies, but the Elizabethan period, when Queen Elizabeth I ruled England. Or Tudor period as a whole; her dad’s era, or her granddad’s, it’s all good.

I remember the bookseller’s answer as well, after a few rounds of variations of “what on earth are you talking about, strange college student who is super into this historical romance thing?” There weren’t any. Historical romances could be set in any period, and, back then, they were, but these slim books with their distinctive covers only covered one historical period, and a relatively short one at that.

Well, then. Where’s the fun in that? Personally, I think there could be a market for that. Historical romances where the history and the romance are intrinsically intertwined are among my very favorites, and knowing where a reader could find stories in their favorite periods makes a lot of sense, but maybe that’s just me. I spent long hours in that bookshop, pulling spine after spine out of the shelves, for a glance at the cover, then a quick scan of the back blurb, looking for my preferred periods. In the rare case when cover and/or blurb didn’t tell me, the first page of the story usually did.

My favorites back then were anything in the 16th-18th century range, then medieval, then Edwardian, then ancient world, then whatever’s left can all mill about together. Special exception made for historical romances set in Australia. There have  never been enough historical romances set in Australia. Coughty-cough years later, my historical hierarchy has not changed, though the first three shuffle around in order from time to time. I think they have some kind of time share thing going, and I remain firm in my position on Australian historical romances. Tell me a historical romance is set in Australia, and then take my money. I need hear nothing more.

It’s a select group of romance novel elements that fit that designation. If either lead spends time in Newgate or Bedlam, give me that book. Star-crossed lovers who somehow make it work? I want that. No, scratch that. I need it. I want the struggle. I want to see our lovers get thisclose to being happy, have it all wrenched away, and then fight like hell to get it back, and, this time, they win. I’m perfectly fine if that takes multiple years, crosses oceans, or takes place on more than one continent. As long as I have a lump in my throat, my heart hurts a little, and I get to fist pump at the end, because the lovers made it, no matter what stood in their ways. Take that, antagonists, you are no match for true love.

There’s a lot to be said for quieter stories, and I have liked some of them, even loved a few. My first historical romance, My Outcast Heart, is a quiet story. My hero is a hermit, and my heroine, a subsistence farmer. Dalby and Tabetha are always going to be special to me, not only because they were my first sale, but because their story could not have come together any other way. I left them happy, healthy, and a wee bit better off than they started the story. Dalby started the story living in a shack in the woods by himself, so the bar was probably low for him to begin with, but still, they ended up together and happy about it, and I don’t think they’d consider their lives small at all. Quiet, yes, but not small. All right, Tabetha’s last name was Small before she married Dalby, but there’s a difference between Small and small.

From there, I took a detour to sixteenth-century Cornwall, and the turn of the twentieth century in England and Italy, before Jonnet and Simon found themselves in the middle of the English Civil War.  Every one of those periods, and the periods I’m writing in right now -the late eighteenth century for Her Last First Kiss on my own, and the modern age for my co-written novels with Melva Michaelian, influence the love stories, so that the stories as they happen couldn’t have happened the same way in any other era.

For me, that’s a lot of the fun. How are these particular lovers going to get what they want, within the world in which they live? How have the lives they’ve led up to the point where they decide this other person is it for them, affected how likely it is they are going to get to be with this person, and what are they going to have to do, or give up, to be with this person? For me, the HEA is all the more satisfying if they have to work hard for it, and take a few knocks along the way. That’s the type of story I hope to bring to my readers, with Her Last First Kiss, A Heart Most Errant, and everything else.

What kinds of historical romances are your very, very favorites?

 

 

 

September Song, aka Pressure

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This post has nothing to do with music. Okay, I do have a playlist on Spotify, titled A Working Day, that I do sometimes play to get myself in the key pounding mood, but we’re not talking about that. Well, not totally about that. If the first of September is when my own personal autumn begins, and the return of superpowers is expected, then Labor Day is the real stake in the ground. The calendar date of the official change of seasons never registered with me much. When I was but a wee little princess, the distinction was easy. In summer, I was not in school. In fall, I was. Do not try telling me that most of September is actually summer, because I am not buying that, not even with a coupon.

Right now, I am sitting at my desk, planner open in front of me, my second dose of Lapsang Souchong about two thirds drained from my pink skull and crossbones mug. I have taken my deskscape for the day, edited it, morning pages are written, and now it’s time to assign the day’s tasks. That’s some pressure. It’s September. I’m drinking hot tea. I am wearing a sweater.  Tomorrow is critique meeting. I have only nine more days to get A Heart Most Errant ready for beta readers. That’s a lot of pressure. : screams, runs in circles, arms flailing:

Apart from the critique session, those deadlines are self-imposed. Even with the critique session, that’s a mutually agreed upon date, and either N or I have the ability to move it when life so requires, which it may. We will see. This is the part of Her Last First Kiss where writing the first draft showed me that some things need to work differently in the second draft, and that always brings up a lot of concerns. Can I do this part of the story justice? Am I up to this? Do I need to write through splayed fingers, horror-movie-watching style (extremely difficult with either pen and paper or keyboard, possibly do-able with speech to text) because this part of the book hurts, both for Ruby and her Hero.  I know things will turn out all right. I already wrote the story.  This should not affect me this way.

Aha. Should. My old enemy, we meet again. Should has dragged me into a lot of trouble before, and I am not giving up my Labor Day for that kind of folderol. I should have had these pages already written. I should breeze through this with nary a care, because that’s what real writers do. I should sit down at the keyboard and bang out x thousand words in a session. I should write this or that or the other thing. I should, I should, I should…STOP.  Yeah, we’re not should-ing over here. Not today. Not when leaves are starting to turn, and I have pretty notebooks and fountain pens that need ink, and a faithful mews curled in my doorway, engaged in some pretty serious fur maintenance.

Not in September, the month I’ve been waiting for all summer, the month I wait for every summer. One would think that, since I know I get me-er in September, there wouldn’t be this feeling of pressure, but here it is, and the question becomes, what am I going to do with it? One of the things I like about breaking my day down by hour (that’s what the numbers and lines in my planner are) is that it lets me see that I really do have plenty of time.

Normally, when I set up my daily pages, I color code the hours, from light gray to dark gray, the one shot of color at noon and six, meal times. I like the rhythm of that, knowing that the darkening or lightening of the gray means the day is progressing. This morning, I was distracted, and colored in all the numbers in the color of the day. This tells my brain that everything is of the same importance, which may be sending a “do it all right the heck now” signal, which also tells me I don’t want to do that again.

What I do want to do is get this blog entry written, posted and publicized, and then take a step back from this section of Her Last First Kiss and make a plan for exactly what form the changing scenes need to take. Right now, my heart aches for Ruby and her Hero, now that they both know how they feel, and how impossible being together is, because of things. Hero aches because he really does believe there has to be a way to make this happen, and Ruby aches, because, deep in her pragmatic heart, she’s convinced that’s not how life works for people like her. She’s wrong, of course, because this is a romance novel, but, for where she is in the story, her only choice is to put up that emotional armor and soldier on, the only way she knows how. I will say this for her: she has a unique work ethic.

This is going to require some research for me, since I have hit on one of the “eh, I’ll figure that out later” things, and, well, it’s later. It’s September. Labor Day. Crunch time. We are past the point of no return on this draft, and I want to do this right. For both of them. For the readers (to which I am tempted to also add “both of them,” but that’s another matter.) For me, because I want the happy ending, too. There’s no feeling for writers that comes even close to typing The End on a final draft. Getting towards The End for a second draft is an important step in that journey, and every step in that direction counts.

So, today, I have my planner open, my A Working Day playlist on Spotify, and a third cup of tea in my immediate future (not Lapsang, though, because I know my limits; good ol’ Typhoo to the rescue) and then it’s time to head back to the eighteenth century.